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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
My, My, My
Non classifié
14 169
Piano & claviers
Piano seul
14 851
Piano, Voix et Guitare
8 328
Piano, Voix
6 930
Piano Facile
4 554
Orgue
1 468
Instruments en Do
1 113
Accompagnement Piano
570
Piano grosses notes
541
1 Piano, 4 mains
395
Accordéon
353
Piano Trio: piano, violon, violoncelle
144
2 Pianos, 4 mains
98
Piano (partie séparée)
71
Ligne De Mélodie, Piano
42
Orgue, Piano (duo)
37
Orgue, Trompette (duo)
34
Piano Quatuor: piano, 2 violons, violoncelle
27
Piano Quatuor: piano, violon, alto, violoncelle
23
Clavecin
15
Clavier
11
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Accordéon, Voix
10
1 Piano, 6 mains
5
2 Pianos, 8 mains
3
2 Accordéons
2
Instrument seul et Orgue
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3 359
Ligne De Mélodie, (Paroles) et Accords
2 721
Guitare
1 501
Paroles et Accords
1 038
Ukulele
979
Basse electrique
830
2 Guitares (duo)
157
Banjo
87
Guitare Pedal Steel
68
Piano, Guitare (duo)
66
Mandoline
65
Dulcimer
50
Guitare (partie séparée)
47
4 Guitares (Quatuor)
43
Ensemble de guitares
25
3 Guitares (trio)
19
Ukulele Baryton
17
Mandoline, Piano (duo)
10
Basse électrique (partie séparée)
7
Dobro
7
2 Ukuleles
5
Ensemble de Ukulélés
5
Mandoline, Guitare (duo)
5
2 Dulcimers (duo)
3
Partitions De Groupes
2
Guitare, Orchestre
1
3 Dulcimers (trio)
1
Guitare Tab, Voix, Basse, Batterie
1
+ 23 instrumentations
Retracter
Voix
Chorale SATB
5 606
Chorale 3 parties
1 952
Chorale 2 parties
1 299
Chorale TTBB
1 247
Chorale SSAA
783
Pack Instrumental pour Chorale
665
Chorale Unison
541
Voix duo, Piano
423
Chorale
356
Voix seule
310
Voix Soprano, Piano
203
Voix Alto, Piano
160
Voix duo
156
Voix Tenor, Piano
140
Voix haute
122
Voix Baryton, Piano
63
Voix moyenne, Piano
34
Voix basse, Piano
28
Chorale SSATB
17
Chorale SSAATTBB
13
Voix Soprano
9
Voix, Guitare
9
Voix Tenor
7
Chorale SSATTB
6
Voix Mezzo-Soprano, Piano
5
Chorale SSAB a cappella
5
Chorale, Orgue
4
Chorale SSAB, Piano
3
Voix basse
3
Soli, choeur mixte et accompagnement
2
Voix Moyenne
2
Voix Baryton
2
Chorale SATTBB A Cappella
2
Chorale SAATB A Cappella
1
Chorale SATBB
1
Voix haute, Piano
1
Chorale SATTB
1
Chorale SSAATB
1
+ 33 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
1 896
Flûte, Hautbois, Clarinette, Basson
1 572
Flûte traversière et Piano
1 287
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 098
Flûte traversière
1 039
Clarinette et Piano
1 036
Clarinette
893
Hautbois, Piano (duo)
838
Saxophone Alto et Piano
814
2 Saxophones (duo)
677
Saxophone Alto
669
2 Flûtes traversières (duo)
645
Saxophone Tenor
578
Saxophone (partie séparée)
545
2 Clarinettes (duo)
543
Quatuor de Clarinettes: 4 clarinettes
509
Saxophone Tenor et Piano
496
Saxophone
472
Quintette de Saxophone: 5 saxophones
367
Saxophone Soprano et Piano
323
Flûte, Clarinette (duo)
311
3 Clarinettes (trio)
283
Quatuor de Flûtes : 4 flûtes
238
Hautbois (partie séparée)
218
Saxophone Baryton, Piano
208
Flûte et Guitare
191
Trio de Flûtes: 3 flûtes
178
3 Saxophones (trio)
168
2 Flûte à bec (duo)
157
2 Hautbois (duo)
157
Flûte, Violon
151
Ensemble de saxophones
147
Clarinette (partie séparée)
146
Hautbois
140
Flute (partie séparée)
134
Clarinette, Violon (duo)
127
Clarinette, Harpe (duo)
113
Ensemble de Clarinettes
110
Ensemble de Flûtes
107
Hautbois, Clarinette (duo)
101
Cor anglais, Piano
94
Hautbois, Basson (duo)
94
Quintette de Clarinettes: 5 clarinettes
92
Flûte à Bec
89
Saxophone Soprano
83
Clarinette, Basson (duo)
77
Clarinette, Guitare (duo)
75
Flûte, Violoncelle
73
Flûte à bec Soprano
71
Flûte, Hautbois, Clarinette (trio)
67
Flûte, Violon, Piano
60
Flûte, Clarinette et Basson
60
Harmonica
60
Instruments en Mib
59
Quintette de Flûte : 5 flûtes
59
Flûte, Alto (duo)
55
Hautbois, Clarinette, Basson (trio d'anches)
53
Flûte, Clarinette, Piano (trio)
48
Flûte, Hautbois (duo)
48
Clarinette Basse, Piano
48
Flûte à bec Alto
47
Ensemble De Flûte à bec
46
Clarinette et Alto
43
Clarinette, Violoncelle (duo)
43
Hautbois, Violoncelle
42
Ocarina
42
Flûte, Hautbois, Violon
39
Flûte, Violoncelle, Piano (trio)
38
Quatuor de Flûtes à bec
35
Cor anglais, Guitare (duo)
33
Hautbois et alto (duo)
33
Saxophone et Guitare
32
Saxophone, Clarinette (duo)
30
Flûte à bec Tenor
30
Flute, harpe et violon
30
Saxophone Baryton
28
Flûte, Trombone (duo)
27
Hautbois, Guitare (duo)
27
Flûte, Hautbois, Basson
26
Flûte, Harpe et Violoncelle
25
Hautbois, Flûte
25
Flûte, Trompette (duo)
23
Flûte, Clarinette, Cor, Basson (Quartet)
21
Flûte, Tuba (duo)
20
Cor Anglais
16
Hautbois, violon (duo)
16
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
16
Flûte, Saxophone (duo)
16
2 Clarinettes, Piano
16
Flûte, Violon et Violoncelle
15
Flûte à bec Soprano, Piano
15
Hautbois, trombone (duo)
14
Clarinette, Tuba
14
Flûte, Alto et Piano
14
Clarinette, Trompette (duo)
14
2 Saxophones, Piano
13
3 Hautbois
13
Flûte, Basson et Piano
13
Clarinette Basse
12
Clarinette, Trombone (duo)
12
2 Flûtes traversières, Piano
12
Flûte à bec Alto, Piano
12
Flûte, Clarinette, Violon (trio)
11
Saxophone et Piano
11
Piccolo
11
Clarinette, Violoncelle, Piano (trio)
8
Harmonica, Piano
7
Flûte irlandaise
6
3 Flûtes à bec (trio)
6
5 Flûtes à bec
6
Flute, Cor (duo)
5
2 Cors Anglais Et Pianoforte
5
Flûte traversière, Orgue (duo)
5
4 Hautbois
4
Flûte à Bec, Piano
4
Cornemuse
4
Flûte et Trio à cordes
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Saxophone, Violon (duo)
3
Saxophone et Orgue
3
Piccolo, Piano
3
Flûte, trombone et piano
3
Saxophone et Harpe
2
Flûte, Violoncelle, Guitare
2
2 Flûtes à bec, Piano
2
Clarinette, Basson, Piano (trio)
2
2 Flûtes traversières, Harpe
2
2 Clarinettes, Basson
2
Flûte, Violon, Guitare
1
Melodica
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Orgue
1
Hautbois, Basson et Piano
1
Hautbois, Harpe
1
Clarinette, Orchestre
1
Flûte, Violon, Violoncelle et Piano
1
Ensemble à vent
1
Flûte, alto et harpe
1
Clarinette, trompette et piano
1
Flûte, Hautbois, Piano (trio)
1
Saxophone, Basson (duo)
1
Flûte à bec, Guitare (duo)
1
Clarinette, Alto et Piano (trio)
1
+ 138 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
956
Trompette
930
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
844
Trombone
691
Trompette, Piano
672
Trombone et Piano
596
Cor et Piano
520
Cor
444
Trompette (partie séparée)
407
Quatuor de Cuivres
396
Trombone (partie séparée)
289
Tuba et Piano
250
Quatuor de Cuivres: 2 trompettes, Cor, trombone
227
2 Trompettes (duo)
222
2 Trombones (duo)
198
Tuba
194
Quatuor de cuivres: 4 trombones
142
2 Cors (duo)
121
Trompette, Trombone (duo)
110
Cor anglais, Piano
94
Bass Clef Instruments
72
Trio de Cuivres
71
Cor (partie séparée)
64
2 Tubas (duo)
63
Euphonium, Piano (duo)
61
Instruments en Sib
57
Trompette, Cor (duo)
55
Tuba (partie séparée)
44
Trompette, Saxophone (duo)
36
Ensemble de Trompettes
34
Cor anglais, Guitare (duo)
33
Ensemble de Trombones
33
Trompette, Tuba (duo)
31
Quatuor de cuivres: 4 cors
31
3 Trombones (trio)
27
Euphonium
26
Trombone, Violon (duo)
21
3 Trompettes (trio)
19
2 Euphoniums et 2 Tubas
17
Cor Anglais
16
Tuba et Orgue
15
4 Tubas
14
Instruments en Fa
13
2 Trompettes, Clavier (piano ou orgue)
10
Quatuor de cuivres: 2 trompettes, 2 trombones
9
Trompette, violon (duo)
8
Trombone basse et Piano
8
Ensemble de Cors
7
Cor, Tuba (duo)
6
Trombone, Tuba (duo)
6
Cor, Violoncelle (duo)
5
Trompette, Violoncelle (duo)
5
Trompette, Violoncelle et Piano
5
2 Cors Anglais Et Pianoforte
5
Trombone, Orgue
5
Quatuor de cuivres: 4 trompettes
4
Trombone basse
3
Clarinette, Cor (duo)
3
Trompette, Basson (duo)
3
2 Cors, Piano
3
3 Cors (trio)
3
Euphonium, Tuba (duo)
2
Trompette, Harpe
2
Cor et Harpe
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trombone, violoncelle (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
2 Trombones, Piano
1
Euphonium (partie séparée)
1
2 Euphoniums (duo)
1
Trompette et Guitare
1
Trombone, Cor (duo)
1
Cor, Trompette, Trombone (trio)
1
+ 70 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 955
Harpe
2 887
Violon
1 384
Violon et Piano
1 328
Violoncelle, Piano
878
Violoncelle
769
Alto, Piano
676
Violon, Violoncelle (duo)
637
Alto seul
604
2 Violons (duo)
533
Trio à Cordes: violon, alto, violoncelle
523
Quintette à cordes: 2 violons, alto, violoncelle, basse
341
Harpe, Flûte (duo)
311
2 Violoncelles (duo)
303
Violon, Alto (duo)
267
Contrebasse, Piano (duo)
256
2 Altos (duo)
226
Contre Basse
203
2 Harpes (duo)
193
Trio à Cordes: 2 violons, violoncelle
153
Violon (partie séparée)
149
Alto (partie séparée)
129
Trio à cordes: 3 violins
100
Alto, Violoncelle (duo)
98
Contrebasse (partie séparée)
90
4 Violoncelles
88
Violon, Guitare (duo)
69
Harpe, Violon (duo)
62
Violoncelle , Guitare (duo)
61
Piano Trio: Violon, Alto, Piano
61
2 Contrebasses (duo)
58
Violoncelle (partie séparée)
56
Quatuor à cordes: 4 violons
42
Violon, Basson (duo)
39
Trio à Cordes: 3 violoncelles
37
Alto, Guitare (duo)
35
Trio à cordes
31
Trio à cordes: 3 altos
28
Trio à Cordes: 2 violons, alto
28
Violon, Tuba (duo)
23
Harpe et mandoline
18
Harpe, Voix
15
Quintette à cordes : 2 violons, alto et 2 violoncelles
14
Ensemble de Violons
13
Violoncelle, Contrebasse (duo)
13
Quintette à cordes: 2 violons, 2 altos, violoncelle
12
2 Violons, Piano
12
Violoncelle, Orgue
12
Violon, Clarinette, Piano (trio)
11
Ensemble d'Altos
10
Harpe, Violon, Violoncelle
9
Alto et Harpe
9
Quatuor à cordes : 4 altos
7
Harpe, Violoncelle (duo)
6
Harpe et Piano
6
Alto et Basson
5
Flûte, Contrebasse (duo)
5
4 Contrebasses
5
Harpe (partie séparée)
5
Alto, Orgue
3
Ensemble de Violoncelles
3
Violoncelle, Orchestre
2
Violon, Orgue
2
2 Altos, Piano
2
3 Harpes
1
Violon, Contrebasse (duo)
1
+ 61 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 949
Orchestre
902
Ensemble Jazz
900
Orchestre à Cordes
676
Batterie
540
Fanfare
520
Ensemble de cuivres
418
Cloches
413
Orchestre de chambre
340
Jazz combo
212
Ensemble de Percussions
90
Percussion (partie séparée)
73
Batterie (partie séparée)
63
Marimba
52
Vibraphone
29
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
27
Xylophone, Piano
21
Percussion
17
Timbales (partie séparée)
12
Xylophone
11
Quintette à Vent
8
Timbales
6
Piano et Orchestre
4
Orchestre Symphonique
2
Ensemble d'École
2
Instrumentation Flexible
2
2 Xylophones
2
Quintette de Cuivres: autres combinaisons
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Xylophone (partie séparée)
1
Big band
1
Xylophone ou Marimba ou Vibraphone
1
Caisse Claire
1
Quatuor à Vent : 4 instruments à vents
1
+ 30 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
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BASSON
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CHANT - CHO…
CHARANGO
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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Partitions Gratuites
8
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
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Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
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Flamenco
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Hymnes Africains
Mariage
Noël
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|
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Intermédiaire/avancé
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Partitions Numériques
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ACCUEIL
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NOUVEAUTÉS
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PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
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INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
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Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
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Folk Rock
Funk
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Halloween
Jazz
Jeux Video
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Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
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|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
38
TOP VENTES
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NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
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Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
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My, My, My
2 Pianos, 4 mains
Partitions à imprimer
98 partitions trouvées
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Take My Life and Let It Be (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Take My Life and Let It Be
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharo...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458066 By Sharon Wilson. By Frances R. Havergal, Henri A. C. Malan, and Lowell Mason. Arranged by Sharon Wilson. 19th Century,Christian,Lent,Romantic Period,Sacred. Score. 13 pages. Sharon Wilson #1037036. Published by Sharon Wilson (A0.1458066). The classic hymn tune HENDON by Henri A. Malan has been arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of G major and then transitions to the key of C major for the second verse.This slightly rhythmic, yet flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by Frances R. Havergal: Take my life, and let it be Consecrated, Lord, to Thee; Take my moments and my days, Let them flow in ceaseless praise.The purchase price includes a 7-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
My Savior First of All
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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John R
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Makayla Stevenson
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My Savior First of All
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Makayla Stevenson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1077480 Composed by John R. Sweney. Arranged by Makayla Stevenson. Sacred,Spiritual,Traditional. Score. ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1077480 Composed by John R. Sweney. Arranged by Makayla Stevenson. Sacred,Spiritual,Traditional. Score. 6 pages. Makayla Stevenson #681672. Published by Makayla Stevenson (A0.1077480). This arrangement features a straightforward setting of the hymn My Savior First of All, by beloved lyricist Fanny Crosby. Composed for the intermediate level, this two-piano duo allows both pianists opportunities to carry the melody and provide the beautiful harmonic structure. Perfect for church, recitals, special events, or personal enjoyment.
$6.99
Into My Mind
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Helen Porter
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medium/advanced players
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Into My Mind
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Helen Porter
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.976590 Composed by Helen Porter. 20th Century,Classical,Concert,Romantic Period. Score. 10 pages. Helen ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.976590 Composed by Helen Porter. 20th Century,Classical,Concert,Romantic Period. Score. 10 pages. Helen Porter #3684933. Published by Helen Porter (A0.976590). IT CAME INTO MY MIND is a 2 movement 2 piano composition, for medium/advanced players. The first section is playful and happy and the second is very exciting and rhythmic, building to a climax at the end. Both piano parts are of equal standard of difficulty.
$15.00
Cumbia Op.22
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2 Pianos, 4 mains
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Alexander Klein
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Cumbia Op.22
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Alexander Klein
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.987687 Composed by Alexander Klein. Contemporary,Jazz,Latin,World. Score. 19 pages. Alexander Klein #2076019. Publ...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.987687 Composed by Alexander Klein. Contemporary,Jazz,Latin,World. Score. 19 pages. Alexander Klein #2076019. Published by Alexander Klein (A0.987687). Cumbia is yet another of my musical homages to the rhythms and sounds of Colombia. This lively, syncopated musical expression was partly imported to Colombia from Africa during the slave trade back in the 16th, 17th and 18th centuries. Since the Atlantic coast of Colombia was the main port of this trade, the area also became the cradle of Cumbia and many other African-influenced genres. My work explores the main rhythmical patterns of the Cumbia, as well as its modal-type melodies. However, I have also mixed it with jazz-influenced harmonies and salsa-flavored rhythms to reflect my own bi-cultural upbringing. All in all, I like to consider my Cumbia as a homage to the rich, lively and irresistible music of African-American cultures. - Alexander Klein.
$6.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Hymns of Reflection for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Hymns of Reflection for Two Pi
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spaf...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458057 By Sharon Wilson. By American Folk Song, Grant Colfax Tullar, Henri A. C. Malan, Horatio G. Spafford, James L Nicholson, Lowell Mason, Philip P. Bliss, and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Folk,Lent,Sacred. Score. 75 pages. Sharon Wilson #1037027. Published by Sharon Wilson (A0.1458057). This collection contains 5 uplifting worship hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays Face to Face and the YouTube video features It Is Well with My Soul.Song titles included in this collection: Face to FaceIt Is Well with My SoulTake My Life and Let It BeThere Is a FountainWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
Swanee
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2 Pianos, 4 mains
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AVANCÉ
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Paul Posnak & Anita Castiglion
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Paul Posnak
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Swanee
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Paul Posnak
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Cl...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1175185 By Paul Posnak & Anita Castiglione. By George Gershwin. Arranged by Paul Posnak. 20th Century,Classical,Jazz,Standards. Score. 10 pages. Paul Posnak #775326. Published by Paul Posnak (A0.1175185). Arrangement for 2 pianos, 4 hands of Swanee by George Gershwin.Foreword by the arranger:George Gershwin, since his days as a teenage song-plugger in Tin Pan Alley, loved the medium of two pianos. A consummate improviser with a harmonically sophisticated, jazz-influenced,orchestral approach to the treatment of melody, he was born into the great age of touring duo piano teams, such as Bauer and Gabrilowitsch, Josef and Rhosina Levine, Luboshutz and Nemenoff, and Gershwin's favorite team, Arden and Ohman. Gershwin loved the multi-voiced orchestral color, power and range of two pianists playing and improvising together. In his first major show written with brother Ira, the 1924 Lady Be Good, he incorporated the renowned team of Phil Ohman and Victor Arden into the musical theater pit orchestra, not only to add to the orchestra's sound and rhythmic drive, but also to play during breaks in the action and during Intermission. They even played encores! This successful formula was repeated for the 1926 show, Oh, Kay, and for the 1927 show, Funny Face.Gershwin's own bravura improvisations on his songs sound, even to the trained ear, like two pianos. I have transcribed (and digitally re-recorded) a number of these improvisations note-for-note from the old LP-remastered 78 rpm records and radio broadcasts. I have tried to capture his own two-fisted orchestral keyboard style: his love of inner voices, contrapuntal runs, jazz figurations, sophisticated chordal textures, and swing.These arrangements resulted from my appearance in 2003 as one of two soloists in several all-Gershwin concerts with The National Symphony Orchestra under the direction of Marvin Hamlisch. Marvin suggested that I also play a couple of my Gershwin improvisation transcriptions, and we thought it would be a perfect touch for Lorin Hollander, the other soloist, and me to play a short two-piano piece. I was surprised to find very few two-piano arrangements of Gershwin's songs. I became inspired to fill this void in the duo piano repertoire. It is my hope that these settings will offer a worthy challenge and musical reward for intermediate and advanced piano students and amateurs, and a unique addition to the duo piano literature for professional pianists and duo piano teams the world over.Paul Posnak.
$12.00
Chorale Prelude Op.67 N.49 for Piano Duet (2 Pianos)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Max Reger
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Cristiano Vecchi
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L
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Chorale Prelude Op.67 N.49 for
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Cristiano Vecchi
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.963576 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Concert,Instructional,Romantic Per...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.963576 Composed by Max Reger. Arranged by Cristiano Vecchi. Christian,Concert,Instructional,Romantic Period,Sacred. Score. 16 pages. Cristiano Vecchi #6589577. Published by Cristiano Vecchi (A0.963576). Werde munter mein Gemüte (Be alert, my soul):a warm chorale prelude with a rhythmic diminutio in the way of the ancient fantasia and an interesting dynamic bass part, originally composed for Organ by Max Reger in five real parts. Arrangement for two Pianos. Since the 1st Piano Part is easier, this arrangement can be played by pupil and teacher, in a recital or for a sight-reading exercitation. Added extra parts to replace the 1st Piano with two instruments, like a Piano Trio: R.H. Fl. Ob. Vl. Vla. Cl.Bb Sopr.Sax Cl. Eb; L.H. Bass Fl. Engl. or French Horn Cl.Bb Bsn. Vlc. Vla. Bass Cl. Tenor Sax Alto Sax.Duration: 1'35.Also available for Woodwind Quintet, String Quintet (in D Major like this one).SCORE and PARTS. MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.
$3.99
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 mains
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 mains
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AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. P...
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Instrumental Duet,Keyboard - Level 5 - SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Bunte Blätter
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2 Pianos, 4 mains
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Contemporain
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Joerg Widmann
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Bunte Blätter
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Schott Music - Digital
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SheetMusicPlus
2 pianos - SKU: S9.Q771527 For two pianos. Composed by Joerg Widmann. Downloadable, Performance score. Duration 17'. Schott Music - Digital #Q771...
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2 pianos - SKU: S9.Q771527 For two pianos. Composed by Joerg Widmann. Downloadable, Performance score. Duration 17'. Schott Music - Digital #Q771527. Published by Schott Music - Digital (S9.Q771527). After an early mini piece for this instrumentation, Bunte Blätter (Coloured Leaves) is my first real piece for two pianos. It has become a collection of highly diverse and multifaceted pieces and forms, ranging from Walzer (Waltz) to Danse macabre, from Fanfare to Zirkusparade (Circus Parade). The fact that the interpreters of the world premiere, Arthur and Lucas Jussen, are siblings, may and should be felt in the teasingly affectionate Fangspiel (Game of Tag) in which the two pianists sometimes deliberately play past each other. The collection is completed by Rätsel (Riddle) for Peter Sloterdijk's 75th birthday, a small, sphinx-like piece for the librettist of my Babylon opera. - Jörg Widmann.
$31.99
I Shall Not Be Moved (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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FACILE
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Gospel Spirituel
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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I Shall Not Be Moved
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Stan...
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Standards,Traditional. Score. 13 pages. Sharon Wilson #3516203. Published by Sharon Wilson (A0.565175). This arrangement of the traditional spiritual I Shall Not Be Moved is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the first chorus and verse. Bold and cheerful, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 6-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the words found in Psalm 1: Blessed is the man who doesn’t walk in the counsel of the wicked…but his delight is in Yahweh’s law…He will be like a tree planted by the streams of water… (WEB)Lyrics:I shall not be moved,I shall not be moved,I shall not be moved,Like a tree planted by the water,I shall not be moved.When my cross is heavy,I shall not be moved,When my cross is heavy,I shall not be moved,Like a tree planted by the water,I shall not be moved.
$5.99
Twisted Nerve
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2 Pianos, 4 mains
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FACILE
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Bernard Herrmann
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Silvia V
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Twisted Nerve
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Silvia V
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.653998 Composed by Bernard Herrmann. Arranged by Silvia V. 20th Century,Contemporary,Film/TV,Video Game....
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2 Pianos,4 Hands,Piano Duet - Level 2 - SKU: A0.653998 Composed by Bernard Herrmann. Arranged by Silvia V. 20th Century,Contemporary,Film/TV,Video Game. Score. 5 pages. Silvia V #263086. Published by Silvia V (A0.653998). This is my arrangement of the Whistle Theme featured in Kill Bill Vol. 1, originally from Twisted Nerve by Bernard Herman. For 2 pianos. Please visit my channel https://www.youtube.com/channel/UCbqt7XsJNYFz8rcHFCXpjoQ/featured and let me know if you have a request! hotaru.chivi@gmail.com.
$4.99
Slow Blues (Oscar Peterson & Count Basie) by My Transcriptions - 2 Piano 4-Hands
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2 Pianos, 4 mains
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My Transcriptions
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Slow Blues (Oscar Peterson & C
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Musicnotes
Sheet Music for Slow Blues (Oscar Peterson & Count Basie) by My Sheet Music Transcriptions arranged for Instrumental Duet;2 Piano 4-Hands in C Major. Digita...
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Sheet Music for Slow Blues (Oscar Peterson & Count Basie) by My Sheet Music Transcriptions arranged for Instrumental Duet;2 Piano 4-Hands in C Major. Digital sheet music from Musicnotes.
$9.99
You Are My Sunshine / Canon in D (Wedding Version) by Paul Hankinson - 2 Piano 4-Hands
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2 Pianos, 4 mains
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Paul Hankinson
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You Are My Sunshine / Canon in
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Musicnotes
Sheet Music for You Are My Sunshine / Canon in D (Wedding Version) by Paul Hankinson arranged for 2 Piano 4-Hands;Instrumental Duet in D Major. Digital sheet mu...
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Sheet Music for You Are My Sunshine / Canon in D (Wedding Version) by Paul Hankinson arranged for 2 Piano 4-Hands;Instrumental Duet in D Major. Digital sheet music from Musicnotes.
$6.99
Epilogue
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2 Pianos, 4 mains
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AVANCÉ
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Justin Hurwitz
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Danny McGarry
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Epilogue
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Danny McGarry
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1470047 Composed by Justin Hurwitz. Arranged by Danny McGarry. 21st Century,Film/TV,Jazz,Romantic Period...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1470047 Composed by Justin Hurwitz. Arranged by Danny McGarry. 21st Century,Film/TV,Jazz,Romantic Period. Score. 21 pages. Danny McGarry #1047770. Published by Danny McGarry (A0.1470047). Accurately and artistically arranged for Virtuosic 2-Piano Duet. Much time was spent carefully mapping harmonies and optimizing rhythm from the original orchestration while utilizing a wide range of techniques unique to the piano. All fingerings are personally tested and informed from over a decade of experience playing advanced/virtuosic piano music. This duet is designed for balanced difficulty, melody/harmony balance, and solo time between parts.Approx. length: ~8:00If you enjoy this piece, please consider checking out the rest of my catalogue for more arrangements from film scores, musicals, radio classics, and original compositions in the future!
$12.99
Whiter Than Snow (2 Pianos, 4 Hands Duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Whiter Than Snow
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458061 By Sharon Wilson. By James L. Nicholson and William G. Fischer. Arranged by Sharon Wilson. 19th ...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1458061 By Sharon Wilson. By James L. Nicholson and William G. Fischer. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Lent,Sacred. Score. 16 pages. Sharon Wilson #1037031. Published by Sharon Wilson (A0.1458061). Here is the beautiful hymn Whiter Than Snow by William G. Fischer arranged as a dual piano duet (for 2 pianos, 4 hands). Both parts carry the melody at times making it fun and equally challenging for both players while adding variety for the listeners. The song begins in the key of C major and then transitions to the key of G major for the second verse.This relaxed and flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by James L. Nicholson: Lord Jesus, I long to be perfectly whole; I want Thee forever to live in my soul . . . Whiter than snow, yes, whiter than snow, Now wash me, and I shall be whiter than snow.The purchase price includes an 8-page score with combined PIANO 1 and PIANO 2 parts on each page (Grand Staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). This arrangement is one of the 5 hymns in the collection Hymns of Reflection for Two Pianos.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99
Mahler - Symphony No. 7, IV. Nachtmusik
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, IV. N
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389354 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 4...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389354 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 49 pages. Barry Mortichesky #972937. Published by Barry Mortichesky (A0.1389354). Part of a long-term project to arrange the entire Mahler cycle, all 11 symphonic works, to only two pianos on four hands. This is my version of the fourth of five movements, the second of two Nachtmusik andantes, from Mahler's Seventh Symphony.
$15.00
Mahler - Symphony No. 7 (1905)
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389358 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 3...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389358 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 389 pages. Barry Mortichesky #972943. Published by Barry Mortichesky (A0.1389358). This is my complete version of Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. The mp3 recordings are available listen under each movement's individual entries. Thank you, and I hope you enjoy.
$70.00
Mahler - Symphony No. 7, II. Nachtmusik
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2 Pianos, 4 mains
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AVANCÉ
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Gustav Mahler
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Barry Mortichesky
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Mahler - Symphony No. 7, II. N
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Barry Mortichesky
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389349 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 5...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.1389349 Composed by Gustav Mahler. Arranged by Barry Mortichesky. 20th Century,Romantic Period. Score. 59 pages. Barry Mortichesky #972932. Published by Barry Mortichesky (A0.1389349). This is my version of the second of five movements, the first of two Nachtmusik andantes, from Mahler's Seventh Symphony. This is not simply a transcription of the orchestral score onto four staves, like Mahler's incipient sketches. This is a reimagining of the orchestral language in the context of a piano duet, and an opportunity to be realized by less costly ensembles. Thank you, and I hope you enjoy.
$15.00
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