Partitions Numériques de add pour Violoncelle, Basse continue

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Two Sonatas #Violoncelle, Basse continue #FACILE #Classique #Benedetto Marcello #Two Sonatas #Schott Music - Digital #SheetMusicPlus

Cello and basso continuo - easy - SKU: S9.Q911 No. 1 F Major and No. 4 G Minor. Composed by Benedetto Marcello. This edition: Sheet music. Baroqu...(+)

Cello and basso continuo - easy - SKU: S9.Q911 No. 1 F Major and No. 4 G Minor. Composed by Benedetto Marcello. This edition: Sheet music. Baroque - Cello - cello library. Cello Library. Downloadable. Schott Music - Digital #Q911. Published by Schott Music - Digital (S9.Q911). The six sonatas by Benedetto Marcello (1686-1739) are among the best-known baroque compositions for violoncello and basso continuo, second only to those by Antonio Vivaldi. Marcello was a famous composer during his lifetime, and consequently his collection could be found in printed editions in the major European music metropolises of London, Paris and Amsterdam. Even if there is some uncomfortable fingering in these sonatas - which might be due to Marcello's working with a five-string cello with an added E' string - they are of only moderate difficulty and belong to the standard works of the violoncello teaching literature.

Sonata C major #Violoncelle, Basse continue #FACILE #Stephen Paxton #Sonata C major #Schott Music - Digital #SheetMusicPlus

Cello and basso continuo - easy to intermediate - SKU: S9.Q25910 Composed by Stephen Paxton. This edition: Sheet music. Cello Library. Downloadable. Op....(+)

Cello and basso continuo - easy to intermediate - SKU: S9.Q25910 Composed by Stephen Paxton. This edition: Sheet music. Cello Library. Downloadable. Op. 3/3. Schott Music - Digital #Q25910. Published by Schott Music - Digital (S9.Q25910). Key: C major.Stephen Paxton was one of the most important English composers for the cello in the transitional period between the Baroque and Classical eras. As the cello repertoire does not feature many very early Classical works his Sonatas op. 3, written for amateur cellists and students, fill a significant gap in tuition repertoire. This three-movement Sonata op. 3/3 is very well suited to the cello and distinguished by its elegant and appealing melodies. The sonata can be played using the first four finger positions. As a cellist Paxton was very familiar with the technical capabilities of his instrument and knew how to make it sing with simple and effective figures. The first movement consists of two sections and has an expressive middle section in C minor. The slow movement uses an Irish folk song (â€˜Gramachreeâ€™), with two dance movements (Minuet 1 and 2) at the end. This new edition reproduces all the details of the first printed version, with just a few dynamic markings added in square brackets. The bass part has been written out in the style of an early Classical keyboard accompaniment so as to underline the galant rococo style of the piece.