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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In C major.
Non classifié
2 717
Piano & claviers
Piano seul
6 566
Piano, Voix
3 043
Piano Facile
2 447
Instruments en Do
865
Piano, Voix et Guitare
580
Piano grosses notes
477
Orgue
207
1 Piano, 4 mains
135
Accompagnement Piano
125
Accordéon
58
Piano Trio: piano, violon, violoncelle
30
2 Pianos, 4 mains
22
Orgue, Trompette (duo)
10
Clavecin
6
Piano (partie séparée)
5
Accordéon, Voix
5
Orgue, Piano (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
1 Piano, 6 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Accordéons
2
2 Pianos, 8 mains
2
Clavier
1
Instrument seul et Orgue
1
+ 20 instrumentations
Retracter
Guitares
Guitare notes et tablatures
897
Ligne De Mélodie, (Paroles) et Accords
322
Basse electrique
321
Ukulele
216
Guitare
129
2 Guitares (duo)
32
Mandoline
15
Piano, Guitare (duo)
13
Banjo
12
Paroles et Accords
6
3 Guitares (trio)
5
Mandoline, Piano (duo)
3
4 Guitares (Quatuor)
3
2 Ukuleles
1
Dulcimer
1
Ensemble de guitares
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
160
Chorale 3 parties
63
Chorale TTBB
46
Chorale 2 parties
32
Chorale SSAA
32
Voix Tenor, Piano
28
Voix Soprano, Piano
22
Chorale Unison
20
Voix seule
20
Voix haute
16
Voix Alto, Piano
16
Voix moyenne, Piano
12
Voix duo
10
Voix duo, Piano
8
Voix Baryton, Piano
6
Voix Tenor
6
Voix basse, Piano
4
Chorale
2
Voix Soprano
2
Voix basse
1
Chorale SSATB
1
Chorale SSAATTBB
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière et Piano
250
Flûte traversière
189
Clarinette et Piano
185
Hautbois, Piano (duo)
126
Clarinette
108
Saxophone Alto
104
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
89
Saxophone Alto et Piano
86
Quatuor de Saxophones: 4 saxophones
76
Saxophone Tenor et Piano
70
2 Flûtes traversières (duo)
67
Flûte, Hautbois, Clarinette, Basson
65
Instruments en Mib
65
Saxophone Tenor
62
Saxophone Soprano et Piano
61
2 Saxophones (duo)
53
2 Clarinettes (duo)
53
Quatuor de Flûtes : 4 flûtes
42
Quatuor de Clarinettes: 4 clarinettes
38
Flûte et Guitare
35
3 Saxophones (trio)
32
Hautbois (partie séparée)
28
3 Clarinettes (trio)
27
Quintette de Saxophone: 5 saxophones
24
Flûte à Bec
24
Saxophone (partie séparée)
24
Ensemble de Flûtes
24
Flûte, Clarinette (duo)
17
Cor anglais, Piano
17
Saxophone Baryton, Piano
15
Trio de Flûtes: 3 flûtes
15
Quatuor de Flûtes à bec
14
Ensemble de Clarinettes
14
Hautbois
13
2 Flûte à bec (duo)
12
Quintette de Clarinettes: 5 clarinettes
12
Hautbois, Basson (duo)
12
Harmonica
12
3 Flûtes à bec (trio)
11
Flûte, Clarinette et Basson
11
Clarinette, Violon (duo)
10
2 Hautbois (duo)
10
Clarinette, Violoncelle, Piano (trio)
10
Flûte, Hautbois, Clarinette (trio)
8
2 Flûtes traversières, Piano
8
Flûte à bec Soprano
8
Clarinette Basse, Piano
7
Flûte, trombone et piano
7
Flûte, Clarinette, Piano (trio)
7
2 Clarinettes, Piano
7
Flûte, Violoncelle
6
Flute (partie séparée)
6
Quintette de Flûte : 5 flûtes
6
Flûte, Violon, Piano
6
Flûte, Violon et Violoncelle
6
Hautbois, Violoncelle
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette, Guitare (duo)
6
Clarinette (partie séparée)
5
Saxophone Soprano
5
Clarinette, Violoncelle (duo)
5
Flûte, Violoncelle, Piano (trio)
5
Flûte à bec Alto
4
Saxophone
4
Saxophone et Guitare
4
Clarinette, Basson (duo)
4
Flûte, Hautbois (duo)
3
Saxophone Baryton
3
Flûte à Bec, Piano
3
Cor anglais, Guitare (duo)
3
Flûte, Hautbois, Piano (trio)
3
Clarinette, trompette et piano
3
Piccolo, Piano
3
Flûte, Hautbois, Basson
3
Flûte, Alto et Piano
2
Cor Anglais
2
Flute, harpe et violon
2
Flûte à bec Tenor
2
2 Cors Anglais Et Pianoforte
2
Flûte, Violon, Violoncelle et Piano
2
Hautbois, Guitare (duo)
2
Flûte et Quatuor à Cordes
2
Ensemble de saxophones
2
Flûte, Basson et Piano
2
5 Flûtes à bec
2
Flûte, Violon
2
Hautbois, Clarinette et Piano (Trio)
1
Flûte et Trio à cordes
1
Flûte, Trombone (duo)
1
Clarinette, Trompette (duo)
1
2 Flûtes à bec, Piano
1
Flûte, Trompette (duo)
1
Flûte traversière, Orgue (duo)
1
Hautbois, violon (duo)
1
Flûte, Alto (duo)
1
Clarinette, Harpe (duo)
1
Flûte de Pan
1
Flûte, Violoncelle, Guitare
1
2 Saxophones, Piano
1
Flûte irlandaise
1
Hautbois, trombone (duo)
1
Hautbois, Clarinette (duo)
1
Hautbois et alto (duo)
1
Flûte à bec Alto, Basse continue
1
Piccolo
1
Flûte, Tuba (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Ensemble De Flûte à bec
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble de Hautbois
1
Hautbois, Harpe
1
Clarinette Basse
1
Hautbois, Trompette (duo)
1
Hautbois, Flûte
1
+ 110 instrumentations
Retracter
Cuivres
Trompette
188
Trompette, Piano
130
Trombone et Piano
80
Instruments en Sib
71
Quatuor de Cuivres
69
Cor et Piano
67
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
57
Cor
48
Trombone
43
Instruments en Fa
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Bass Clef Instruments
31
2 Trompettes (duo)
28
Tuba et Piano
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
26
Trompette (partie séparée)
18
Cor anglais, Piano
17
2 Trombones (duo)
17
Tuba
15
Euphonium, Piano (duo)
14
Trombone (partie séparée)
14
Quatuor de cuivres: 4 cors
9
Trompette, Trombone (duo)
9
Quatuor de cuivres: 4 trompettes
9
Trompette, Violoncelle et Piano
9
2 Cors (duo)
8
3 Trombones (trio)
7
Ensemble de Trombones
6
Quatuor de cuivres: 4 trombones
4
Cor, Violoncelle (duo)
4
Cor anglais, Guitare (duo)
3
Ensemble de Cors
3
Trompette, Tuba (duo)
3
Cor Anglais
2
Trombone, Tuba (duo)
2
Cor (partie séparée)
2
Tuba et Orgue
2
2 Cors Anglais Et Pianoforte
2
2 Trompettes, Clavier (piano ou orgue)
2
Ensemble de Trompettes
2
3 Cors (trio)
2
Euphonium
2
Tuba (partie séparée)
2
Trio de Cuivres
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse et Piano
1
Trompette, Basson (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Cor (duo)
1
Cor et Basson (duo)
1
Cor, Tuba (duo)
1
Trompette, Trombone, Piano
1
3 Tubas (trio)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
+ 49 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
339
Violon et Piano
296
Violon
244
Violoncelle, Piano
208
Violoncelle
184
Alto, Piano
170
Harpe
147
Alto seul
119
2 Violoncelles (duo)
96
2 Violons (duo)
92
Violon, Violoncelle (duo)
86
Trio à Cordes: violon, alto, violoncelle
43
Contrebasse, Piano (duo)
37
Alto, Violoncelle (duo)
35
Violon, Alto (duo)
32
Violon (partie séparée)
31
Quintette à cordes: 2 violons, alto, violoncelle, basse
29
Contre Basse
27
Alto (partie séparée)
25
Trio à Cordes: 2 violons, violoncelle
21
2 Altos (duo)
17
Alto, Guitare (duo)
12
Violon, Guitare (duo)
11
4 Violoncelles
10
Trio à cordes: 3 violins
10
Violoncelle , Guitare (duo)
10
Trio à Cordes: 3 violoncelles
10
Violoncelle (partie séparée)
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Quatuor à cordes: 4 violons
6
2 Violons, Piano
6
Violoncelle, Contrebasse (duo)
4
Contrebasse (partie séparée)
3
Harpe, Flûte (duo)
3
Harpe, Voix
3
Alto et Basson
3
Violon, Basson (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle, Basse continue
2
2 Harpes (duo)
2
Quatuor à cordes : 4 altos
1
Harpe, Violon (duo)
1
Flûte, Contrebasse (duo)
1
2 Contrebasses (duo)
1
Violon, Clarinette, Piano (trio)
1
3 Harpes
1
Autoharp
1
Violon, Violoncelle, Clarinette
1
2 Altos, Piano
1
Violoncelle, Orchestre
1
Trio à cordes
1
Harpe et Piano
1
Trio à cordes: 3 altos
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Trompette et Piano
1
2 Violoncelles, Piano
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
224
Orchestre à Cordes
193
Orchestre
135
Orchestre de chambre
71
Ensemble Jazz
71
Cloches
50
Ensemble de cuivres
33
Jazz combo
12
Ensemble de Percussions
11
Batterie
10
Marimba
8
Percussion (partie séparée)
3
Fanfare
3
Ensemble d'École
3
Vibraphone
3
Xylophone, Piano
3
Piano et Orchestre
2
Marimba, Piano (duo)
1
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
Timbales (partie séparée)
1
+ 17 instrumentations
Retracter
Autres
Théorie de la musique
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Instruments
ACCORDEON
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BASSON
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
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XYLOPHONE
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Crtitères actifs :
In C major.
Saxophone Baryton, Piano
Partitions à imprimer
15 partitions trouvées
<
1
BACH: Sonata in C Major BWV 1033 for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
James Guthrie, ASCAP
#
BACH: Sonata in C Major BWV 10
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - SKU: A0.551572 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards...
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Baritone Saxophone,Piano - Level 4 - SKU: A0.551572 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317589. Published by jmsgu3 (A0.551572). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.
$32.95
March in C Major Z. 648
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Saxophone Baryton, Piano
#
DÉBUTANT
#
Henry Purcell
#
Nick Lacanski
#
March in C Major Z. 648
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theupperstaff
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.649731 Composed by Henry Purcell. Arranged by Nick Lacanski. Baroque,Concert,Instructional,Standards. Score...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.649731 Composed by Henry Purcell. Arranged by Nick Lacanski. Baroque,Concert,Instructional,Standards. Score and part. 5 pages. Theupperstaff #6264935. Published by theupperstaff (A0.649731).
$1.99
March in C Major Z. 647
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Saxophone Baryton, Piano
#
INTERMÉDIAIRE
#
Henry Purcell
#
Nick Lacanski
#
March in C Major Z. 647
#
theupperstaff
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.649693 Composed by Henry Purcell. Arranged by Nick Lacanski. Baroque,Concert,Instructional,Standards. Score...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.649693 Composed by Henry Purcell. Arranged by Nick Lacanski. Baroque,Concert,Instructional,Standards. Score and part. 5 pages. Theupperstaff #6258937. Published by theupperstaff (A0.649693).
$2.99
Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
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Saxophone Baryton, Piano
#
FACILE
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Sc...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888325. Published by jmsgu3 (A0.550924). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach-Gounod: Ave Maria for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bar
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549365 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding....
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549365 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490145. Published by jmsgu3 (A0.549365). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano, S0.661797. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Telemann: Four Sonatas for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Georg Philipp Telemann
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James Guthrie, ASCAP
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Telemann: Four Sonatas for Bar
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.551673 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.551673 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 130 pages. Jmsgu3 #5330401. Published by jmsgu3 (A0.551673). I. Sonata in G Major. Duration: 6:45, Score: 19 pages. In four movements:1. Cantabile 2. Allegro 3. Affettuoso 4. AllegroII. Sonata in C Minor. Duration: 11:47, Score: 22 pages. 209 measures. In five movements: 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. AllegroIII. Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace 2. Largo 3. AllegroIV. Sonata in Bb Major. Score: 17 pages, duration: ca. 9:30. In five movements:1. Largo 2. Allegro 3. Allegretto 4. Vivace 5. Allegro.
$49.95
Habanera (for solo baritone sax w/ piano accompaniment)
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Opera
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Classique
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Georges Bizet
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Rodrigo Faleiros
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Habanera
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Rodrigo Faleiros
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1292034 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Oper...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1292034 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Opera,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #882603. Published by Rodrigo Faleiros (A0.1292034). Introducing a delightful adaptation of Georges Bizet's iconic aria Habanera from the beloved opera Carmen, now expertly arranged for solo baritone sax with a rhythmic and hypnotic piano accompaniment. This accessible sheet music offers a seamless fusion of the main melody line, thoughtfully transposed to both C minor and C major keys, ensuring a smooth and enjoyable playing experience for musicians of varying skill levels. Ideal for intermediate players seeking to showcase their artistry, this arrangement also warmly welcomes beginners to explore the enchanting world of classical music. Immerse yourself in the timeless charm of this operatic gem.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here.
$2.99
Habanera (for solo baritone sax w/ piano accompaniment)
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Opera
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Classique
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Georges Bizet
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Rodrigo Faleiros
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Habanera
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Rodrigo Faleiros
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1292050 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Oper...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1292050 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Contest,Festival,Opera,Romantic Period. Score and part. 4 pages. Rodrigo Faleiros #882624. Published by Rodrigo Faleiros (A0.1292050). Introducing a delightful adaptation of Georges Bizet's iconic aria Habanera from the beloved opera Carmen, now expertly arranged for solo baritone sax with a rhythmic and hypnotic piano accompaniment. This accessible sheet music offers a seamless fusion of the main melody line, thoughtfully transposed to both C minor and C major keys, ensuring a smooth and enjoyable playing experience for musicians of varying skill levels. Ideal for intermediate players seeking to showcase their artistry, this arrangement also warmly welcomes beginners to explore the enchanting world of classical music. Immerse yourself in the timeless charm of this operatic gem.Don't miss other arrangements I've made for this and other classical works. You can check them all clicking here.
$2.99
Air on the G String by Bach for Baritone Sax and Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Ander
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Air on the G String by Bach fo
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Woods Only, Arrangements
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1045604 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1045604 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #650183. Published by Woods Only, Arrangements (A0.1045604). This easy arrangement for baritone sax and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$1.99
Toreador March (from the opera Carmen) - easy version
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Saxophone Baryton, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1473537 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1473537 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050882. Published by Rodrigo Faleiros (A0.1473537). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo baritone sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Saxophone Baryton, Piano
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DÉBUTANT
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.1473536 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period...
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Baritone Saxophone,Piano - Level 1 - SKU: A0.1473536 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050881. Published by Rodrigo Faleiros (A0.1473536). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo baritone sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
La Fille aux Cheveux de Lin (The Girl with the Flaxen Hair)
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Saxophone Baryton, Piano
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Contemporain
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Brandon C Stanley
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Brandon C Stanley
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La Fille aux Cheveux de Lin
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Brandon C Stanley
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SheetMusicPlus
Baritone Saxophone,Piano - SKU: A0.1315649 By Brandon C Stanley. By Brandon C Stanley. Arranged by Brandon C Stanley. 20th Century,Classical. Score and ...
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Baritone Saxophone,Piano - SKU: A0.1315649 By Brandon C Stanley. By Brandon C Stanley. Arranged by Brandon C Stanley. 20th Century,Classical. Score and part. 10 pages. Brandon C Stanley #904392. Published by Brandon C Stanley (A0.1315649). La Fille aux Cheveux de Lin (commonly translated to The Girl with the Flaxen Hair) by Claude Debussy is the eighth of the composer's Préludes, Book I (1909-1910), and is one of his most recorded pieces to date.This arrangement for solo baritone saxophone (saxophone baryton) and piano accompaniment matches the original piece in length and key (Gb major).PARTS INCLUDED:Piano (English)Piano (French)Baritone Saxophone (English)Saxophone Baryton (French)Though the piano accompaniment adds much chordal structure to the prelude, cues are provided so the arrangement can be performed by solo baritone saxophone (saxophone baryton) alone. This leads to a more reserved arrangement compaired to the original, but still allows for a full performance.
$4.99
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
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Saxophone Baryton, Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic ...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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In C major. 
