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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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12423
PIANO & CLAVIERS
Piano seul
12694
Piano, Voix
5289
Accompagnement Piano
3000
Piano Facile
2713
Piano, Voix et Guitare
2621
Instruments en Do
835
Orgue
630
1 Piano, 4 mains
306
Accordéon
217
Piano grosses notes
178
Piano Trio: piano, violon, violoncelle
151
2 Pianos, 4 mains
65
Piano (partie séparée)
49
Piano Quatuor: piano, violon, alto, violoncelle
41
Piano Quatuor: piano, 2 violons, violoncelle
23
Piano Quintette: piano, 2 violons, alto, violoncelle
21
Orgue, Piano (duo)
20
Clavecin
10
Accordéon, Voix
8
Orgue, Trompette (duo)
8
Clavier
8
Ligne De Mélodie, Piano
7
2 Pianos, 8 mains
5
1 Piano, 6 mains
5
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2
Ensemble d'Accordéons
2
2 Orgues (duo)
1
Instrument seul et Orgue
1
Fake Book
1
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GUITARES
Guitare notes et tablatures
1420
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1052
Ligne De Mélodie, (Paroles) et Accords
1020
Ukulele
653
Basse electrique
550
Mandoline
303
Paroles et Accords
252
Piano, Guitare (duo)
150
Guitare (partie séparée)
76
2 Guitares (duo)
54
Dulcimer
46
4 Guitares (Quatuor)
45
Banjo
27
Ensemble de guitares
20
Ensemble de Ukulélés
12
3 Guitares (trio)
11
Ukulele Baryton
9
Basse électrique (partie séparée)
8
Mandoline, Guitare (duo)
6
2 Ukuleles
5
Guitare, Flûte, Clarinette
4
Cithare
4
Mandoline, Piano (duo)
2
2 Dulcimers (duo)
2
Guitare Pedal Steel
2
Luth
2
Guitare, Orchestre
1
Partitions De Groupes
1
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VOIX
Chorale SATB
4744
Chorale 3 parties
1287
Chorale 2 parties
773
Chorale TTBB
704
Pack Instrumental pour Chorale
523
Chorale SSAA
396
Chorale Unison
297
Voix Soprano, Piano
154
Voix duo, Piano
138
Chorale
133
Voix seule
123
Voix duo
113
Voix Tenor, Piano
88
Voix Alto, Piano
78
Voix Baryton, Piano
58
Voix haute
53
Voix moyenne, Piano
20
Chorale SSAATTBB
19
Voix basse, Piano
17
Voix Tenor
16
Voix Mezzo-Soprano, Piano
10
Chorale SSAB, Piano
6
Chorale SSATB
5
Voix, Guitare
4
Soli, choeur mixte et accompagnement
3
Voix basse
3
Chorale SSATTB
2
Voix Soprano
2
Chorale SSATBB
1
Chorale, Orgue
1
Chorale SAATB A Cappella
1
Voix Baryton
1
Chorale SSAB a cappella
1
Chorale SSAATB
1
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VENTS
Flûte traversière et Piano
1344
Clarinette et Piano
1088
Hautbois, Piano (duo)
1051
Saxophone Alto et Piano
951
Quatuor de Saxophones: 4 saxophones
860
Flûte traversière
824
Saxophone (partie séparée)
736
Clarinette
656
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
634
Saxophone Alto
617
2 Saxophones (duo)
564
Saxophone Tenor et Piano
553
Flûte, Hautbois, Clarinette, Basson
502
Saxophone Tenor
451
2 Flûtes traversières (duo)
413
Hautbois (partie séparée)
364
Quatuor de Clarinettes: 4 clarinettes
361
Quintette de Saxophone: 5 saxophones
360
2 Clarinettes (duo)
356
Flûte à bec Soprano
320
Ocarina
310
Saxophone
275
Clarinette (partie séparée)
237
Saxophone Baryton, Piano
233
Harmonica
232
Quatuor de Flûtes : 4 flûtes
226
Flûte à bec Alto
211
Saxophone Soprano et Piano
203
Flûte, Clarinette (duo)
182
Ensemble de Clarinettes
161
Clarinette, Violon (duo)
159
3 Saxophones (trio)
153
Ensemble de Flûtes
151
2 Hautbois (duo)
141
Flute (partie séparée)
140
Ensemble de saxophones
137
Saxophone, Clarinette (duo)
129
Flûte à Bec
127
3 Clarinettes (trio)
125
Flûte, Violon
117
Hautbois, Basson (duo)
100
Hautbois
95
Trio de Flûtes: 3 flûtes
87
2 Flûte à bec (duo)
86
Flûte et Guitare
82
Cor anglais, Piano
79
Clarinette, Trompette (duo)
76
Quatuor de Flûtes à bec
76
Quintette de Clarinettes: 5 clarinettes
76
Hautbois, Clarinette (duo)
75
Flûte, Violon, Piano
74
Saxophone et Piano
64
Quintette de Flûte : 5 flûtes
58
Hautbois, Flûte
55
Flûte, Alto (duo)
53
Clarinette et Alto
52
Flûte, Saxophone (duo)
51
Saxophone Soprano
50
2 Flûtes traversières, Piano
47
Flûte, Violoncelle, Piano (trio)
46
Flûte, Trompette (duo)
45
Flûte, Hautbois, Clarinette (trio)
42
Clarinette Basse, Piano
42
Cornemuse
42
5 Flûtes à bec
41
Flûte, Violoncelle
39
Ensemble De Flûte à bec
39
Flûte à bec Alto, Piano
38
Flûte, Clarinette, Piano (trio)
37
Clarinette, Basson (duo)
35
Clarinette, Guitare (duo)
34
Flûte, Basson et Piano
34
Clarinette, Violoncelle (duo)
33
Cor Anglais
31
Clarinette, Violoncelle, Piano (trio)
30
Hautbois, Clarinette, Basson (trio d'anches)
30
Flûte, Hautbois (duo)
29
Hautbois, Violoncelle
27
Flûte, Clarinette et Basson
25
Clarinette, Harpe (duo)
21
Flûte, Alto et Piano
20
Flûte, Hautbois, Basson
20
Flûte à Bec, Piano
19
Flûte, Trombone (duo)
16
Flûte à bec Tenor
15
Saxophone et Guitare
13
Hautbois, violon (duo)
13
2 Saxophones, Piano
12
Flûte, Clarinette, Violon (trio)
12
Saxophone Baryton
12
2 Clarinettes, Piano
12
Flûte à bec Soprano, Piano
11
Clarinette, Basson, Piano (trio)
11
3 Flûtes à bec (trio)
11
Flûte, Violon et Violoncelle
11
Instruments en Mib
10
Piccolo
10
Flûte, Clarinette, Cor, Basson (Quartet)
9
Flûte irlandaise
9
Hautbois et alto (duo)
8
Piccolo, Piano
7
Saxophone et Harpe
7
Cor anglais, Guitare (duo)
7
Clarinette Basse
6
Clarinette, Trombone (duo)
6
Hautbois, Guitare (duo)
6
Hautbois, Harpe
6
3 Hautbois
6
2 Clarinettes, Basson
5
Flûte, Hautbois, Piano (trio)
5
Flûte, Hautbois, Violon
5
Flute, harpe et violon
5
Clarinette, Alto et Piano (trio)
5
Flûte, Violon, Violoncelle et Piano
5
Flûte, Harpe et Violoncelle
5
Flûte, trombone et piano
4
Flute, Cor (duo)
4
Flûte, alto et harpe
4
Clarinette, trompette et piano
3
Hautbois, Clarinette et Piano (Trio)
3
Flûte à bec, Guitare (duo)
3
Flûte, Violoncelle, Guitare
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Saxophone et Orgue
3
Hautbois, Violon, Piano
2
Hautbois, Basson et Piano
2
Hautbois, Violoncelle et Piano
2
Flûte traversière, Basse continue
2
2 Harmonicas
2
Flûte traversière, Orgue (duo)
2
Clarinette, Contrebasse (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Clarinette, Saxophone, Piano
2
Clarinette, Tuba
2
2 Flûtes, 2 Clarinettes (Quatuor)
1
Ensemble à vent
1
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1
Flûte à bec Alto, Basse continue
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone, Tuba (duo)
1
Flûte et Trio à cordes
1
Flûte, Tuba (duo)
1
Flûte et Quatuor à Cordes
1
Hautbois, trombone (duo)
1
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CUIVRES
Trombone et Piano
862
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811
Trompette
805
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
795
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602
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590
Quatuor de Cuivres : 2 trompettes, trombone, tuba
501
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454
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414
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393
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220
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197
2 Trompettes (duo)
180
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158
Tuba et Piano
133
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123
Quatuor de Cuivres
123
2 Cors (duo)
119
Trompette, Trombone (duo)
111
Quatuor de cuivres: 4 trombones
91
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89
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88
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79
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70
Euphonium
69
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66
2 Euphoniums et 2 Tubas
41
2 Tubas (duo)
40
Quatuor de cuivres: 4 cors
39
Trompette, Cor (duo)
38
Ensemble de Trompettes
37
Cor Anglais
31
Trio de Cuivres
25
Tuba et Orgue
22
3 Trombones (trio)
16
Ensemble de Cors
15
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14
Quatuor de cuivres: 4 trompettes
13
Instruments en Sib
12
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11
Cor et Harpe
9
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9
2 Trompettes, Clavier (piano ou orgue)
8
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8
3 Cors (trio)
8
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8
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8
Tuba ou Euphonium ou Saxhorn
7
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7
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7
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7
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7
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6
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5
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5
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5
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5
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5
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4
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4
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3
Trombone et orchestre
3
Euphonium, Tuba (duo)
3
Cor et Orgue
2
Cor, Trompette, Trombone (trio)
2
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2
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2
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1
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2163
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1561
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1115
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1034
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976
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782
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593
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510
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363
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362
Trio à Cordes: violon, alto, violoncelle
286
2 Violoncelles (duo)
221
Violon (partie séparée)
205
Quintette à cordes: 2 violons, alto, violoncelle, basse
185
Violon, Alto (duo)
180
Contre Basse
168
Alto (partie séparée)
167
Contrebasse, Piano (duo)
153
Contrebasse (partie séparée)
152
2 Altos (duo)
147
Trio à Cordes: 2 violons, violoncelle
121
2 Harpes (duo)
83
Alto, Violoncelle (duo)
74
Violoncelle (partie séparée)
69
Piano Trio: Violon, Alto, Piano
64
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53
Harpe, Flûte (duo)
43
Trio à cordes: 3 violins
40
4 Violoncelles
32
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27
2 Contrebasses (duo)
26
Violoncelle , Guitare (duo)
21
Trio à Cordes: 3 violoncelles
20
Violon, Clarinette, Piano (trio)
19
Alto, Guitare (duo)
18
Harpe, Violon (duo)
16
Trio à cordes
16
Ensemble de Violons
16
2 Violons, Piano
15
Violoncelle, Contrebasse (duo)
15
Trio à Cordes: 2 violons, alto
15
Harpe, Voix
14
Alto et Basson
14
Quatuor à cordes: 4 violons
13
Ensemble d'Altos
13
Alto et Harpe
10
Harpe, Violoncelle (duo)
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Trio à cordes: 3 altos
7
Harpe (partie séparée)
6
Harpe et Piano
5
Harpe, Violon, Violoncelle
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Violon, Orgue
4
Ensemble de Violoncelles
4
3 Harpes
3
5 Harpes
2
Violoncelle, Orchestre
2
Violon, Tuba (duo)
2
Violoncelle, Orgue
2
Flûte, Contrebasse (duo)
2
Quatuor à cordes : 4 altos
2
Violon, Trompette et Piano
2
Violoncelle, Basse continue
1
Autoharp
1
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1
Harpe et mandoline
1
Alto et orchestre
1
2 Violoncelles, Piano
1
Harpe et Orgue
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
4332
Orchestre
1026
Orchestre à Cordes
854
Ensemble Jazz
509
Fanfare
419
Ensemble de cuivres
402
Cloches
331
Orchestre de chambre
258
Batterie
222
Percussion (partie séparée)
183
Jazz combo
130
Ensemble de Percussions
67
Batterie (partie séparée)
62
Percussion
51
Marimba
39
Timbales (partie séparée)
36
Vibraphone
25
Xylophone
21
Quintette à Vent
19
Timbales
10
Orchestre, Violon
7
Xylophone, Piano
6
Instrumentation Flexible
5
Piano et Orchestre
5
Quintette de Cuivres: autres combinaisons
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Ensemble d'École
3
Trio à Vent: 3 instruments à vents
1
Quatuor à Vent : 4 instruments à vents
1
2 Marimbas
1
2 Caisses Claires (duo)
1
Caisse Claire
1
Vibraphone et Marimba
1
3 Marimbas
1
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AUTRES
Formation musicale - Solfège
11
Théorie de la musique
1
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The Lan
Piano, Voix
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Toasting Mother Earth
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fid…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
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Piano, Voix
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
The Promise PVG
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.984012 Composed by Steven H.…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.984012 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Score. 9 pages. Boothe Publishing #4360949. Published by Boothe Publishing (A0.984012). Just one person doing what he knows is right will set off a chain reaction for the good that will go on and on. Before I arrived at mission age I had to make a lot of decisions about whether or not I wanted to go on a mission. There were so many voices calling out to me. The voices promised me scholarships and fame. The voices questioned my logic. The voices tried to make me doubt my motives and character. The voices ridiculed me and my desires to do good. The voices told me that they loved me, but wouldn't wait for me if I went on a mission. All of those voices were demeaning of me if I went on a mission. They also promised me joy, but only if I decided not to go on a mission. I ultimately decided to go on a mission. By going on a mission I was put in a situation where I could testify of God's gospel truths. Those people hearing the truths had the opportunity to pray to God to find out for themselves if what they had been taught was true. Those people that talked to God in prayer joined the church. Why? Because God answered their prayers. Some of those new members went on missions to other lands converting through the spirit of the Holy Ghost others, who in turn went on missions to other lands. The cycle continues. Just one person doing what he knows is right can set off a chain reaction for the good that will go on and on.
$3.99
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Piano, Voix
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going on a mission I was put in a situation where I could testify of God's gospel truths
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Steven H
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Ashley Ivers
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The Promise PVG
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Boothe Publishing
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SheetMusicPlus
I Sit Here On The Barren Hill
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hic…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by Fiona Alice Hickie (A0.738138). A song about loss of love and the devastation it causes to our lives. Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives.
$4.99
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Piano, Voix
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Fiona Hickie
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I Sit Here On The Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Miscellaneous: God Save The Queen (British Anthem) instantly for piano, voice or other instruments
Piano, Voix
This is an exclusive transcription for piano, voice or other instruments of EASY skill lev…
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This is an exclusive transcription for piano, voice or other instruments of EASY skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: english anthem, scottish anthem, england anthem, english anthem, united kingdom anthem, uk anthem, uk national anthem / patriotic,traditional,hymn,multicultural,world,olympics,festival,children
$2.99
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Piano, Voix
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Miscellaneous
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Virtualsheetmusic
Patrick Heeney: The Soldier's Song (Irish Anthem) instantly for piano, voice or other instruments
Piano, Voix
This is an exclusive arrangement for piano, voice or other instruments of EASY/MEDIUM skil…
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This is an exclusive arrangement for piano, voice or other instruments of EASY/MEDIUM skill level from the original composition by Patrick Heeney. This title is available as instant sheet music download. Contents: Irish Anthem,patriotic, national anthem, Ireland anthem / patriotic,traditional,hymn,multicultural,world,olympics,irish,festival
$2.99
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Piano, Voix
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Patrick Heeney
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Virtualsheetmusic
Sons of Mosiah, children's song from the Book of Mormon, Another Testament of Christ
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370002 Composed by Kevin G.…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370002 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Children,Christian,Praise & Worship,Religious,Sacred. Score. 6 pages. Kevin G. Pace #954376. Published by Kevin G. Pace (A0.1370002). A children's song, telling the story of the sons of Mosiah from the Book of Mormon, Another Testament of Christ. Â Music by Kevin G. Pace. Â Text by Kathryn W. Hales.Text:The Lord told King Mosiah to let his sons go away, To the land of Nephi where for many years they'd stay. They wanted to preach the gospel in the Lord's ministry, To the sinful, wicked Lamanites who were their enemies.Now one of the sons was Ammon who had been a rebellious youth, But after Alma's change of heart, he wanted to know the truth. He became Lamoni's servant, watching over the king's sheep, He beat some robbers who came to steal, leaving a pile of arms at his feet.Then he taught King Lamoni the true source of his strength and might, That the king should change his ways, repent and do what's right. Lamoni believed what Ammon taught and all his people too, They became so very righteous because God's promises are true.Aaron was another son of Nephite King Mosiah, He taught of the Creation, of the Fall and God's Son who would die To save all men from death and sin, yea, Jesus, the Holy One, Who would come to earth at some future day to save each and ev'ry one.Omni and his brother Himnor were also Mosiah's sons, But not much is recorded about their missions. But they were faithful servants during all their trial filled days, They taught many people how to walk in God's own chosen way.Chorus:I want to be like Mosiah's sons and share God's holy word. I can be a missionary, a servant of the Lord. I can be so very courageous, I can the gospel teach, That all may know God's holy grace is within their loving reach.
$3.99
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Piano, Voix
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Kevin G
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Sons of Mosiah, children's song from the Book of Mormon, Another Testament of Christ
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Kevin G. Pace
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SheetMusicPlus
My Father Land, or, The Dream
Piano, Voix
Piano and voice - Digital Download SKU: LV.9128 Arranged by Karl Muller. Celebritie…
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Piano and voice - Digital Download SKU: LV.9128 Arranged by Karl Muller. Celebrities, Singers, Travel, Homesickness, Love, Families. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9128). My Father Land, or, The Dream. Words by Frederica Bremer. Arranged by Karl Muller. Published 1854 by Horace Waters, 333 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Celebrities, Singers, Travel, Homesickness, Love, Families. First line reads I dream, I dream of my Fatherland, as fancy my slumber beguiles.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
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Piano, Voix
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Karl Muller
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My Father Land, or, The Dream
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Three Brothers. Song
Piano, Voix
Piano and voice - Digital Download SKU: LV.5076 Composed by James Lyman Molloy. Han…
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Piano and voice - Digital Download SKU: LV.5076 Composed by James Lyman Molloy. Handicapped persons, Poor persons, Optimism, Happiness, Friendship. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5076). The Three Brothers. Song. The Words by F.E. Weatherly. The Music by J.L. Molloy. Published 1885 by The Anglo-Canadian Music Publishers Association, Limited, 38 Church Street in Toronto. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Handicapped persons, Poor persons, Optimism, Happiness, Friendship. First line reads One morn in May a beggar gay came carolling down the woodland way.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
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Piano, Voix
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James Lyman Molloy
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The Three Brothers. Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Land o' the Leal
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1462642 Composed by Scottish…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1462642 Composed by Scottish Traditional. Arranged by Konrad Harley. Celtic,Irish. Score. 3 pages. Konrad Harley #1041401. Published by Konrad Harley (A0.1462642). Traditional Scottish tune, arranged by Konrad Harley (1986-), 2024.Words by Carolina Oliphant, Lady Nairne (1766-1845), 1798.I'm wearin' awa', Jean,Like snaw wreaths in thaw, Jean,I'm wearin' awa'To the land o' the leal.There's nae sorrow there, Jean,There's neither cauld nor care, Jean,The day is aye fair,In the land o' the leal.Ye aye were leal and true, Jean,Your task's ended noo, Jean,And I'll welcome youTo the land o' the leal.Our bonnie bairn's there, Jean,She was baith gude and fair, Jean,And O we grudged her sairTo the land o' the leal.Then dry that tearful e'e, Jean,My soul langs to be free, Jean,And angels wait on meTo the land o' the leal.Now fare ye weel, my ain, Jean,This warld's care is vain, Jean,We'll meet and aye be fainIn the land o' the leal.
$3.00
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Piano, Voix
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Scottish Traditional
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Konrad Harley
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The Land o' the Leal
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Konrad Harley
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SheetMusicPlus
Can The Circle Be Unbroken (Will The Circle Be Unbroken)
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1414977 By Nitty Gritty Dirt…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1414977 By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. Score. 24 pages. Cascia Talbert #996710. Published by Cascia Talbert (A0.1414977). Can the Circle Be Unbroken (By and By) is a country/folk song reworked by A. P. Carter from the hymn Will the Circle Be Unbroken? by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother.The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song Daddy Sang Bass and the Atlanta song Sweet Country Music. It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title Will the Circle Be Unbroken. In 1998, it was inducted into the Grammy Hall of Fame.This arrangement is for flute, voice and piano.
$4.99
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Piano, Voix
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Nitty Gritty Dirt Band
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Cascia Talbert
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Can The Circle Be Unbroken
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Cascia Talbert
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SheetMusicPlus
My Heart's in the Highlands
Piano, Voix
Piano and voice - Digital Download SKU: LV.17780 Arranged by C. Meineke. Pride--Sco…
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Piano and voice - Digital Download SKU: LV.17780 Arranged by C. Meineke. Pride--Scotland. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17780). My Heart's in the Highlands. Arranged By C. Meineke. Published [n.d.] by John Cole, No.123 Market Street in Baltimore. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Pride--Scotland. First line reads My heart's in the Highlands my heart is not here.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
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Piano, Voix
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C
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C
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My Heart's in the Highlands
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The First Thanksgiving Feast Children's song
Piano, Voix
Piano,Voice - Level 1 - Digital Download SKU: A0.1177244 By Connie Boss. By Connie …
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Piano,Voice - Level 1 - Digital Download SKU: A0.1177244 By Connie Boss. By Connie Boss. Children,Holiday. Full Performance. Duration 103. Connie Boss #777252. Published by Connie Boss (A0.1177244). This song reflects on the first Thanksgiving with the Pilgrims and the Indians and then today. It is for solo and easy piano. See the lyrics below:The First Thanksgiving FeastBy Connie Boss Refrain:The Indians and the PilgrimsOne day both would meetThey joined togetherFor one big feast. Verse 1:The Indians were huntersAnd grew all types of plantsThe Pilgrims brought spicesAnd dishes from their land Refrain: Verse 2:Today we are thankfulFor all that God providesWe celebrate ThanksgivingWith turkey, yams and pie Refrain:The Indians and the PilgrimsOne day both would meetThey joined togetherFor the first Thanksgiving feast.
$1.99
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Piano, Voix
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Connie Boss
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The First Thanksgiving Feast Children's song
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Connie Boss
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SheetMusicPlus
I'll Never Forget Thee, Dear Mary
Piano, Voix
Piano and voice - Digital Download SKU: LV.14481 Composed by T. Brigham Bishop. Por…
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Piano and voice - Digital Download SKU: LV.14481 Composed by T. Brigham Bishop. Portraits, Immigrants--Ireland, Courtship & love, Good-byes, Emotion--pain. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14481). I'll Never Forget Thee, Dear Mary. Words by Geo. Cooper. Music by T. Brigham Bishop. Published 1866 by Thaddeus Firth, 563 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Immigrants--Ireland, Courtship & love, Good-byes, Emotion--pain. First line reads My heart wanders back o'er the waters, To the land that I left long ago.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
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Piano, Voix
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T
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I'll Never Forget Thee, Dear Mary
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Master Singers of Nuremberg
Piano, Voix
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
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Piano, Voix
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
ATON part 19 The true destiny of Baketaton (piano, soprano and tenor)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.576204 Composed by David War…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.576204 Composed by David Warin Solomons. Contemporary,World. Score. 12 pages. David Warin Solomons #6489. Published by David Warin Solomons (A0.576204). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write, 19 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015.
$5.00
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Piano, Voix
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David Warin Solomons
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ATON part 19 The true destiny of Baketaton
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David Warin Solomons
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SheetMusicPlus
My Country, 'Tis of Thee (with Prayer for Guidance) - Vocal Solo with Piano Accompaniment
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.751817 Composed by Samuel Fr…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.751817 Composed by Samuel Francis Smith (text) and Set to the tune God Save the Queen. Arranged by K.L. Phillips. Christian,Holiday,Patriotic,Sacred. Score. 6 pages. K L Phillips #6475697. Published by K L Phillips (A0.751817). This reflective arrangement of My Country, 'Tis of Thee for vocal solo with piano accompaniment would be a beautiful addition for a Memorial Day, Veteran's Day or Independence Day service. This arrangement begins with the traditional lyrics of the first verse, then the prayer for guidance and ends with the last verse. Performance time: 3:00; Vocal Range: B3-E5LYRICS: My country, 'tis of thee, Sweet land of liberty of thee I sing, of this land where my fathers died,Land of the pilgrim's prideFrom ev'ry mountain side let freedom ring!Our Father help us to live selflessly,and do Your will with our liberty help us to share,help us to care for people in this land, the souls who've lost their joy inside may we stand with them and walk beside our neighbor with Jesus as our guide God our Father and our King!Our father's God, to thee, Author of liberty to thee we sing! O Long may our land be bright with freedom's holy light.Protect us by thy might, Great God Our King! Our King! From ev'ry mountain side let freedom ring,Let freedom ring!A piano accompaniment track is available separately at Sheet Music Plus - Item ID# S0.1086275
$3.99
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Piano, Voix
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Samuel Francis Smith
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K
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My Country, 'Tis of Thee
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K L Phillips
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SheetMusicPlus
The Woodland Hallo
Piano, Voix
Piano and voice - Digital Download SKU: LV.2093 Composed by J.C. Nightingale. Natur…
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Piano and voice - Digital Download SKU: LV.2093 Composed by J.C. Nightingale. Nature, Country life, Fathers & children, Spouses, Contentment. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2093). The Woodland Hallo. Words by Bloomfield. Music by J.C. Nightingale. Published [n.d.] by C. Bradlee, No. 164 Washington Street in Boston. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Nature, Country life, Fathers & children, Spouses, Contentment. First line reads In our cottage that peeps from the skirts of the wood, I am mistress.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
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Piano, Voix
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J
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The Woodland Hallo
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Harrigan & Hart's New Song and Chorus. The Gallant Sixty-Ninth
Piano, Voix
Piano and voice - Digital Download SKU: LV.20674 Composed by Dave Braham. Piers & w…
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Piano and voice - Digital Download SKU: LV.20674 Composed by Dave Braham. Piers & wharves, Forts & fortifications, Soldiers--Ireland, Steamboats, Ships, Bodies of water, African Americans, Military officers, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20674). Harrigan & Hart's New Song and Chorus. The Gallant Sixty-Ninth. Words by Edward Harrigan. Music by Dave Braham. Published 1875 by Wm. A. Pond & Co., 547 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Piers & wharves, Forts & fortifications, Soldiers--Ireland, Steamboats, Ships, Bodies of water, African Americans, Military officers, Patriotism. First line reads We are privates in the Sixty-Ninth, we follow up the fife and the drum.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
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Piano, Voix
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Dave Braham
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Harrigan & Hart's New Song and Chorus. The Gallant Sixty-Ninth
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
There's a Dixie Girl Who's Longing For a Yankee Doodle Boy
Piano, Voix
Piano and voice - Digital Download SKU: LV.8751 Composed by George W. Meyer. Portra…
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Piano and voice - Digital Download SKU: LV.8751 Composed by George W. Meyer. Portraits, Couples, Soldiers, Courtship, Love, Absences. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8751). There's a Dixie Girl Who's Longing For a Yankee Doodle Boy. Words by Robert F. Roden. Music by Geo. W. Meyer. Published 1911 by F.B. Haviland Publ. Co., New Zealand Building, Broadway & 37th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Couples, Soldiers, Courtship, Love, Absences. First line reads A southern girl was she, a northern boy was he.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
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Piano, Voix
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George W
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There's a Dixie Girl Who's Longing For a Yankee Doodle Boy
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Harp of Ossian
Piano, Voix
Piano and voice - Digital Download SKU: LV.1799 Arranged by Henry Bishop. Soldiers,…
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Piano and voice - Digital Download SKU: LV.1799 Arranged by Henry Bishop. Soldiers, Patriotism, Scotland, War, Campaigns & battles, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1799). The Harp of Ossian. Written by the Ettrick Shepherd. The Music Arranged by Henry R. Bishop. Published [n.d.] by E. Riley, 29 Chatham St. in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Soldiers, Patriotism, Scotland, War, Campaigns & battles, Sadness. First line reads Old Harp of the Highlands, how long thou hast slumber'd.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
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Piano, Voix
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Henry Bishop
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The Harp of Ossian
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
THE MUSIC OF YOUR VOICE. lead sheet&words( #CJDennis ) AND piano
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1019300 Composed by #GeoffRo…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1019300 Composed by #GeoffRodThomson. Lyrics: #CJDennis. Children,Contemporary,Instructional,Musical/Show. Score. 1 pages. Geoff R Thomson #3142137. Published by Geoff R Thomson (A0.1019300). #TheMusicOfYourVoice is a poem by the Australian poet C.J.Dennis, with Lead Sheet and Piano added by Geoff Rod Thomson.....when he hears someone talk about the things that he loves it is music to his ears. The song has a beautiful tune to it, and there is a great syncopation in the left hand of the piano. These C.J.Dennis songs would be great for teachers and their language, music, drama, history or other students. Contact: #Geoffspianosongs or GeoffRodThomson@gmail.com.
$1.99
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Piano, Voix
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#GeoffRodThomson
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THE MUSIC OF YOUR VOICE. lead sheet&words( #CJDennis ) AND piano
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Geoff R Thomson
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SheetMusicPlus
The Green Isle of Lover. A Ballad
Piano, Voix
Piano and voice - Digital Download SKU: LV.2926 Arranged by Robert G. Paige. Bodies…
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Piano and voice - Digital Download SKU: LV.2926 Arranged by Robert G. Paige. Bodies of water, Gondolas, Islands, Gargoyles, Courtship, Love. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2926). The Green Isle of Lover. A Ballad. Arranged by Robert G. Paige. Published 1848 by Wm. Van Derbeek, 479 Broadway in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Bodies of water, Gondolas, Islands, Gargoyles, Courtship, Love. First line reads 'Tis said that afar in the land of the west, where the bright golden sun sinks in glory to rest.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
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Piano, Voix
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Robert G
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The Green Isle of Lover. A Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
THESE MEN
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1251502 Composed by Ross Fid…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1251502 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary,Historic. Score. 23 pages. Ross Fiddes #845791. Published by Ross Fiddes (A0.1251502). This extended through-sung song cycle was composed at the request of the remarkable Turkish-Australian soprano, Ayse Goknur Shanal, to include in a 2015 recital program by her to commemorate the 100th anniversary of origin of ANZAC, being the date Australian & New Zealand armed forces entered into combat in WW1.  The date is focused annually to commemorate those Australians who have served & those who have died in war.For the words I located some striking, even emotional, poems by Leon Gellert who, as a poet & a Lance Sergeant with the 10th Battalion, landed at Gallipoli, Turkey, on 25 April 1915. Wounded by shrapnel, and suffering from septicaemia and dysentery, he was evacuated to Malta in July and thence to London. He was repatriated and discharged medically unfit on 30 June 1916.Gellert created his overseas verse. Songs of a Campaign (1917) which was hailed by the Bulletin as one of the best verse collections to have come out of the war in the English language; it won the Bundey prize for English verse, and, before the year was out, Angus & Robertson Ltd published a third and enlarged edition, illustrated by Norman Lindsay.Ms Shanal premiered These Men in the recital collection curated by her in April 2015.  In 2016 she recorded the complete program to CD. In 2018 & 2019 she gave performances of the program in the Melbourne Recital Centre, Sydney Opera House & other venues throughout eastern Australia & Germany. In live performance her associate artists have been Patrick Keith & Ashley Hribar.CD:      https://www.australiancomposers.com.au/products/canakkale-gallipoli-songs    Also: Spotify, AppleMusic, Presto.
$35.00
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Piano, Voix
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Ross Fiddes
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THESE MEN
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Ross Fiddes
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SheetMusicPlus
What the Brass Band Played
Piano, Voix
Piano and voice - Digital Download SKU: LV.7342 Composed by Theodore Morse. Portrai…
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Piano and voice - Digital Download SKU: LV.7342 Composed by Theodore Morse. Portraits, Marching bands. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7342). What the Brass Band Played. [cites titles of popular songs of the day]. Words by Jack Drislane. Music by Theodore Morse. Published 1904 by F.B. Haviland Publishing Co., New Zealand Bldg., Broadway & 37th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Marching bands. First line reads Hear the children humming hear the sounds of drumming.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
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Piano, Voix
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Theodore Morse
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What the Brass Band Played
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
We'll Meet Beside the Dusky Glen
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1506432 Composed by Scottish…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1506432 Composed by Scottish Traditional. Arranged by Konrad Harley. Celtic,Folk,Irish. Score. 3 pages. Konrad Harley #1081798. Published by Konrad Harley (A0.1506432). Traditional Scottish melody from The Minstrelsy of Scotland, ed. Alfred Moffat (London: Augener, 1894), p. 249.Arranged by Konrad Harley (1986-), 2024.Words by Robert Tannahill (1774–1810).Lyrics: 1. We'll meet beside the dusky glen, on yon burnside,Where the bushes form a cosy den, on yon burnside;Though the broomy knowes be green,Yet there we may be seen;But we'll meet, we'll meet at e'en, down by yon burnside.2. I'll lead thee to the birken bow'r, on yon burnside,Sae sweetly wove wi' woodbine flow'r, on yon burnside;There the mavis we will hear,And the blackbird singin' clear,As on my arm ye lean, down by yon burnside.3. The plantin' taps are ting'd wi' gowd, on yon burnside,And gloamin' draws her foggy shroud, o'er yon burnside;Far frae the noisy scene,I'll through the fields alane,There we'll meet, my ain dear Jean! down by yon burnside,down by yon burnside.
$5.99
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Piano, Voix
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Scottish Traditional
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Konrad Harley
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We'll Meet Beside the Dusky Glen
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Konrad Harley
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SheetMusicPlus
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