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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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Leon Firšt
Chorale 3 parties
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2 partitions trouvées
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Right As Rain
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Chorale 3 parties
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INTERMÉDIAIRE
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Adele
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Dan Signor
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Right As Rain
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Sig
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.1005704 By Adele. By Adele Adkins, Clay Holley, Jeff Silverman, Leon Michels, and Nick Movshon. Arranged by Dan S...
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Choral Choir (SAB) - Level 3 - SKU: A0.1005704 By Adele. By Adele Adkins, Clay Holley, Jeff Silverman, Leon Michels, and Nick Movshon. Arranged by Dan Signor. A Cappella,Pop,R & B. Octavo. 14 pages. Sig #6115511. Published by Sig (A0.1005704). What can you say about Adele that hasn't already been said? Amazing, passionate, iconic, powerful. This song might just add the word fun to that list. Even if your audience might not be able to sing along with the lyrics after the first listening, they certainly will be dancing in their seats during your performance. Enjoy!
$2.99
Hallelujah
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Chorale 3 parties
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INTERMÉDIAIRE
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Leonard Cohen
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Justin Matthew Starr
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Hallelujah
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J M Starr Music
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1389486 By Leonard Cohen. By Leonard Cohen. Arranged by Justin Matthew Starr. Contemporary,Pop,Rock,Standa...
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Choral Choir,Choral (SAB) - Level 3 - SKU: A0.1389486 By Leonard Cohen. By Leonard Cohen. Arranged by Justin Matthew Starr. Contemporary,Pop,Rock,Standards. 16 pages. J M Starr Music #973074. Published by J M Starr Music (A0.1389486). “Hallelujah†was originally released by Canadian singer/songwriter Leonard Cohen in 1984 on his album Various Positions. This composition, however, is one of the few in history that may be more well-known due to covers of the song than the original version. In 1991, John Cale did a cover of the song that removed the synthesizers, gospel choir, full band, and low, borderline-talking bass voice from Cohen’s original; and replaced it all with a bare-bones piano and tenor voice. It is not difficult to argue that this arrangement of the composition became the definitive version that all future covers would be based on: from Jeff Buckley’s stripped-down guitar and voice 1994 version, to Rufus Wainright’s piano and voice 2001 cover for the soundtrack to the motion picture Shrek, to k.d. lang, the a cappella group Pentatonix, and many, many more.When I first arranged this song in 2010 for my 8th grade SAB choir, I did not know the John Cale version existed; rather, I started by transcribing the Rufus Wainright recording and then made it my own from there. My arrangement is melodically akin to the Wainright, but I added harmonies in various places throughout. Lyric selection was also a choice I had to me, as each version of the song contains a different number of verses. Cohen’s 1984 original had four, and then in 1988 he sang a live version with seven (supposedly he drafted over 80 different verses!). I decided to go with five. This allowed me to structure the song in a way that got feature and give the melody to: a Soloist(s) (verse 1), the Baritones (verse 2), the Altos (verse 3), the Sopranos (verse 4) and then the entire choir (verse 5). Over the years that I have performed this with my students, I couldn’t help myself from rocking out with little bluesy fills and licks in the final choruses, so I decided to write it in. I hope you, your students, and accompanist have fun with that!
$2.50
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