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HARMONICA
HARPE
HAUTBOIS
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LUTH
MANDOLINE
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PIANO & CLAVIERS
Piano seul
652
Piano, Voix et Guitare
425
Piano, Voix
286
Piano Facile
190
Instruments en Do
54
Orgue
47
2 Pianos, 4 mains
30
1 Piano, 4 mains
17
Piano Quatuor: piano, violon, alto, violoncelle
12
Piano Trio: piano, violon, violoncelle
11
Piano (partie séparée)
5
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5
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Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
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Guitare notes et tablatures
65
Guitare
57
Ligne De Mélodie, (Paroles) et Accords
20
Ukulele
10
2 Guitares (duo)
9
Guitare (partie séparée)
8
Piano, Guitare (duo)
8
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6
Mandoline
6
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3
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2
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2
4 Guitares (Quatuor)
2
Banjo
2
Mandoline, Piano (duo)
1
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1
Dulcimer
1
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VOIX
Chorale SATB
311
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76
Chorale TTBB
61
Chorale SSAA
32
Chorale 2 parties
27
Chorale Unison
9
Voix seule
6
Voix duo, Piano
5
Voix Baryton, Piano
4
Voix Soprano, Piano
4
Voix moyenne, Piano
4
Voix Tenor
2
Voix haute
2
Voix Soprano
2
Voix duo
2
Voix Alto, Piano
1
Voix basse, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAATTBB
1
Chorale SSATTB
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
233
Quintette de Saxophone: 5 saxophones
184
Flûte traversière et Piano
147
Quatuor de Saxophones: 4 saxophones
129
Ensemble de saxophones
103
Hautbois, Piano (duo)
99
Clarinette et Piano
94
Flûte, Hautbois, Clarinette, Basson
94
Ensemble de Clarinettes
74
Saxophone (partie séparée)
73
Saxophone Alto et Piano
72
Saxophone Tenor et Piano
63
Flûte traversière
55
Clarinette
54
2 Saxophones (duo)
51
Saxophone Soprano et Piano
51
Quatuor de Clarinettes: 4 clarinettes
45
Hautbois (partie séparée)
37
2 Flûtes traversières (duo)
34
Saxophone Alto
33
Saxophone Baryton, Piano
33
2 Clarinettes (duo)
30
Quintette de Flûte : 5 flûtes
29
Quatuor de Flûtes : 4 flûtes
28
Ensemble de Flûtes
26
Cor anglais, Piano
17
3 Saxophones (trio)
17
2 Hautbois (duo)
15
Flûte, Clarinette (duo)
14
Quintette de Clarinettes: 5 clarinettes
13
Clarinette Basse, Piano
12
Trio de Flûtes: 3 flûtes
11
Flûte, Violon
11
3 Clarinettes (trio)
10
Clarinette (partie séparée)
10
Flûte, Hautbois, Clarinette (trio)
9
Hautbois, Basson (duo)
8
Hautbois, Clarinette (duo)
7
Piccolo
7
Flûte à bec Alto
7
Flûte à bec Soprano
7
Flûte, Hautbois (duo)
6
Saxophone Soprano
6
Saxophone Tenor
6
Hautbois
6
Clarinette, Basson (duo)
6
Quatuor de Flûtes à bec
6
Flûte, Violoncelle
5
Flute (partie séparée)
5
Hautbois, Clarinette, Basson (trio d'anches)
4
5 Flûtes à bec
4
Saxophone Baryton
4
Saxophone, Clarinette (duo)
4
Cor Anglais
4
Flûte, Hautbois, Basson
4
Clarinette, Violon (duo)
4
2 Flûte à bec (duo)
4
Harmonica
3
Flûte à Bec
3
Clarinette, Violoncelle (duo)
3
Hautbois, Violoncelle
3
Flûte et Guitare
3
Flûte, Clarinette et Basson
3
Piccolo, Piano
3
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Trompette (duo)
2
Flûte, Alto et Piano
1
Hautbois, violon (duo)
1
Saxophone et Guitare
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Flûte
1
2 Flûtes traversières, Piano
1
2 Cors Anglais Et Pianoforte
1
Clarinette et Alto
1
Clarinette, Guitare (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone
1
Flûte, Trompette (duo)
1
2 Clarinettes, Piano
1
3 Hautbois
1
Flûte traversière, Basse continue
1
Cornemuse
1
Flûte à bec Alto, Piano
1
Flûte, Basson et Piano
1
Flûte, Saxophone (duo)
1
Clarinette, Orgue
1
Flûte, Alto (duo)
1
Cor anglais et Harpe (duo)
1
Clarinette Basse
1
Hautbois, Harpe
1
Clarinette, Harpe (duo)
1
2 Hautbois, Piano
1
Instrumentations suivantes
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
169
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
169
Trompette, Piano
86
Cor et Piano
77
Trombone et Piano
73
Quatuor de Cuivres: 2 trompettes, Cor, trombone
66
Ensemble de Trompettes
57
Trompette
56
Cor
45
Ensemble de Trombones
41
Euphonium, Piano (duo)
39
Trombone
38
Trompette (partie séparée)
35
Tuba et Piano
34
Trombone (partie séparée)
28
Quatuor de Cuivres
24
Tuba
24
2 Trombones (duo)
19
Cor anglais, Piano
17
2 Trompettes (duo)
16
2 Cors (duo)
13
Cor (partie séparée)
11
Quatuor de cuivres: 4 trombones
10
Trompette, Trombone (duo)
9
Ensemble de Cors
6
Tuba (partie séparée)
6
2 Tubas (duo)
6
Quatuor de cuivres: 4 trompettes
4
Cor Anglais
4
Trompette, Cor (duo)
4
Quatuor de cuivres: 4 cors
4
Cor et Basson (duo)
3
3 Trombones (trio)
3
2 Euphoniums et 2 Tubas
3
Trio de Cuivres
2
Trombone basse et Piano
2
Trombone basse
2
Euphonium
2
Euphonium, Tuba (duo)
2
Trompette, Saxophone (duo)
2
Cor, Violoncelle (duo)
2
4 Tubas
1
3 Tubas (trio)
1
Cor et Orgue
1
2 Cors, Piano
1
Trombone, Orgue
1
2 Cors Anglais Et Pianoforte
1
Trompette, Violoncelle (duo)
1
Ensemble de Tubas
1
Cor anglais et Harpe (duo)
1
2 Euphoniums (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
382
Violon et Piano
153
Violon, Violoncelle (duo)
129
Violoncelle, Piano
116
Alto, Piano
87
Violon
80
Violoncelle (partie séparée)
68
Trio à Cordes: 2 violons, violoncelle
67
Quintette à cordes: 2 violons, alto, violoncelle, basse
56
Trio à Cordes: violon, alto, violoncelle
52
2 Violons (duo)
36
Violon, Alto (duo)
34
2 Violoncelles (duo)
33
Alto seul
25
Ensemble de Violons
25
Ensemble d'Altos
24
Violoncelle
23
Contre Basse
20
Harpe
20
2 Altos (duo)
17
Contrebasse, Piano (duo)
17
Alto (partie séparée)
16
Contrebasse (partie séparée)
12
Violon (partie séparée)
11
4 Violoncelles
8
Alto, Violoncelle (duo)
8
Harpe, Flûte (duo)
5
Quatuor à cordes : 4 altos
5
Quatuor à cordes: 4 violons
5
Violon, Basson (duo)
4
Trio à cordes: 3 violins
4
Trio à Cordes: 3 violoncelles
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Altos, Piano
2
Trio à cordes: 3 altos
2
Violoncelle, Contrebasse (duo)
2
Violon, Guitare (duo)
2
Alto et Basson
2
2 Contrebasses (duo)
2
Ensemble de Violoncelles
1
4 Contrebasses
1
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
Violoncelle, Basse continue
1
Harpe, Violon, Violoncelle
1
2 Harpes (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
472
Orchestre à Cordes
165
Orchestre
133
Ensemble Jazz
55
Ensemble de cuivres
54
Orchestre de chambre
46
Jazz combo
36
Fanfare
28
Cloches
14
Batterie (partie séparée)
13
Ensemble de Percussions
13
Percussion (partie séparée)
7
Batterie
5
Marimba
5
Xylophone, Piano
2
Piano et Orchestre
2
Vibraphone
1
Marimba, Piano (duo)
1
Xylophone
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
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Leg It
Piano Quatuor: piano, violon, alto, violoncelle
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Fauré: Élégie Op. 24 for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 4 - Digital Download SKU: A0.549720 Composed by Gabriel Faure…
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Piano Quartet - Level 4 - Digital Download SKU: A0.549720 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 33 pages. Jmsgu3 #3531235. Published by jmsgu3 (A0.549720). It's an epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano, and the songs Après un rêve and Clair de lune. Since his early works are well-known and relatively easy to perform, Faure's music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, his training there prepared him for a church organist and choirmaster career. Middle Life: It is essential to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time to balance his composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute in Paris, particularly for him. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except, of course, in England. Legacy: Historians often describe Fauré's music, in general, as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by Fauré's death, jazz and atonal music had mainly come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be the cause of the esoteric nature of Faure's final works.
$42.95
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Piano Quatuor: piano, violon, alto, violoncelle
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Piano Quartet
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jmsgu3
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 4 - Digital Download SKU: A0.549937 Composed by Modest MUSSOR…
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Piano Quartet - Level 4 - Digital Download SKU: A0.549937 Composed by Modest MUSSORGSKY (1839 - 1881). Arranged by James M. Guthrie. Contemporary,Romantic Period,Standards. 208 pages. Jmsgu3 #4317807. Published by jmsgu3 (A0.549937). Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874 (МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри) Score: 103 pages, 924 measures, duration: 34:30. Contents:  Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)    Allegretto non troppo, capriccioso  4. BYDLO (Cattle) Sempre moderato pesante  Promenade 4 Tranquillo  5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²   Scherzino  6. Samuel Goldenberg und Schmuÿle Еврей в меховой шапке. Cандомир Andante  Promenade 5 Allegro giusto, nel modo russico, poco sostenuto  7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)     Allegretto vivo, sempre scherzando  8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo     CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)     Andante non troppo, con lamento  9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле    Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑад The Great Gates of Kiev Allegro alla breve Maestoso con grandezzaMussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Through the use of complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the depths of the underworld. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title that references a painting, sculpture, or architectural feature from an art museum. The suite is composed in such a way that it captures the moods and emotions evoked by the artworks. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.
$52.95
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Piano Quatuor: piano, violon, alto, violoncelle
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Modest MUSSORGSKY
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James M
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Mussorgsky: Pictures at an Exhibition for Piano Quartet
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jmsgu3
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SheetMusicPlus
Parallel Tracks
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
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Piano Quatuor: piano, violon, alto, violoncelle
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Pachelbel: Canon in D for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed …
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.552062 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104333. Published by jmsgu3 (A0.552062). Score: 9 pages.Duration: ca. 4:40. The famous Pachelbel Canon arranged for Piano Quartet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$46.95
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Piano Quatuor: piano, violon, alto, violoncelle
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Piano Quartet
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed …
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Piano Quartet,String Ensemble - Level 1 - Digital Download SKU: A0.548728 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 11 pages. Jmsgu3 #3412023. Published by jmsgu3 (A0.548728). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 5 pg. piano part 2 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$45.95
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Piano Quatuor: piano, violon, alto, violoncelle
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Martin Luther
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James M
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Luther: Out of the Depths for Piano Quartet
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jmsgu3
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SheetMusicPlus
The Swan (C. Saint-Saëns) - String quartet with piano - Score and parts
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1181088…
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Piano Quartet Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.1181088 By André Alberto Santos. By Camille Saint-Saens. Arranged by André Alberto Santos. Chamber,Classical,Film/TV,Romantic Period,Wedding. 17 pages. Soul - Musical Creations #780921. Published by Soul - Musical Creations (A0.1181088). If you're looking for music that can touch your heart directly, the sheet music The Swan by Camille Saint-Saëns is exactly what you need. This masterpiece of classical music is one of the most beautiful and moving pieces ever written.With its soft and enveloping melody, The Swan is able to calm the mood and relax the mind, providing a moment of peace and tranquility. Its arrangement is simple and elegant, which makes this piece accessible to beginners and experienced players alike.Additionally, The Swan is a versatile piece that can be played on a variety of instruments, including violin, piano, and cello. This means that, regardless of your instrument, you can enjoy the beauty and depth of this timeless music.If you're new to The Swan by Camille Saint-Saëns, it's time to give it a try and find out why it's one of the most popular pieces in classical music. Buy the sheet music now and start exploring the beauty and emotion of this unforgettable masterpiece.
$12.99
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Piano Quatuor: piano, violon, alto, violoncelle
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André Alberto Santos
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André Alberto Santos
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The Swan
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Soul - Musical Creations
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SheetMusicPlus
Handel: Seven Pieces from Water Music for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.552117 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 36 pages. Jmsgu3 #6121085. Published by jmsgu3 (A0.552117). Seven popular pieces from Handel's Water Music - most often requested for weddings. Score: 16 pages, Duration 12:15. Players may read from the score, or from the included instrumental parts.Contents: 1. Air2. Minuet3. Bourrée4. Hornpipe5. Rigaudon6. Minuet7. AndanteHandel's Water Music is one of his most famous compositions. It was written for King George I's pleasure barge trip along the River Thames in 1717. The Water Music is divided into three suites, each containing a variety of movements. The music features a mix of dance rhythms such as minuets, bourrees, and hornpipes, along with lively fanfares and slower, more stately airs. Its combination of light and playful music with grandeur and pomp has made it one of the most beloved pieces of classical music. Water Music has been performed by many orchestras and is a popular choice for special occasions, such as coronations and weddings. Its enduring popularity has helped to make it one of Handel's most famous and beloved compositions.Weddings during the time of Handel were usually quite extravagant affairs. The ceremony was typically held in a church and was accompanied by a full orchestra. Handel's own compositions were frequently used to provide the music for the ceremony. This was especially true in London, where Handel was based and where his music was extremely popular. Handel wrote a number of pieces specifically for use at weddings, including the popular Wedding Anthem and the Wedding Anthem in D Major. Handel's music provided a sense of grandeur and elegance to the proceedings and was often used to give the wedding an extra special touch.The festivities following the ceremony were also often quite lavish, with a large feast and plenty of dancing. Handel's music was often used to provide the background music for the dancing, and he wrote many dance suites that were specifically designed for this purpose. The bride and groom would often have a special dance to the music of Handel's Water Music, a particularly popular piece for the occasion. Guests at the wedding would be treated to a variety of Handel's works, ranging from his operas to his oratorios, which often had a spiritual or religious theme. Handel's music provided a sense of joy and celebration to the wedding and helped make it an occasion to remember.
$36.95
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Piano Quatuor: piano, violon, alto, violoncelle
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George Friderick Handel
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James M
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Handel: Seven Pieces from Water Music for Piano Quartet
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arrange…
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Piano Quartet - Level 1 - Digital Download SKU: A0.548646 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christmas. 8 pages. Jmsgu3 #3407471. Published by jmsgu3 (A0.548646). O Come, All Ye Faithful The traditional Adeste Fideles was arranged for a piano quartet ( piano, violin, viola & cello) featuring a thought-provoking re-harmonized final verse. O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another view says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. It seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Nevertheless, the O Come All Ye Faithful: Piano Quartet version has a re-harmonized final verse for more energy and drive. Lyrics Frederick Oakeley, a Catholic priest in 1841, wrote the English translation. This translation is probably the most common in English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built an extensive music library. Unfortunately, the massive earthquake in Lisbon ruined the library in 1755. In addition to making his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point, though, some of the poems may be unsuitable for whatever church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday but not on other Sundays. Similarly, poems are used for whether the event is Midnight Mass or regular daytime Mass. Â
$24.95
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Piano Quatuor: piano, violon, alto, violoncelle
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Wade
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James M
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O Come All Ye Faithful for Piano Quartet
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jmsgu3
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SheetMusicPlus
In The Land of Wonder-Wander for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.755009 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 49 pages. Sy Brandon #3239669. Published by Sy Brandon (A0.755009). In The Land of Wonder-Wander attempts to capture the essence of both Maxfield Parrish’s illustration and Eugene Fields’ poem The Dinkey-Bird. Both the painting and the poem create the feeling of a magical place where beauty, joy and pleasure abound. It is a mysterious place, perhaps as occurring in a dream, yet a place where one does not wish to leave. In The Land of Wonder-Wander begins quietly with vague tonality and sparse instrumentation as it transports the listener into this mystical land. As the tempo becomes stricter and the instrumentation fuller, the beauty of this place is apparent. A change to a triple meter and a faster tempo creates a joyous and wondrous section as there are many sweet treats growing to satisfy the soul. Children scampering and playing are represented by an allegro section with playful melodies and slight dissonance. The Dinkey Bird becomes the focus of the next section, which uses a staccato motif surrounded by rapid scales and arpeggios. These ideas build in intensity, expressing the wonder and beauty of this far away land, until they begin to fade away as the land recedes into the sea. A last flourish occurs as if one is trying to hold on to the experience before one wakes up from this marvelous dream.
$9.99
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Piano Quatuor: piano, violon, alto, violoncelle
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Sy Brandon
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In The Land of Wonder-Wander for Piano Quartet
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Sy Brandon
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SheetMusicPlus
Nocturne for Clarinet, Violin, Cello & Piano
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Compo…
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Piano Quartet Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.1283409 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 19 pages. EAMUSIC #874594. Published by EAMUSIC (A0.1283409). Nocturne was inspired by a meteorological phenomenon that is known as “noctilucence†and refers to shining clouds at high altitudes only observable for a short period of time in the summer twilight sky. In Canada we don’t get many summer days, that is why this occurrence is particularly special and beautiful. From the first measures the music evokes the feelings of tranquility and ephemeral elegance. Structurally this piece is almost built after some of Chopin’s Nocturnes which were written in 3-part form and often featured emotional and moving musical material towards the end of the piece. Even though nocturnes are generally meant to depict peaceful night music and my piece certainly opens that way, it does not stay calm and quiet for the duration of the piece because the night, after all, can be full of surprises and mysteries. The music is meant to be played with flair and colour, in a light and improvisatory way. This piece was first premiered at the Intimacy of Creativity Festival in Hong Kong in May 2019 with the assistance from Bright Sheng. Following the Audience Choice vote at the festival, and further revised, the piece was brought to the audiences in Philadelphia at the Curtis Institute of Music featuring musicians from the Curtis 20/21 Ensemble in December 2019.The piece is scored for Clarinet, Violin, Cello and Piano. Duration is approximately 9 minutes.
$20.00
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Piano Quatuor: piano, violon, alto, violoncelle
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Eugene Astapov
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Nocturne for Clarinet, Violin, Cello & Piano
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EAMUSIC
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SheetMusicPlus
Beethoven - Rondo Op.49 - Piano Quartet Violin, Viola, Cello, Piano
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.823998 Composed …
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.823998 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert,Standards. Score and parts. 28 pages. TK (Tim) Murray #4783589. Published by TK (Tim) Murray (A0.823998). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Violin, Viola, Cello, Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
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Piano Quatuor: piano, violon, alto, violoncelle
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Ludwig van Beethoven
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Tim TK Murray
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tkmurraycomp@aol
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Beethoven - Rondo Op.49 - Piano Quartet Violin, Viola, Cello, Piano
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TK
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SheetMusicPlus
Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.943203 Composed by Robert Cunningham. 20th Century,Contemporary. Score and parts. 118 pages. Robert E Cunningham #6110749. Published by Robert E Cunningham (A0.943203). Robert Cunningham's Piano Quartet (violin, viola, cello, piano) is a passionately Romantic work in a single movement, in sonata-allegro form. Much of it is lyrical, but other passages bristle with driving energy. Composed in 1993, revised in 2018-2019. The full score and individual parts for the violin, viola, and cello are included. Duration: 23:10.
$24.95
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Piano Quatuor: piano, violon, alto, violoncelle
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Robert Cunningham
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Piano Quartet
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Robert E Cunningham
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SheetMusicPlus
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