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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Les
Non classifié
26 047
Piano & claviers
Piano seul
23 620
Piano, Voix
11 065
Piano, Voix et Guitare
7 813
Piano Facile
6 236
Instruments en Do
1 655
Orgue
1 598
Accompagnement Piano
767
1 Piano, 4 mains
639
Piano grosses notes
625
Accordéon
580
Piano Trio: piano, violon, violoncelle
412
2 Pianos, 4 mains
140
Piano (partie séparée)
124
Piano Quatuor: piano, violon, alto, violoncelle
68
Piano Quatuor: piano, 2 violons, violoncelle
52
Piano Quintette: piano, 2 violons, alto, violoncelle
47
Orgue, Trompette (duo)
34
Clavecin
31
Ligne De Mélodie, Piano
21
Orgue, Piano (duo)
21
Clavier
21
2 Pianos, 8 mains
17
Tous Les Instruments
13
1 Piano, 6 mains
12
Accordéon, Voix
11
Instrument seul et Orgue
5
2 Orgues (duo)
4
Orgue, Voix
3
2 Accordéons
3
Piano Quintette: piano, violon, alto, violoncelle, contre basse
2
Accordéon - Piano, Voix, Guitare
2
Ensemble de Pianos
2
Accordéon, Corde(s)
1
Concertina
1
Fake Book
1
Accordéon et Orchestre
1
+ 31 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
39 440
Paroles et Accords
22 611
Guitare notes et tablatures
5 197
Guitare
4 858
Basse electrique
1 774
Ukulele
1 518
4 Guitares (Quatuor)
572
2 Guitares (duo)
516
Banjo
276
Mandoline
220
3 Guitares (trio)
202
Ensemble de guitares
179
Guitare (partie séparée)
148
Dulcimer
124
Piano, Guitare (duo)
96
Ensemble de Ukulélés
36
Ukulele Baryton
34
2 Ukuleles
30
Mandoline, Guitare (duo)
29
Mandoline, Piano (duo)
22
Basse électrique (partie séparée)
22
Orchestre à Plectres
12
2 Dulcimers (duo)
8
Dobro
8
Guitare, Quatuor à cordes
8
Guitare Pedal Steel
7
Partitions De Groupes
5
2 Guitares et Orchestre
4
Guitare, Violon, Violoncelle (trio)
4
Luth
3
2 Mandolines (duo)
3
Guitare, Orchestre
3
3 Dulcimers (trio)
3
Guitare, Harpe
2
Guitare, Flûte, Clarinette
2
2 Guitares, Clarinette (trio)
1
Guitare Tab, Voix, Basse, Batterie
1
+ 32 instrumentations
Retracter
Voix
Chorale SATB
8 238
Chorale 3 parties
2 528
Chorale TTBB
1 534
Chorale 2 parties
1 400
Voix seule
1 040
Pack Instrumental pour Chorale
990
Chorale SSAA
906
Chorale Unison
741
Chorale
376
Voix duo, Piano
325
Voix haute
238
Voix duo
168
Voix Soprano, Piano
136
Voix Tenor, Piano
107
Voix Alto, Piano
94
Voix, Guitare
74
Voix basse, Piano
73
Voix moyenne, Piano
70
Voix Baryton, Piano
66
Chorale SSAATTBB
25
Voix Moyenne
22
Chorale SSAB a cappella
18
Voix Tenor
17
Chorale SSATB
17
Chorale SSATTB
14
Voix Mezzo-Soprano, Piano
13
Soli, choeur mixte et accompagnement
11
Chorale SSAB, Piano
9
Voix d'Enfants
7
Voix Soprano
7
Male Voice
6
Voix Soprano, Orchestre
5
Voix basse
4
Chorale SAATB A Cappella
3
Chorale SATBB
3
Voix et basse continue
3
Chorale SSATBB
2
Chorale SSAATB
2
Voix Baryton
2
Chorale SATTBB, Clavier
1
Chorale, Orgue
1
+ 36 instrumentations
Retracter
Vents
Flûte traversière
3 128
Clarinette
2 511
Saxophone
2 448
Flûte traversière et Piano
1 981
2 Saxophones (duo)
1 755
2 Flûtes traversières (duo)
1 639
Saxophone Alto
1 599
Saxophone (partie séparée)
1 598
Quatuor de Saxophones: 4 saxophones
1 574
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 422
Clarinette et Piano
1 361
Saxophone Tenor
1 315
Saxophone Alto et Piano
1 211
Flûte, Hautbois, Clarinette, Basson
1 183
Hautbois, Piano (duo)
1 061
2 Clarinettes (duo)
847
Saxophone Tenor et Piano
834
Quatuor de Clarinettes: 4 clarinettes
794
Quintette de Saxophone: 5 saxophones
794
Hautbois
549
Hautbois (partie séparée)
507
Clarinette (partie séparée)
469
Quatuor de Flûtes : 4 flûtes
460
Saxophone Soprano et Piano
444
3 Clarinettes (trio)
411
Flûte, Clarinette (duo)
399
Flûte à Bec
370
3 Saxophones (trio)
342
Ocarina
337
2 Hautbois (duo)
308
2 Flûte à bec (duo)
302
Saxophone Baryton, Piano
276
Trio de Flûtes: 3 flûtes
270
Saxophone Soprano
263
Flûte et Guitare
259
Flute (partie séparée)
259
Quintette de Clarinettes: 5 clarinettes
252
Ensemble de saxophones
252
Saxophone, Clarinette (duo)
247
Clarinette, Violon (duo)
233
Ensemble de Clarinettes
226
Hautbois, Clarinette (duo)
201
Ensemble de Flûtes
196
Hautbois, Basson (duo)
188
Clarinette, Trompette (duo)
161
Cor anglais, Piano
161
Flûte, Violon
159
Instruments en Mib
154
Harmonica
141
Quintette de Flûte : 5 flûtes
120
Clarinette et Alto
109
2 Saxophones, Piano
105
Flûte à bec Soprano
104
Flûte, Clarinette et Basson
101
Quatuor de Flûtes à bec
100
Saxophone Baryton
95
Flûte, Saxophone (duo)
95
Flûte, Alto (duo)
93
Flûte, Hautbois, Clarinette (trio)
89
Clarinette, Basson (duo)
87
Hautbois, Flûte
85
Clarinette Basse, Piano
84
Flûte, Trompette (duo)
84
Flûte, Hautbois (duo)
83
Hautbois, Clarinette, Basson (trio d'anches)
76
Cor Anglais
74
Hautbois, Violoncelle
67
Flûte, Violoncelle
65
Flûte, Violon, Piano
64
Flûte, Hautbois, Basson
63
Clarinette, Violoncelle (duo)
63
2 Flûtes traversières, Piano
62
Flûte à bec Alto
55
Flûte, Clarinette, Piano (trio)
51
Clarinette, Guitare (duo)
42
Hautbois, violon (duo)
35
3 Flûtes à bec (trio)
32
Piccolo
31
Flûte, Violoncelle, Piano (trio)
30
Flûte à bec Alto, Piano
29
Clarinette Basse
29
Flûte, Hautbois, Piano (trio)
28
5 Flûtes à bec
27
Flûte, Violon et Violoncelle
27
Flûte à bec Soprano, Piano
26
Clarinette, Violoncelle, Piano (trio)
25
2 Clarinettes, Piano
25
Hautbois et alto (duo)
22
Ensemble De Flûte à bec
22
Flûte à bec Tenor
21
Hautbois, Guitare (duo)
21
Saxophone et Guitare
20
Clarinette, Trombone (duo)
19
Flûte, Trombone (duo)
19
Clarinette, Harpe (duo)
19
Flûte, Clarinette, Cor, Basson (Quartet)
19
Flûte, Basson et Piano
18
Piccolo, Piano
16
Clarinette, Basson, Piano (trio)
15
3 Hautbois
15
Flûte, Alto et Piano
14
Flûte irlandaise
13
Flûte, Violon, Violoncelle et Piano
13
Saxophone et Piano
13
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
12
4 Hautbois
10
Flûte, Hautbois, Violon
9
Flute, harpe et violon
9
Hautbois, Clarinette et Piano (Trio)
8
Flûte traversière, Orgue (duo)
8
Flûte, Clarinette, Violon (trio)
7
Clarinette, Alto et Piano (trio)
7
Flûte, trombone et piano
7
Flûte à Bec, Piano
7
Hautbois, Basson et Piano
6
Clarinette, Contrebasse (duo)
6
Flûte et Trio à cordes
6
Flûte, Tuba (duo)
5
Hautbois, Harpe
5
Harmonica, Piano
5
Flûte, Violon, Guitare
5
Hautbois, trombone (duo)
5
Flûte, Violoncelle, Guitare
5
2 Cors Anglais Et Pianoforte
5
Clarinette, Tuba
5
Hautbois, Violoncelle et Piano
5
Ensemble à vent
5
Hautbois, Violon, Piano
5
Saxophone et Harpe
4
2 Clarinettes, Basson
4
Clarinette, trompette et piano
4
Flûte traversière, Basse continue
4
Hautbois, Trompette (duo)
4
Cor anglais et Harpe (duo)
4
Saxophone et Orgue
4
Cornemuse
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Clarinette, Orgue
3
2 Hautbois et Basson
3
2 Hautbois, Piano
3
Flûte à bec Alto, Basse continue
3
Flûte de Pan
3
2 Flûtes, 2 Clarinettes (Quatuor)
2
Flûte, Harpe et Violoncelle
2
Clarinette, Orchestre
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Flute, Cor (duo)
2
Flûte, Alto et Violoncelle
1
Flûte à bec, Guitare (duo)
1
Flûte, alto et harpe
1
Saxophone, Violon (duo)
1
Flûte à bec, Harpe
1
Flûte à bec Soprano, Basse continue
1
Hautbois, Orgue
1
2 Flûtes à bec, Piano
1
2 Hautbois et Cor anglais
1
2 Flûtes à bec, Guitare
1
Flûte traversière, Orchestre
1
2 Flûtes traversières, Harpe
1
Hautbois et Orchestre
1
Cor anglais, Guitare (duo)
1
Flûte et Quatuor à Cordes
1
2 Flûtes traversières, Guitare
1
+ 158 instrumentations
Retracter
Cuivres
Trompette
2 632
Trombone
2 063
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 647
Trompette, Piano
1 126
Trompette (partie séparée)
1 029
Cor
1 003
Trombone et Piano
972
Trombone (partie séparée)
923
Quatuor de Cuivres : 2 trompettes, trombone, tuba
865
Cor et Piano
688
2 Trompettes (duo)
655
2 Trombones (duo)
605
Trompette, Trombone (duo)
489
Tuba et Piano
444
Tuba
433
Quatuor de Cuivres: 2 trompettes, Cor, trombone
366
Quatuor de Cuivres
329
Cor (partie séparée)
272
2 Cors (duo)
259
Trompette, Saxophone (duo)
208
Quatuor de cuivres: 4 trombones
163
Cor anglais, Piano
161
Tuba (partie séparée)
156
Ensemble de Trombones
148
Euphonium, Piano (duo)
145
Instruments en Sib
138
Bass Clef Instruments
132
Ensemble de Trompettes
114
2 Tubas (duo)
111
Euphonium
109
Quatuor de cuivres: 4 cors
106
Cor Anglais
74
2 Euphoniums et 2 Tubas
71
Trompette, Cor (duo)
68
4 Tubas
57
3 Trombones (trio)
50
Trio de Cuivres
45
Ensemble de Cors
33
Euphonium, Tuba (duo)
32
Quatuor de cuivres: 4 trompettes
32
3 Trompettes (trio)
31
Tuba et Orgue
30
2 Euphoniums (duo)
26
Cor, Violoncelle (duo)
25
Trompette, Tuba (duo)
22
Trombone basse
18
Trombone, Tuba (duo)
18
Trompette, Violoncelle (duo)
18
Trompette, Trombone, Piano
17
Trombone, Cor (duo)
17
Trombone basse et Piano
16
Instruments en Fa
15
Ensemble de Tubas
15
Trombone, Orgue
14
Trompette, Basson (duo)
13
2 Trompettes, Clavier (piano ou orgue)
11
Cor, Tuba (duo)
9
Trompette et Guitare
9
Cor et Basson (duo)
9
3 Cors (trio)
7
Trompette, violon (duo)
7
Quatuor de cuivres: 2 trompettes, 2 trombones
7
3 Tubas (trio)
7
Trompette, Violoncelle et Piano
7
Tuba ou Euphonium ou Saxhorn
6
Cor, Orchestre
5
Euphonium (partie séparée)
5
Cor et Harpe
5
Cornet A Pistons
5
2 Cors Anglais Et Pianoforte
5
2 Trombones, Piano
5
Trombone, Violon (duo)
4
Cor anglais et Harpe (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
3 Euphoniums
3
Clarinette, Cor (duo)
3
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Trompette, Euphonium (duo)
2
Cor, Violoncelle et Piano
1
2 Cors, Piano
1
Trombone et orchestre
1
Trompette, Harpe
1
4 Euphoniums
1
Trompette, Orchestre
1
Cor anglais, Guitare (duo)
1
Saxhorn basse ou Euphonium ou Tuba et Piano
1
+ 81 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4 419
Violon
3 320
Violoncelle
2 536
Violon et Piano
2 224
Alto seul
1 955
Violoncelle, Piano
1 527
Violon, Violoncelle (duo)
1 245
Alto, Piano
1 223
2 Violons (duo)
1 080
Harpe
919
Trio à Cordes: violon, alto, violoncelle
907
2 Violoncelles (duo)
753
Quintette à cordes: 2 violons, alto, violoncelle, basse
606
Violon, Alto (duo)
527
2 Altos (duo)
494
Contre Basse
473
Violon (partie séparée)
434
Contrebasse, Piano (duo)
348
Alto (partie séparée)
296
Trio à Cordes: 2 violons, violoncelle
278
Contrebasse (partie séparée)
233
Piano Trio: Violon, Alto, Piano
173
Alto, Violoncelle (duo)
167
Violon, Guitare (duo)
153
Violoncelle (partie séparée)
131
4 Violoncelles
129
2 Contrebasses (duo)
100
Trio à cordes: 3 violins
98
Violoncelle , Guitare (duo)
90
Trio à cordes
80
Trio à Cordes: 3 violoncelles
64
Violon, Basson (duo)
60
Quatuor à cordes: 4 violons
53
2 Harpes (duo)
50
Violoncelle, Contrebasse (duo)
49
Harpe, Flûte (duo)
44
Trio à Cordes: 2 violons, alto
43
Quatuor à cordes : 4 altos
39
Harpe, Violon (duo)
36
Quintette à cordes: 2 violons, 2 altos, violoncelle
35
Trio à cordes: 3 altos
31
Alto, Guitare (duo)
30
Ensemble de Violons
28
Ensemble d'Altos
27
Alto et Basson
26
Quintette à cordes : 2 violons, alto et 2 violoncelles
24
2 Violons, Piano
24
Harpe, Voix
22
Violon, Clarinette, Piano (trio)
18
Violoncelle, Orchestre
14
Harpe, Violoncelle (duo)
12
Flûte, Contrebasse (duo)
10
Ensemble de Violoncelles
9
Harpe, Violon, Violoncelle
8
2 Violoncelles, Piano
8
Harpe et Piano
8
2 Altos, Piano
7
Violoncelle, Basse continue
7
Alto et Harpe
6
3 Harpes
6
Autoharp
6
Violon, Tuba (duo)
6
Harpe (partie séparée)
6
Violoncelle, Orgue
6
Violon, Violoncelle, Clarinette
5
Violon, Orgue
4
Harpe, Quatuor à cordes
3
Violon, Contrebasse (duo)
3
4 Contrebasses
2
Violon, Trompette et Piano
2
Violon, Basse continue
2
Violon, Clarinette et Guitare
2
4 Harpes
2
Harpe et Orgue
2
3 Contrebasses
1
Alto, Orgue
1
Harpe et mandoline
1
Harpe, Trombone (duo)
1
+ 73 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
6 023
Orchestre
3 016
Timbales (partie séparée)
2 282
Orchestre à Cordes
1 741
Ensemble Jazz
1 710
Cloches
1 153
Batterie
1 059
Fanfare
876
Ensemble de cuivres
763
Orchestre de chambre
539
Jazz combo
309
Percussion (partie séparée)
307
Ensemble de Percussions
221
Batterie (partie séparée)
156
Instrumentation Flexible
152
Percussion
134
Marimba
94
Xylophone
88
Vibraphone
64
Timbales
63
Piano et Orchestre
38
Xylophone, Piano
26
Orchestre, Violon
26
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
26
Big band
15
Quintette à Vent
12
Caisse Claire
10
2 Xylophones
9
Ensemble d'École
9
Xylophone ou Marimba ou Vibraphone
6
Quatuor à Vent : 4 instruments à vents
5
Marimba, Piano (duo)
5
Quintette de Cuivres: autres combinaisons
5
Vibraphone (partie séparée)
5
Vibraphone et Marimba
2
3 Marimbas
2
Bongos
2
Xylophone (partie séparée)
2
Cajon
2
2 Marimbas
1
Voix et Orchestre
1
Conga
1
Voix Mezzo-Soprano, Orchestre
1
Bodhran
1
Orchestre Symphonique
1
2 Caisses Claires (duo)
1
+ 41 instrumentations
Retracter
Autres
Formation musicale - Solfège
40
Théorie de la musique
27
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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Hercules Waltzes
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Piano seul
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J
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Hercules Waltzes
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.8069 Arranged by J. Jay Watson. Portraits, Myths, Gods, Apples, Atlas, Castles & palaces. Lester S. Levy Collection. 5 pages. Published ...
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Piano - SKU: LV.8069 Arranged by J. Jay Watson. Portraits, Myths, Gods, Apples, Atlas, Castles & palaces. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8069). Hercules Waltzes. Arranged by J. Jay Watson. Published 1871 by J.L. Peters in New York. Composition of sectional with piano instrumentation. Subject headings for this piece include Portraits, Myths, Gods, Apples, Atlas, Castles & palaces. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Valses nobles et sentimentales
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3 Guitares (trio)
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AVANCÉ
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Classique
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Maurice Ravel
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Raymond Burley
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Valses nobles et sentimentales
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Les Productions d'OZ - Digital
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SheetMusicPlus
3 guitares - Avance - Digital Download Composed by Maurice Ravel (1875-1937). Arranged by Raymond Burley. Scores (3). 81 pages. Les Productions d'...
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3 guitares - Avance - Digital Download Composed by Maurice Ravel (1875-1937). Arranged by Raymond Burley. Scores (3). 81 pages. Les Productions d'OZ - Digital #DZ 3414. Published by Les Productions d'OZ - Digital
$24.95
Playing with Scales
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richa...
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Guitar - Level 2 - SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
Escales musicales
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Guitare
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INTERMÉDIAIRE
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Various
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Escales musicales
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Les Productions d'OZ - Digital
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SheetMusicPlus
Composed by Various. Arranged by Laurent Meneret. Score. 13 pages. Les Productions d'OZ - Digital #DZ 3637. Published by Les Productions d'OZ - Digital...
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Composed by Various. Arranged by Laurent Meneret. Score. 13 pages. Les Productions d'OZ - Digital #DZ 3637. Published by Les Productions d'OZ - Digital
$8.95
Favorite Recorder Tunes - Beautiful Airs and Ballads of the British Isles
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Flûte à Bec
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Duets
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Favorite Recorder Tunes - Beau
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Solos & Duets. British Isles. E-book. 45 pages. Mel Bay Publications - Digital Sheet Music #30963EB. Published by Mel Bay Publications - Digital S...
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Solos & Duets. British Isles. E-book. 45 pages. Mel Bay Publications - Digital Sheet Music #30963EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459462. 8.75x11.75 inches.
This exceptional collection of 41 truly beautiful airs and ballads from the British Isles offers both well-known tunes by the prolific blind Irish harpist, Turlough OCarolan and rarely heard melodies by anonymous composers; all have stood the test of time. Arranged for soprano or tenor recorder, these include OCarolans classically influenced Lord Inchiquin and Eleanor Plunkett as well as O Gentle Dove and Cuckoo Dear both examples of the strong tradition of song in Wales. Among other tunes, the haunting modal melodies of The Dark Slender Boy and Enchanted Valley express the melancholic heart and soul of the British Isles. A few of these songs have taken on a life of their own in modern times. Bonny at Morn, a popular traditional tune of northern England and Scotland, was arranged for soprano voice and harp by the 20th century British composer, Benjamin Britten. The Skye Boat Song originally recounted Bonnie Prince Charles Edward Stuarts journey to the Isle of Skye after his defeat at the historic Battle of Culloden. Later, the song evolved into a lilting lullaby and was more recently used as the theme song for the popular Outlander television series. Departing slightly from recorder notation practice, author Marcia Diehl has judiciously arranged these melodies complete with spare slur markings to aid the amateur player in authentically and musically rendering these tunes.
$12.99
May You Be Eternally Blessed
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Piano seul
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INTERMÉDIAIRE
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Classique
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Jose Valladares
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Jose Valladares
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May You Be Eternally Blessed
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Circlesquare Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1368428 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 8 pages. Circlesquare Musi...
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Piano Solo - Level 3 - SKU: A0.1368428 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 8 pages. Circlesquare Music #952774. Published by Circlesquare Music (A0.1368428). Introducing May You Be Eternally Blessed, an exuberant and soul-lifting piano composition that resonates with heartfelt wishes and positive affirmations. This vibrant piece, from the inspiring album A Celebration of Love, and Life by the distinguished artist and composer Jose Valladares, is a melodious expression of hope, joy, and the endless blessings that life offers.With a lively tempo of 115, May You Be Eternally Blessed bursts forth like the first rays of sunrise, heralding a new day filled with promise and possibilities. The composition is a jubilant celebration, an auditory bouquet of harmonious wishes sent forth into the universe. Each note radiates positivity, each chord sings of gratitude, and the melody weaves a tapestry of goodwill and joyous aspirations.May You Be Eternally Blessed is more than just a piece of music; it's an anthem of optimism and a testament to the power of positive intentions. It invites listeners to join in the chorus of hope, to embrace the beauty of life's journey, and to share in the collective wish for eternal blessings. This composition is perfect for those who seek to uplift spirits through music, for pianists looking to infuse their performances with a message of positivity, and for anyone in search of a melody that echoes the heart's deepest wishes for well-being and happiness.Let May You Be Eternally Blessed be your musical companion in times of celebration and reflection. Allow its uplifting melodies to fill your heart with warmth, inspire your steps with its energetic rhythm, and remind you of the boundless blessings that life holds. This piece is a celebration of life's gifts, a harmonious hymn of eternal optimism, and a heartfelt wish set to the universal language of music.
$8.99
Homeless Spirit Suite
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Piano seul
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AVANCÉ
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New Age
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Ann Ruane
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Homeless Spirit Suite
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Ann Ruane-Lux Eterna Healing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1308094 Composed by Ann Ruane. New Age. Score. 20 pages. Ann Ruane-Lux Eterna Healing #897365. Published by Ann Ruane-Lux...
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Piano Solo - Level 5 - SKU: A0.1308094 Composed by Ann Ruane. New Age. Score. 20 pages. Ann Ruane-Lux Eterna Healing #897365. Published by Ann Ruane-Lux Eterna Healing (A0.1308094). Homeless Spirit Suite is a suite of 3 pieces for advanced piano.I. Wandering Alone: This piece starts with a cry of exhausted desperation. The refrain reflects an unhurried presence with what is. The verses each contain a repeated note in the inner voice of the right hand, sometimes meshing with the melody and sometimes creating dissonance. Those notes represent the inner nudge, quietly wanting to be acknowledged. In the bridge, things seemingly turn upside down, only to return to the exhausted desperation. II. Through the Tempest: There is a fiery nature to this movement; an unapologetic expression of chaos, anger, fear, and heated conversation--between the hands in the music, but maybe between you and…? Creator? Yourself? Life? Lean into the unrelenting nature of this movement and let it cleanse you. III. Finding a New Path: Although somewhat melancholy, the refrain depicts a different state of calm following the storm. There is still inner restlessness heard in the verses and a hint of hope in the bridge. Things become clearer and less cluttered by the time the piece closes.Audio samples of the suite at annruane.hearnow.com/homeless-spirit-suite.
$6.50
Blessed Are They That Mourn (for SATB Chorus and Brass Quintet)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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F
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Blessed Are They That Mourn
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Sweetwater Brass Press
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.808672 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,Easter,Romantic...
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Choral Choir (SATB) - Level 4 - SKU: A0.808672 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,Easter,Romantic Period,Sacred. Octavo. 38 pages. Sweetwater Brass Press #3046205. Published by Sweetwater Brass Press (A0.808672). Brahms composed Ein deutsches Requiem, nach Worten der heiligen Schrift, his longest composition, during the period, 1865-1868. For the libretto, he eschewed the Latin text of the Roman Catholic Requiem Mass, using instead verses he chose from the German-language Luther Bible. Thus, it was A German Requiem. The Roman Church’s Requiem Mass begins with prayers for the dead; Brahms, on the other hand, chose to console the living and framed his first movement around the second of the Beatitudes, Blessed are they that mourn, for they shall be comforted.  The first movement is, indeed, comforting, filled with warmth and beauty. This arrangement retains Brahms’ original choral parts and translates the orchestral accompaniment to the five quietly playing brass instruments. The audio sample was digitally created, so the choral part of the arrangement can be heard but without words. This arrangement was completed in 2017 and runs about 10 minutes, 32 seconds. The arranger, Les Smith, can be reached at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95
Blessed Are They That Mourn (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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F
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Blessed Are They That Mourn
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808673 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,Easter,Romantic Peri...
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Brass Ensemble - Level 4 - SKU: A0.808673 Composed by Johannes Brahms (1833–1897). Arranged by F. Leslie Smith. Contemporary,Easter,Romantic Period,Sacred. Score and parts. 38 pages. Sweetwater Brass Press #3064649. Published by Sweetwater Brass Press (A0.808673).    Brahms composed Ein deutsches Requiem, nach Worten der heiligen Schrift, his longest composition, during the period, 1865-1868. For the libretto, he eschewed the Latin text of the Roman Catholic Requiem Mass, using instead verses he chose from the German-language Luther Bible. Thus, it was A German Requiem. The Roman Church’s Requiem Mass begins with prayers for the dead; Brahms, on the other hand, chose to console the living and framed his first movement around the second of the Beatitudes, Blessed are they that mourn, for they shall be comforted. The first movement is, indeed, comforting, filled with warmth and beauty. This arrangement translates Brahms’ choral parts and orchestral accompaniment into a warm and appealing five-brass-instruments version.    This arrangement was completed in 2017, and performance time runs about 10 minutes, 32 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride ...
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Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Études mélodiques simples dans tous les tons
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Guitare
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FACILE
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Luc Levesque
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Études mélodique
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - easy - SKU: ZZ.DZ-2072 Composed by Luc Levesque. Score. 16 pages. Les Productions d'OZ - Digital #DZ 2072. Published by Les Productions d'OZ - ...
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Guitar - easy - SKU: ZZ.DZ-2072 Composed by Luc Levesque. Score. 16 pages. Les Productions d'OZ - Digital #DZ 2072. Published by Les Productions d'OZ - Digital (ZZ.DZ-2072). ISBN 9782896559718.
$7.95
Donut Etudes vol. 3: Don’t Step in the Holes! – English Horn Quartet
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Cor Anglais
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INTERMÉDIAIRE
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
English Horn Solo - Level 3 - SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slid...
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English Horn Solo - Level 3 - SKU: A0.784328 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288645. Published by Slide Ride (A0.784328). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
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Alto seul
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
#
 
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
#
SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride ...
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Viola Solo - Level 3 - SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride (A0.784339). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
#
 
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
#
SheetMusicPlus
Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Sli...
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Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
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Basson
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Bassoon Solo - Level 3 - SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Rid...
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Bassoon Solo - Level 3 - SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Ride (A0.784331). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Sli...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$15.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Horn Quartet
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Cor
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide...
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French Horn Solo - Level 3 - SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide Ride (A0.784335). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ri...
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Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #528866...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
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Tuba
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (...
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Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Publishe...
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Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Baritone Saxophone Solo - Level 3 - SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published b...
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Baritone Saxophone Solo - Level 3 - SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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