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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All In
Non classifié
9 170
Piano & claviers
Piano seul
4 428
Piano, Voix
2 556
Piano, Voix et Guitare
876
Orgue
419
Instruments en Do
346
Piano Facile
232
Accompagnement Piano
172
1 Piano, 4 mains
93
Piano Trio: piano, violon, violoncelle
92
Accordéon
35
Piano Quatuor: piano, violon, alto, violoncelle
27
2 Pianos, 4 mains
24
Orgue, Trompette (duo)
22
Piano Quintette: piano, 2 violons, alto, violoncelle
16
Piano Quatuor: piano, 2 violons, violoncelle
12
Clavecin
12
Orgue, Piano (duo)
11
1 Piano, 6 mains
3
Fake Book
2
2 Pianos, 8 mains
2
Clavier
2
Piano (partie séparée)
1
2 Accordéons
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
486
Guitare
404
Ukulele
210
Ligne De Mélodie, (Paroles) et Accords
179
Basse electrique
78
Paroles et Accords
59
2 Guitares (duo)
47
Piano, Guitare (duo)
45
Dulcimer
36
4 Guitares (Quatuor)
28
Mandoline
25
Banjo
20
Ensemble de guitares
12
3 Guitares (trio)
9
Guitare, Violon, Violoncelle (trio)
7
2 Dulcimers (duo)
4
Ukulele Baryton
3
2 Mandolines (duo)
3
Guitare, Flûte, Clarinette
2
Partitions De Groupes
2
Mandoline, Guitare (duo)
2
Ensemble de Ukulélés
1
+ 17 instrumentations
Retracter
Voix
Chorale SATB
2 106
Chorale 3 parties
635
Chorale TTBB
507
Chorale SSAA
328
Chorale 2 parties
170
Chorale Unison
114
Voix Alto, Piano
58
Voix Soprano, Piano
49
Voix duo, Piano
48
Voix haute
45
Voix duo
43
Voix Tenor, Piano
39
Chorale
37
Voix Tenor
34
Voix Baryton, Piano
28
Voix Soprano
27
Voix seule
23
Voix moyenne, Piano
18
Voix basse, Piano
8
Chorale SSATB
4
Chorale SSAATTBB
3
Chorale SSATTB
2
Voix basse
2
Voix, Guitare
1
Soli, choeur mixte et accompagnement
1
Voix Mezzo-Soprano, Piano
1
Chorale SSAB a cappella
1
Voix Soprano, Orchestre
1
+ 23 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
694
2 Saxophones (duo)
640
Flûte traversière et Piano
628
Clarinette et Piano
513
Quatuor de Saxophones: 4 saxophones
489
Hautbois, Piano (duo)
468
Flûte, Hautbois, Clarinette, Basson
408
2 Flûtes traversières (duo)
401
Saxophone Alto et Piano
395
Quatuor de Clarinettes: 4 clarinettes
367
2 Clarinettes (duo)
362
Flûte traversière
317
Clarinette
310
Saxophone Tenor et Piano
283
Quintette de Saxophone: 5 saxophones
274
Quatuor de Flûtes : 4 flûtes
210
Saxophone, Clarinette (duo)
205
Saxophone Alto
200
Saxophone Soprano et Piano
194
Clarinette, Violon (duo)
163
Saxophone Tenor
154
Saxophone Baryton, Piano
152
Flûte, Clarinette (duo)
147
Quintette de Clarinettes: 5 clarinettes
142
Saxophone (partie séparée)
137
Ensemble de Clarinettes
127
2 Hautbois (duo)
125
Ensemble de Flûtes
122
Clarinette, Trompette (duo)
120
Hautbois (partie séparée)
115
Hautbois, Basson (duo)
108
3 Saxophones (trio)
106
3 Clarinettes (trio)
102
Ensemble de saxophones
102
Hautbois, Clarinette (duo)
98
Flûte, Violon
89
Flûte et Guitare
76
Flûte, Saxophone (duo)
76
Clarinette et Alto
73
Flûte, Trompette (duo)
71
Clarinette Basse, Piano
69
Trio de Flûtes: 3 flûtes
67
Hautbois, Flûte
65
Flûte, Hautbois, Clarinette (trio)
62
Cor anglais, Piano
59
Flûte, Alto (duo)
53
Quintette de Flûte : 5 flûtes
52
2 Flûte à bec (duo)
49
Hautbois
48
Flûte, Clarinette et Basson
46
Flûte, Violon et Violoncelle
45
Clarinette, Guitare (duo)
39
Flûte, Violon, Piano
38
Flûte, Hautbois, Basson
34
Flûte à Bec
33
Hautbois, Clarinette, Basson (trio d'anches)
32
Saxophone Soprano
29
Quatuor de Flûtes à bec
29
Flûte à bec Soprano
28
Ensemble De Flûte à bec
28
Flûte, Clarinette, Piano (trio)
26
Clarinette, Basson (duo)
25
Saxophone Baryton
25
Flûte, Violoncelle, Piano (trio)
22
Flûte, Hautbois (duo)
21
Saxophone
20
Clarinette, Violoncelle, Piano (trio)
19
Cor Anglais
19
Clarinette, Harpe (duo)
18
Flûte, Violoncelle
18
2 Flûtes traversières, Piano
17
2 Clarinettes, Piano
16
2 Saxophones, Piano
15
Flûte, trombone et piano
15
Instruments en Mib
13
Flute, harpe et violon
13
Flûte, Clarinette, Violon (trio)
12
Flûte, Alto et Piano
12
5 Flûtes à bec
12
Cor anglais, Guitare (duo)
12
Ocarina
11
Flûte, Basson et Piano
11
Clarinette, Violoncelle (duo)
11
3 Flûtes à bec (trio)
10
Hautbois, violon (duo)
10
Hautbois, Guitare (duo)
9
Flûte à bec Alto
9
Flûte, Hautbois, Piano (trio)
8
4 Hautbois
8
Flûte, Violoncelle, Guitare
8
Flûte à bec Soprano, Piano
8
Saxophone et Guitare
7
Clarinette (partie séparée)
7
Flûte irlandaise
7
3 Hautbois
7
Saxophone et Harpe
7
Ensemble à vent
6
Clarinette, trompette et piano
6
Flûte, Violon, Violoncelle et Piano
6
Flûte, Hautbois, Violon
5
Clarinette Basse
5
Harmonica
5
Hautbois, Harpe
5
2 Clarinettes, Basson
5
Flûte, Harpe et Violoncelle
5
Piccolo, Piano
4
Flute (partie séparée)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
2 Hautbois, Piano
3
Piccolo
3
Flûte traversière, Orgue (duo)
3
Flûte, Trombone (duo)
3
Flûte et Trio à cordes
3
Clarinette, Trombone (duo)
2
Clarinette, Alto et Piano (trio)
2
Flûte à bec, Guitare (duo)
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte traversière, Basse continue
2
Flûte à bec Tenor
2
Flûte à bec Alto, Piano
2
Flûte, Violon, Guitare
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
Clarinette, Basson, Piano (trio)
1
Saxophone et Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte à Bec, Piano
1
Flûte à bec Soprano, Basse continue
1
Flûte de Pan
1
Clarinette, Tuba
1
2 Flûtes traversières, Harpe
1
Flute, Cor (duo)
1
Saxophone et Orgue
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Violoncelle et Piano
1
Flûte, alto et harpe
1
+ 130 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
595
Quatuor de Cuivres : 2 trompettes, trombone, tuba
360
Trompette, Piano
343
Trombone et Piano
342
Trompette
335
Cor et Piano
281
Trombone
175
2 Trompettes (duo)
167
Cor
158
Quatuor de Cuivres: 2 trompettes, Cor, trombone
152
2 Trombones (duo)
151
Trompette, Saxophone (duo)
146
Tuba et Piano
125
Trompette, Trombone (duo)
121
Quatuor de Cuivres
103
Tuba
97
Euphonium, Piano (duo)
94
2 Cors (duo)
86
Ensemble de Trompettes
67
Cor anglais, Piano
59
Quatuor de cuivres: 4 trombones
43
2 Tubas (duo)
37
Trompette (partie séparée)
37
Quatuor de cuivres: 4 cors
36
Ensemble de Trombones
34
Euphonium
29
Cor Anglais
19
Instruments en Sib
15
Quatuor de cuivres: 4 trompettes
15
Ensemble de Cors
14
Trio de Cuivres
14
4 Tubas
13
2 Euphoniums et 2 Tubas
13
3 Trombones (trio)
12
Trompette, Harpe
12
Trompette, Cor (duo)
12
Cor anglais, Guitare (duo)
12
3 Trompettes (trio)
10
Trombone (partie séparée)
9
Cor et Harpe
8
Euphonium, Tuba (duo)
8
Cor, Tuba (duo)
7
2 Euphoniums (duo)
7
Trombone, Tuba (duo)
6
Trompette, Tuba (duo)
6
Cor (partie séparée)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Bass Clef Instruments
4
Trombone, Cor (duo)
4
2 Cors, Piano
4
Cor, Violoncelle (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trompette, Trombone, Piano
3
Cor, Violoncelle et Piano
3
Trombone basse
2
Trombone, Orgue
2
Trompette et Guitare
2
3 Cors (trio)
2
Trompette, Violoncelle et Piano
2
Trombone, violoncelle (duo)
2
Trombone basse et Piano
2
2 Trombones, Piano
2
Clarinette, Cor (duo)
1
Tuba (partie séparée)
1
Trompette, Euphonium (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Violoncelle (duo)
1
Ensemble de Tubas
1
Cornet et orchestre
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 658
Violon et Piano
681
Violon
588
Violon, Violoncelle (duo)
487
Violoncelle, Piano
462
Alto, Piano
442
Trio à Cordes: violon, alto, violoncelle
442
Harpe
386
Violoncelle
308
2 Violons (duo)
263
Quintette à cordes: 2 violons, alto, violoncelle, basse
204
Trio à Cordes: 2 violons, violoncelle
199
Violon, Alto (duo)
188
Alto seul
187
2 Harpes (duo)
179
2 Violoncelles (duo)
170
2 Altos (duo)
168
Contrebasse, Piano (duo)
115
Contre Basse
92
Alto (partie séparée)
55
4 Violoncelles
50
Alto, Violoncelle (duo)
40
2 Contrebasses (duo)
31
Trio à cordes: 3 violins
30
Violoncelle , Guitare (duo)
27
Violon, Guitare (duo)
27
Harpe, Flûte (duo)
24
Trio à Cordes: 3 violoncelles
21
Piano Trio: Violon, Alto, Piano
21
Harpe, Voix
16
Ensemble de Violons
15
Harpe, Violon (duo)
14
Alto, Guitare (duo)
12
Trio à cordes: 3 altos
12
Violon (partie séparée)
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Ensemble d'Altos
10
Harpe, Violoncelle (duo)
9
Alto et Harpe
9
Trio à Cordes: 2 violons, alto
9
Trio à cordes
8
Violoncelle, Contrebasse (duo)
8
Quatuor à cordes : 4 altos
7
Quatuor à cordes: 4 violons
6
Violoncelle (partie séparée)
5
2 Violons, Piano
5
Harpe et Piano
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
2 Violoncelles, Piano
5
Flûte, Contrebasse (duo)
4
Violon, Clarinette, Piano (trio)
3
Harpe, Violon, Violoncelle
3
Contrebasse (partie séparée)
3
Harpe, Trombone (duo)
3
3 Contrebasses
2
2 Altos, Piano
2
Ensemble de Contre basses
2
Violon, Orgue
2
Violoncelle, Orgue
2
4 Contrebasses
2
Violon, Violoncelle, Clarinette
2
Violon, Basson (duo)
1
3 Harpes
1
Harpe et Orgue
1
Alto, Orgue
1
Violon, Trompette et Piano
1
Ensemble de Violoncelles
1
Violon, Basse continue
1
Alto et Basson
1
+ 64 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
852
Orchestre à Cordes
589
Orchestre
522
Ensemble Jazz
471
Ensemble de cuivres
344
Cloches
321
Orchestre de chambre
205
Jazz combo
130
Fanfare
127
Batterie
76
Ensemble de Percussions
68
Marimba
16
Xylophone, Piano
15
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
14
Vibraphone
14
Xylophone
7
Percussion
5
Percussion (partie séparée)
3
3 Marimbas
2
Big band
2
Vibraphone et Marimba
2
Orchestre, Violon
1
Batterie (partie séparée)
1
Quintette à Vent
1
Instrumentation Flexible
1
2 Xylophones
1
Caisse Claire
1
Quintette de Cuivres: autres combinaisons
1
+ 23 instrumentations
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--INSTRUMENTS--
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9976
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Wolfgang Amadeus Mozart
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
In the Dark Pine-Wood (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-4E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-4E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
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Juliana Hall
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In the Dark Pine-Wood
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Strings in the Earth and Air (Downloadable)
Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-1E Composed by J…
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Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-1E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
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Juliana Hall
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Strings in the Earth and Air
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
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Chorale SATB
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Stuart Brown
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An Omani Dance Suite - COMPLETE BUNDLE
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Stuart Brown Music
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SheetMusicPlus
Piano Trio in E flat major, Op. 2
Piano Trio: piano, violon, violoncelle
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed…
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
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Piano Trio: piano, violon, violoncelle
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Ferdinand Ries
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Dianne James
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Piano Trio in E flat major, Op. 2
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Artaria Editions
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533348 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 23 pages. Musik Fabrik Music Publishing #2348199. Published by Musik Fabrik Music Publishing (A0.533348). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrotesongs while he was in London. His opera fantasies are usually written for the Alto saxophone. This particular fantasy usesthemes from the Third and fourth act sung by the hero et heroine which are marked in the score.
$11.95
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Gaetano Donizetti
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Trio in C minor, Op. 143
Piano Trio: piano, violon, violoncelle
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed…
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1487814 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 62 pages. Artaria Editions #1064752. Published by Artaria Editions (A0.1487814). The Piano Trio in C minor Op.143 was published by Schott in 1826, but could have been composed much earlier for Ries's personal use in the London concert halls. It is an imposing work, whose gruff tone and serious purpose recall Beethoven's use of this key. The first movement is an impressive sonata-form movement extending to a length of almost 250 bars. It contains two strikingly contrasted themes, one aggressively assertive, the other of a more lyrical, tender character (parallels to Beethoven's thematic tendencies in sonata-form movements are once again clearly apparent). The Adagio movement, cast in the rich colours of A flat major (the tonic minor - flat submediant major key relationship recalls Beethoven once again) contains some moments of real beauty and musical insight. The piano is often centrestage, its florid lines and ornamental flourishes reminiscent of another of Ries's contemporaries, Hummel. The technique of connected second and third movements seen in this work is not new but was a trend established in the piano trio genre by Joseph Haydn in the 1780s and 90s. The oasis of calm and tranquillity created in the Adagio is shattered dramatically by the jagged arpeggio figure which launches the finale. This extremely fast movement - the metronome marking indicates that the music should be felt in two, not in four - is characterised by the tarantella topos. It is a tremendously exciting movement, whose swirling energy and frantic pace is only reined in at the final cadence. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Schott's 1826 edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The metronome markings at the head of each movement derive from this source. The piano compass extends from E flat 1 to a flat 4, a range of just over six octaves. Pedal markings indicated in the source have not been included in the current edition since these are generally very instrument-dependent. Minor rhythmic inconsistences between different statements of the same theme have been retained (e.g. first movement, second subject, bb.51-52, cello and 188-89, violin), as have some differences in phrasing between successive thematic statements (cf. finale, piano bb.3-6 and violin bb.18-21). The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
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Piano Trio: piano, violon, violoncelle
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Ferdinand Ries
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Dianne James
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Piano Trio in C minor, Op. 143
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Artaria Editions
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SheetMusicPlus
Can't Help Falling In Love
Small Ensemble Marimba - Level 3 - Digital Download SKU: A0.845300 By Elvis Presley…
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Small Ensemble Marimba - Level 3 - Digital Download SKU: A0.845300 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and parts. 6 pages. Phil Beaman #6690329. Published by Phil Beaman (A0.845300). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for nostalgia concerts. 3 pages score, 1 page parts; all parts in Treble ClefPart I -- single note melodyPart II -- countermelody or 2 note chordsPart III -- up to 4 note chords
$12.99
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Elvis Presley
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Phil Beaman
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
She's Like the Swallow for SSA choir and piano. Newfoundland folk song ballad.
Chorale 3 parties
Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.890639 Composed by S…
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Choral Choir,Choral (SSA) - Level 3 - Digital Download SKU: A0.890639 Composed by Stella ter Hart. Arranged by Stella ter Hart. 20th Century,Folk,Standards. 12 pages. Stella ter Hart #3455153. Published by Stella ter Hart (A0.890639). This hauntingly beautiful and artistic arrangement of She's Like the Swallow contains the original, very old Newfoundland folk text very rarely used due to it's tragic story line. It is in the genre of beware the uncaring man common in folk songs of Europe which served to teach and warn young girls about the dangers of infatuation. This genre travelled to the United States and Canada in the 1700's. The expression apron low/apron high is a common thread in this genre and refers to being pregnant. She's Like the Swallow tells the tragic tale of a young girl who has fallen in love with, no doubt, a handsome but uncaring man. The story is told from each character's perspective plus an observer (narrator). The girl ultimately creates her own funeral bower of rose petals (ripping them off in desperation as she frantically runs through a garden), lies down on this 'bed of roses' and dies.  You have probably heard this song many times without ever knowing the true meaning due to significant verses left out. You will need a skilled accompanist! The accompaniment utilizes significant word painting throughout to highlight the haunting melody line. Word painting depicts the swallow, uncaring cruelty, desperation, blindly going in circles, anger, church bells and fading away/dying. The conductor is free to take liberties with the tempi and dynamics in order to create a unique interpretation that will resonate with their own choral group. This arrangement of She's Like the Swallow is an exceptional festival or competition piece and one that should be in the repertoire of every skilled women's choir! Duration:  4 minutes                                                                               Key: C minor (plus modulations)                                                                                    Level: intermediate/early advanced composer contact:  www.stellaterhart.com
$2.75
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Chorale 3 parties
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Stella ter Hart
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Stella ter Hart
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She's Like the Swallow for SSA choir and piano. Newfoundland folk song ballad.
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Stella ter Hart
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SheetMusicPlus
Mauro Giuliani: Sonatina in C op.71 no.1
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1392100 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 19 pages. Socrates Arvanitakis #975591. Published by Socrates Arvanitakis (A0.1392100). PREFACE AND BRIEF ANALYTICAL NOTESThe three sonatinas op.71 by Mauro Giuliani in C, G, and D were first published in 1816 in Vienna and were intended as student pieces of progressive difficulty. In parallel with this intention they are also fully developed three-movement works which reveal Giulianiâ??s technique as a composer with harmony, counterpoint, and structure.They certainly have the time length and the variety of full scale sonatas, but here Giuliani has chosen to use the supporting structures of sonatas met in movements other than the first, such as Menuetto and Trio, Rondo, Marcia and Trio, Scherzo and Trio, etc,  rather than sonata form itself.As it stands, this first sonatina in C has the following three movements:1 Maestoso (Moderato) which is a set of a theme and three variations, or better termed as a set of mathematical divisions reminiscent of an earlier era, as the accompaniment of the theme is given in crotchets, quavers, quaver triplets, and semi-quavers.2 Menuetto-Trio-Menuetto da capo written typically in the subdominant key of F and fully developed as per classical 19th century usage.3 Rondo. This movement is also written in a classical rondo style and form as an A-B-A-C-B-A-codetta  structure, with a typical tonal scheme of A in the tonic Key (C), B in the dominant key (G), and C in the relative minor key (Am).Therefore in this work we do not meet with structural innovations of any kind, but with strong affirmation of already existing and well established early 19th century structural norms, but the beautiful personal melodic and harmonic style of Giuliani and even his routine guitaristic nuances and formulas are present in all three movements and can be enjoyed as always.TECHNICALThis publication keeps each separate movement within the limit of two pages, thus avoiding page turns. It is published with two versions of the same pieces given in undecorated and decorated pages for the user to select which version he prefers to print out. Blank pages have been provided for insertion/deletion for the correct placement of left-right hand pages.Metronome marks are only editorial suggestions that need not be taken too literally.Sibelius Mp3 archive has been extracted for this publication using Note Performer playback engine.Socrates ArvanitakisLondon 2024.
$6.00
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Guitare
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Mauro Giuliani
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Socrates Arvanitakis
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Mauro Giuliani: Sonatina in C op.71 no.1
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Socrates Arvanitakis
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SheetMusicPlus
Ballade in C Minor
Cloches
3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB572 Composed b…
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3, 4, or 5 octaves handbells - Level 3 - Digital Download SKU: C7.CGB572 Composed by J Wayne Kerr. General. Score. 4 pages. Chorister's Guild - Digital #CGB572. Published by Chorister's Guild - Digital (C7.CGB572). UPC: 749193013922.Bursting with joy, this arrangement of the familiar song is malleted throughout. In addition to malleting the bells, the piece includes indications for ringers to click their own mallets together and to cross click mallets with their neighbors. An optional percussion part adds even more joy to this delightful arrangement.
$3.95
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Cloches
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J Wayne Kerr
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Ballade in C Minor
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Chorister's Guild - Digital
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SheetMusicPlus
Ali Ben Sou Alle: Souvenir de Natal for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533491 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533491 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 6 pages. Musik Fabrik Music Publishing #3000183. Published by Musik Fabrik Music Publishing (A0.533491). A lyric piece, celebrating Ali Ben Sou Alle's visit to Natal, which is now part of South Africa.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.
$9.95
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenir de Natal for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Souvenirs de la Chine for soprano saxophone and piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.533495 Composed by Ali…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.533495 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3000191. Published by Musik Fabrik Music Publishing (A0.533495). “Loc-tee-kun-tzin: air chinoise et Rondo. Souvenirs de la Chine starts with a setting of the Chinese folksong « Loc-tee-kun-tzin », one of eight used by Pucinni in his opera Turandot but set in a completely different harmonic context here. The Rondo which follows is in the form of a valse with several scherzando passages and an brillant code. The folksong is briefly reprised before the concise endingOne of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) s born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
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Saxophone Soprano et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs de la Chine for soprano saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3000441. Published by Musik Fabrik Music Publishing (A0.533497). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt andothers with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Caprice sur "Jenny L'Ouvrière" for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533506 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 pages. Musik Fabrik Music Publishing #3002369. Published by Musik Fabrik Music Publishing (A0.533506). Jenny L'Ouvrière is a popular romance from 1845 with music by Étienne Arnaud and words by Emile Barateau. The song speaks of an hardworking weaver who is poor, but also courageous and good. The pastorale-like theme is also presented in a more varied form.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$10.35
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur "Jenny L'Ouvrière" for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 21 pages. Musik Fabrik Music Publishing #3001087. Published by Musik Fabrik Music Publishing (A0.533505). The concert waltz Adieu begins with an introduction in the style of a Bel Canto aria. The Valse which follows is divided into several sections of contrasting styles and tonalites. The coda brings the piece to a calm and quiet close which is broken by a final fortissimo outburst.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$12.95
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ride On! Ride On in Majesty! — SATB voices, organ
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1367409 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con Spirito Music #951781. Published by Con Spirito Music (A0.1367409). Perhaps the most often-sung processional hymn on Palm Sunday, “Ride On, Ride On in Majesty†was written in 1820 by Anglican cleric, poet, and scholar Henry Hart Milman (1791-1868) and first  published in Reginald Heber’s Hymns Written and Adapted to the Weekly Church Service of the Year (1827). The hymn references Jesus’ entry into Jerusalem prior to his Passion, as recorded in Matthew 21:1-11.Writing for the Hymnology Archive of The Hymn Society in the US and Canada, editor Chris Fenner notes in his analysis of the text that:“This hymn ... is much less a narrative or paraphrase of the triumphal entry (Matt. 21, Mk. 11, Lk. 19, Jn. 12) than it is a forward-looking hymn pointing from the palms to the cross to [Jesus’] ascended position on the throne. The triumphal entry itself is a fulfillment of Zechariah 9:9 (‘Behold, your king is coming to you . . . humble and mounted on a donkey’). The recurring opening line is possibly an allusion to Psalm 45:4 (‘in thy majesty ride prosperously’). “Some hymnological commentators connect this hymn with the idea of the great reversal in Philippians 2:5-12, where we find the Christ who humbled himself in a crucified death, later to be exalted, name above all names, to which every knee will bow. As Canadian hymn scholar Stanley Osborne observed, this hymn’s poetic strength is in its exploration of that duality:'Objective, robust, confident, and stirring, it possesses that peculiar combination of tragedy and victory which draws the singer into the very centre of the drama. It is this which gives the hymn its power and its challenge.'In this arrangement for SATB voices and organ, Milman’s text is set to the 15th-century English ballad, “Deo Gratias†(aka The Agincourt Carol), with the refrain Ride on in majesty!†following each verse.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
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Chorale SATB
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English ballad
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Todd Marchand
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Ride On! Ride On in Majesty! — SATB voices, organ
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Con Spirito Music
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SheetMusicPlus
This Is What Falling In Love Feels Like
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1504743 By Jvke. By Jacob Lawson an…
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Piano Solo - Level 3 - Digital Download SKU: A0.1504743 By Jvke. By Jacob Lawson and Zachary Lawson. Arranged by Explore the evocative sheet music for This Is What Falling In Love Feels Like. Pop. Score. 3 pages. Glauco Fernandes #1080170. Published by Glauco Fernandes (A0.1504743). Explore the evocative sheet music for This Is What Falling In Love Feels Like by JVKE, specially adapted for intermediate to advanced piano. This contemporary melody offers a beautiful opportunity to enhance your piano skills with its emotional depth and intricate harmonies, perfect for pianists seeking a piece that blends lyrical expression with technical challenge.This Is What Falling In Love Feels Like is celebrated for its heartfelt composition and modern appeal, making this sheet music a compelling choice for those eager to explore the nuances of expressing emotions through music. The arrangement balances sophisticated musical techniques with expressive playing, providing a rewarding experience for pianists ready to delve into more complex and emotive pieces.Available for immediate download, the sheet music for This Is What Falling In Love Feels Like allows you to immerse yourself in the soulful and romantic tones of JVKE's hit, enhancing your piano practice and performance. This sheet music will inspire and challenge you, making it a valuable addition to your piano repertoire, especially for those who appreciate contemporary music and expressive melodies.
$7.99
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Piano seul
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Jvke
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This Is What Falling In Love Feels Like
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Glauco Fernandes
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SheetMusicPlus
Can't Help Falling In Love
Brass Ensemble Euphonium,Tuba - Level 3 - Digital Download SKU: A0.845306 By Elvis …
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Brass Ensemble Euphonium,Tuba - Level 3 - Digital Download SKU: A0.845306 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and parts. 19 pages. Phil Beaman #6718209. Published by Phil Beaman (A0.845306). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. available for several different instrument combinationsinstrument part ranges - 10th Euphonium 1 - E3--G#4Euphonium 2 - E3--E#4Euphonium 3 - G#2--G#3Tuba 1 - B1--D3Tuba 2 - B1--B2Tuba 3 - G1--D3score in Concert Pitch, Bass Clefall parts provided in both clefs; concert pitch bass clef, and treble clef transposed for 3 Bb Euphoniums, 2 Eb Tubas, 1 Bb Tuba7 pages score, 1 page parts2:00 minutes
$12.99
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Elvis Presley
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Phil Beaman
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
This Is What Falling In Love Feels Like
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1504744 By Jvke. By Jacob Lawson an…
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Piano Solo - Level 3 - Digital Download SKU: A0.1504744 By Jvke. By Jacob Lawson and Zachary Lawson. Arranged by Glauco Fernandes. Pop. Score. 3 pages. Glauco Fernandes #1080171. Published by Glauco Fernandes (A0.1504744). Explore the evocative sheet music for This Is What Falling In Love Feels Like by JVKE, specially adapted for intermediate to advanced piano. This contemporary melody offers a beautiful opportunity to enhance your piano skills with its emotional depth and intricate harmonies, perfect for pianists seeking a piece that blends lyrical expression with technical challenge.This Is What Falling In Love Feels Like is celebrated for its heartfelt composition and modern appeal, making this sheet music a compelling choice for those eager to explore the nuances of expressing emotions through music. The arrangement balances sophisticated musical techniques with expressive playing, providing a rewarding experience for pianists ready to delve into more complex and emotive pieces.Available for immediate download, the sheet music for This Is What Falling In Love Feels Like allows you to immerse yourself in the soulful and romantic tones of JVKE's hit, enhancing your piano practice and performance. This sheet music will inspire and challenge you, making it a valuable addition to your piano repertoire, especially for those who appreciate contemporary music and expressive melodies.
$7.99
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Piano seul
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Jvke
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Glauco Fernandes
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This Is What Falling In Love Feels Like
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Glauco Fernandes
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SheetMusicPlus
Jesus You are my all in all
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983663 Composed by Allan Les…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983663 Composed by Allan Leslie McDougall. Christian,Gospel,Sacred. Score. 5 pages. Allan Leslie McDougall #5726553. Published by Allan Leslie McDougall (A0.983663). A song suitable for Christian worship.
$4.00
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Piano, Voix
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Allan Leslie McDougall
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Jesus You are my all in all
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Allan Leslie McDougall
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SheetMusicPlus
Gregory Sullivan Isaacs: Gather Us In from "Undelivered" for SATB chorus and piano
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.535376 Composed by Gregory…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.535376 Composed by Gregory Sullivan Isaacs. Christian,Contemporary,Sacred. Octavo. 11 pages. Musik Fabrik Music Publishing #2803949. Published by Musik Fabrik Music Publishing (A0.535376). Gather Us In is an excerpt from Undelivered, a cantata written about the speech that John F. Kennedy never gaev in Dallas in November, 1963. In this piece for chorus and piano, Suzanne Calvin adapted this text from the Oxford Book of Prayer originally by G.D. Matheson (1842-1906). The work is suitable for both religious services and concert performances. Gather us in, Thou love that fillest all;Gather our rival faiths within thy fold.Rend each man’s temple-veil and bid it fall,That we may know that Thou hast been of old;Gather us in.Gather us in: we worship only Thee;In varied names we stretch a common hand;In diverse forms a common soul we see;In many ships we seek one spirit-land;Gather us in.Each one sees one colour of thy rainbow-light,Each looks upon one tint and calls it heaven;Thou art the fullness of our partial sight;We are not perfect till we find the seven;Gather us in.
$3.35
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Chorale SATB
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Gather Us In from "Undelivered" for SATB chorus and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
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