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Camille Saint-Saëns
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Crtitères actifs :
Camille Saint-Saëns
intermédiaire
Partitions à imprimer
399 partitions trouvées
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376
Le Cygne (The Swan) / Camille Saint-Saëns
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Camille Saint-Saens
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Kan Saito / Japan Duo Notes
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Le Cygne
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Japan Duo Notes
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SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.1491737 Composed by Camille Saint-Saens. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classic...
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Flute Duet Flute - Level 3 - SKU: A0.1491737 Composed by Camille Saint-Saens. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical,Film/TV. Score. 2 pages. Japan Duo Notes #1068411. Published by Japan Duo Notes (A0.1491737). Title: Le Cygne (The Swan) by Camille Saint-Saëns – Flute Duet ArrangementDescription:Immerse yourself in the serene beauty of Camille Saint-Saëns’ Le Cygne (The Swan) with this exquisite flute duet arrangement. Originally composed as part of Le Carnaval des Animaux (The Carnival of the Animals), this iconic piece is known for its graceful melody that evokes the image of a swan gliding gracefully across the water. Perfectly adapted for two flutes, this arrangement captures the tranquil elegance and emotional depth of Saint-Saëns’ beloved work.Key Features:Composer: Camille Saint-SaënsArrangement: Flute DuetDifficulty Level: IntermediateFormat: Digital Sheet Music PDFPages: Score: 2 pagesThis flute duet version of Le Cygne showcases the beautiful lyrical qualities of the flute, with both parts engaging in expressive and melodic interplay. Ideal for both performance and teaching, this arrangement is perfect for musicians looking to explore the delicate artistry of Saint-Saëns’ composition.Why Choose This Arrangement?Iconic Melody: Enjoy one of classical music’s most recognizable and beautiful pieces in a new flute duet adaptation.Versatile Performance: Suitable for recitals, concerts, and special occasions, offering a peaceful and lyrical moment in any program.Expressive and Accessible: Designed for intermediate flutists, allowing performers to engage with the emotional depth of the piece while refining their expressive techniques.Enhance your flute repertoire with this refined arrangement of Le Cygne by Camille Saint-Saëns. Its serene melody and flowing lines make it a timeless favorite for both performers and audiences alike.Keywords: Camille Saint-Saëns, Le Cygne, The Swan, flute duet, flute sheet music, classical music, intermediate flute music, Saint-Saëns arrangements, lyrical flute duet, recital music, chamber music.
$4.99
Camille Saint-Saëns - The Swan arr. for string duo
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Violon, Alto (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Julia Samarska
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Camille Saint-Saëns - The
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Julia Samarska
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.816381 Composed by Camille Saint-Saens. Arranged by Julia Samarska. Concert,Romanti...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.816381 Composed by Camille Saint-Saens. Arranged by Julia Samarska. Concert,Romantic Period,Standards,World. Score and parts. 5 pages. Julia Samarska #5735573. Published by Julia Samarska (A0.816381). Camille Saint-Saëns - The Swan (The Carnival of the Animals) arr. for string duo - violin and viola, score and parts.
$15.00
Camille Saint-Saëns - The Swan arr. for string duo
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Violon, Alto (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Julia Samarska
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Camille Saint-Saëns - The
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Yulia Samarska
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.763169 Composed by Camille Saint-Saens. Arranged by Julia Samarska. Romantic Period...
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.763169 Composed by Camille Saint-Saens. Arranged by Julia Samarska. Romantic Period. Score and parts. 5 pages. Yulia Samarska #370822. Published by Yulia Samarska (A0.763169). Camille Saint-Saëns - The Swan (The Carnival of the Animals) arr. for string duo - violin and viola, score and parts.
$15.00
Saint-Saëns: The Swan for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic P...
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Cello,Piano - Level 3 - SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Roman...
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French Horn,Piano - Level 3 - SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Bass Clarinet & Piano
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Clarinette Basse
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
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Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,His...
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Piano,Soprano Flute - Level 3 - SKU: A0.1314255 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #902996. Published by jmsgu3 (A0.1314255). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history. Criticism On the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Hi...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Rom...
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Oboe,Piano - Level 3 - SKU: A0.1314269 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903011. Published by jmsgu3 (A0.1314269). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
The Swan (C. Saint-Saëns) - Cello ensamble - Score and parts
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Violoncelle
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INTERMÉDIAIRE
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André Alberto Santos
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André Alberto Santos
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The Swan
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Soul - Musical Creations
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SheetMusicPlus
Cello - Level 3 - SKU: A0.1181081 By André Alberto Santos. By Camille Saint-Saens. Arranged by André Alberto Santos. Chamber,Classical,Film/TV,Rom...
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Cello - Level 3 - SKU: A0.1181081 By André Alberto Santos. By Camille Saint-Saens. Arranged by André Alberto Santos. Chamber,Classical,Film/TV,Romantic Period,Wedding. 20 pages. Soul - Musical Creations #780914. Published by Soul - Musical Creations (A0.1181081). If you're looking for music that can touch your heart directly, the sheet music The Swan by Camille Saint-Saëns is exactly what you need. This masterpiece of classical music is one of the most beautiful and moving pieces ever written.With its soft and enveloping melody, The Swan is able to calm the mood and relax the mind, providing a moment of peace and tranquility. Its arrangement is simple and elegant, which makes this piece accessible to beginners and experienced players alike.Additionally, The Swan is a versatile piece that can be played on a variety of instruments, including violin, piano, and cello. This means that, regardless of your instrument, you can enjoy the beauty and depth of this timeless music.If you're new to The Swan by Camille Saint-Saëns, it's time to give it a try and find out why it's one of the most popular pieces in classical music. Buy the sheet music now and start exploring the beauty and emotion of this unforgettable masterpiece.
$9.99
Danse Macabre - Camille Saint-Saëns / Arr. for clarinet trio
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3 Clarinettes (trio)
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INTERMÉDIAIRE
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Classique
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Halloween
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Danse Macabre - Camille Saint-
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SheetMusicPlus
omposed by Camille Saint- Saens (1835-1921). Arranged by Francisco Garcia. Romantic Period. Score, Sheet Music Single. 33 pages. Published by Francisco...
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omposed by Camille Saint- Saens (1835-1921). Arranged by Francisco Garcia. Romantic Period. Score, Sheet Music Single. 33 pages. Published by Francisco García
$4.99
The Swan by Saint-Saëns for Recorder Quartet
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Quatuor de Flûtes à bec
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INTERMÉDIAIRE
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Camille Saint-Saens
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Langanho
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The Swan by Saint-Saëns f
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Avery Lynn Jordan
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SheetMusicPlus
Recorder Quartet Recorder - Level 3 - SKU: A0.1181152 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder...
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Recorder Quartet Recorder - Level 3 - SKU: A0.1181152 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 10 pages. Avery Lynn Jordan #780988. Published by Avery Lynn Jordan (A0.1181152). This arrangement for recorder quartet, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
$9.99
The Swan by Saint-Saëns for Recorder Quintet with Chords
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5 Flûtes à bec
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Langanho
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The Swan by Saint-Saëns f
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Avery Lynn Jordan
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SheetMusicPlus
Recorder - Level 3 - SKU: A0.1181162 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 12 pag...
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Recorder - Level 3 - SKU: A0.1181162 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 12 pages. Avery Lynn Jordan #780997. Published by Avery Lynn Jordan (A0.1181162). This arrangement for recorder quintet with chords, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
$15.99
The Swan by Saint-Saëns for Recorder Quintet
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5 Flûtes à bec
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Langanho
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The Swan by Saint-Saëns f
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Avery Lynn Jordan
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SheetMusicPlus
Recorder - Level 3 - SKU: A0.1181161 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 12 pag...
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Recorder - Level 3 - SKU: A0.1181161 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 12 pages. Avery Lynn Jordan #780996. Published by Avery Lynn Jordan (A0.1181161). This arrangement for recorder quintet, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
$15.99
The Swan by Saint-Saëns for Recorder Quintet and Piano
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5 Flûtes à bec
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Langanho
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The Swan by Saint-Saëns f
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Avery Lynn Jordan
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SheetMusicPlus
Recorder - Level 3 - SKU: A0.1181164 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 13 pag...
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Recorder - Level 3 - SKU: A0.1181164 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 13 pages. Avery Lynn Jordan #780999. Published by Avery Lynn Jordan (A0.1181164). This arrangement for recorder quintet and piano, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
$19.99
The Swan by Saint-Saëns for Recorder Quartet and Piano with Chords
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Quatuor de Flûtes à bec
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Langanho
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The Swan by Saint-Saëns f
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Avery Lynn Jordan
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SheetMusicPlus
Recorder Quartet Recorder - Level 3 - SKU: A0.1181159 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder...
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Recorder Quartet Recorder - Level 3 - SKU: A0.1181159 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 11 pages. Avery Lynn Jordan #780994. Published by Avery Lynn Jordan (A0.1181159). This arrangement for recorder quartet and piano with chords, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
$12.99
The Swan by Saint-Saëns for Recorder Quintet and Piano with Chords
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5 Flûtes à bec
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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Langanho
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The Swan by Saint-Saëns f
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Avery Lynn Jordan
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SheetMusicPlus
Recorder - Level 3 - SKU: A0.1181166 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 13 pag...
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Recorder - Level 3 - SKU: A0.1181166 Composed by Camille Saint-Saens. Arranged by Langanho. Classical,Romantic Period,Wedding. Recorder Ensemble. 13 pages. Avery Lynn Jordan #781001. Published by Avery Lynn Jordan (A0.1181166). This arrangement for recorder quintet and piano with chords, was made for chamber groups that play at weddings and private events, where all the essence of the original work was extracted, but adapted for better performance by the ensemble. Camille Saint-Saëns wrote O Carnaval dos Animais, Grande Fantasia Zoológica, in 1886 as a joke to amuse his friends at Carnaval time. The Swan (Le Cygne): Original theme by Saint-Saëns, the cello plays over piano harmonies. At the end he falls asleep.
$19.99
Saint-Saëns-La cloche,for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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MSM
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Saint-Saëns-La cloche,for
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Open Cloud
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.662883 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score and part. 15 pages. Open Cloud...
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Flute,Piano - Level 3 - SKU: A0.662883 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score and part. 15 pages. Open Cloud #4295909. Published by Open Cloud (A0.662883). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Saint-Saëns (Camille Saint-Saëns), 1835-1921, arrange by MSM Press, for Flute and Piano, published by More Sheet Music Press.
$7.99
Saint-Saëns-La cloche in D flat Major,for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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MSM
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Saint-Saëns-La cloche in
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.668323 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score. 15 pages. Open Cloud #4...
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Piano,Vocal,Voice - Level 3 - SKU: A0.668323 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score. 15 pages. Open Cloud #4414503. Published by Open Cloud (A0.668323). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Saint-Saëns (Camille Saint-Saëns), 1835-1921, for Voice and Piano.
$7.99
Saint-Saëns-Clair de lune in E Major,for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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MSM
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Saint-Saëns-Clair de lune
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.668298 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score. 9 pages. Open Cloud #44...
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Piano,Vocal,Voice - Level 3 - SKU: A0.668298 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score. 9 pages. Open Cloud #4414445. Published by Open Cloud (A0.668298). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Saint-Saëns (Camille Saint-Saëns), 1835-1921, for Voice and Piano.
$3.99
Saint-Saëns-Printemps qui commence,from 'Samson et Dalila',in E Major,for Voice and Piano
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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MSM
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Saint-Saëns-Printemps qui
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.671679 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score. 17 pages. Open Cloud #4...
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Piano,Vocal,Voice - Level 3 - SKU: A0.671679 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score. 17 pages. Open Cloud #4820243. Published by Open Cloud (A0.671679). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Saint-Saëns (Camille Saint-Saëns), 1835-1921, for Voice and Piano, published by More Sheet Music Press.
$7.99
Saint-Saëns-Clair de lune,for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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MSM
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Saint-Saëns-Clair de lune
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Open Cloud
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.662877 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score and part. 9 pages. Open Cloud ...
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Flute,Piano - Level 3 - SKU: A0.662877 Composed by Camille Saint-Saens. Arranged by MSM. Classical,Romantic Period. Score and part. 9 pages. Open Cloud #4295887. Published by Open Cloud (A0.662877). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Saint-Saëns (Camille Saint-Saëns), 1835-1921, arrange by MSM Press, for Flute and Piano, published by More Sheet Music Press.
$3.99
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