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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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FORMATION MUSI…
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LIVRES
LUTH
MANDOLINE
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PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Walk in Nature
Non classifié
24
Piano & claviers
Piano seul
25
Instruments en Do
5
Piano, Voix
5
Piano Facile
4
2 Pianos, 4 mains
4
Orgue
1
+ 1 instrumentations
Retracter
Guitares
Guitare
1
Ukulele
1
Voix
Chorale SATB
14
Voix Soprano, Piano
5
Voix Baryton, Piano
3
Voix Tenor, Piano
2
Chorale 2 parties
2
Voix Mezzo-Soprano, Piano
2
Chorale 3 parties
2
Chorale Unison
1
Voix haute
1
+ 4 instrumentations
Retracter
Vents
Clarinette et Piano
9
Flûte traversière et Piano
9
Hautbois, Piano (duo)
8
Saxophone Alto et Piano
4
Saxophone Soprano et Piano
3
Saxophone Tenor et Piano
3
Cor anglais, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Ensemble de Flûtes
2
Saxophone Baryton, Piano
2
Clarinette
2
Hautbois (partie séparée)
2
Flûte traversière
2
Clarinette Basse, Piano
2
Saxophone Alto
2
Clarinette, Tuba
1
Ensemble de Clarinettes
1
Flûte, Trombone (duo)
1
Clarinette, Trombone (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
2 Clarinettes (duo)
1
Flute, harpe et violon
1
3 Clarinettes (trio)
1
Clarinette, Contrebasse (duo)
1
+ 19 instrumentations
Retracter
Cuivres
Trompette, Piano
6
Trombone et Piano
6
Cor et Piano
5
Tuba et Piano
4
Euphonium, Piano (duo)
3
Cor anglais, Piano
2
Tuba
2
Cor
2
Trombone
2
Trompette
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette, Euphonium (duo)
1
+ 7 instrumentations
Retracter
Cordes
Violon et Piano
6
Alto, Piano
5
Violoncelle, Piano
4
Quatuor à cordes: 2 violons, alto, violoncelle
4
Violon
2
Alto seul
2
Harpe
2
Contrebasse, Piano (duo)
2
Violoncelle
2
Harpe, Voix
1
Flûte, Contrebasse (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Harpe et mandoline
1
Trio à Cordes: 2 violons, violoncelle
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
4
Ensemble de cuivres
4
Orchestre
3
Cloches
2
Ensemble Jazz
2
Batterie
1
Ensemble de Percussions
1
Orchestre à Cordes
1
+ 3 instrumentations
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Autres
Instruments
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
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Crtitères actifs :
A Walk in Nature
Partitions à imprimer
257 partitions trouvées
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251
A Walk in Nature
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Contemporain
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JJ Bartley
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and thus begins the C theme
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A Walk in Nature
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JJ Bartley
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SheetMusicPlus
Brass Ensemble Horn - Level 4 - SKU: A0.612888 Composed by JJ Bartley. Contemporary. Score and parts. 18 pages. JJ Bartley #222086. Published by JJ Bart...
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Brass Ensemble Horn - Level 4 - SKU: A0.612888 Composed by JJ Bartley. Contemporary. Score and parts. 18 pages. JJ Bartley #222086. Published by JJ Bartley (A0.612888). A Walk in Nature is my first composition and follows the story of someone journeying through the woods. As the piece begins, the sun has just risen and awoken the life inside and surrounding the home. Each entrance represents the different lifeforms waking up on the beautiful day. Finally, the birds are chirping, the sky is filled with light, a breeze makes the woods feel alive, and the journey begins. As the “B†section begins the wanderer begins to look inward and think about themselves, life, and begins to feel nostalgic. This continues until suddenly, it begins to rain; and thus begins the C theme. This minor section represents the darkness the wanderer is feeling from their thoughts as well as the rain that has begun to soak their clothes. Finally, the clouds slowly begin to part and, just as the day started, the sun begins to bring light and warmth through the clouds. The journey is almost over, but not before the beauty of nature reveals itself one last time.
$2.00
A Walk in the Park
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Orchestre à Cordes
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FACILE
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Andrew R
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A Walk in the Park
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GuarrineMusic
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1110106 Composed by Andrew R. Guarrine. Contemporary,Contest,Festival. Score and parts. 9 pages. GuarrineMusic #712...
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String Orchestra - Level 2 - SKU: A0.1110106 Composed by Andrew R. Guarrine. Contemporary,Contest,Festival. Score and parts. 9 pages. GuarrineMusic #712438. Published by GuarrineMusic (A0.1110106). Anytime of the year is a great time to take a walk in the park enjoying the peaceful sounds of nature and looking at the scenery. This original for 3 part string orchestra and piano is playable after learning the D major scale, eighth-notes, repeats, piano and forte dynamics. It also introduces simple imitation between the upper and lower instruments. ‘Celli play up to high D while the basses never play above 4th finger B. The basses do play arco and pizza Key of D, 3-part string orchestra and piano. Suggested grade 1.
$12.95
Sounds of Creation (A Collection of 7 Keyboard Duets, for 2 Pianos, 4 Hands)
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2 Pianos, 4 mains
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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some soothing, some startling
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Sounds of Creation
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contempora...
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2 Pianos,4 Hands,Piano Duet - Level 3 - SKU: A0.1407365 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Christian,Contemporary,Instructional,New Age. Score. 87 pages. Sharon Wilson #990042. Published by Sharon Wilson (A0.1407365). Take a walk in the woods, along a sandy beach, or beside a rushing river. Listen to the sounds of nature: birds warbling, frogs croaking, leaves rustling, streams splashing, waves crashing -- sounds abound; some soothing, some startling.  This collection features 7 piano duets inspired by the sounds of nature. Filled with simple melodies, repeating themes, and echoing harmonies, these dual keyboard arrangements (for 2 Pianos, 4 Hands) are as inspirational to play as they are to listen to. These duets sounds equally pleasing whether played on two acoustic pianos or played on two keyboards with unique sounds. For each song there is a grand staff with both piano parts on each page plus the alternate format with each piano part on separate pages. Each duet is also available separately with accompanying preview pages and audio samples. Titles included in this collection: PreludePastoralSerenadeIntermezzoNocturneFantasiaFinale Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$17.99
In Springtime
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Chorale 2 parties
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Richard Sorce
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In Springtime
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Imagine Music - Digital
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SheetMusicPlus
SA Chorus & Piano - SKU: IZ.VMW231 Composed by Richard Sorce. Octavo. 8 pages. Imagine Music - Digital #VMW231. Published by Imagine Music - Digital (IZ...
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SA Chorus & Piano - SKU: IZ.VMW231 Composed by Richard Sorce. Octavo. 8 pages. Imagine Music - Digital #VMW231. Published by Imagine Music - Digital (IZ.VMW231). 8.5 x 11 inches.Several years ago, while I was on the faculty at NYU, Elaine Gates, professor of choral music commissioned me to write a piece for her children’s choir at USDAN, where she was also the director of choral music. USDAN is a summer camp for the arts located on Long Island, NY. The following is a brief description of the camp: Usdan opens up a world for children to joyfully express their creativity and develop their artistic skills.Each summer, we bring professional teachers and artists—actors, directors, playwrights, painters, sculptors, musicians, composers, dancers, poets, and novelists—to teach and collaborate with our campers ages 5 to 18 from Long Island and New York City. Set on 140 acres of natural beauty, Usdan is a welcoming and inclusive place within which campers have the freedom to build new friendships, explore nature, develop personal independence, and have fun, alongside their art-making.“In Springtime is scored for SA and piano. I was given the liberty of choosing the subject matter and writing the words as well as the music. While the piece is not exactly “a walk in the park vocally and harmonically for young people, their performance was magnificent.Several sections of the accompaniment are syncopated, and this can cause a bit of difficulty for the singers, but the rhythm is quite effective, as are the soprano “divisi sections where the harmony becomes three-part. Who doesn’t love springtime? Perform it joyfully!
$2.20
Lost in the Woods
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Piano seul
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FACILE
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Jane Dang
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Lost in the Woods
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Jane Dang
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.922165 Composed by Jane Dang. Contemporary,Standards. Score. 1 pages. Jane Dang #4301953. Published by Jane Dang (A0.9221...
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Piano Solo - Level 2 - SKU: A0.922165 Composed by Jane Dang. Contemporary,Standards. Score. 1 pages. Jane Dang #4301953. Published by Jane Dang (A0.922165). An easy piano piece for the early intermediate level to experience modern sounds on the piano. Simple rhythm helps painting the picture of a walk in the woods while the notes provide a sense of lost because of the uncertainty of key signature. .
$1.99
Her Morning Walk
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Piano seul
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Dimitar Pentchev
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Her Morning Walk
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Quassica Music
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SheetMusicPlus
Piano Solo - SKU: A0.498196 By Dimitar Pentchev. By Dimitar Pentchev. Classical,Contemporary,Contest,Festival,Folk. Score. 4 pages. Published by Quassic...
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Piano Solo - SKU: A0.498196 By Dimitar Pentchev. By Dimitar Pentchev. Classical,Contemporary,Contest,Festival,Folk. Score. 4 pages. Published by Quassica Music (A0.498196). Solo piano piece with a simple melody/theme, which builds on itself and plays on rhythmic contrast between 3/4 and 6/8. It weaves and wanders on a beautiful journey in nature, with one's own thoughts.
$5.00
Walkin' in Jerusalem
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Chorale SATB
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INTERMÉDIAIRE
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Traditional
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Larry Minton
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Walkin' in Jerusalem
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Larry G. Minton
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.596456 Composed by Traditional. Arranged by Larry Minton. Sacred,Spiritual. Octavo. 11 pages. Larry G. Minton #4...
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Choral Choir (SATB) - Level 3 - SKU: A0.596456 Composed by Traditional. Arranged by Larry Minton. Sacred,Spiritual. Octavo. 11 pages. Larry G. Minton #45813. Published by Larry G. Minton (A0.596456). My arrangement of Walkin' in Jerusalem begins in sonorous Gospel style before breaking into a lively call-and-response song with a recurring refrain. Each soloist can improvise a virtuosic beginning to his or her solo. The middle section is an instrumental break for choir on a blues pattern, with melodies inspired by guitar solos, leading to a key change and a surprise ending. Although a spiritual, the lyrics are not religious in nature, so this is suitable for school ensembles.
$1.99
The Frog in the Bog from Emily! (Downloadable)
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Voix Mezzo-Soprano, Piano
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Gwyneth W
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The Frog in the Bog from Emily
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Mezzo-soprano voice and piano - Medium - SKU: MQ.8460-3E Composed by Gwyneth W. Walker. Secular, 21st century. 3 pages. E. C. Schirmer Music Company - D...
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Mezzo-soprano voice and piano - Medium - SKU: MQ.8460-3E Composed by Gwyneth W. Walker. Secular, 21st century. 3 pages. E. C. Schirmer Music Company - Digital #8460-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8460-3E). English.The poetry of Emily Dickinson (1830-1886) is especially appealing due to the wide range of topics, diversity of mood and peculiar imagination of the poet. The writings are reflective, passionate, witty, sensuous, observant, and ridiculously humorous. Her heart soars. Her mind pokes fun! Emily was truly a New Englander. Her poems are understated and compact. Her love of Nature focuses on small things- birds, bees, meadows and a pond.In creating the musical settings, the composer (herself a New Englander) endeavored to capture the spirit of the poetry, and of the poet, with songs diverse in style, and concise in form. Everything from romance to frogs is explored, briefly.Great delight is taken in creating musical translations of the colorful imagery: the letters floating off on the breeze (My Letter to the World); the shimmering moonlight (The Moon and the Sea); a frog croaking in a bog (The Frog in the Bog); hopeful birds hopping about (Hope with Feathers); the boat of passion riding the waves and then settling into its mooring (Passion); the ship's cannon firing in celebration (Joy); and the tiniest, lightest gifts of Nature (All I Have to Bring). These are the poet's Letters to the World. She lived as a recluse, yet her words took flight-traveling the universe as messengers of the soul. Duration: 14:00.
$5.00
Humility, The People Walking in Darkness Have Seen a Great Light!
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Jonathan S
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Humility, The People Walking i
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Jonathan S. Laflamme
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.971618 Composed by Jonathan S. Laflamme. Christian,Christmas,Contemporary,Sacred,Standards. Score and parts. 114 pages....
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Concert Band - Level 3 - SKU: A0.971618 Composed by Jonathan S. Laflamme. Christian,Christmas,Contemporary,Sacred,Standards. Score and parts. 114 pages. Jonathan S. Laflamme #515247. Published by Jonathan S. Laflamme (A0.971618). HUMILITY by Jonathan S. Laflamme ©2012 The people walking in darkness have seen a great light; on those living in the land of the shadow of death a light has dawned. Isaiah 9:2* Humility seeks to draw attention to the Advent portion of the holiday season. This programmatic composition seeks to create an aural picture of the atmosphere both physically and spiritually in the eastern world B. C. and then try and connect it to Christmas traditions today. Students will really enjoyed rehearsing and performing this piece because of it’s programmatic nature, use of a plethora of percussion as well as some unusual uses of and combinations of instruments. Piccolo flute in the low register, soprano saxophone, open tom drums and oboe to create some Middle Eastern ambiance. Then, in order to create ‘the land of the shadow of death’ some unusual techniques call for whispers through instruments, french horns ringing their hands in and out of the bell, flutes playing on the head joints only, attaching a tenor saxophone mouthpiece to a euphonium and a baritone saxophone mouthpiece to a sousaphone. Add some trumpets and trombones playing only on their lead pipes and double reeds buzzing on just the reed and a haunting canvas to build the chaos of a world without salvation is created. Then, with the calming of the piano to present an extremely stark and hallow arrangement of the 7th century antiphon Veni Immanuel, ‘O Come, O Come Immanuel’ which crescendos to the coming of the savior at measure 128 precipitates the a highly antiphonal arrangement of ‘Joy to World.’ While this piece has some characteristics of ‘novelty band music’ there are plenty of technical demands that must be met in order to make it a legitimate concert band literature selection. *THE HOLY BIBLE: NEW INTERNATIONAL VERSION®. NIV®. Copyright © 1973, 1978, 1984 by Biblica. All rights reserved worldwide.
$39.99
Veillée à Crostand (Campfire in Crostand)
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Ralph Coleman
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Veillée à Crosta
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Ralph Coleman
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SheetMusicPlus
Large Ensemble B-Flat Clarinet,B-Flat Trumpet,B-Flat Tuba,Bass Clarinet,Bass Trombone,Bass Voice,Bassoon,Drum Set,E-Flat Alto Saxophone,E-Flat Baritone Saxophon...
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Large Ensemble B-Flat Clarinet,B-Flat Trumpet,B-Flat Tuba,Bass Clarinet,Bass Trombone,Bass Voice,Bassoon,Drum Set,E-Flat Alto Saxophone,E-Flat Baritone Saxophone,E-Flat Clarinet,Euphonium,Flute,Glockenspiel,Horn,Maracas,Oboe,Piccolo,Tenor Saxophone,Timpani,Wind Chimes - Level 3 - SKU: A0.1127760 Composed by Ralph Coleman. Contest,Festival,Folk,Traditional. Score and parts. 64 pages. Ralph Coleman #728367. Published by Ralph Coleman (A0.1127760). Veillée à Crostand (Campfire in Crostand) is a lively piece for wind ensemble, with a difficulty grade which makes it perfectly accessible to collegiate wind ensembles. Its inspiration is taken from a typical day at a scout camp, starting with hoisting the flag and a calm moment in early morning, before the real adventures begin. After walking in the nature and enjoying its beauty, the adventures continue and rise up to the finale with songs and rejoicing around the campfire.
$70.00
A Gander in the Gloaming
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Greg Woodward
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A Gander in the Gloaming
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Greg Woodward
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SheetMusicPlus
String Ensemble Cello - Level 2 - SKU: A0.1458746 Composed by Greg Woodward. 21st Century,Chamber,Classical,Contemporary. 10 pages. Greg Woodward #10376...
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String Ensemble Cello - Level 2 - SKU: A0.1458746 Composed by Greg Woodward. 21st Century,Chamber,Classical,Contemporary. 10 pages. Greg Woodward #1037678. Published by Greg Woodward (A0.1458746). A Gander in the Gloaming is a charming minature for four cellos, written in 2023 and inspired by observing our new family of geese taking their family walks under strict instruction from the paterfamilias*. The harmonic language is largely diatonic and relies largely on bouncy rhythmic interplay and dynamics for forward momentum, although there are some forays into dissonance and distant key centres. The mood is wistful but optimistic and fun. This would make a great encore piece - the sudden ending in particular - and is highly accessible for younger players.The link is an multitrack recording - all parts played by me.Visit my YouTube page for more performances, arrangements and compositions.*Gander - a male goose; Gloaming - twilight, early evening.
$25.00
Coombadjha Nature Walk - Australian Bush Landscapes
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Patrick Jillett
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Coombadjha Nature Walk - Austr
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Patrick Jillett
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.890078 Composed by Patrick Jillett. 20th Century,Concert,Contemporary. Score. 4 pages. Patrick Jillett #74053. Published ...
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Piano Solo - Level 3 - SKU: A0.890078 Composed by Patrick Jillett. 20th Century,Concert,Contemporary. Score. 4 pages. Patrick Jillett #74053. Published by Patrick Jillett (A0.890078). Coombadjha Nature Walk Australian Bush Landscapes, (Opus 40 No. 12) (Washpool National Park N.S.W. Australia) The Coombadjha nature walk descends through rainforest to a shallow pool. The piece opens with an ambling melodic ostinato in the bass harmonized by light motifs in the right hand. As you venture further into the rainforest the range of melody and harmony widen expressing the awe and scale of the nature walk. of An excellent opening piece for an exam or recital.
$3.99
Love Walked In from GOLDWYN FOLLIES
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Instruments en Do
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Contemporain
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George Gershwin and Ira Gershw
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Mark W
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Love Walked In from GOLDWYN FO
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.808258 Composed by George Gershwin and Ira Gershwin. Arranged by Mark W. Huxhold. 20th Century. Lead Sheet / Fake Book. 2 pages. ...
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C Instrument - SKU: A0.808258 Composed by George Gershwin and Ira Gershwin. Arranged by Mark W. Huxhold. 20th Century. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #3540551. Published by Mark Wayne Music, LLC (A0.808258). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$4.99
A Winter Walk for piano
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Piano seul
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INTERMÉDIAIRE
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Lois Mountz
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A Winter Walk for piano
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mountzmusic
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.866793 Composed by Lois Mountz. Concert,Romantic Period,Sacred,Standards. Score. 2 pages. Mountzmusic #5196557. Published...
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Piano Solo - Level 3 - SKU: A0.866793 Composed by Lois Mountz. Concert,Romantic Period,Sacred,Standards. Score. 2 pages. Mountzmusic #5196557. Published by mountzmusic (A0.866793). A piano instrumental celebrating the delights of walking through the snow and experiencing the wonders of nature as you go. Of intermediate difficulty, this would be a pleasant song for a recital or background for a special occasion. More experienced pianists will be able to vary by playing sections an octave higher, or melody an octave lower as in the video on YouTube. .
$4.99
A Stroll on Duke Street
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Cloches
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FACILE
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Christian contemporain
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Musique Sacrée
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John Hatton
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A Stroll on Duke Street
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Bronze:FX
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SheetMusicPlus
Handbell - Level 2 - SKU: A0.1307883 Composed by John Hatton. Arranged by Cheryl (Sutton) Baker - Bronze:FX. Christian,Contemporary,Easter,Religious. Sc...
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Handbell - Level 2 - SKU: A0.1307883 Composed by John Hatton. Arranged by Cheryl (Sutton) Baker - Bronze:FX. Christian,Contemporary,Easter,Religious. Score. 6 pages. Bronze:FX #897142. Published by Bronze:FX (A0.1307883). The title is derived from the tune name “Duke Street†and it depicts both the tempo and style of the arrangement. It is flowing and meditative, with colorful LV patterns and melody both in the bass and treble.The arrangement is for full bell choir using 3-6 octaves of handbells. Rated at a Level 2 when played with 11-12 ringers because of its slow tempo and easy rhythms, “A Stroll on ‘Duke Street’†can be interpreted very musically, with crescendos and spiritually high moments. Its three verses are each treated differently, with the last verse raises the key signature a half step and then yet another half step as it grows with intensity. Although based on a hymn tune, the title allows this arrangement to be used for any audience.For sacred environments, the arranger suggests that the text be studied for inspiration. There are several words set to the tune “Duke Street,†although the arranger favors the text that begins, “I know that my redeemer lives.†When performing the piece, use the first verse as a humble (and somewhat hesitant) prayer, the second verse more confident (by relying for God's promises), and the third verse as if obtaining divine reassurance. This would place the prayer-giver in a place of wonder – a spiritual mountain-top experience. Also, see the next paragraph's description, which could also be used for a spiritual experience with God the Creator.For secular environments, use the visual imagery of an early morning walk. You start out just before sunrise, when nature is quiet and there is still dew on the grass. As you continue your upward path, the sky begins to change colors and the birds to sing. Aiming for the viewpoint at the hilltop, tree shadows begin to form and the brush mirrors the orange and grey from the new sunrise about to appear. When the sun does rise, it seems to wash all the darkness away in a single instant, making this new day clean and perfect.Performance time:• 3 minutesPerformance notes are included.
$2.50
Walking on the Sea, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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his strength not at an end
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Walking on the Sea, sacred mus
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1267863 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1267863 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #860411. Published by Kevin G. Pace (A0.1267863). A bold, dramatic choral composition depicting the miracle of Jesus walking on the sea.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Drained of strength and in despair, disciples rowed all nightIn a storm upon the sea, the Sea of Galilee.Clashing, crashing inverse winds in darkness without lightBrought the Savior from the mount, from the very heights.Frightened when they saw Him come, perceiving not his form,Jesus said, “O, it is I.†The boisterous waves were high.Peering, nearing as He walked right through the raging storm,Jesus said, “Be not afraid,†though nature then was torn.Treading on the water’s edge and almost dawn that morn,Jesus calmed the troubled men; his strength not at an end.Talking, walking to the boat, disciples still forlorn,Powers of divinity were seen as newly born.“Of a truth thou art the Son,†the very Son who showsMiracles engulf each heart when faith becomes a part.“Of a truth thou art the Son,†reveals a witness grown.Walking on the sea became pure testimony known.
$1.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Guitar,Piano - Level 3 - SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 ...
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Guitar,Piano - Level 3 - SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli...
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Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part...
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French Horn,Piano - Level 4 - SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899751. Published by Keith Terrett (A0.747029). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Horn players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 p...
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Flute,Piano - Level 3 - SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Trompette, Euphonium (duo)
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Euphonium,Instrumental Duet,Trombone - Level 3 - SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. J...
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Euphonium,Instrumental Duet,Trombone - Level 3 - SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5899355. Published by Keith Terrett (A0.747026). A great sounding arrangement of A Night in Tunisia arranged for Baritone, Euphonium, Trombone (BC) & Piano, low brass players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score an...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and ...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5898999. Published by Keith Terrett (A0.747020). A great sounding arrangement of A Night in Tunisia arranged for Bb Tenor Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
A Night In Tunisia
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pa...
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Oboe,Piano - Level 3 - SKU: A0.747028 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899715. Published by Keith Terrett (A0.747028). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Oboists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
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A Walk in Nature