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Crtitères actifs :
Adrienne Inglis
Partitions à imprimer
56 partitions trouvées
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She Is the Spirit (Tune: THAINAKY) by John L. Bell, arr. for organ by Adrienne Inglis
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Orgue
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INTERMÉDIAIRE
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John L
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Adrienne Inglis (ASCAP)
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She Is the Spirit
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Adrienne Inglis
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1449467 Composed by John L. Bell. Arranged by Adrienne Inglis (ASCAP). Celtic,Christian,Classical,Irish,Sacred,Spiritual. Scor...
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Organ - Level 3 - SKU: A0.1449467 Composed by John L. Bell. Arranged by Adrienne Inglis (ASCAP). Celtic,Christian,Classical,Irish,Sacred,Spiritual. Score. 6 pages. Adrienne Inglis (ASCAP) #1029223. Published by Adrienne Inglis (ASCAP) (A0.1449467). Organ prelude for Pentecost or any opportunity to celebrate the Spirit!Organist Cathleen Parsley of University Christian Church in Austin, Texas, commissioned the multi-talented Adrienne Inglis to create an organ arrangement of the John L. Bell hymn She Is the Spirit. In her commentary on the work, Cathie shares: Adrienne’s arrangement is all I could have wished for. It evokes the birds, the sky, the dance, and the possibility of the Spirit referred to in the hymn’s verses. The registration is specific to UCC’s organ, though it will lend itself to any organ. It is a lovely work, written for the day (Pentecost), and it is an honor to play Adrienne’s piece for the first time this morning (May 19, 2024).Arrangement of hymn Thainaky by John L. Bell for organCommissioned by Cathleen Parsley for PentecostDuration — about 2 minutesDifficulty — intermediate“She Is the Spirit” (Tune: THAINAKY) by John L. Bell, arr. Adrienne InglisCopyright © 1988 and This Arrangement © 2023 WGRG c/o Iona Community, GIA Publications, Inc., agent. www.giamusic.comAll rights reserved. Used by permission.https://hymnary.org/tune/thainaky_bellWorld premiere performance at 11:50https://youtu.be/5M2CHGbzdFw?feature=sharedhttps://adrienneinglis.com/.
$4.99
For the Toad by the Kitchen Step by Adrienne Inglis for SATB chorus, organ, nature soundtrack
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Chorale SATB
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FACILE
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Contemporain
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Adrienne Inglis
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For the Toad by the Kitchen St
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.953632 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 10 pages. Adrienne Inglis (ASCAP) #6638965. Pu...
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Choral Choir (SATB) - Level 2 - SKU: A0.953632 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 10 pages. Adrienne Inglis (ASCAP) #6638965. Published by Adrienne Inglis (ASCAP) (A0.953632). This delightful intermediate-level nature-themed piece is fun to sing and put together with organ and nature soundtrack. Your audience will chuckle and applaud this whimsical work!For the Toad on the Kitchen Step (2021) by Adrienne Inglis (ASCAP) sets the poem For the Toad on the Kitchen Step by Oregon's 2018-2020 Poet Laureate and Lewis & Clark College Associate Professor Kim Stafford (ASCAP) for SATB mixed chorus, organ, and nature soundtrack. Commissioned by Inversion Ensemble, it contrasts both the whimsical levity of the poem with the darker implications of humans’ impact on toads and their habitats. Colorful choral harmonies, grand organ gestures, delicate vocal effects, and the nature soundtrack create a soundscape that draws the audience into the toad’s world view. The nature soundtrack was recorded by Adrienne Inglis in June 2021 on Cow Creek Road, western Travis County, Texas (https://youtu.be/CWXMUt6RyNM).
$2.99
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Chorale SSAA
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INTERMÉDIAIRE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
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Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
The Other Side for SSAAA and vibraphone/percussion
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Adrienne Inglis
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The Other Side for SSAAA and v
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (5-Part) - Level 4 - SKU: A0.1292547 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Patriotic. 19 pages. Adrienne Ingli...
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Choral Choir,Choral (5-Part) - Level 4 - SKU: A0.1292547 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Patriotic. 19 pages. Adrienne Inglis (ASCAP) #883097. Published by Adrienne Inglis (ASCAP) (A0.1292547). A gripping and dramatic telling of the USS Thresher disaster in 1963! Ideal for a Memorial Day or Veterans Day concertThe Other Side for SSSAA voices and vibraphone/percussionIn memory of John “Jack†Penfield Inglis (1942-1963)Composed for VAMP Vocals’ “Between the Worlds†concert September 2023Music by Adrienne Inglis (ASCAP)Text adapted from essays by Robert Penfield Inglis (1913-2007) and used with permission from Jack’s family, and communications with the USS ThresherDuration — about 5-7 minutesDifficulty 4 (Auditioned chorus)In memory of John “Jack†Penfield Inglis (1942-1963), who died in the USS Thresher disaster the day after his 21st birthday.Performances:8-9 Sep 2023 at 7 PM VAMP Vocals’ Between the Worlds concert, KMFA 89.5 Studios 41 Navasota Street Austin, TX 78702 Austin, Texas (https://www.vampvocals.com/)Dedicated to the memory of my first cousin, Jack Inglis, The Other Side is scored for treble voices and vibraphone/percussion. It grapples with the unimaginable tragedy of losing a child, the serious concerns about the fitness of the USS Thresher to leave dock for sea trials, the catastrophic implosion of the submarine that killed all 129 aboard, and the communications between Jack and his parents after the Thresher sank. I composed this piece for the five extraordinary voices of VAMP Vocals for their September 2023 concert “Between the Worlds.†The treble voices tell the story and react to the narrative over evocative vibraphone harmonies. In the middle section, the percussionist bangs loudly on metal to sound like submarine pipes, structure, and hull breaking. The loss of the USS Thresher (SSN-593) spurred the Navy to institute the very successful Submarine Safety Program (SUBSAFE). The composer encourages performers to take dramatic license to enhance the emotional impact of the tragedy and the parents’ response. Recording and video will be available soon.Composer websitehttps://adrienneinglis.com/Composer YouTube channelhttps://www.youtube.com/@adrienneinglis.
$1.99
Oure Light in Oure Night for voices and nature soundtrack — now in Spanish/English!
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Chorale Unison
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FACILE
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Adrienne Inglis
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Oure Light in Oure Night for v
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (Unison) - Level 2 - SKU: A0.1108615 Composed by Adrienne Inglis (ASCAP). A Cappella,Christian,Classical,Instructional,Sacred. 4 pag...
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Choral Choir,Choral (Unison) - Level 2 - SKU: A0.1108615 Composed by Adrienne Inglis (ASCAP). A Cappella,Christian,Classical,Instructional,Sacred. 4 pages. Adrienne Inglis (ASCAP) #711261. Published by Adrienne Inglis (ASCAP) (A0.1108615). Perfect for a contemplative holiday occasion! Easy and satisfying for singers! Enjoy this Spanish/English bilingual to perform in one or both languages! Beautiful modal aleatoric setting of sacred text by Julian of Norwich suitable for any combination of voices accompanied by the nature soundtrack found at the YouTube link https://youtu.be/P3R2lLkAntE. A terrific introduction to aleatory, this gorgeous piece can include chimes or a pitched melodic instrument such as a flute. Text from The Shewings of Julian of Norwich, Part III LXXXIII lines 3362-3364Thus I saw and understode that our feith is oure light in our night, which light is God, our endless day. Asà vi y comprendà que nuestra fe es nuestra luz en nuestra noche, cuya luz es Dios, nuestro dÃa sin fin. Program note — Composed by Adrienne Inglis (ASCAP) while sheltering in place during the coronavirus pandemic, Oure Light in Oure Night (2020) sets text by Julian of Norwich for voices with a nature soundtrack. The video format is designed especially for use by choirs singing remotely on an online platform such as Zoom, Cleanfeed, Jamulus, or other. Text is from The Shewings of Julian of Norwich, Part I LXXXIII lines 3362-3364:  “Thus I saw and understode that our feith is oure light in our night, which light is God, our endless day.†The soundtrack of night sounds changing to dawn reflects the message of hope in Julian’s text. Beginning with the sounds of dusk, the whispered words blend with insect sounds. The modal aleatoric passages create an atmosphere of echoing bells as voices overlap. As night passes into day, the modality changes and the insect night sounds shift to the dawn chorus of birds. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. When Julian was near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†Her beautiful Medieval English words reassure us with the hope that our faith in God is our light in times of trouble. The composer donates all proceeds of this music to The Nature Conservancy at nature.org.https://www.youtube.com/@adrienneinglishttps://adrienneinglis.com/
$1.99
P. S. I Love You for flute and guitar
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Flûte et Guitare
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INTERMÉDIAIRE
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Walter Torres
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P. S. I Love You for flute and
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Adrienne Inglis
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SheetMusicPlus
Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.1473498 Composed by Walter Torres (BMI) and Adrienne Inglis (ASCAP). 21st Century,Multicultural,Weddi...
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Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.1473498 Composed by Walter Torres (BMI) and Adrienne Inglis (ASCAP). 21st Century,Multicultural,Wedding,World. 3 pages. Adrienne Inglis (ASCAP) #1051284. Published by Adrienne Inglis (ASCAP) (A0.1473498). Gorgeous flute and guitar piece for a special occasion, worship prelude, or recital piece!P. S. I Love You (2024) by Walter Torres (BMI) and Adrienne Inglis (ASCAP)for flute and guitarComposed as a wedding celebration gift for Patrick and Sam, this duet weaves rich harmonies with sassy melodic lines.Duration 1:44Difficulty: intermediateWorld premiere:11 May 2024Flutist Adrienne Inglis and guitarist Walter Torres perform the world premiere of P. S. I Love You, a duet by Inglis and Torres for a private event in Castell d'Empordà, Girona, Catalunya, Spain.https://adrienneinglis.com/.
$4.99
El sol for SATB, pedal or lever harp, cuatro
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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El sol for SATB, pedal or leve
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1300256 Composed by Adrienne Inglis (ASCAP). 21st Century,Latin,Multicultural,World. 35 pages. Adrienne I...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1300256 Composed by Adrienne Inglis (ASCAP). 21st Century,Latin,Multicultural,World. 35 pages. Adrienne Inglis (ASCAP) #889997. Published by Adrienne Inglis (ASCAP) (A0.1300256). Add this spicy Venezuelan joropo to your choral concert! If you don’t know a cuatro player, guitar will work. El sol (El sol)SATB, cuatro (or guitar), and pedal or lever harpThis score includes the full score and the cuatro part.Text —Soneto XXXIII by Luis MartÃn de la Plaza (public domain) in the style of a Venezuelan joropoDuration 2:30Difficulty 4 (Auditioned chorus)Language — SpanishWorld premiere:2-3 Jun 2018 Inversion Ensemble, Austin/Pflugerville, TexasListen here: https://soundcloud.com/adrienne-inglis/el-sol-by-adrienne-inglis-ascap.https://adrienneinglis.com/
$1.99
Julian's Hazelnut for SSAA and B flat clarinet
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Julian's Hazelnut for SSAA and
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages....
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Choral Choir (SSAA) - Level 4 - SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.
$1.99
Boy at Sea for TB and piano
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Chorale 2 parties
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FACILE
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Adrienne Inglis
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Boy at Sea for TB and piano
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (TB) - Level 2 - SKU: A0.1281812 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Historic,Irish,Patriotic. Octavo. 20 pa...
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Choral Choir (TB) - Level 2 - SKU: A0.1281812 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Historic,Irish,Patriotic. Octavo. 20 pages. Adrienne Inglis (ASCAP) #873161. Published by Adrienne Inglis (ASCAP) (A0.1281812). Boy at Sea (2023) for TB choir and piano is great for community choruses looking for something fun, easy, and interesting for lower voices! TB and pianoText: excerpts from a 1915 letter by Robert Inglis to the Commissioner of PensionsDuration about 5 minutesDifficulty 2 (Advanced high school, collegiate or community chorus) Language: EnglishSheet music is available for purchase soon.Performances:8 Aug 2023 Inversion Coda performed Boy at Sea at Spider House Ballroom Austin, Texas (world premiere)Commissioned by Inversion Ensemble for Coda’s Tales of the Sea concert in August 2023, Boy at Sea by Adrienne Inglis for tenor and bass chorus with piano recounts the sea-faring adventures of the composer’s great-grandfather as a boy. The text comes from a letter that Robert Inglis wrote in 1915 to the Commissioner of Pensions asking for a raise in his civil war pension. In providing information apparently requested by the Pension office, Robert details many events in his early years, adding a fair bit of sarcasm and wit to the narrative. The composer edited the content to fit into more of a strophic sea-shanty style. The piano part offers a sense of ocean waves as well as a few popular tunes of the day as commentary on the story. When he and his sister were in boarding school in Cowes on the Isle of Wight, he witnessed a historic yacht race. The following year, they sailed across the Atlantic with the family of their father’s third wife. Life with his stepmother must have been unbearable, because he “went to sea†time after time to escape the unpleasantness she brought to bear. The final departure left him shipwrecked on Hatteras with drunken shipmates. He made his way to Maryland where, to his horror, he witnessed a slave auction. Sensing the tension and possibly inspired to action, he headed west to join the 20th Indiana Infantry. He later served in the 51st Pennsylvania, the Provost Guard, and the U. S. Navy. He fell off of a train in 1863, leaving him injured and in pain for the rest of his life.https://adrienneinglis.com/.
$1.99
Darkness as Light for SATB and pedal or lever harp or keyboard
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Chorale SATB
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FACILE
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Adrienne Inglis
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Darkness as Light for SATB and
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.953617 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Ad...
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Choral Choir (SATB) - Level 2 - SKU: A0.953617 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Adrienne Inglis (ASCAP) #4569683. Published by Adrienne Inglis (ASCAP) (A0.953617). Ideal for contemplative, Lenten, memorial services, easy/moderate for SATB (no divisi) with harp or keyboard Darkness As Light is loosely based on a Venezuelan pasaje rhythm with modified Dorian modality typical of Andean mestizo music. Psalm 139:1-12, 23-24 occurs in the 16th Sunday in Ordinary Time in Year A of the Common Lectionary. Psalm 139: 7-12 Where can I go from your spirit? Or where can I flee from your presence? If I ascend to heaven, you are there; if I make my bed in Sheol, you are there. If I take the wings of the morning and settle at the farthest limits of the sea, even there your hand shall lead me, and your right hand shall hold me fast. If I say, ‘Surely the darkness shall cover me, and the light around me become night,’ even the darkness is not dark to you; the night is as bright as the day, for darkness is as light to you. Scripture quotations are from the New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. Duration: about 2:00 Third Edition with revised harp/keyboard part February 2019 Second Edition 31 July 2005 Third Edition 26 Apr 2018 Founder, award-winning composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. Frequently drawing on her family history and Ojibwe, Venezuelan, and Scottish ethnicities, Inglis composes choral, chamber, and orchestral music. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.https://adrienneinglis.com/
$2.99
On the Mystery of the Incarnation for SATB + string orchestra
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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On the Mystery of the Incarnat
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1466036 Composed by Adrienne Inglis (ASCAP). 21st Century,Advent,Christmas,Classical,Sacred. 38 page...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1466036 Composed by Adrienne Inglis (ASCAP). 21st Century,Advent,Christmas,Classical,Sacred. 38 pages. Adrienne Inglis (ASCAP) #1044639. Published by Adrienne Inglis (ASCAP) (A0.1466036). Beautiful accessible choral piece for Advent!On the Mystery of the Incarnation (2014)SATB chorus and string orchestra, a setting of Denise Levertov's poem of the same name from A Door in the Hive (1989)Duration 3:21Difficulty — IntermediateLanguage — EnglishWorld premiere:6 Dec 2015 Westminster Presbyterian Church Sanctuary Choir, Austin, TexasListen on SoundCloud: http://soundcloud.com/adrienne-inglis/20170225inversionensembleconcert-inglisadrienne-onthemysteryoftheincarnation
$1.99
Asleep in a Blanket Spun of Energy for SATB+electronic track, in English and Ojibwe
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Chorale SATB
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Adrienne Inglis
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Asleep in a Blanket Spun of En
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.953630 Composed by Adrienne Inglis (ASCAP), with electronic dance track by Trevor F. Shaw (ASCAP). Contemporary,Dance,Pop,...
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Choral Choir (SATB) - SKU: A0.953630 Composed by Adrienne Inglis (ASCAP), with electronic dance track by Trevor F. Shaw (ASCAP). Contemporary,Dance,Pop,Spiritual,World. Octavo. 16 pages. Adrienne Inglis (ASCAP) #6531047. Published by Adrienne Inglis (ASCAP) (A0.953630). Asleep in a Blanket Spun of Energy for mixed chorus and electronic track with music by Adrienne Inglis (ASCAP) and electronic track by Trevor F. Shaw (ASCAP), a setting of the poem We Are Returning Always by Margaret Noodin from Weweni, poems in Anishinaabemowin and EnglishComposed for Inversion Ensemble’s March 2019 Dream Keeper concert, Asleep in a Blanket Spun of Energy for mixed chorus and electronic track evokes vivid imagery of Margaret Noodin’s poem We Are Returning Always. Honoring the composer’s Ojibwe ancestors, the piece sets all of the English text and a few key words of the Anishinaabemowin text from the bilingual poem that beautifully captures a glimpse into the natural and celestial wonders of the Ojibwe world. The music reflects a taste of the syncopated embellished singing, pentatonic melodies, and steady drumbeat characteristic of Ojibwe music. The electronic track provides both a compelling rhythmic foundation and a fantastical sonic representations of the moon, nebulae, supernovae, aurora borealis, and the forests of the Ojibwe lands.In addition to being the director of EQI, Margaret Noodin is an Assistant Professor in the English Department and American Indian Studies. She is a poet and the author of Bawaajimo: A Dialect of Dreams in Anishinaabe Language and Literature (2014) and Weweni: Poems in Anishinaabemowin and English (2015). She teaches the Anishinaabemowin language at UWM. Margaret is the editor of ojibwe.net. Noodin holds an MFA in Creative Writing and a PhD in English and Linguistics, both received at the University of Minnesota. Her doctoral dissertation is titled Native American Literature in tribal context: Anishinaabe Aadisokaanag Noongom (2001)Electronic track is available at http://adrienneinglis.com.
$3.99
Newt for flute trio (2 alto flutes and 1 bass)
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Trio de Flûtes: 3 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Newt for flute trio
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Adrienne Inglis
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1179267 Composed by Adrienne Inglis (ASCAP). 20th Century,Chamber,Classical,Jazz,Pop. 12 pag...
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Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1179267 Composed by Adrienne Inglis (ASCAP). 20th Century,Chamber,Classical,Jazz,Pop. 12 pages. Adrienne Inglis (ASCAP) #779238. Published by Adrienne Inglis (ASCAP) (A0.1179267). Charming little piece — perfect to round out a flute recital for intermediate to advanced level flutists!Newt (2020) by Adrienne Inglis (ASCAP) for two alto flutes and bass fluteDuration: 2:15A sassy, jazzy tune inspired by the poem Newt from The Lost Words by Robert Macfarlane, illustrated by Jackie MorrisAlso available for flute and double bass and for flute trio (three C flutes or two C flutes and bass)http://adrienneinglis.comYouTube link is for two C flutes and bass flute starting at 20:06
$4.99
Incandescence for flute and guitar
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Adrienne Inglis
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Incandescence for flute and gu
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Adrienne Inglis
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SheetMusicPlus
Acoustic Guitar,Flute,Instrumental Duet - Level 3 - SKU: A0.1275287 Composed by Adrienne Inglis (ASCAP) and Walter Torres (BMI). 21st Century,Classical,...
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Acoustic Guitar,Flute,Instrumental Duet - Level 3 - SKU: A0.1275287 Composed by Adrienne Inglis (ASCAP) and Walter Torres (BMI). 21st Century,Classical,Latin,Wedding. 8 pages. Adrienne Inglis (ASCAP) #867191. Published by Adrienne Inglis (ASCAP) (A0.1275287). Perfect for a wedding ceremony, recital, or romantic dinner, this gorgeous flute and guitar duet brings exotic harmonies and soaring melodies to any special occasion!Composed as a wedding celebration gift for Nick and Michelle, this duet weaves rich harmonies with expressive melodic lines to inspire poetic, incandescent love.Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.A native of Austin, Texas, Walter Torres learned to play the guitar as a child and then became interested in electronic music. As a member of the alt-rock band Siberian Front, he honed his guitar and songwriting skills. From Stanford University he received a Bachelor of Science degree in Earth Systems (Oceans), a Masters in Civil and Environmental Engineering (Environmental Fluid Mechanics and Hydrology) and a PhD from the Duke Marine Lab studying coastal physical oceanography. Now a post-doctoral oceanography scholar at the University of Washington’s Applied Physics Laboratory, he continues to perform and collaborate on guitar and electronic music endeavors.https://adrienneinglis.com/.
$4.99
Whirligig
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Chorale 3 parties
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INTERMÉDIAIRE
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Adrienne Inglis
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Whirligig
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 3 - SKU: A0.1462494 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Instructional. 20 pages. Adrienne...
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Choral Choir,Choral,SSA Chorus - Level 3 - SKU: A0.1462494 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Instructional. 20 pages. Adrienne Inglis (ASCAP) #1041254. Published by Adrienne Inglis (ASCAP) (A0.1462494). Fun nature/environmental piece for youth choir! Whirligig (2023)SAB mixed chorus with pianoCommissioned by Inversion Ensemble for ZoologyText — John MuirDuration — 3:15Difficulty — 2 (High school)Sheet music available perusal here: https://www.youtube.com/watch?v=fx_9-uCXMWE&feature=youtu.be.World premiere:28 Jan 2024 at 4 PMInversion Nova presents Zoology at KMFA 89.5 Classical41 Navasota St Austin, Texas 78702Watch video here: https://youtu.be/KfouP662c8Mhttps://adrienneinglis.com/.
$1.99
listening for flute and lever or pedal harp
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Harpe, Flûte (duo)
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INTERMÉDIAIRE
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Adrienne Inglis
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listening for flute and lever
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Adrienne Inglis
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SheetMusicPlus
Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.1288289 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Irish,Multicultural,World. 8...
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Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.1288289 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Irish,Multicultural,World. 8 pages. Adrienne Inglis (ASCAP) #879333. Published by Adrienne Inglis (ASCAP) (A0.1288289). Lovely intermediate level flute and harp piece with some easy special effects! listening (2022) for flute and pedal or lever harpinspired by the poem listening by Suzanne BabbieDuration 3:15https://adrienneinglis.com/.
$4.99
Shelter in Place for SSAATB chorus and nature soundtrack
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Adrienne Inglis
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Shelter in Place for SSAATB ch
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405671. Published by Adrienne Inglis (ASCAP) (A0.953628). Great for concerts about nature and the environment, pandemic life, creativity!Shelter in Place by Adrienne Inglis (ASCAP) for mixed SSAATB chorus with nature soundtrack created by Chris Clark-Johnsona setting of Shelter in Place, a poem by Kim Stafford Commissioned by Lewis & Clark College, Portland, Oregon, April 2021Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.Poet Kim Stafford grew up in Oregon, Iowa, Indiana, California, and Alaska, following his parents as they taught and traveled through the West. He is the author of a dozen books of poetry and prose, and the founding director of the Northwest Writing Institute at Lewis & Clark College, where he has taught since 1979. He holds a PhD in Medieval Literature from the University of Oregon, and has worked as a printer, photographer, oral historian, editor, and visiting writer at a host of colleges and schools, and offered writing workshops in Italy, Scotland, and Bhutan.Shelter in Place by Kim Stafford (used with permission)Long before pandemic prisoned us,the trees knew how to guard their placewith roots and shade.Moss found how to hug a stone for life.Every stream knows how to move in place,stay home and yet flow outward,sending bounty far.Now is our time to practice-now to sing from balconies,now send words of comfortby any courier,now to hoard lonesome generosity-and then to shine in all directions like stars.Program note: Shelter in Place (2021) by Adrienne Inglis, commissioned by Lewis & Clark College, Portland, Oregon, April 2021, sets former Oregon poet laureate Kim Stafford’s poem Shelter in Place (2020) for SSAATB mixed choir with Oregon nature soundtrack created by Chris Clark-Johnson, Lewis & C lark College class of 2021. Written during the coronavirus pandemic, the poem expresses how quarantine can serve as a conduit for healing, how words of comfort flow despite barriers, and how the paralysis of sheltering in place generates creative movement. The music and poem draw inspiration from ancient forest wisdom, shown musically with a pentatonic scale. The tight harmonies of Locrian mode bind moss to stone and stream to its own flow. Then vocal expression bursts forth with lush harmonies as singers serenade from balconies, sharing compassion through music. Returning to the pentatonic scale, we overcome obstacles and send generosity beyond our ancient and modern world into the celestial realm. The nature soundtrack features sounds of the Oregon forest, stream, and night sky.Acknowledgements: The composer warmly thanks Katherine FitzGibbon, Bailey Dean, Chris Clark-Johnson, Kim Stafford, and the Lewis & Clark College Community Chorale. Contact the composer to obtain the audio file of the nature soundtrack.Copyright © 2021 Adrienne Inglis | adrienne.inglis.com
$3.99
Most Importantly, Loves, a song cycle for soprano and piano
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Most Importantly, Loves, a son
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Adrienne Inglis
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1233352 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Country,Pop. Score. 45 pages. Adrienne Inglis ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1233352 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Country,Pop. Score. 45 pages. Adrienne Inglis (ASCAP) #828940. Published by Adrienne Inglis (ASCAP) (A0.1233352). Sing one, two, or all six of these expressive and charming songs for soprano and piano!Most Importantly, Loves (2021) by Adrienne Inglis (ASCAP), as a six-song cycle for soprano and pianoText — six letters by Maureen Broy PapovichDuration 25:00Difficulty 4 intermediate/advancedProgram note — Most Importantly, Loves (2021), a song cycle for soprano and piano composed by Adrienne Inglis (ASCAP), was commissioned by Maureen Broy Papovich whose six letters furnish the text. She wrote letters to various close family members with tender messages overflowing with admiration, affection, and hope. The songs look at each beloved relative as seen through the prism of the author’s caring eyes and heart. Rooted in moody Dorian mode, the lyrical melodies of R. J. overlay a more brooding, restless piano part. Lucy sports a bit of a jazzy lilt and sassy attitude. The infectious laugh of Camryn and the remarkable resemblance to her late father underpin this quick syncopated C major number. Brendan reflects his exuberant love of life and devastating self-destructive addiction with radical tonality and tempo changes. Mira has an encouraging message for a young person in D mixolydian with soothing piano texture. Jonah’s long lines soar over lush expansive harmonies grounded in B flat major to form a soft fleece blanket of comforting sound and boundless unconditional parental love. — Adrienne InglisThe impetus for the poems that became the song cycle “Most Importantly Loves†started a decade ago. My brother died suddenly in 2011 at the age of 42. He left all of us behind including his daughters, my nieces, when they were ages six years and six months. My father and mother died a short time later, within months of each other in 2013 and 2014. Finally, in 2017 my 27-year-old nephew died of a drug overdose. This intense period of loss brought and continues to bring about many feelings of regret in addition to so much more. When my nephew died, my son Jonah, developed an intense anxiety about losing us, his parents. I felt compelled to express my feelings, the fear of my own mortality, the anxiety of leaving behind loved ones, combined with words said and unsaid to those lost. “Love letters†is my gift to the six young people I care most about. These songs, exquisitely set to music by my friend and composer Adrienne Inglis, express my deep love for each of my loved ones and also, hopefully, provide them with a piece of writing that they can use as a source of strength when life becomes particularly challenging. —  Maureen Broy PapovichPlaylist of Oct. 22, 2022 performance:https://youtube.com/playlist?list=PLY9Jh0jT7VQsLBdIik5wJRjE6Qhu_5IZD.
$9.99
I am worth nothing (PÄ«ntci nakÄmmam axÄm) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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I am worth nothing
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Adrienne Inglis
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6883999. Published by Adrienne Inglis (ASCAP) (A0.953635). Hot off the press! Dramatic, almost operatic song for soprano and piano (with rattle and mallet) that brings to life the tragic story of two Coahuilteco sisters sold into slavery during the Spanish mission era in Texas I am worth nothing (2022), a song for soprano and piano by Adrienne Inglis (ASCAP)Commissioned by Inversion Ensemble for Eternal Graffiti April 9, 2022, Austin, TexasProgram note: Commissioned by Inversion Ensemble and composed by Adrienne Inglis, I am worth nothing sets a stunning Coahuilteco/English poem by Texas poet Lisa Kay Adam. From the phrase PÄ«ntci nakÄmmam axÄm (I am worth nothing), Adam creates a vivid story of two young Coahuiltecan sisters and their encounters with newly arrived Spanish settlers and mission priests in the eighteenth century. Musically, the florid phrases and haunting modalities join with the sounds of drums and melancholic bells to paint a picture of exploitation, early death, and a lost way of life in the western gulf coastal plains.Text: I am not worthy - PÄ«ntci nakÄmmam axÄm, poem by Lisa Kay Adam from her book xuÄi: mission, house, village, town, published in 2018 by Lamar University Literary Press, used with permissionDuration: 9:06 (at most)World premiere: Eternal Graffiti with soprano Katrina Saporsantos and pianist Benjamin Dia April 9, 2022 Austin, Texashttps://www.chaskimusic.com/adrienne
$4.99
Stars Through the Rain for SAB and electronic track
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Chorale 3 parties
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FACILE
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Adrienne Inglis
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Stars Through the Rain for SAB
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1265057 Composed by Adrienne Inglis (ASCAP) and Walter Torres (BMI). 21st Century,Classical,New Age. Octavo. 8 pa...
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Choral Choir (SAB) - Level 2 - SKU: A0.1265057 Composed by Adrienne Inglis (ASCAP) and Walter Torres (BMI). 21st Century,Classical,New Age. Octavo. 8 pages. Adrienne Inglis (ASCAP) #857898. Published by Adrienne Inglis (ASCAP) (A0.1265057). Perfect SAB for youth or community choirs! Evocative music that speaks to loneliness and sharingEasy to follow trance-style electronic trackStars Through the Rain (2022) by Adrienne Inglis (ASCAP) and Walter Torres (BMI)SAB and electronic track by Walter TorresText — Stars Through the Rain by Kim Stafford Program note — Duration 3:23Difficulty 2 (High school)Language — SpanishProgram note — Commissioned by Inversion’s new youth choir Nova for its inaugural concert “Star Stuff†in June 2023, Stars Through the Rain is scored for SAB chorus by Adrienne Inglis with electronic track created by Walter Torres. Kim Stafford’s poignant poem of the same name tells the story of a young woman living alone in a remote corner of the world. She witnesses remarkable images of a rainbow over the moon and stars showing through the rain showers. She yearns to share these beautiful experiences with another person. The piece sets the choruses of the poem, which start in a lonely mood and subtly evolve, giving the listener the hope of being lifted into a sharing relationship with another soul. The electronic track weaves natural and synthesized elements together, creating a dreamlike soundscape evoking the night sky. The emotive arpeggiated melody line alternates between minor and major tonality, capturing her melancholic yet hopeful yearning to share this sublime moment with somebody else. The driving percussion elements represent the pitter-patter of rain drops. Synthesized pads provide the harmony and are affected by filter sweeps, a sonic interpretation of starlight refracting through rain sheets.YouTube link for electronic track: https://youtu.be/HlQFoy9hw0E.
$1.99
Canoe for solo piano
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Piano seul
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AVANCÉ
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Adrienne Inglis
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Canoe for solo piano
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Adrienne Inglis
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1110965 Composed by Adrienne Inglis (ASCAP). 20th Century,Classical,Historic,Multicultural,World. Score. 24 pages. Adrien...
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Piano Solo - Level 5 - SKU: A0.1110965 Composed by Adrienne Inglis (ASCAP). 20th Century,Classical,Historic,Multicultural,World. Score. 24 pages. Adrienne Inglis (ASCAP) #713232. Published by Adrienne Inglis (ASCAP) (A0.1110965). Colorful, challenging piano solo traces an Ojibwe family’s harrowing journey by canoe down the Brule River and across Lake Superior to safety Canoe (2022) by Adrienne Inglis (ASCAP) For solo piano Duration 9:22 Difficulty 5 advanced Canoe (2022) by Adrienne Inglis (ASCAP), commissioned by Dr. Joseph Choi for solo piano, tells a harrowing story through music of the composer’s Ojibwe ancestor, Wabegiah, and her three young children. Wabegiah grew up at Upper Lake St. Croix in Wisconsin, married the French trader Mr. Couture, and had three children. Mr. Couture died suddenly just as the tensions with the Sioux became quite threatening. To protect her children from being killed by the Sioux, she took them on the long journey in a birch bark canoe down the Brule River and along the coast of Lake Superior all the way to Sault Ste. Marie. As you would expect, much of the music represents water, but it also captures moments during their flight. Loud dissonant chords mark Mr. Couture’s death and Wabegiah’s grief. The unsettling fear motive in Locrian mode predominates as they begin to flee. As they head away from danger, the courage theme follows them downstream. In a dissonant conversation with an Ojibwe man on the Brule River, he refused to give the hungry travelers food, but told them to continue to the river’s mouth to find Wabegiah’s aunt and uncle. The restful and nourishing family time on the shores of Lake Superior allows for variations on the family theme, playful, sleepy, and reflecting on the coming of autumn. With the courage theme as the subject, a fugue tracks their difficult passage across Lake Superior to the safety of Sault Ste. Marie. Recounted by Eliza Morrison, a daughter from Wabegiah’s second marriage, this journey took place in the early 1830s. The three children were born in 1828, 1829, and 1830. The youngest of the children was Angelique, the composer’s great great grandmother.
$9.99
Os nace un Cordero (Unto You a Lamb is Born) for SATB chorus, piano, and pedal or lever harp
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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Os nace un Cordero
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.953634 Composed by Adrienne Inglis (ASCAP). Christian,Christmas,Contemporary,Sacred,World. Octavo. 16 pages. Adr...
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Choral Choir (SATB) - Level 3 - SKU: A0.953634 Composed by Adrienne Inglis (ASCAP). Christian,Christmas,Contemporary,Sacred,World. Octavo. 16 pages. Adrienne Inglis (ASCAP) #6883479. Published by Adrienne Inglis (ASCAP) (A0.953634). Celebratory sacred intermediate-level piece for the Christmas season, with gorgeous Spanish textOs nace un Cordero (Unto You a Lamb is Born)Commissioned by Chorus Austin for On a Winter’s Eve 2021Music by Adrienne (ASCAP)Text by Santa Teresa de Jesús de Ãvila, España (1515-1582)SATB chorus, piano, pedal or lever harpLanguage: SpanishDuration 3:30Commissioned by Chorus Austin, Os nace un Cordero (Unto You a Lamb Is Born) sets excerpts from the Spanish poem Pastores que veláis by Santa Teresa de Jesús de Ãvila for SATB mixed chorus, piano, and harp. As angels announce the birth of Jesus to the shepherds, Teresa foreshadows Jesus’ crucifixion by referring to him as Cordero (Lamb). She also affirms Jesus as the fully human (hombre también junto) and fully divine son of the sovereign God (Hijo de Dios Soberano). The piece opens with angels approaching from a distance singing pastores (shepherds) followed by joyful choral couplets. Several dualities weave together representing the oneness of the human and divine: harp and piano; Venezuelan joropo rhythm derived from Spanish dance; sixteenth century text and twenty-first century music; and major and Phrygian modes. Spanning cultures, oceans, and centuries, this music exuberantly announces the celebrated birth of Christ.Santa Teresa de Jesús de Ãvila, España 1515-1582Lines 1-4, 17-20 from Pastores que veláis ¡Ah, pastores que veláis,por guardar vuestro rebaño,mirad que os nace un Cordero,Hijo de Dios Soberano! –¡Oh, que es hombre también junto!La vida estará en su mano;mirad, que es este el Cordero,Hijo de Dios Soberano. Translation by Adrienne Inglis and Jennifer Inglis Hudson Ah, shepherds who watch, for keeping your flock, see that a Lamb is born to you, Son of Sovereign God! Oh, he's fully a man as well!In his hand is the life of every creature; look, this is the Lamb, Son of Sovereign God.https://youtu.be/u8gTnpn3VuE?t=5485
$2.99
La loba (The Wolf) for SATB and flute
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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La loba
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1178090 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Halloween,Latin,Multicultural,World. ...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1178090 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Halloween,Latin,Multicultural,World. 14 pages. Adrienne Inglis (ASCAP) #778051. Published by Adrienne Inglis (ASCAP) (A0.1178090). Fabulous feminist empowerment piece by a woman poet and woman composer!For SATB mixed chorus and electronically distorted flute.La loba (2022) by Adrienne Inglis (ASCAP)SATB mixed chorus and distorted fluteText: an excerpt from La loba (1916) by Argentine poet Alfonsina Storni (1892-1938)Commissioned by Jonathan Riemer for Inversion Ensemble’s The Electric Choir concert October 22, 2022Duration 4:08 minutesDifficulty 3 (Advanced high school, collegiate or community chorus)Language — SpanishThe perusal score video will be included on this YouTube playlist.https://youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:22 Oct 2022 at 2 PM Inversion Ensemble and flutist Adrienne Inglis (world premiere) at KMFA Classical 89.5. Commissioned by Jonathan Riemer for Inversion Ensemble’s “Electric Choir†concert in October 2022, La loba (The Wolf) displays Alfonsina Storni’s powerful poetic voice as a feminist amidst the patriarchy of early twentieth century Buenos Aires. She breaks away from her expected role as a sheep in an obedient flock and becomes a wolf sharpening her teeth and honing her skills. Moreover, she calls for others to follow her to stand up and face the enemy. More than a century later, Storni’s voice still echoes with a powerful call to action in a world where women’s rights are as fragile as ever. Bored of its usual role as a bird, the flute breaks away from the flock to inhabitat the wolf through transformative electronic distortions. The main theme mimics actual wolf calls, surprisingly comfortable in the flute’s low register. The tango-infused choral harmonies evoke the dissonance and angst in women’s struggle for equality through the ages.
$1.99
Metamorphosis for solo flute, solo pedal or lever harp, and strings
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Adrienne Inglis
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Metamorphosis for solo flute,
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Adrienne Inglis
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.953627 Composed by Adrienne Inglis (ASCAP). Contemporary. Score and parts. 51 pages. Adrienne Inglis (ASCAP) #6383...
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Chamber Orchestra - Level 3 - SKU: A0.953627 Composed by Adrienne Inglis (ASCAP). Contemporary. Score and parts. 51 pages. Adrienne Inglis (ASCAP) #6383557. Published by Adrienne Inglis (ASCAP) (A0.953627). Celebrate women scientists!Metamorphosis (2019) by Adrienne Inglis (ASCAP) for flute, harp, and string orchestra, commissioned by Balcones Community Orchestra, celebrates the life and work of Maria Sibylla Merian (1647-1717), pioneering entomologist, naturalist, and artist.Duration 5:30 minutes.Commissioned by the Balcones Community Orchestra of Austin, Texas, Metamorphosis (2019) by Adrienne Inglis for solo flute, solo harp, and string orchestra, honors the life and work of pioneering entomologist, naturalist, and artist Maria Sibylla Merian (1647-1717). As she carefully documented in illustrated detail the life cycle of so many insects, Metamorphosis musically follows a butterfly from adult, egg, larva, pupa, and adult. The piece opens with an ostinato pattern in the strings over which the flute and harp play fluttering modal melodies. The strings and harp represent the egg stage with minimalistic layers of a single pitch. To recognize Merian’s time in Suriname and her discovery of many insect species there, a cheerful tune fashioned after traditional Arawak folk songs informs the busy larvae in the caterpillar canon. A bit of contemplative dorian polyphony laced with metamorphic machinations demonstrate the remarkable transformation of the pupa as well as Merian’s time at a devout Labadist religious commune. The butterfly emerges from the pupa with a flute/harp cadenza and then the strings underscore the adult butterfly with a return of the ostinato. The piece ends with the same ostinato as the beginning such that the piece could loop seamlessly as in a true life cycle.This performance does not include the revisions made in this version of the music: https://youtu.be/GIjQpkXl6Uc
$9.99
Heels for voice and piano (duration 37 seconds)
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Piano, Voix
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FACILE
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Adrienne Inglis
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Heels for voice and piano
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Adrienne Inglis
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.953626 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Score. 1 pages. Adrienne Inglis (ASCAP) #6405583. ...
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Piano,Vocal,Voice - Level 2 - SKU: A0.953626 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Score. 1 pages. Adrienne Inglis (ASCAP) #6405583. Published by Adrienne Inglis (ASCAP) (A0.953626). Perfect for an encore! Only 37 seconds duration, it's a tango-flavored setting of a haiku.Heels (2020) for solo voice and piano by Adrienne Inglis (ASCAP), quarantine-inspired text by Aleisha Force, composed for Inversion Ensemble's Quarantunes project, performed here by soprano Adrienne Pedrotti Bingamon with the composer at the piano
$1.99
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Adrienne Inglis