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--INSTRUMENTS--
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America The Beautiful - Leadsheet in G Flat
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
PERCUSSION
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Crtitères actifs :
America The Beautiful - Leadsheet in G Flat
Partitions à imprimer
6 partitions trouvées
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In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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In Heaven and on Earth for SAT
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Ing...
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Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clà rsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clà rsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clà rsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.
$3.99
Lorena: A Brass Quintet Setting
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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F
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Lorena: A Brass Quintet Settin
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church. Joseph was in the process of writing a song but needed lyrics to go with his melody. Henry obliged by writing a longish poem about the love of his life, Ella Blocksom. She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart. Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.” Chicago’s Higgins Brothers published the song in 1857, and it became widely popular. When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind. J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded. In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original. You’ll find it a pleasure to play and a real crowd pleaser for audiences. This composition is 201 measures in length. It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141). Initial tempo marking is Adagio, increasing to Moderato at section C. There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing. The introduction is 21 measures in length. It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto. In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression. At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles. The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme. Performance time is about eight minutes, forty seconds. Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
Sonata No. 2 for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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P
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Sonata No. 2 for Trombone and
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Pete Strohm Music
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.928160 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional. Score and part. 64 pages. ...
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Piano,Trombone - Level 5 - SKU: A0.928160 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional. Score and part. 64 pages. Pete Strohm Music #6090339. Published by Pete Strohm Music (A0.928160). Sonata No. 2 for Trombone and Piano was written for American trombonist Peter Ellefson. This second edition of the work contains four movements. The first movement, marked Andante con moto, starts in A-flat major with flowing themes, then a development in G# minor, and an ebullient recap. The second movement is marked Lento con affeto, in D-flat major, with a beautiful, plaintive trombone melody framed by a sparse but enveloping piano. The third movement is a spirited waltz in A-flat, weaving two lyrical themes among modes and keys. The final movement (Allegro) shifts to a bold F minor main theme that is developed throughout, leading to a joyous F major conclusion. This is an outstanding recital work for serious players. Individual movements are perfect for use in contests. Difficulty level is advanced. Total performance time is 21:50. Member, ASCAP.Â
$15.00
Sonata No. 3 for Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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P
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Sonata No. 3 for Trombone and
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Pete Strohm Music
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.928161 Composed by P. F. Strohm. 20th Century,21st Century,Contemporary,Contest,Festival. Score and part. 44 pages. P...
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Piano,Trombone - Level 4 - SKU: A0.928161 Composed by P. F. Strohm. 20th Century,21st Century,Contemporary,Contest,Festival. Score and part. 44 pages. Pete Strohm Music #6168663. Published by Pete Strohm Music (A0.928161). Sonata No. 3 for Trombone and Piano was written for American trombonist Mark Lawrence. It is tonal throughout, in three movements. The work is demanding in both technique and ensemble, but should be truly enjoyable to play and hear. The first movement, marked Moderato giocoso, is in sonata form in the key of G. The exposition is played muted, moving abruptly into a driving and open development, centered in D minor. The recap starts open, then re-employs the mute for a quiet close. The second movement is a beautiful, flowing song Lento con espressione, in D-flat major. It shifts to C# minor for a muted mid-section, then returns to the open horn in D-flat major to close. Â The third movement is marked Allegro gioioso. Â It is a driving 2/4, based around C Major, and briefly muted in the middle. Difficulty level for both instruments is medium-advanced. Total performance time is 15:30. Â Member, ASCAP.Â
$13.00
Ocean Eyes
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Clarinette et Piano
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Pop musique
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Billie Eilish
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Robin Hood Editions
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Ocean Eyes
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Robin Hood Editions
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SheetMusicPlus
B-Flat Clarinet,Piano - SKU: A0.489917 By Billie Eilish. By Finneas O'Connell. Arranged by Robin Hood Editions. Christmas,Film/TV,Pop,Standards,Wedding....
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B-Flat Clarinet,Piano - SKU: A0.489917 By Billie Eilish. By Finneas O'Connell. Arranged by Robin Hood Editions. Christmas,Film/TV,Pop,Standards,Wedding. Score and part. 5 pages. Robin Hood Editions #106020. Published by Robin Hood Editions (A0.489917). Ocean Eyes for Clarinet (Bb) and piano. Ocean Eyes is the debut single by American singer Billie Eilish from her debut EP Don't Smile at Me, and the soundtrack album Everything, Everything. It was written and produced by Eilish's brother, Finneas, originally for his band. This score, for clarinet and piano, comprises the melody of the song, as well as an accompaniment proposition for the piano and the chords of the song. The song was transposed to the key of G minor, to better sound in the clarinet register. With this score, you will be able to interpret this beautiful song in an accessible way ! Do not hesitate to seek out Robin Hood Editions works for more quality arrangements and sheet music.
$5.60
Ocean Eyes
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Trompette, Piano
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Pop musique
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Billie Eilish
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Robin Hood Editions
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Ocean Eyes
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Robin Hood Editions
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SheetMusicPlus
B-Flat Trumpet,Piano - SKU: A0.489951 By Billie Eilish. By Finneas O'Connell. Arranged by Robin Hood Editions. Pop,Rock,Wedding. Score and part. 5 pages...
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B-Flat Trumpet,Piano - SKU: A0.489951 By Billie Eilish. By Finneas O'Connell. Arranged by Robin Hood Editions. Pop,Rock,Wedding. Score and part. 5 pages. Robin Hood Editions #106056. Published by Robin Hood Editions (A0.489951). Ocean Eyes for Trumpet (Bb) and piano. Easy version for trumpet ! Ocean Eyes is the debut single by American singer Billie Eilish from her debut EP Don't Smile at Me, and the soundtrack album Everything, Everything. Also well known for the Alicia Keys version! This score, for trumpetin Bb and piano, comprises the melody of the song, as well as an accompaniment proposition for the piano and the chords of the song. The song was transposed to the key of g minor, to better sound in the trumpet register. With this score, you will be able to interpret this beautiful song in an accessible way ! Do not hesitate to seek out Robin Hood Editions works for more quality arrangements and sheet music.
$5.70
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America The Beautiful - Leadsheet in G Flat