Classical music for children: 36 easy pieces from the Baroque to the Romantic era in easily playable arrangements for string trio or beginners' string orchestra. Ideal for early ensemble work, and includes pieces from Vivaldi's Four Seasons, Mozart's Magic Flute and many more!
It is possible to work with these pieces in .flexible string ensembles, as additional parts are available for download:
Viola part .(instead of .Violin 2)
Viola part .(instead of .Violoncello)



CLASSICAL MUSIC FOR CHILDREN - press reviews:

This ideal introduction to much-loved masterpieces will no doubt be welcomed by teachers. - STRINGENDO

THE BEETHOVEN DUETS FOR VIOLONCELLO By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven?s 9 Symphonies. These duets are unique. They can be performed as a duet for Cello I and Cello II and as a Cello ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes.Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6.Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9.The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi.What?s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2.?To be sure, The Beethoven Scherzi Duets for Violoncello are a marvel of Beethoven?s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction.? Joe ProcopioAN INTRODUCTION TO THE BEETHOVEN DUETS By Joe ProcopioBecause of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven?s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master?s great musical creations which have no equal.In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven?s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world?s most valuable, breathtaking and beautiful music. In truth, Beethoven?s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years.In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven?s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God?s creation. What comes to mind immediately is Beethoven?s ?Pastoral? Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God?s creation but also the radiance of God the Creator himself.In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.

THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven?s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Flute but also for manyother orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD.Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6.Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9.The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi.What?s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2.?To be sure, The Beethoven Scherzi Duets for Flute are a marvel of Beethoven?s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction.? Joe ProcopioAN INTRODUCTION TO THE BEETHOVEN DUETS By Joe ProcopioBecause of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven?s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master?s great musical creations which have no equal.In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven?s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world?s most valuable, breathtaking and beautiful music. In truth, Beethoven?s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years.In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven?s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God?s creation. What comes to mind immediately is Beethoven?s ?Pastoral? Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God?s creation but also the radiance of God the Creator himself.In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.

Classical music for children: 36 easy pieces from the Baroque to the Romantic era in easily playable arrangements for string trio or beginners' string orchestra. Ideal for early ensemble work, and includes pieces from Vivaldi's Four Seasons, Mozart's Magic Flute and many more!

My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.

I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.

During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,

Andre Watts, and many others.

Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild.

Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)

Volume 1 - Duets in a Jazzy & Classical Style - 45211 A terrific compilation of new works for two French Horns by Hollywood composers and arrangers. Table of Contents Nonnahs the Goddess (Driskill, Jeff - ASCAP) Cuckoo Kinda Crazy (Holtman, Steve - BMI) Da Blues (Holtman, Steve - BMI) Funk Junk (Holtman, Steve - BMI) Jasss Waltsss (Holtman, Steve - BMI) Samba de Gecko (Holtman, Steve - BMI) Chasin' It (Kelley, Daniel - ASCAP) Infatuation (Kelley, Daniel - ASCAP) Moving Parts (Kelley, Daniel - ASCAP) Wheat Field (Kelley, Daniel - ASCAP) Rented Tuxedo (Klintworth, Paul - ASCAP) Adagio (Thatcher, James - ASCAP) Scherzo (Thatcher, James - ASCAP) N-3-4-2 (Warnaar, Brad - ASCAP) The Subject Was Roses (Warnaar, Brad - ASCAP) Till, Meet Monk (Warnaar, Brad - ASCAP) Fanfare & Soliloquy (Kelley, Daniel - ASCAP) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com.

Fred Stride composed his dynamic work Fanfare and Scherzo for solo Horn, Strings and Timpani in the 1980's for horn virtuoso Martin Hackleman. It was first performed with the CBC Radio Orchestra of Vancouver.

The work has many dimensions, from the angular Fanfare, flashy scales, dance-like syncopations and calm bridge sections of the Scherzo.

This edition is the reduction of the chamber string version, is about 9 minutes in length, is appropriate for advanced performers and is available for Horn with Piano reduction accompaniment.

Beethoven's great chamber music is second to none, however, there are very few instances where the Trombone as an instrument can fit into the style of the music. With the Scherzo from String Quartet, Op. 18, No. 4, arranger Kevin Dombrowski has found the perfect fit. A quartet of trombonists at the advanced level will love performing this wonderful five minutes of music.

ISBN 9781619118515.

Mastering the Classical Guitar, Book 1AA is the first in a progressive series using a wide variety of musical repertoire and educational material to provide a solid technical foundation for classical guitar students, exposing the full range of the instruments potential and repertoire.Book 1A is most appropriate for students with no prior knowledge of the guitar or music theory, or for those who simply want a fresh start with the classic guitar. It is written in three broad sections:A Progressive Studies and Pieces,A Technical ExercisesA andA Rhythmic Reading. Tips on how to integrate the three sections are provided throughout the book. Every chapter begins with exercises written specifically to improve a certain aspect of ones playing, followed by various examples from the classical music repertoire and traditional songs from various cultures.While every aspect of classical guitar technique is clearly described and illustrated, students using this book would still benefit from the advice and constructive feedback of a competent teacher. Consequently, teachers will find opportunities to assert their individual teaching perspectives within this method, making it a perfect road map for the instructor and students musical journey.Written in standard notation only,A Mastering the Classical Guitar, Book 1AA comes with extensive online audio examples. Fingering is kept to a minimum to encourage effective sight reading, allowing teachers and students to annotate their own ideas about digitation and contribute to their own learning process. Includes access to online audio.

Digital Pack includes:

1. The Chase (Scherzo from Symphony No. 7) - Conductor Score (Full Score)
2. The Chase (Scherzo from Symphony No. 7) - Violin 1
3. The Chase (Scherzo from Symphony No. 7) - Violin 2
4. The Chase (Scherzo from Symphony No. 7) - Violin 3 (Viola T.C.)
5. The Chase (Scherzo from Symphony No. 7) - Viola
6. The Chase (Scherzo from Symphony No. 7) - Cello
7. The Chase (Scherzo from Symphony No. 7) - String Bass
8. The Chase (Scherzo from Symphony No. 7) - Piano
9. The Chase (Scherzo from Symphony No. 7) - Timpani

Digital Pack includes:

1. Scherzo from Symphony No. 3 (Eroica) - Conductor Score (Full Score)
2. Scherzo from Symphony No. 3 (Eroica) - Violin 1
3. Scherzo from Symphony No. 3 (Eroica) - Violin 2
4. Scherzo from Symphony No. 3 (Eroica) - Violin 3 (Viola Treble Clef)
5. Scherzo from Symphony No. 3 (Eroica) - Viola
6. Scherzo from Symphony No. 3 (Eroica) - Cello/Advanced Bass
7. Scherzo from Symphony No. 3 (Eroica) - Bass
8. Scherzo from Symphony No. 3 (Eroica) - Piano
9. Scherzo from Symphony No. 3 (Eroica) - Timpani

Digital Pack includes:

1. Scherzo from Symphony No. 2 - Conductor Score (Full Score)
2. Scherzo from Symphony No. 2 - Violin 1
3. Scherzo from Symphony No. 2 - Violin 2
4. Scherzo from Symphony No. 2 - Violin 3 (Viola Treble Clef)
5. Scherzo from Symphony No. 2 - Viola
6. Scherzo from Symphony No. 2 - Cello
7. Scherzo from Symphony No. 2 - Bass
8. Scherzo from Symphony No. 2 - Piano
9. Scherzo from Symphony No. 2 - Timpani

Digital Pack includes:

1. Scherzo from Symphony No. 4 - Full Score
2. Scherzo from Symphony No. 4 - Violin 1
3. Scherzo from Symphony No. 4 - Violin 2
4. Scherzo from Symphony No. 4 - Violin 3 (Viola Treble Clef)
5. Scherzo from Symphony No. 4 - Viola
6. Scherzo from Symphony No. 4 - Cello
7. Scherzo from Symphony No. 4 - Bass
8. Scherzo from Symphony No. 4 - Piano
9. Scherzo from Symphony No. 4 - Timpani

Digital Pack includes:

1. Symphony No. 5 Scherzo - Violin 3 (Viola Treble Clef)
2. Symphony No. 5 Scherzo - Viola
3. Symphony No. 5 Scherzo - Cello
4. Symphony No. 5 Scherzo - Bass
5. Symphony No. 5 Scherzo - Piano
6. Symphony No. 5 Scherzo - Timpani
7. Symphony No. 5 Scherzo - Full Score
8. Symphony No. 5 Scherzo - Violin 1
9. Symphony No. 5 Scherzo - Violin 2

Digital Pack includes:

1. Scherzo (from Symphony No. 6) - Full Score
2. Scherzo (from Symphony No. 6) - Violin 1
3. Scherzo (from Symphony No. 6) - Violin 2
4. Scherzo (from Symphony No. 6) - Violin 3 (Viola T.C.)
5. Scherzo (from Symphony No. 6) - Viola
6. Scherzo (from Symphony No. 6) - Cello
7. Scherzo (from Symphony No. 6) - String Bass
8. Scherzo (from Symphony No. 6) - Piano

Fifty selected National Airs of different Nations for Classical Guitar solo.

Around early intermediate to Intermediate level, while there are a few on easy and advanced intermediate level.
With downloadable mp3 just for audio help. With standard notation and tablature (TAB).
Pages: Fifty (50) pages, 40' min.
1. March by Rossini, 2. Russian Air, 3. Andante by Beethoven, 4. The Last Rose of Summer, 5. French Air, 6. Un Noel ? an old French Air, 7. Le Petit Tambour, 8. Russian Air, 9. Polish National Air, 10. Scotch Air, 11. German Air, 12. Russian Hymn, 13. John Anderson, 14. Tyrolian Air, 15. Danish Air, 16. Cherubini?s Air from Faniska, 17. Polish Hymn, 18. Kelvin Grove, 19. Podolian Air, 20. Fra Tante Angoscie, 21. Au Clair, 22. Dutch Air, 23. Portuguese Hymn, 24. Air by Gelinek, 25. Pyrenese Melody, 26. Polish Air, 27. Scotch Air, 28. Pleyel?s Hymn, 29. Donald ? a Scotch Air, 30. Sicilian Mariner?s Hymn, 31. Auld Lang Syne, 32. German Air, 33. Scots Wha Hae Wi? Wallace Bled, 34. Vive Henri Quatre, 35. Air from the Ballet of Nina, 36. Danish Air, 37. Post Horn Waltz, 38. Old German Air, 39. Air from the Ballet of Alfred the Great, 40. Polish Air Krakoviak, 41. Scotch Air, 42. Swedish Air, 43. Danish Air, 44. Il Pleut, Il Pleut, Bergere, 45. Rule Britannia, 46. C?est L?Amour ? a French Air, 47. Scotch Air, 48. An Alexis, 49. Je suis Lindor, 50. Chanson des Marseillois.

ISBN 9781513455037.

This treasury of beloved classical music favorites is specially arranged for hammered dulcimers by master dulcimer performer and teacher, Dr. Mark Alan Wade. A splendid compilation of familiar pieces, each one is painstakingly edited to preserve the composers imagination and spirit while distilled into dulcimer reductions playable with only two hammers. Enjoy playing favorites like Jesu, Joy of Mans Desiring, Fur Elise, Clair de lune, and many more cherished titles by celebrated composers including Vivaldi, Telemann, Schubert, Mozart, Boccherini, Tchaikovsky, Saint-Saens, Faure, Schumann, Brahms, Satie, Haydn and more! Each gem is set in dulcimer-friendly keys fitting within a chromatic 16/15 range with the melody clearly displayed in the upper voice for intermediate players, and with the supportive chords and countermelodies in the lower voice for more advanced players. Guitar chords are added above the melodies whenever appropriate to allow you to embellish with your own chord patterns, if preferred. With 51 pieces, 12 duets, 36 composers, and a range of musical eras spanning 285 years, this book is a compendium to enjoy for a lifetime! Reference recordings of each piece are available online, created electronically with life-like Steinway grand piano samples. This digital audio is rhythmically perfect and expressively performed with authentic interpretations that are appropriate for each era. For real audio recordings, check out my album, Serenade!