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Is It Like Chopin?
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Chopinesque Etude No. 9 in G Minor
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.882074 Composed by Samuel Wellman. …
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Piano Solo - Level 5 - Digital Download SKU: A0.882074 Composed by Samuel Wellman. Contemporary,Instructional. Score. 9 pages. Samuel Wellman #14697. Published by Samuel Wellman (A0.882074). The ninth and final entry in my series of Chopin-like etudes, using the keys he omitted in his own etudes. Actually, I must confess. Whereas the first 8 etudes do indeed mimic Chopin's style, for this final etude I couldn't help it: my own style, vaguely tonal but filled with crushing dissonances, dominates this piece. It is longer and more difficult than its predecessors, a juggernaut of sonorities that hurtles the poor pianist to total destruction. Not for the squeamish!
$10.00
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Piano seul
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Samuel Wellman
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Chopinesque Etude No. 9 in G Minor
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Samuel Wellman
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SheetMusicPlus
Chopin: Nocturne No.2 (Op.9 No.2) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1468452 Composed by Frederic Chopin. Arranged by Ray Thompson. Classical,Romantic Period,Wedding. 10 pages. RayThompsonMusic #1046771. Published by RayThompsonMusic (A0.1468452). Arranged wind quintet.Chopin wrote 21 nocturnes for solo piano between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. Although Chopin did not invent the nocturne, he popularized and expanded on it, building on the form developed by Irish composer John FieldThis is probably Chopin's best loved Nocturne, if not his best known piece.Unlike other arrangements you may find, my arrangement shares the melody amongst flute, clarinet and oboe.The horn provides harmony throughout, has one bar of solo, and takes the bass line for a time.The bassoon provides a mainly sustained bass line, as an impression of the piano pedal, rather than isolated quavers.I have NOT simply copied Chopins original quaver figures (in the original left hand piano) but have created an original piece as though it had been composed for wind instruments!The quintet do NOT play TUTTI all the time: this gives a more interesting and varying sound palette.ENJOY.
$14.99
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Frederic Chopin
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Ray Thompson
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Chopin: Nocturne No.2
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RayThompsonMusic
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SheetMusicPlus
Waltz Op 69 No 2 (Arranged for Guitar)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌd…
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Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
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Guitare notes et tablatures
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Winter Storm
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.744622 Composed by J.S. Bach / Elen…
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Piano Solo - Level 5 - Digital Download SKU: A0.744622 Composed by J.S. Bach / Elena Fortin. 20th Century,Classical,Contemporary,Romantic Period. Score. 5 pages. Elena Fortin #4717613. Published by Elena Fortin (A0.744622). Winter StormYears ago, I played the Bach Prelude in C Minor (BMV 999) in the RCM books. It can now be found in the Level 6 Repertoire Book of the Celebration Series by the Royal Conservatory of Music. As a creative challenge, I thought to myself: What would happen if I took the Prelude, and put it ALL in the left hand. And what would happen if some furious diva decided to play a melody over the top of this prelude? This piece is the result: a fantastic, Chopinesque remix of JS Bach. I stayed true to the Prelude wherever possible, sticking to the glorious harmonies that were explored by his genius. The melody came out stormy–and since I live in Canada, it became the perfect title. Winter Storm.The piece is challenging as a solo recital piece, but well-worth learning if you are a fan of Bach and Chopin. The left hand never stops–and has some challenging leaps and booming bass notes. The right hand is challenged with odd rhythmic subdivisions, 3’s against 2’s being one of my favourites, as well as a challenging 11 against 4 flurry of notes. Further challenges include a RH double note pattern at the end, trills, and ornaments. If you want an extra challenge, you could always play it faster–my speed in the video is conservative, only because I was trying to make sure I got the correct notes! Please visit my website: www.the-piano-studio.com to check out what I'm up to. If you would like to keep up to date with my work, please subscribe to my YouTube Channel here: https://www.youtube.com/channel/UCFOzbMUgcFWlmG-nfHOT_Zg
$4.99
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Piano seul
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J
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Winter Storm
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Elena Fortin
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SheetMusicPlus
Prenominal Preludes for Piano: Vol. 2
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.887978 Composed by Graham Yates. Co…
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Piano Solo - Level 4 - Digital Download SKU: A0.887978 Composed by Graham Yates. Concert,Contemporary,Standards. Score. 12 pages. Graham Yates #6027709. Published by Graham Yates (A0.887978). These short piano solos were commissioned as part of the second annual Christmas in July showcase in 2020. Each composition encodes the donor’s first name (praenomen) as a musical motif, which is stated before the start of each piece. It also serves as a sketch that is loosely based on some aspect about the subject: 1. The classical-style Katies kleine Sonatine is a pun on Katie Cline and Eine kleine Nachtmusik; 2. Garrett is a proudly unusual character and his piece is vaguely atonal at times; 3. Jennie is a generous and deep soul, in a way that reminded me of Beethoven’s Andante cantabile from the Pathétique sonata; 4. Barbara’s second commission was an occasion for me to explore a Chopinesque etude style and unlikely harmonies; 5. Jamie is boisterous, fiercely devoted, strong-minded, and plays ukulele. The pieces can, of course, be enjoyed on their own merit.
$9.99
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Piano seul
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Graham Yates
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2
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Prenominal Preludes for Piano: Vol. 2
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Graham Yates
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SheetMusicPlus
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