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Vous avez sélectionné:
Keep Rising
Partitions à imprimer
29 partitions trouvées
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26
Keep Rising (Lyrical Solo for Late Beginners)
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Piano Facile
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DÉBUTANT
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New Age
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Jennifer Eklund
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Keep Rising
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Jennifer Eklund
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1414206 Composed by Jennifer Eklund. Instructional,New Age,Pop. Score. 3 pages. Jennifer Eklund #995979. Published by Jen...
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Easy Piano - Level 1 - SKU: A0.1414206 Composed by Jennifer Eklund. Instructional,New Age,Pop. Score. 3 pages. Jennifer Eklund #995979. Published by Jennifer Eklund (A0.1414206). Keep Rising is a simple, uplifting lyrical solo for beginners of all ages. Composed by Jennifer Eklund and part of the Easy Spotlight Solos songbook.
$3.99
Canons Firing From an Ever Rising Staircase for Clarinet Choir
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Ensemble de Clarinettes
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AVANCÉ
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Contemporain
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John Gibson
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Bb clarinets 1,2, and 3
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Canons Firing From an Ever Ris
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.581878 Composed by John Gibson. Contemporary. 66 pages. JB Linear #3007591. Publishe...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.581878 Composed by John Gibson. Contemporary. 66 pages. JB Linear #3007591. Published by JB Linear (A0.581878). Canons Firing From an Ever Rising Staircase, Or, Heed the Effer's Frantic Calls This is the 1st movement of a piece for clarinet choir written by John Gibson called Klarifications. The complete is also available. This movement is set for solo Eb clarinet; Bb clarinets 1,2, and 3; 2 Alto clarinets (with alternate Bb parts); 2 Bass clarinets; Bb Contrabass clarinet (with an alternate Eb Contra Alto part). To explain the title just a bit, the ever rising staircase is an aural trick that, if done precisely, sounds like the music keeps rising without really doing so. This was derived from what is called a Shepard's Tone. The canons firing are not cannons! The bass instruments play small sections of actual canons (like fancy rounds) written by J S Bach, Mozart, and others. Each time the solo Eb clarinet (the Effer) announces the coming canon firing in a frantic sort of way. Considering the Eb clarinet part, and the need for the Bb clarinets to carry the rising staircase, this is for an advanced group. It runs a little over 3 minutes in length. The recording is computer generated, although I plan to record a live version someday.
$14.50
The House Of The Rising Sun
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Guitare
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FACILE
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The Animals
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Richard Charlton
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The House Of The Rising Sun
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Richard Charlton
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1486446 By The Animals. By Alan Price. Arranged by Richard Charlton. Folk,Instructional,Pop,Standards,Traditional. Indiv...
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Solo Guitar - Level 2 - SKU: A0.1486446 By The Animals. By Alan Price. Arranged by Richard Charlton. Folk,Instructional,Pop,Standards,Traditional. Individual part. 2 pages. Richard Charlton #1063509. Published by Richard Charlton (A0.1486446). The iconic guitar song, arranged for classical guitar in Em for easier playing by Intermediate players (no Barre chords)Practice the double thumb pattern of the opening measure slowly before starting. From measure 17 the song starts - from measure 20 keep your LH 3rd on the first string as a guide when shifting positions.
$5.99
Balloon Ride
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James Alexander Pavlic
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Balloon Ride
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James A. Pavlic
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.923339 Composed by James Alexander Pavlic. Contemporary. Score and parts. 88 pages. James A. Pavlic #8837. Publish...
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Chamber Orchestra - Level 4 - SKU: A0.923339 Composed by James Alexander Pavlic. Contemporary. Score and parts. 88 pages. James A. Pavlic #8837. Published by James A. Pavlic (A0.923339). Are you ready for an exhilarating ride through the wild blue yonder and beyond? If the answer is yes, then look no further: Balloon Ride! It's lively melodies, lush string beds, and mesmerizing harmonies will keep you thoroughly engaged. As you are preparing for your journey, the escalating strings propel you forward and raise you up in the sky. Soon following, the wind gently keeps you afloat as the slight gusts (invoked by the escalating winds) push you forward and higher. Eventually, you hit a tornado (sporadic harmony changes) and snowstorm as you fighting for your life. Eventually, the sailing gets easier as you soon approach clear skies; and, the anticipation keeps rising as you eventually reach the home stretch. Would work great as an opening or closing to a concert. For performance, some sections may need to be slowed down maybe to make it less taxing on players. The key is momentum and minimal hand motion possibly for string parts. Scored for chamber orchestra. MP3 sample is included for your listening pleasure.
$18.99
Klarifications for Clarinet Choir
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Ensemble de Clarinettes
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AVANCÉ
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Contemporain
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John Gibson
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Klarifications for Clarinet Ch
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.581881 Composed by John Gibson. Contemporary. 90 pages. JB Line...
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Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 5 - SKU: A0.581881 Composed by John Gibson. Contemporary. 90 pages. JB Linear #3012617. Published by JB Linear (A0.581881). Klarifications for Clarinet Choir is a three movement piece for a large clarinet choir. It is set for Eb Soprano (one player), Bb clarinet 1-2-3, 2 alto clarinets, 2 bass clarinets, and Bb Contra. This would be best in a clarinet choir with at least two on a part in the Bb clarinet section. Here is what Margaret Thornhill wrote about this piece in The Clarinet magazine, June 2017: The dramatic first movement is a dialogue between an eefer (Eb clarinet) and the rest of the ensemble, incorporating paraphrases of excepts from Bach to Bizet. It is followed by a surprising second movement chorale with slap tongue, flutter tongue and finger popping intended to be individually miked. The final movement is an exciting montuno, including a section where each person can choose which riffs to play.The 1st movement, Canons Firing From an Ever Rising Staircase, Or, Heed the Effer's Frantic Calls To explain the title just a bit, the ever rising staircase is an aural trick that, if done precisely, sounds like the music keeps rising without really doing so. This was derived from what is called a Shepard's Tone. The canons firing are not cannons! The bass instruments play small sections of actual canons (like fancy rounds) written by J S Bach, Mozart, and others. Each time the solo Eb clarinet (the Effer) announces the coming canon firing in a frantic sort of way. The 2nd movement (Close Encounters with Basses) makes use of a number of unusual sounds on clarinet (or parts thereof) along with a few extended techniques that are fairly easy to play with the clear instructions provided. The altos, basses, and contra should be closely miked to be heard.The 3rd movement (Sometimes Free - A Montuno) starts off with a rich beat in the basses and gradually joined with the rest of the clarinets. In the montuno section there are 4 bar phrases each player can choose from to play during the 32 bars. They may choose what they will, either playing a different variation each time, using the same one each time, or choosing to not play for a particular 4 bar section. This is not a free improvisation, however! This is definitely for an advanced group of players. The 1st movement is also available separately. The sample recording uses Finale software in the 1st and 3rd movement, and John Gibson's recording of the 2nd movement.
$22.95
Prelude No.7 in Eb Major from 24 Preludes
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Piano seul
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INTERMÉDIAIRE
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Michael Bomier
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Prelude No.7 in Eb Major from
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.862434 Composed by Michael Bomier. Contemporary,Standards. Score. 2 pages. Michael Butkus-Bomier #2006721. Published by M...
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Piano Solo - Level 3 - SKU: A0.862434 Composed by Michael Bomier. Contemporary,Standards. Score. 2 pages. Michael Butkus-Bomier #2006721. Published by Michael Butkus-Bomier (A0.862434). A tightly patterned piece, with a rising and falling, then falling and rising line in the treble, and scaletone triads inverting up, and then back down in the bass. A classic prelude in its form and structure, yet the accents keep it from being pedantic or formulaic. About a minute in length, ( an ACTUAL minute, not a Minute Waltz minute!) Topographical fingerings provided for the five-finger positions that, linked together, form the melody of this piece. Quick, and to the point.
$1.99
The Doctor's Theme
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Piano seul
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DÉBUTANT
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Murray Gold
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Tom Voysey
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The Doctor's Theme
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Tom Voysey
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1458976 By Murray Gold. By Murray Gold. Arranged by Tom Voysey. 21st Century,Contemporary,Film/TV. Score. 1 pages. Tom Vo...
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Piano Solo - Level 1 - SKU: A0.1458976 By Murray Gold. By Murray Gold. Arranged by Tom Voysey. 21st Century,Contemporary,Film/TV. Score. 1 pages. Tom Voysey #1037918. Published by Tom Voysey (A0.1458976). The Doctor's Theme, one of Murray Gold's greatest compositions for Doctor Who's return in 2005. Full of mystery and sadness, but still with rising optimism, it paints the picture of our two-hearted TARDIS traveller fresh from the Time War. This is a Doctor that has been to hell and back, and is learning to keep pushing on. The universe is a big place, and there's still a lot of people he can help.This arrangement condenses the piece found on the season 1 soundtrack, which originally featured piano, strings, synths, harp, solo flute and a female vocalist. Melodic lines have been brought together, but the slower tempo helps keep this manageable. Chords are long and stretched, and this is a piece full of simple exression, and great to play as freely as you like.Instrument: PianoLength: Approx 1 minute 20 secondsDifficulty: Beginner.
$5.99
All Weather Friends - Jazz Waltz - Solo Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Olly Wedgwood
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All Weather Friends - Jazz Wal
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OllysPianoSheets
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.961566 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5792833. Published by OllysPi...
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Piano Solo - Level 4 - SKU: A0.961566 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5792833. Published by OllysPianoSheets (A0.961566). Friends shouldn't just hang out in fair weather, so here is All Weather Friends, a gentle swing waltz ideal for established intermediate players at about the Grade 4-5 standard (ABRSM).The melody and accompaniment is based upon a classic jazz waltz rhythm, so to get into the feel of this piece, you may find it useful to first practice clapping this rhythm:Remember that the quaver eighth notes are swung.The trick with this piece is to let the melody sing out above the jazz waltz accompaniment, so keep an ear on the melody at all times.In bar 21, the semiquaver 16th notes can be played a little faster than written, which will create more of a 'turn' ornament. Have a listen to the performance recording clip (above) at about halfway through to get the idea.This jazz waltz piano sheet music provides excellent practice for working on phrasing and sustain pedal technique. Occasionally, you may find a couple of hand position changes that risk disrupting the flow of the melodic phrase. In these instances, try a touch of sustain pedal to smooth out the transition. An example of this can be found in bar 31.After the repeated opening melody, the middle section moves into the key of G minor, featuring a rising arpeggio-based accompaniment with sustain pedal. There is a lot of quaver eighth-note movement in this section, so be sure to keep this rhythm smoothly swinging in the usual triplet manner:This middle section reaches a crescendo at bar 37 with a rippling chord effect between both hands. Try experimenting with different ways of splitting up these chords - you could ripple up from the left hand to the right hand, or try rippling both hands at the same time. Stick with whatever sounds good to you!After a poco rall the original melody returns via a D.C. al Coda. As is the convention for first and second time repeat bars, take the second time bar on the D.C. and then to the Coda.I hope you enjoy All Weather Friends, whatever the weather!Explore more fun piano sheet music by Olly Wedgwood at https://ollyspianosheets.com
$3.95
All Weather Friends - Jazz Waltz - Solo Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Olly Wedgwood
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All Weather Friends - Jazz Wal
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OllysPianoSheets
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.961560 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5335091. Published by OllysPi...
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Piano Solo - Level 4 - SKU: A0.961560 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5335091. Published by OllysPianoSheets (A0.961560). Friends shouldn't just hang out in fair weather, so here is All Weather Friends, a gentle swing waltz ideal for established intermediate players at about the Grade 4-5 standard (ABRSM).The melody and accompaniment is based upon a classic jazz waltz rhythm, so to get into the feel of this piece, you may find it useful to first practice clapping this rhythm:Remember that the quaver eighth notes are swung.The trick with this piece is to let the melody sing out above the jazz waltz accompaniment, so keep an ear on the melody at all times.In bar 21, the semiquaver 16th notes can be played a little faster than written, which will create more of a 'turn' ornament. Have a listen to the performance recording clip (above) at about halfway through to get the idea.This jazz waltz piano sheet music provides excellent practice for working on phrasing and sustain pedal technique. Occasionally, you may find a couple of hand position changes that risk disrupting the flow of the melodic phrase. In these instances, try a touch of sustain pedal to smooth out the transition. An example of this can be found in bar 31.After the repeated opening melody, the middle section moves into the key of G minor, featuring a rising arpeggio-based accompaniment with sustain pedal. There is a lot of quaver eighth-note movement in this section, so be sure to keep this rhythm smoothly swinging in the usual triplet manner:This middle section reaches a crescendo at bar 37 with a rippling chord effect between both hands. Try experimenting with different ways of splitting up these chords - you could ripple up from the left hand to the right hand, or try rippling both hands at the same time. Stick with whatever sounds good to you!After a poco rall the original melody returns via a D.C. al Coda. As is the convention for first and second time repeat bars, take the second time bar on the D.C. and then to the Coda.The play-along MP3 backing track for this sheet music is also available to download at Sheet Music Plus.Explore more fun piano sheet music by Olly Wedgwood at https://OllysPianoSheets.com I hope you enjoy All Weather Friends, whatever the weather!
$3.95
Anything You Can Do . . . for violin and vibraphone
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Robert M
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Anything You Can Do . . . for
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and p...
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00
Chiedi al vento di me
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Piano seul
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Contemporain
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Monica Bergo
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Chiedi al vento di me
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976871 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3241863. Published by Monica Bergo (A0.976871).
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Piano Solo - SKU: A0.976871 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3241863. Published by Monica Bergo (A0.976871). 2017 Holiday Contest EntryASK AT WIND OF ME If it will touch you The breeze of summer that It ends and goes away And leave it inside you Melancholy Ask at wind of me Ask at wind of me If you will walk Between the anonymous crowd of this city And you seem to notice me You'll miss a beat Ask the wind if you want Remember us Ask him where I live and if I keep my smile Ask the wind if I understand everything I've lost Of the open-air nights Pray and hope for the best for you Ask at wind of me the Ask at wind if I could make peace with the past Ask him if I realized that my dream so wrapped up He will talk about time When I looked so much like you You will listen to it And you will understand Even mud does not hide the glow Of bright stars It does not cover the flare Remember your name is sun rising and as a phoenix you have a thousand resources It was January, but there was sun, and it was Sunday, special day That's why you were born with the fire inside To melt the ice, it's your sixth sense Crow that flies, bad omen We in our body, an eternal discomfort You look in the mirror and you find yourself beautiful You are how I see you, there is light shining If you do not find the person who looks like you in the world And you will only fool yourself In unnecessary research Because you're unique Do not let them ever change Awesome as you are And you do not have to be satisfied The semblance of a love You're a ray of sunshine Always look for his heat If no one can understand That thin sorrow Look for me Ask at wind of me Reminding me hurt you Try to forget If my name makes you suffer Try to let me go But if in a corner of the heart Allow me to stay I'll be with you in the wind ... I'm the wind that laughs It wraps you up until the summer returns ... Monica Bergo
$3.99
The Big Dipper
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3 Clarinettes (trio)
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DÉBUTANT
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Brian L
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The Big Dipper
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BLM Music Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 1 - SKU: A0.1272969 Composed by Brian L. Monroe. 20th Century,Children,Historic,Instructional. 7 pages....
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 1 - SKU: A0.1272969 Composed by Brian L. Monroe. 20th Century,Children,Historic,Instructional. 7 pages. BLM Music Publications (https://brianmonroemusic.com) #865157. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1272969). For over 80 years the Big Dipper Roller Coaster at Geauga Lake Park in Aurora, Ohio Entertained kids and adults alike. Â The old-fashioned, wood coaster featured a 65-foot first hill and over 2680 feet of twisting and undulating track. Â The Big Dipper for beginning clarinet trio is scored completely under the break and utilizes rising and falling slured passages to musically depict the ride! Â Keep your hands and feet inside the car at all times and enjoy the rest of your day, here at Geauga Lake!!For Grade 1 Clarinet Trio.
$8.00
Around the Bend (for Cello & Piano)
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Violoncelle, Piano
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AVANCÉ
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Brian Strohmetz
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Piano.
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Around the Bend
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Brian Strohmetz
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SheetMusicPlus
Cello,Piano - Level 5 - SKU: A0.1280306 Composed by Brian Strohmetz. Chamber,Classical,Contemporary. Score and part. 46 pages. Brian Strohmetz #871769. ...
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Cello,Piano - Level 5 - SKU: A0.1280306 Composed by Brian Strohmetz. Chamber,Classical,Contemporary. Score and part. 46 pages. Brian Strohmetz #871769. Published by Brian Strohmetz (A0.1280306). Around the Bend is a journey of tranquility, adventure, and discovery down a section of the Monocacy Creek in Bethlehem, PA. The first section of the music that appears throughout the piece is a simple melody that is reminiscent of a simple art song. It represents the river flowing along peacefully on a beautiful day. Occasionally, we come across an area where the water hits a small obstacle that causes the water to change its path and speed. We hear this as violent 16th note interruptions in the music. The river then returns to its natural flow and pace. Further along we encounter a small waterfall area with rapids and obstacles. The music cascades and has a rhythmic drive representing the rapids and the swift moving waters. After we have traversed the rapids, we return to the calm waters of the river as it continuously flows peacefully. The next portion of our journey is inspired by a specific and unique section of the Monocacy, where we find the hidden ivy. Trees surround the creek. When looking into them, at a certain angle, you will find a tree covered in ivy hidden amongst the other trees. When we reach this point in our journey, the music starts off mysteriously as though looking through the trees. When we find the hidden ivy, we are greeted by a majestic melody that reflects this hidden beauty. The piano plays a rising arpeggio repeatedly, reflecting the ivy’s goal to grow higher and closer to the sky. Once we pass the ivy, we return to the peacefully flowing river. We approach a bend in the river that we cannot see beyond. There is a bit of trepidation, but as we start to go around the bend, everything ends peacefully, and we know everything will be fine. The river will keep moving and we will survive. For Cello & Piano.
$14.99
Ocean Eyes
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Billie Eilish
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Bridget Jackson
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Ocean Eyes
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Bridget Jackson Harp
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SheetMusicPlus
Harp - Level 4 - SKU: A0.546109 By Billie Eilish. By Finneas O'Connell. Arranged by Bridget Jackson. Contemporary,Hip-Hop,Pop,R & B. Score. 5 pages. Bri...
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Harp - Level 4 - SKU: A0.546109 By Billie Eilish. By Finneas O'Connell. Arranged by Bridget Jackson. Contemporary,Hip-Hop,Pop,R & B. Score. 5 pages. Bridget Jackson Harp #156219. Published by Bridget Jackson Harp (A0.546109). The dreamy debut single performed by rising star Billie Eilish, now made even more ethereal in this arrangement for harp. Playable on both lever or pedal harp, this arrangement poses a fun challenge incorporating harmonics, quick fingerings, and brush muffles to keep everything clean and flowing.
$6.99
Minuet Gothique
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Leon Bolleman
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Trevor Wharton
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Minuet Gothique
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Bumpmusic Editions
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1258610 Composed by Leon Bolleman. Arranged by Trevor Wharton. 19th Century,Chamber,Wedding...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1258610 Composed by Leon Bolleman. Arranged by Trevor Wharton. 19th Century,Chamber,Wedding. 25 pages. Bumpmusic Editions #851869. Published by Bumpmusic Editions (A0.1258610). The 'Minuet Gothique' is the second movement from Leon Boellman's 'Suite Gothique' Opus 25 composed in 1895 for the Organ.The Minuet opens quietly stating the main themes which it develops through dynamically contrasting sections becoming increasingly modal in its feel. The middle section has a rising broken chord theme which is developed through new keys. Gradually ideas from the opening minuet are quietly introduced into the music like distant echos. Eventually the opening Minuet return in all its stately elegance to close the movement.This music needs good focus on dynamic control and articulation both in the ensemble sections and the solo portions. The quiet 'echo' sections need to keep the same energy in their forward movement without diminishing the tempo or relaxing the musical style.
$19.75
Father, Increase Our Faith - a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Father, Increase Our Faith - a
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1086012 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1086012 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #690202. Published by Kevin G. Pace (A0.1086012). A heavenly, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Father, increase our faith in thy holy Name. Guide us to sacred space where there is no shame. When fear, our enemy, threatens calm within, Reach forth thy mighty arm; shelter us from sin. Father, increase our faith as the thorns of life Cause us to doubt thy word; keep us safe from strife. When pain disguises peace, when sore trials loom, Lend us thy constant care rising from all gloom. Father, increase our faith; turn our trust to Thee. When conflict frightens all, find us on our knees. Shield us from enemies when they come too close. Share thy protecting hands; guard us from all foes. Father, increase our faith; let us trust thy love. Give comfort endlessly ‘til we meet above. Father, we honor Thee and thy holy Son. Help us increase our faith so we can be one.
$1.99
By The River - May Morning. Instrumental piece for Piano and 2 Violins
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The River - May Morning Th
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Judy Lane
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By The River - May Morning. In
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Judy Lane Music
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SheetMusicPlus
Piano Trio,String Ensemble Violin - Level 3 - SKU: A0.915903 Composed by Judy Lane. Concert,Contemporary. Score and parts. 7 pages. Judy Lane Music #646...
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Piano Trio,String Ensemble Violin - Level 3 - SKU: A0.915903 Composed by Judy Lane. Concert,Contemporary. Score and parts. 7 pages. Judy Lane Music #6461563. Published by Judy Lane Music (A0.915903). By The River - May Morning This is an instrumental piece for Piano and 2 Violins and is a sequel to 'The Willow Tree' also by Judy Lane. The reborn willow tree arrives on a river bank in Oxford and experiences all the special celebrations that May Morning brings: The choir, the bells, the singing and the folk dancing. Approximately 4 minutes and a delightful piece to play.Goodness me! Where am I now? The sun is just rising and there is a slight mist in the air. I must be by a river. There are strange boats floating by, propelled by long poles. All on board are laughing, drinking and singing at the tops of their voices. I see a tall tower and on the top are small boys dressed in strange white dresses. They are singing wonderful songs. .Now bells are ringing and I hear cheering and music that keeps going all day long until tiredness slowly brings the fun to an end. The moon is rising and the world sleeps again. .I like my new home. Goodnight!
$5.99
RISE FROM THE SHADOWS
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Aditya
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Aditya
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RISE FROM THE SHADOWS
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ADITYA. S
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1032215 Composed by Aditya. Arranged by Aditya. 20th Century,Contemporary,Musical/Show,New Age. Score and parts. 6 p...
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String Ensemble - Level 2 - SKU: A0.1032215 Composed by Aditya. Arranged by Aditya. 20th Century,Contemporary,Musical/Show,New Age. Score and parts. 6 pages. ADITYA. S #4615183. Published by ADITYA. S (A0.1032215). This instrumental is partly piano and partly symphony. It gives a positive inspiration vibe that makes you feel like rising from a shadow or dust. Its has grand rise and fall that keeps u elevated while listening to it. .
$7.00
Night Flight
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Piano seul
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INTERMÉDIAIRE
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Mary Leaf
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Night Flight
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The FJH Music Company - Digital
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SheetMusicPlus
Piano - Intermediate - SKU: F0.W9208 Composed by Mary Leaf. Sheet Music. Written For You. Solo Sheet. 5 pages. The FJH Music Company - Digital #W9208. P...
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Piano - Intermediate - SKU: F0.W9208 Composed by Mary Leaf. Sheet Music. Written For You. Solo Sheet. 5 pages. The FJH Music Company - Digital #W9208. Published by The FJH Music Company - Digital (F0.W9208). UPC: 674398214778.The whirling, rhythmic, eighth-note patterns of Night Flight (written in 2), take off in the spirit of a tarantella. The left hand keeps the beat steady, with rising and falling chromatics played atop open intervals. An excellent choice to reinforce playing two- and three-note slurs. The bravura ending makes for a nice recital flourish.
$3.50
The Journey
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Julian Hartwell
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Julian Horner
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The Journey
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Julian Hartwell Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1133657 By Julian Hartwell. By Julian Horner. Arranged by Julian Horner. Classical,Contemporary,Film/TV,New Age. Score. 1...
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Piano Solo - Level 3 - SKU: A0.1133657 By Julian Hartwell. By Julian Horner. Arranged by Julian Horner. Classical,Contemporary,Film/TV,New Age. Score. 11 pages. Julian Hartwell Music #733773. Published by Julian Hartwell Music (A0.1133657). The Journey is a meditative solo piano excursion traversing realms of both melancholy and hope..quiet reflection and forward motion...the energy of momentum and the pause of reflection. It's an original fusion of neoclassical and new-age inspired piano music in the style of artists like George Winston and David Nevue. This piece is my way of musically expressing the patience, determination, and hard-won triumphs along the way in ‘the Journey’ of our lives - from finding our Purpose to the act of becoming who we are meant to be, both on an inner and outer level. It features two movements, with a rising, driven melody that keeps pushing ahead to new heights, full of unexpected harmonic twists and turns throughout, and an uplifting final section that builds slowly to an ultimate crescendo full of energy and enthusiasm. The recapitulation of the main melody at the end, yet in a new, brighter key, speaks to the transformation of the traveler as he proceeds along his journey, speaking to the growth and enhanced perspective that he has garnered along the way, and a summation of all he has become in the process. For intermediate to advanced pianists, looking for an emotional and dynamic piece that takes both the player and listener on a journey, pun intended. This composition is broken up into two movements, which can stand alone in their own right.
$5.99
The Oak
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Florence Beatrice Price
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Steven Nunes
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The Oak
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Nagamon Publications
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1407735 Composed by Florence Beatrice Price. Arranged by Steven Nunes. 21st Century,Romantic Period. 183 pages. Nagamon...
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Concert Band - Level 4 - SKU: A0.1407735 Composed by Florence Beatrice Price. Arranged by Steven Nunes. 21st Century,Romantic Period. 183 pages. Nagamon Publications #990351. Published by Nagamon Publications (A0.1407735). Florence Price(b Little Rock, AR, 9 April 1887; d Chicago, IL, 3 June 1953) was the first African American woman to win widespread recognition as a symphonic composer, rising to prominence (with William Grant Still and William Dawson) in the 1930s. After early training with her mother she studied composition at the New England Conservatory in Boston with Wallace Goodrich and Frederick Shepherd Converse (1903–6) and privately with George Whitefield Chadwick. She gained an Artist’s Diploma (organ) and a piano teacher’s diploma.  In her large-scale works Price’s musical language is often conservative, in keeping with the Romantic nationalist style of the 1920s–40s, but it also reflects the influence of her cultural heritage and the ideals of the “Harlem renaissance†of the 1920s–30s. To her art songs and piano music she brought a thorough knowledge of instrumental and vocal writing, colorful harmonies and exotic modulations.The Oak from 1943 was originally written for orchestra and has been transcribed for concert band. The PDF contains the full score and full set of parts.
$70.00
A Sentinel from Love Was My Lord and King! (Downloadable)
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Gwyneth W
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A Sentinel from Love Was My Lo
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir, chamber orchestra or piano - SKU: MQ.6371-E Composed by Gwyneth W. Walker. 11 pages. E. C. Schirmer Music Company - Digital #6371-E. Publish...
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TTBB choir, chamber orchestra or piano - SKU: MQ.6371-E Composed by Gwyneth W. Walker. 11 pages. E. C. Schirmer Music Company - Digital #6371-E. Published by E. C. Schirmer Music Company - Digital (MQ.6371-E). English.The Sentinel describes the watchman keeping guard over love. He whispers to the world of space, in the deep night, that all is well.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king..
$2.65
Monteverdi - The Third Book of Madrigals - No 11 O Primavera
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Third Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767198 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons ...
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Brass Ensemble - Level 4 - SKU: A0.767198 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3074233. Published by Lyons Music Services (A0.767198). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The 11th song, O Primavera extolls the virtues of young love in the spring, when the humours are rising.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.
$5.99
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
Suit Suite for Three Euphoniums and Three Tubas
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3 Euphoniums
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Suit Suite for Three Euphonium
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Sy Brandon
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SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 4 - SKU: A0.754940 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 56 pages. Sy Brandon #32248...
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Brass Ensemble Euphonium,Tuba - Level 4 - SKU: A0.754940 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 56 pages. Sy Brandon #3224881. Published by Sy Brandon (A0.754940). This composition, composed for the Kansas State University Tuba-Euphonium Ensemble, is inspired by the suits of a deck of cards and their associated representations. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money's sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A flutter-tongued chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between the euphoniums and the tubas. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again.
$14.99
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