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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Largo
Non classifié
485
Piano & claviers
Piano seul
389
Piano Facile
77
Piano, Voix
52
Orgue
50
Piano Trio: piano, violon, violoncelle
17
1 Piano, 4 mains
11
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Piano, Voix et Guitare
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Instruments en Do
4
Accompagnement Piano
3
2 Pianos, 4 mains
3
Piano grosses notes
3
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
1 Piano, 6 mains
1
+ 13 instrumentations
Retracter
Guitares
Guitare
40
Guitare notes et tablatures
28
2 Guitares (duo)
13
Ligne De Mélodie, (Paroles) et Accords
6
Ukulele
3
Basse electrique
2
3 Guitares (trio)
2
4 Guitares (Quatuor)
1
Orchestre à Plectres
1
2 Ukuleles
1
Paroles et Accords
1
Ensemble de guitares
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
23
Chorale 3 parties
13
Chorale 2 parties
6
Voix Soprano, Piano
5
Chorale TTBB
4
Chorale SSAA
4
Voix duo, Piano
4
Voix seule
3
Voix Baryton, Piano
3
Voix haute, Piano
2
Voix moyenne, Piano
2
Chorale Unison
2
Voix Alto, Piano
1
Voix duo
1
+ 9 instrumentations
Retracter
Vents
Flûte traversière et Piano
89
Flûte traversière
74
Clarinette et Piano
66
2 Saxophones (duo)
59
2 Flûtes traversières (duo)
55
2 Clarinettes (duo)
43
Saxophone Alto et Piano
42
Hautbois, Piano (duo)
40
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
40
Quatuor de Saxophones: 4 saxophones
37
Clarinette
34
Flûte, Hautbois, Clarinette, Basson
32
Saxophone Tenor et Piano
26
Saxophone Soprano et Piano
25
2 Hautbois (duo)
24
Quatuor de Clarinettes: 4 clarinettes
22
Quintette de Saxophone: 5 saxophones
20
Saxophone (partie séparée)
17
Saxophone Baryton, Piano
16
Clarinette (partie séparée)
15
Quatuor de Flûtes : 4 flûtes
13
Flûte et Guitare
13
Flûte à Bec
13
Flûte, Clarinette (duo)
11
Clarinette Basse, Piano
11
Hautbois (partie séparée)
10
Saxophone Tenor
10
Cor anglais, Piano
10
Saxophone Alto
9
Quatuor de Flûtes à bec
9
Quintette de Clarinettes: 5 clarinettes
9
2 Flûte à bec (duo)
7
2 Cors Anglais Et Pianoforte
7
Ensemble de Flûtes
6
Clarinette, Guitare (duo)
6
Ensemble de Clarinettes
6
Flûte à bec Alto, Basse continue
5
Flute (partie séparée)
5
5 Flûtes à bec
4
Hautbois
4
3 Clarinettes (trio)
4
Quintette de Flûte : 5 flûtes
4
Flûte, Hautbois, Clarinette (trio)
3
Flûte, Violoncelle, Piano (trio)
3
Ensemble de saxophones
3
Flûte à bec, Guitare (duo)
3
Flûte à bec Soprano
2
Hautbois, Clarinette (duo)
2
Flûte à Bec, Piano
2
Clarinette, Basson (duo)
2
Flûte à bec Soprano, Piano
2
Clarinette, Violon (duo)
2
Flûte, Violoncelle
2
Flûte, Violon, Piano
2
Ensemble De Flûte à bec
2
Saxophone et Guitare
2
2 Saxophones, Piano
2
Saxophone
2
Flûte à bec Alto, Piano
2
Flûte, Clarinette et Basson
2
Hautbois, Basson (duo)
2
Flûte à bec Tenor
2
Hautbois, Harpe
1
Flûte, Violon
1
Flûte, Hautbois, Basson
1
3 Saxophones (trio)
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Violoncelle (duo)
1
Flûte, Trombone (duo)
1
Ensemble de Hautbois
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte et Trio à cordes
1
Piccolo, Piano
1
2 Flûtes traversières, Piano
1
3 Flûtes à bec (trio)
1
Instruments en Mib
1
Flûte, Violoncelle, Guitare
1
Clarinette et Alto
1
Saxophone et Harpe
1
+ 74 instrumentations
Retracter
Cuivres
Trompette, Piano
44
Cor et Piano
33
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Trombone et Piano
29
Trompette
27
Trombone
20
Euphonium, Piano (duo)
20
2 Cors (duo)
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
2 Trompettes (duo)
16
2 Trombones (duo)
15
Trompette (partie séparée)
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Tuba et Piano
11
2 Euphoniums (duo)
11
Trombone (partie séparée)
11
Cor anglais, Piano
10
Cor
9
Quatuor de Cuivres
8
Tuba (partie séparée)
7
Trompette, Trombone (duo)
7
2 Cors Anglais Et Pianoforte
7
Quatuor de cuivres: 4 cors
6
Cor (partie séparée)
6
2 Tubas (duo)
5
Quatuor de cuivres: 4 trombones
4
Ensemble de Trombones
4
Ensemble de Trompettes
3
Tuba
3
Trompette, Cor (duo)
3
Euphonium, Tuba (duo)
2
Trio de Cuivres
2
Tuba et Orgue
2
2 Euphoniums et 2 Tubas
2
3 Trompettes (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse et Piano
1
Trompette, Euphonium (duo)
1
Trompette, Trombone, Piano
1
Cor et Harpe
1
Euphonium
1
Trompette, Harpe
1
Bass Clef Instruments
1
Trompette et Guitare
1
Cor, Tuba (duo)
1
Instruments en Fa
1
Euphonium Ou Saxhorn Et Piano
1
Trombone, Orgue
1
4 Tubas
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
139
Violon et Piano
111
Violon
106
Violoncelle, Piano
81
Alto, Piano
56
Violoncelle
51
Alto seul
38
2 Violoncelles (duo)
27
2 Violons (duo)
27
Trio à Cordes: violon, alto, violoncelle
18
2 Altos (duo)
18
Violon, Violoncelle (duo)
17
Violon, Guitare (duo)
13
Violon (partie séparée)
13
Violoncelle , Guitare (duo)
13
Harpe
12
Violon, Alto (duo)
11
4 Violoncelles
11
Contrebasse, Piano (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Contre Basse
8
Trio à Cordes: 2 violons, violoncelle
8
2 Contrebasses (duo)
8
Alto (partie séparée)
5
Alto, Guitare (duo)
5
Violoncelle (partie séparée)
5
Violon, Basse continue
4
Contrebasse (partie séparée)
4
Piano Trio: Violon, Alto, Piano
4
Quatuor à cordes: 4 violons
3
Trio à cordes
3
Ensemble de Violons
2
Harpe, Violon, Violoncelle
2
Trio à cordes: 3 violins
2
Harpe, Flûte (duo)
2
2 Violoncelles, Piano
2
Trio à Cordes: 3 violoncelles
2
Harpe, Violon (duo)
2
Violoncelle, Contrebasse (duo)
2
2 Violons, Piano
1
Quatuor à cordes : 4 altos
1
Alto, Violoncelle (duo)
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Orchestre
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
56
Orchestre
55
Orchestre d'harmonie
49
Orchestre de chambre
40
Ensemble de cuivres
18
Cloches
13
Timbales (partie séparée)
4
Percussion (partie séparée)
3
Percussion
2
Instrumentation Flexible
2
Fanfare
2
Ensemble de Percussions
1
Ensemble Jazz
1
+ 8 instrumentations
Retracter
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CORNET
DOBRO - GUI…
DULCIMER
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FLUTE DE PA…
FORMATION M…
GUITARE
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HARMONICA
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PERCU. ORCH…
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VIBRAPHONE
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VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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PUNK
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Vous avez sélectionné:
Largo
Partitions à imprimer
3 905 partitions trouvées
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3901
George Frideric Handel: Largo from Xerses opera instantly for piano solo
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Piano seul
#
INTERMÉDIAIRE
#
George Frideric Handel
#
Virtualsheetmusic
This is an exclusive arrangement for piano solo of MEDIUM skill level from the original composition by George Frideric Handel. This title is available as instant sheet music download. Contents: serse, largo from serse / classical,wedding,traditional,easter,festival,love...
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This is an exclusive arrangement for piano solo of MEDIUM skill level from the original composition by George Frideric Handel. This title is available as instant sheet music download. Contents: serse, largo from serse / classical,wedding,traditional,easter,festival,love
$2.99
George Frideric Handel: Largo from Xerses opera instantly for piano four hands
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1 Piano, 4 mains
#
INTERMÉDIAIRE
#
George Frideric Handel
#
Virtualsheetmusic
This is an exclusive transcription for piano four hands of MEDIUM skill level from the original composition by George Frideric Handel. This title is available as instant sheet music download. Contents: serse, largo from serse / classical,wedding,traditional,easter,festival,love...
(+)
This is an exclusive transcription for piano four hands of MEDIUM skill level from the original composition by George Frideric Handel. This title is available as instant sheet music download. Contents: serse, largo from serse / classical,wedding,traditional,easter,festival,love
$3.99
Largo (DvoÅ™ák - New World Symphony)
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Classique
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Antonin Dvorak
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Josef STASTNY
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Largo
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Josef STASTNY
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SheetMusicPlus
Horn,Instrumental Solo,Piano - Level 3 - SKU: A0.743702 Composed by Antonin Dvorak. Arranged by Josef STASTNY. 20th Century,Contemporary,Standards,Weddi...
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Horn,Instrumental Solo,Piano - Level 3 - SKU: A0.743702 Composed by Antonin Dvorak. Arranged by Josef STASTNY. 20th Century,Contemporary,Standards,Wedding. Score and individual part. 3 pages. Josef STASTNY #5223943. Published by Josef STASTNY (A0.743702). The Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (Czech: Symfonie Ä. 9 e moll „Z nového svÄ›ta), popularly known as the New World Symphony, was composed by AntonÃn Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. Largo from the 2nd mov. is one of the most impressive largos ever written.Substitute part: Eb
$4.99
Largo (DvoÅ™ák - New World Symphony)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
#
Classique
#
Antonin Dvorak
#
Josef STASTNY
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Largo
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Josef STASTNY
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.743335 Composed by Antonin Dvorak. Arranged by Josef STASTNY. Concert,Contemporary,Romantic Per...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.743335 Composed by Antonin Dvorak. Arranged by Josef STASTNY. Concert,Contemporary,Romantic Period,Standards,World. Score and parts. 8 pages. Josef STASTNY #3258137. Published by Josef STASTNY (A0.743335). The Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (Czech: Symfonie Ä. 9 e moll „Z nového svÄ›ta), popularly known as the New World Symphony, was composed by AntonÃn Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. Largo from the 2nd mov. is one of the most impressive largos ever written.See also other BRASS arrangements (trios and quartets)http://www.sheetmusicplus.com/search?Ntt=JOSEF+STASTNY+BRASS
$9.99
Largo (DvoÅ™ák - New World Symphony)
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
#
Classique
#
Antonin Dvorak
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Josef STASTNY
#
Largo
#
Josef STASTNY
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.743387 Composed by Antonin Dvorak. Arranged by Josef STASTNY. Classical,Contemporary,Wed...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.743387 Composed by Antonin Dvorak. Arranged by Josef STASTNY. Classical,Contemporary,Wedding. 6 pages. Josef STASTNY #3486349. Published by Josef STASTNY (A0.743387). The Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (Czech: Symfonie Ä. 9 e moll „Z nového svÄ›ta), popularly known as the New World Symphony, was composed by AntonÃn Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. Largo from the 2nd mov. is one of the most impressive largos ever written.Some other arrangements for quartets and trios:https://www.sheetmusicplus.com/publishers/josef-stastny-sheet-music/3006800?ac=1www.stastnyjosef.czSubstitute part: 1 Bb
$8.99
Largo (DvoÅ™ák - New World Symphony)
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Antonin Dvorak
#
Josef STASTNY
#
Largo
#
Josef STASTNY
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.743337 Composed by Antonin Dv...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.743337 Composed by Antonin Dvorak. Arranged by Josef STASTNY. 20th Century,Standards. 6 pages. Josef STASTNY #3258249. Published by Josef STASTNY (A0.743337). The Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (Czech: Symfonie Ä. 9 e moll „Z nového svÄ›ta), popularly known as the New World Symphony, was composed by AntonÃn Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. Largo from the 2nd mov. is one of the most impressive largos ever written.Some other SAX quartets arrangements:http://www.sheetmusicplus.com/search?Ntt=josef+stastny+saxwww.STASTNYJOSEF.cz
$8.88
Largo (DvoÅ™ák - New World Symphony)
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Flûte, Hautbois, Clarinette, Basson
#
FACILE
#
Classique
#
Antonin Dvorak
#
Josef STASTNY
#
Largo
#
Josef STASTNY
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.743388 Composed by Antonin Dvorak. Arranged by Josef STASTNY. 20th Ce...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.743388 Composed by Antonin Dvorak. Arranged by Josef STASTNY. 20th Century,Contemporary,Romantic Period,Wedding. 8 pages. Josef STASTNY #3486359. Published by Josef STASTNY (A0.743388). The Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (Czech: Symfonie Ä. 9 e moll „Z nového svÄ›ta), popularly known as the New World Symphony, was composed by AntonÃn Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. Largo from the 2nd mov. is one of the most impressive largos ever written.Substitute parts: 1Bb, 2 Bb and 4 Bb.Some other trios and quartets arrangements:https://www.sheetmusicplus.com/publishers/josef-stastny-sheet-music/3006800?ac=1Personal webside:www.stastnyjosef.cz
$9.99
Francesco Maria Veracini : Largo
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Violon
#
INTERMÉDIAIRE
#
Classique
#
Francesco Maria Veracini
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Largo
#
Tomplay
Telechargez la partition Violon Largo de Veracini. Partition pour Duo (Violon-Piano) -- Classique...
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Telechargez la partition Violon Largo de Veracini. Partition pour Duo (Violon-Piano) -- Classique
5.99€ ≈
$6.52
Francesco Maria Veracini : Largo
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Piano seul
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INTERMÉDIAIRE
#
Classique
#
Francesco Maria Veracini
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Largo
#
Tomplay
Telechargez la partition Piano Largo de Veracini. Partition pour Duo -- Classique...
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Telechargez la partition Piano Largo de Veracini. Partition pour Duo -- Classique
5.99€ ≈
$6.52
Largo (Ombra mai fù) from Xerxes / George Frideric Handel
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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George Frideric Handel
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Kan Saito / Japan Duo Notes
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Largo
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Japan Duo Notes
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SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.1493344 Composed by George Frideric Handel. Arranged by Kan Saito / Japan Duo Notes. Baroque,Classical,Early Music,...
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Flute Duet Flute - Level 3 - SKU: A0.1493344 Composed by George Frideric Handel. Arranged by Kan Saito / Japan Duo Notes. Baroque,Classical,Early Music,Film/TV,Opera. Score. 3 pages. Japan Duo Notes #1070005. Published by Japan Duo Notes (A0.1493344). Title: Largo (Ombra mai fù) from Xerxes by George Frideric Handel – Flute Duet ArrangementDescription:Discover the timeless beauty of Handel’s Largo (Ombra mai fù) from the opera Xerxes with this elegant flute duet arrangement. This beloved aria, renowned for its serene and lyrical qualities, has been meticulously adapted for two flutes, preserving its emotional depth and majestic grace. Perfect for recitals and intimate performances, this arrangement brings Handel’s masterpiece into a new dimension for flute enthusiasts.Key Features:Composer: George Frideric HandelTitle: Largo (Ombra mai fù) from XerxesArrangement: Flute DuetDifficulty Level: IntermediateFormat: Digital Sheet Music PDFPages: Score: 3 pagesWhy Choose This Arrangement?Timeless Elegance: Experience the grandeur and tranquility of Handel’s iconic Largo through the rich sound of two flutes.Perfect for Performances: Ideal for classical recitals and chamber music settings, offering a beautiful addition to your flute repertoire.Emotionally Engaging: The arrangement captures the lush harmonies and expressive melodies of the original opera aria.Keywords: Handel Largo flute duet, Ombra mai fù flute arrangement, classical flute music, Handel Xerxes flute transcription, intermediate flute duet, Handel opera aria for flute, elegant flute duet music, Handel Largo sheet music.
$4.99
Largo from "The Four Seasons: Winter" RV 297 / Antonio Vivaldi
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Antonio Vivaldi
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Kan Saito / Japan Duo Notes
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Largo from "The Four Seas
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Japan Duo Notes
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SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.1491797 Composed by Antonio Vivaldi. Arranged by Kan Saito / Japan Duo Notes. Baroque,Classical,Early Music,Film/TV...
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Flute Duet Flute - Level 3 - SKU: A0.1491797 Composed by Antonio Vivaldi. Arranged by Kan Saito / Japan Duo Notes. Baroque,Classical,Early Music,Film/TV,Wedding. Score. 1 pages. Japan Duo Notes #1068477. Published by Japan Duo Notes (A0.1491797). Title: Largo from The Four Seasons: Winter RV 297 by Antonio Vivaldi – Flute Duet ArrangementDescription:Experience the serene beauty of Antonio Vivaldi’s Largo from The Four Seasons: Winter with this captivating flute duet arrangement. Known for its peaceful and reflective mood, this movement contrasts the icy chill of winter with a warm, flowing melody that evokes images of stillness and calm. Perfectly adapted for two flutes, this arrangement allows both players to enjoy the expressive elegance of one of Vivaldi’s most beloved compositions.Key Features:Composer: Antonio VivaldiArrangement: Flute DuetDifficulty Level: IntermediateFormat: Digital Sheet Music PDFPages: Score: 1 pagesThis flute duet arrangement of Vivaldi’s Largo maintains the delicate beauty of the original violin solo while blending the flutes’ voices to create a rich, harmonious sound. It’s ideal for concerts, recitals, weddings, or any performance that requires a piece with emotional depth and grace.Why Choose This Arrangement?Iconic Baroque Masterpiece: Enjoy Vivaldi’s timeless melody from The Four Seasons, now arranged for two flutes.Perfect for Special Occasions: Suitable for weddings, formal ceremonies, or peaceful concert settings where elegance is key.Engaging for Intermediate Flutists: Provides an opportunity for flutists to explore Vivaldi’s nuanced phrasing and expressive dynamics.Bring the beauty of Baroque music to your next performance with this exquisite flute duet arrangement of Vivaldi’s Largo from Winter. The flowing lines and gentle rhythms create an unforgettable musical experience for both performers and audiences.Keywords: Antonio Vivaldi, Largo, Winter, The Four Seasons, flute duet, classical music, Baroque music, Vivaldi arrangements, flute sheet music, intermediate flute music, wedding music, recital music.
$4.99
Chopin: Largo from Op. 65 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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James M
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Cello, Op
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Chopin: Largo from Op. 65 for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.551997 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Sc...
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Alto Saxophone,Piano - Level 3 - SKU: A0.551997 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 6 pages. Jmsgu3 #6050947. Published by jmsgu3 (A0.551997). Sonata in G Minor for Piano & Cello, Op. 65, Movement III - Largo.Chopin performed this Sonata on his final recital in 1848.The Largo from Chopin's Cello Sonata in G minor, Op. 65 is a significant work as it is one of only nine compositions by Chopin published during his lifetime for instruments other than the piano. The Sonata is remarkable for the concentration of its material, with much of the music in the first movement growing out of the opening statement and specific thematic shapes appearing in all its movements. The Largo, in particular, is known for its expressive and lyrical nature, showcasing Chopin's ability to write beautifully for a non-piano instrument. The Sonata was first publicly performed by Chopin and the work's dedicatee, Auguste Franchomme, at the composer's last public concert in 1848. The historical context behind Chopin's Largo from Sonata Op. 65 is rooted in the composer's radical stylistic changes during 1845-1846, which included an increasing prevalence of contrapuntal textures and metric flexibility. The Sonata, including the Largo, is filled with doubts and hesitation, reflecting the composer's difficult decisions and arduous labors. The piece is also notable for its thematic references from Schubert's Winterreise, mirroring the circumstances of Chopin's life when he wrote the Sonata, particularly his separation from George Sand.
$32.95
Largo from Xerxes (Ombra mai fu) (EASY PIANO) Opera Serse (HWV 40) [George Frideric Handel]
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Piano Facile
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FACILE
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George Frideric Handel
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Darek
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Largo from Xerxes
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Darek
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1271956 By George Frideric Handel. By George Frideric Handel. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 ...
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Easy Piano - Level 2 - SKU: A0.1271956 By George Frideric Handel. By George Frideric Handel. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #864308. Published by Darek (A0.1271956). Largo from Xerxes (Ombra mai fu) (EASY PIANO) Opera Serse (HWV 40) [George Frideric Handel]Simplified arrangement for pianists of Largo from Xerxes (Ombra mai fu) Opera Serse (HWV 40) by George Frideric Handel. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Sheet Music for Novice Players. Included: Fingering, Dynamics, Articulations and video YouTube tutorial.  Discover the sublime beauty of George Frideric Handel's Largo from Xerxes (Ombra mai fu) from the Opera Serse (HWV 40) with my Easy Piano Sheet Music collection. Tailored for beginner pianists, this exquisite Easy Level arrangement allows you to immerse yourself in the enchanting melodies of Handel's timeless opera from the Baroque era. Step into the captivating world of classical music as you explore the emotive power of this aria. With meticulously notated Fingering, Articulation, and Dynamics, you can effortlessly express the piece's emotional depth and artistic brilliance. Accelerate your learning journey with the included Youtube video tutorial, thoughtfully designed to guide you in mastering the piece and refining your performance. Enhance your musical experience and uncover the nuances that make this Largo a cherished gem. As one of the Best Handel Pieces for beginner pianists, this sheet music offers a gratifying and rewarding musical adventure. Embrace the beauty of piano music and let the harmonious notes transport you to a world of elegance and artistic expression. Keywords: Sheet Music, Piano, Pianists, George Frideric Handel, Largo from Xerxes, Ombra mai fu, Opera Serse, HWV 40, Easy Level, Beginner Version, Baroque Era, Fingering, Articulation, Dynamics, Youtube tutorial, Music, Notes, Melodies, Classical Music, Captivating Aria, Timeless Opera, Cherished Gem, Emotional Depth.
$3.00
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Georg Friedrich Händel, Ali
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Flavio Regis Cunha
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Händel: Atalanta, HWV 35:
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Ha...
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Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro (Trumpet and Continuo reduction)
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Trompette, Piano
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INTERMÉDIAIRE/AVANCÉ
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Georg Friedrich Händel, Ali
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Flavio Regis Cunha
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Händel: Atalanta, HWV 35:
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Flavio Regis Cunha
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SheetMusicPlus
Piano,Trumpet - Level 4 - SKU: A0.1288949 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel...
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Piano,Trumpet - Level 4 - SKU: A0.1288949 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and part. 6 pages. Flavio Regis Cunha #879791. Published by Flavio Regis Cunha (A0.1288949). DescriptionDo you want to bring Georg Friedrich Handel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras,'Händel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Handel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.ARRANGEMENT DETAILS Arrangement Format Chamber OrchestraDifficulty Advanced IntermediateGENRE DETAILSGenres Baroque, Classical, Contest / Festival, Instructional, WeddingFULL SCORE AND ORCHESTRAL PARTS AVALIABLE FOR PURCHASE AT:https://www.sheetmusicplus.com/title/handel-atalanta-hwv-35-ouverture-largo-allegro-as-played-by-alisson-balson-and-trevor-pinnock-digital-sheet-music/22581106?aff_id=728965
$5.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 page...
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Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
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Ensemble de Bassons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Bassoon - Level 3 - SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards...
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Woodwind Ensemble Bassoon - Level 3 - SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
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