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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1124411 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 55 pages. RayThompsonMusic #725159. Published by RayThompsonMusic (A0.1124411). Arranged double wind quintet/bass The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This is my arrangement of the 4th movement: Finale (Vivace ma non troppo) It is in a traditional rondo form, A–B–A–C–A–B–A. The main melody is pentatonic. The B section is more lyrical, but continues in the spirit of the first theme. The C section is a chorale theme. I have adapted the string music for winds, and included some sustained horn chords. It has a similar feel to the finale of Dvorak’s wind serenade in D minor op.44.
$14.95
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
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RayThompsonMusic
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SheetMusicPlus
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.III Molto vivace - symphonic wind dectet/bass
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1128641 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 30 pages. RayThompsonMusic #729243. Published by RayThompsonMusic (A0.1128641). Arranged wind dectet/bass (double wind quintet) Mvt III Molto vivace The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour.
$14.95
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.III Molto vivace - symphonic wind dectet/bass
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RayThompsonMusic
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SheetMusicPlus
Dvorak: String Quartet No.12 in F Op.96 " American" (Complete) - wind dectet/bass
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.11433…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1143368 Composed by Antonin Dvorak. Arranged by Ray Thompson. Chamber,Folk,Romantic Period. 132 pages. RayThompsonMusic #743725. Published by RayThompsonMusic (A0.1143368). Arranged wind dectet/bass (Double wind quintet) Mp3 is of 1st mvt. The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This arrangement is of the complete workL you can alos buy each mvt separately.
$29.95
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 in F Op.96 " American"
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RayThompsonMusic
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SheetMusicPlus
Dvorak: String Quartet No.12 in F Op.96 " American" Mvt.II Lento - symphonic wind dectet/bass
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1143137 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 23 pages. RayThompsonMusic #743323. Published by RayThompsonMusic (A0.1143137). Arranged wind dectet/bass 2nd mvt Lento - The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind ensemblet, so have given the horns repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and also used the horns to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinets and bassoons.
$9.95
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 in F Op.96 " American" Mvt.II Lento - symphonic wind dectet/bass
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RayThompsonMusic
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SheetMusicPlus
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.I Allegro -symphonic wind dectet/bass
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1130508 Composed by Antonin Dvorak. Arranged by Ray Thompson. Folk,Romantic Period. Score and parts. 38 pages. RayThompsonMusic #730825. Published by RayThompsonMusic (A0.1130508). Arranged double wind quintet/bass The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This is my arrangement of the 1st movement: Allegro Check out my SMP page : https://www.sheetmusicplus.com/publishers/raythompsonmusic-sheet-music/3002229.
$14.95
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.I Allegro -symphonic wind dectet/bass
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RayThompsonMusic
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SheetMusicPlus
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.III Molto vivace - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1139860 Composed by Antonin Dvorak. Arranged by Ray Thompson. Folk,Romantic Period. 19 pages. RayThompsonMusic #740132. Published by RayThompsonMusic (A0.1139860). Arranged wind quintet Mvt III Molto vivace The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour.
$9.95
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.III Molto vivace - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.II Lento - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1127691 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period,Spiritual. 16 pages. RayThompsonMusic #728293. Published by RayThompsonMusic (A0.1127691). 2nd mvt Lento - Arranged wind quintet The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind quintet, so have given the horn repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and used the horn to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinet and bassoon.
$14.95
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.II Lento - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Aleksander Czarnecki - Tales of the Hidden Kingdom, Op. 15
Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - Digital Download SKU: A0.1032136
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Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - Digital Download SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162 pages. Aleksander Norbert Czarnecki #4411649. Published by Aleksander Norbert Czarnecki (A0.1032136). Aleksander Czarnecki (1993-2018) was a Polish polymath, pianist - composer, mathematician and a philosopher. His research focused on the Calabi Yau manifold. He left an astonishing musical legacy, unprecedently rich, diverse and impressive for his young age, including several large scale works as well as piano/orchestra miniatures, chamber music, pieces for piano solo etc. His unmistakingly personal compositional style could be easiest described as post-classical/post - tonal, and is instantly recognizable by its highly intrinsic, intellectually refined idiom of Scriabinesque, modernist/ avant guarde, New Complexity , later minimalist/repetitive music influences married with frequent appeals to historic techniques (contrapunctus, Gregorian plain chant, French harpsichordists, ethnic modality), a dense emotional drive and a profound sensitivity, all in the best of the resolutely post-Romantic tradition further enhanced with a super-human - as if machine induced - level of pianistic/structural difficulty, typically far beyond the one represented by the most demanding examples of, say, Godovsky's/Cziffra's transcriptions or Sorabji's works. (Jozef Kapustka, pianist)Aleksander Czarnecki on his scientific research: My research work concentrates on the modularity conjecture for Calabi-Yau manifolds according to which the Galois representation is isomorphic ( exact to the semisimplification and the finite number of Euler factors) to the Galois representation assigned to an automorphic form -equivalently the L-series of the Calabi-Yau manifold should be equal to the L-series of a certain modular form. The modularity conjecture has been extensively studied by many algebraic geometricians (Dieulefait, van Straten, Yuri, Schoen, Hulek, Verrill, Schuett, Meyer) however these studies have not resulted in producing a sufficiently representative number of examples of small level modular forms. In the best understood, rigid case of Calabi-Yau threefolds defined over the field of rational numbers, the modularity conjecture delivers from a more general Serre conjecture, as proven by Wirtemberger and Khare. Additionally, the modularity has been known a property only for certain particular Calabi-Yau varieties. For some non rigid Calabi-Yau threefolds (certain double octics) defined over rationals ( or more generally over particular number fields) the existence of modular or Hilbert modular forms has been hypothetically suggested. I am mainly interested in Frobenius polynomials of non-rigid double octics and have been extensively working with variants of Dwork's deformation method, monodromy and selected p-adic methods including algorithms by Kedlaya, Lauder, Tuitman et al. , Picard-Fuchs operators etc. (Aleksander Czarnecki, 2018)
$99.00
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Aleksander Czarnecki
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Aleksander Czarnecki - Tales of the Hidden Kingdom, Op. 15
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Aleksander Norbert Czarnecki
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SheetMusicPlus
Cello Sonata No.1 Op.45, 1st mvt, Allegro Commodo
Violoncelle, Piano
Cello,Piano - Level 5 - Digital Download SKU: A0.1431347 Composed by Josef B Foerst…
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Cello,Piano - Level 5 - Digital Download SKU: A0.1431347 Composed by Josef B Foerster. Arranged by Zellev. 19th Century,Classical,Contemporary,Historic,Romantic Period. Score and part. 16 pages. Zellev Music #1011815. Published by Zellev Music (A0.1431347). Key Signature: F minorTime Signature: 6/8Tempo: Allegro CommodoDifficulty: AdvancedJosef Bohuslav Foerster (30 December 1859 – 29 May 1951) was a Czech composer and musicologist. He is often referred to as J. B. Foerster, and his surname is sometimes spelled Förster.-Life-Foerster was born in Prague. His ancestors were of Bohemian German ethnicity, but had assimilated into the Czech community. The family normally lived in Prague and was musical. His father, a composer also named Josef Foerster, taught at the Conservatory. (His father's students included Franz Lehár.) His brother was artist Viktor Foerster. Josef was educated accordingly, and duly studied there.-Style-Foerster produced numerous compositions. His music is not nationalistic in the sense of employing the idioms of Czech folk music. His work, words and music, is considered [by whom?] very subjective and personal, mystical and idealistic.Foerster's opera Eva is another example, like Leoš Janáček's Jenůfa, of a libretto based on a play by Gabriela Preissová, though his treatment differs.His compositions include five symphonies (No. 1 in D minor; No. 2 in F, Op. 29 (1892–98); No. 3 in D, Op. 36; No. 4 in C minor, Op. 54, Easter Eve (1905); and No. 5 in D minor, Op. 141 (1929)), other orchestral works including a symphonic poem based on Cyrano de Bergerac, much chamber music (including five string quartets (No. 1 in E, Op. 15; No. 2, Op. 39; No. 3 in C, Op. 61; No. 4 in F, Op. 182 (1943); and the last, written 1950–1, completed by Jan Hanuš); three piano trios, two violin and two cello sonatas, and a several-times-recorded wind quintet), at least five operas (notably Eva), concertos for cello (Op. 143) and two for violin (No. 1 in C minor, Op. 88 (1911); No. 2 in D minor, Op. 104), liturgical music, among other works, over 170 published opus numbers in all.Many of his works remember family members: the 2nd Symphony is dedicated to his sister Marie; his brother's death led to the cantata Mortuis fratribus; his son is commemorated in the Piano Trio and the 5th Symphony; and his mother is a theme throughout his oeuvre.
$8.00
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Violoncelle, Piano
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Josef B Foerster
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Zellev
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No
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Cello Sonata No.1 Op.45, 1st mvt, Allegro Commodo
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Zellev Music
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SheetMusicPlus
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹(parts)
Large Ensemble - Level 5 - Digital Download SKU: A0.1044258 Composed by An-lun Huan…
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Large Ensemble - Level 5 - Digital Download SKU: A0.1044258 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 145 pages. DoReMi Edition #648168. Published by DoReMi Edition (A0.1044258). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$29.99
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An-lun Huang
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Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹(parts)
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DoReMi Edition
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SheetMusicPlus
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ - Score Only
Large Ensemble - Level 5 - Digital Download SKU: A0.1044257 Composed by An-lun Huan…
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Large Ensemble - Level 5 - Digital Download SKU: A0.1044257 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 64 pages. DoReMi Edition #648167. Published by DoReMi Edition (A0.1044257). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$19.99
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An-lun Huang
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Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ - Score Only
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DoReMi Edition
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SheetMusicPlus
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