English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Organ (or Piano)
Non classifié
2 233
Piano & claviers
Piano, Voix et Guitare
462
Piano seul
280
Piano, Voix
201
Orgue
144
Piano Facile
121
Orgue, Piano (duo)
38
2 Pianos, 4 mains
24
Accompagnement Piano
18
Piano Trio: piano, violon, violoncelle
10
Piano Quatuor: piano, violon, alto, violoncelle
10
1 Piano, 4 mains
9
Instruments en Do
9
Piano grosses notes
7
Clavecin
6
Fake Book
5
Orgue, Trompette (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano (partie séparée)
2
Clavier
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Voix
1
+ 16 instrumentations
Retracter
Guitares
Guitare
6
Ligne De Mélodie, (Paroles) et Accords
4
2 Guitares (duo)
2
Ukulele
2
Piano, Guitare (duo)
1
Banjo
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
866
Chorale 3 parties
117
Chorale Unison
96
Chorale 2 parties
95
Voix duo, Piano
47
Chorale TTBB
46
Chorale SSAA
26
Voix haute
13
Chorale
9
Voix Soprano, Piano
9
Voix seule
7
Voix basse, Piano
6
Pack Instrumental pour Chorale
5
Chorale SSATTB
4
Voix moyenne, Piano
4
Voix duo
4
Soli, choeur mixte et accompagnement
4
Voix Tenor
3
Voix Alto, Piano
3
Chorale SSAATB
2
Voix Tenor, Piano
2
Voix Baryton, Piano
1
Chorale SSAB, Piano
1
+ 18 instrumentations
Retracter
Vents
Flûte traversière et Piano
70
Clarinette et Piano
60
Saxophone Alto et Piano
47
Flûte traversière
43
Clarinette
42
Hautbois, Piano (duo)
39
Saxophone Soprano et Piano
30
Saxophone Tenor
29
Saxophone Tenor et Piano
26
Saxophone Baryton, Piano
13
Flûte, Hautbois, Clarinette, Basson
10
Cor anglais, Piano
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
3 Saxophones (trio)
8
Quatuor de Saxophones: 4 saxophones
6
Quatuor de Clarinettes: 4 clarinettes
6
3 Clarinettes (trio)
5
Flûte à bec Soprano
5
Clarinette Basse, Piano
5
2 Clarinettes (duo)
5
2 Saxophones (duo)
4
Flûte traversière, Orgue (duo)
4
Harmonica
3
Quintette de Clarinettes: 5 clarinettes
2
Flûte à bec Tenor
2
Flûte, Violon, Piano
2
Trio de Flûtes: 3 flûtes
2
Flûte à bec Alto
2
Quintette de Saxophone: 5 saxophones
2
2 Flûtes traversières (duo)
2
Hautbois (partie séparée)
2
Quatuor de Flûtes : 4 flûtes
2
Flûte, Violoncelle, Piano (trio)
1
Saxophone Alto
1
2 Clarinettes, Piano
1
Flûte à bec Soprano, Piano
1
Ensemble de saxophones
1
Piccolo, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Clarinette (duo)
1
Ensemble de Flûtes
1
Ocarina
1
+ 37 instrumentations
Retracter
Cuivres
2 Trompettes, Clavier (piano ou orgue)
134
Trompette, Piano
47
Trombone et Piano
39
Cor et Piano
32
Trombone
30
Tuba et Orgue
24
Trompette
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
2 Trompettes (duo)
11
Euphonium, Piano (duo)
9
Cor anglais, Piano
9
Tuba et Piano
8
3 Trombones (trio)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Quatuor de Cuivres
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Euphonium
2
2 Trombones (duo)
2
3 Trompettes (trio)
2
Cor
2
Cor et Orgue
2
Quatuor de cuivres: 4 trombones
2
2 Cors (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Cor (duo)
1
Trombone, Tuba (duo)
1
Trio de Cuivres
1
2 Euphoniums (duo)
1
+ 23 instrumentations
Retracter
Cordes
Violon et Piano
90
Violoncelle, Piano
57
Alto, Piano
51
Quatuor à cordes: 2 violons, alto, violoncelle
23
Violon
13
2 Violons (duo)
5
Alto seul
4
Trio à Cordes: violon, alto, violoncelle
4
Harpe
4
Violoncelle, Orgue
4
Violoncelle
4
Harpe, Flûte (duo)
3
Piano Trio: Violon, Alto, Piano
3
2 Violoncelles (duo)
2
Harpe, Voix
2
Trio à Cordes: 3 violoncelles
2
Violon, Orgue
2
Violon, Violoncelle (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Alto (duo)
1
Alto, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
Contre Basse
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Cloches
175
Orchestre
49
Orchestre de chambre
26
Ensemble Jazz
15
Ensemble de cuivres
15
Orchestre à Cordes
14
Orchestre d'harmonie
13
Jazz combo
12
Marimba
1
Batterie
1
Piano et Orchestre
1
Big band
1
Vibraphone
1
+ 8 instrumentations
Retracter
Autres
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ACCORDEON
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BATTERIE
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
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Ventes
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Prix + au -
Nouveautes
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difficulté (tous)
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Vous avez sélectionné:
Organ (or Piano)
Partitions à imprimer
6 511 partitions trouvées
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6501
Air for Organ or Piano
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.984489 Composed by Jonathan Battish…
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Piano Solo - Level 2 - Digital Download SKU: A0.984489 Composed by Jonathan Battishill. Arranged by (b. 1940), A.Mus.D, and Robert M. Thompson. Classical,Sacred. Score. 1 pages. Bob Thompson #6119025. Published by Bob Thompson (A0.984489). Beautiful short easy piece for organ or piano. Battishill was a famous concert tenor, chorister at St. Paul's Cathedral, London, William Boyce's assistant, harpsichordist, organist, composer of church music, conductor Covent Garden and noted improviser. .
$7.50
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Piano seul
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Jonathan Battishill
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(b
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Air for Organ or Piano
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Bob Thompson
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SheetMusicPlus
Organa #2
Piano seul
Piano Solo - Digital Download SKU: A0.926635 Composed by Robert G. Farrell. Contemp…
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Piano Solo - Digital Download SKU: A0.926635 Composed by Robert G. Farrell. Contemporary. Score. 1 pages. Robert G Farrell #6712123. Published by Robert G Farrell (A0.926635). Prelude for Organ or Piano.
$1.99
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Piano seul
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Robert G
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Organa #2
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Robert G Farrell
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SheetMusicPlus
Organa #1
Piano seul
Piano Solo - Digital Download SKU: A0.926634 Composed by Robert G. Farrell. Contemp…
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Piano Solo - Digital Download SKU: A0.926634 Composed by Robert G. Farrell. Contemporary. Score. 1 pages. Robert G Farrell #6712119. Published by Robert G Farrell (A0.926634). Short Prelude for Organ or Piano.
$1.99
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Piano seul
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Robert G
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Organa #1
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Robert G Farrell
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SheetMusicPlus
Jesu, Joy of Man's Desiring - Flute and Organ or Piano
Flûte traversière et Piano
Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1288368 Composed by Johann…
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Piano,Soprano Flute - Level 2 - Digital Download SKU: A0.1288368 Composed by Johann Sebastian Bach. Arranged by L. Müller. Advent,Baroque,Christian,Classical,Wedding. Score and part. 12 pages. Müller Publishing company #879371. Published by Müller Publishing company (A0.1288368). Acquire the sheet music now for the renowned arrangement of the song Jesu, Joy of Man's Desiring by Johann Sebastian Bach, specially adapted for flute with piano or organ accompaniment.Johann Sebastian Bach, one of the most celebrated composers of the Baroque period, dedicated his life to creating works that are synonymous with sophistication and mastery in the world of classical music even today. His unparalleled skill in weaving intricate counterpoints and emotive harmonies made him a legend, and his compositions continue to be revered and studied by musicians and enthusiasts worldwide.Jesu, Joy of Man's Desiring is one of Bach's most beloved and recognized pieces. With this arrangement, you can experience the beauty of this composition in a fresh and unique way, melding the flute's delicate melody with the rich accompaniment of the piano or organ.Ideal for performances at recitals, religious ceremonies, or for the pleasure of playing at home, this sheet music is a valuable addition to any repertoire. Don't miss out on the chance to dive into Bach's genius and bring this timeless masterpiece to life! Purchase your sheet music now and feel the joy of playing one of the most beautiful compositions in music history.
$1.99
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Flûte traversière et Piano
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Johann Sebastian Bach
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L
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Jesu, Joy of Man's Desiring - Flute and Organ or Piano
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Müller Publishing company
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SheetMusicPlus
Jesu, Joy of Man's Desiring - Trumpet and Organ or Piano
Trompette, Piano
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1288372 Composed by Johan…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1288372 Composed by Johann Sebastian Bach. Arranged by L. Müller. Baroque,Children,Christian,Religious,Wedding. Score and part. 10 pages. Müller Publishing company #879373. Published by Müller Publishing company (A0.1288372). Acquire the sheet music now for the renowned arrangement of Jesu, Joy of Man's Desiring by Johann Sebastian Bach, specially adapted for Bb trumpet with piano or organ accompaniment.Johann Sebastian Bach, one of the most celebrated composers of the Baroque period, dedicated his life to crafting works that remain synonymous with sophistication and mastery in the classical music world today. His unparalleled skill in weaving intricate counterpoints and emotive harmonies made him a legend, and his compositions continue to be revered and studied by musicians and enthusiasts globally.Jesu, Joy of Man's Desiring is one of Bach's most cherished and recognized pieces. With this arrangement, you can experience the beauty of this composition in a fresh and unique way, melding the distinct sound of the Bb trumpet with the rich accompaniment of the piano or organ.Ideal for performances at recitals, religious ceremonies, or simply for the joy of playing at home, this sheet music is a valuable addition to any repertoire. Don't miss the opportunity to dive into Bach's genius and bring this timeless masterpiece to life! Purchase your sheet music now and feel the joy of playing one of the most beautiful compositions in music history.
$1.99
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Trompette, Piano
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Johann Sebastian Bach
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L
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Jesu, Joy of Man's Desiring - Trumpet and Organ or Piano
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Müller Publishing company
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SheetMusicPlus
My Lord, What A Morning - SATB with Organ or Piano
Chorale
Arranged by Jan Mulder. For 4-part choir, piano or organ. Key of Gb. Spirituals, Sacred. P…
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Arranged by Jan Mulder. For 4-part choir, piano or organ. Key of Gb. Spirituals, Sacred. Piano/organ part. Language: English. 2 pages. Published by John Miller Publishing
$5.95
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Chorale
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Jan Mulder
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My Lord, What A Morning - SATB with Organ or Piano
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John Miller Publishing
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SheetMusicPlus
Andante, Lament & Allegro for Trumpet and Organ or Piano
Trompette, Piano
B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.1351200 Composed by Chris…
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B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.1351200 Composed by Christopher Wilson. Baroque,Chamber,Instructional. Score and part. 20 pages. Christopher Wilson #936030. Published by Christopher Wilson (A0.1351200). Advanced to professional trumpeters will enjoy this effective, Baroque pastiche. The Andante is very lyrical and followed by a Lament for organ only, which whilst fully written out, in true Baroque style of a bridge passage, can be improvised around its basic theme. The Allegro is light and lively with a spirited ending. Andante and Allegro was premiered in 1995 in the Trumpet and Organ ‘Tubes and Pipes’ series of concerts in England and has become a concert favourite in trumpet recitals. The accompaniment is written for either piano, or best with organ and has appropriate annotation for stops and the pedals. The trumpet part is provided for Trumpet in Bb as well as Eb. Bonus is that the combined pdf comes with a Baroque Analysis for teachers to assist explain stylistic, melodic and chordal aspects of the genre.
$15.00
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Trompette, Piano
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Christopher Wilson
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Andante, Lament & Allegro for Trumpet and Organ or Piano
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Christopher Wilson
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SheetMusicPlus
FAITH OF OUR FATHERS - Euphonium/Trombone Solo with Organ or Piano Accompaniment
Accompagnement Piano
Instrumental Duet Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU…
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Instrumental Duet Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.806764 Composed by Henri Hemy. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 15 pages. Arrangements by GPoehlmann #5820843. Published by arrangements by GPoehlmann (A0.806764). FAITH OF OUR FATHERS - Euphonium (or Trombone) Solo with Organ (or Piano) accompaniment.117 measures. Performance Time approx. 4:05. Key: F - G - Ab. Meter:3/4 - 4/4. Medium in Difficulty.Instrument Ranges (C4=middle C): Euphonium/Trombone Ab2 - F4 (opt. A4). Baritone TC part included. Bb3 - G5Organ and Piano Accompaniment parts provided.
$6.00
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Accompagnement Piano
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Henri Hemy
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Glen Poehlmann
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FAITH OF OUR FATHERS - Euphonium/Trombone Solo with Organ or Piano Accompaniment
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arrangements by GPoehlmann
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SheetMusicPlus
What A Friend - Clarinet & Organ or Piano
By T.J. Williams. Arranged by Jan Mulder. For clarinet & piano or organ. Key of G. Christm…
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By T.J. Williams. Arranged by Jan Mulder. For clarinet & piano or organ. Key of G. Christmas. Duration 3:14. Published by John Miller Publishing
$5.95
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T
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Jan Mulder
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What A Friend - Clarinet & Organ or Piano
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John Miller Publishing
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SheetMusicPlus
Looft De Heer Met Vreugde - Organ Or Piano (Accompaniment For Mixed Choir)
Chorale
By W. Pits. Arranged by Jan Mulder. For organ or piano. Sacred. Text language: Dutch. 4 pa…
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By W. Pits. Arranged by Jan Mulder. For organ or piano. Sacred. Text language: Dutch. 4 pages. Published by John Miller Publishing
$5.95
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Chorale
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W
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Jan Mulder
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Looft De Heer Met Vreugde - Organ Or Piano
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John Miller Publishing
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SheetMusicPlus
Wedding March (Bridal Chorus from 'Lohengrin': Here Comes The Bride) - organ or piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.563239 Composed by Richard Wagner. …
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Piano Solo - Level 4 - Digital Download SKU: A0.563239 Composed by Richard Wagner. Arranged by Austin Ralphson. Opera,Romantic Period,Standards,Wedding. Score. 3 pages. Austin Ralphson #3510569. Published by Austin Ralphson (A0.563239). Wagner's famous Bridal Chorus from 'Lohengrin' has become a classic choice for brides to walk down the aisle to. It is presented here for organ or piano, and includes the contrasting B section as well as two options for the end.
$3.99
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Piano seul
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Richard Wagner
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Austin Ralphson
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Wedding March
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Austin Ralphson
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SheetMusicPlus
A Dozen Delightful Doxologies in C, for Organ &/or Piano
Orgue, Piano (duo)
Instrumental Duet Instrumental Duet,Organ,Piano - Level 3 - Digital Download SKU: A0.90…
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Instrumental Duet Instrumental Duet,Organ,Piano - Level 3 - Digital Download SKU: A0.904045 Composed by Joseph Andrew Marcello. Arranged by Pavane Music, Inc. 20th Century,Christian,Contemporary,Sacred. Score and parts. 32 pages. Pavane Music, Inc. #2021825. Published by Pavane Music, Inc. (A0.904045). A brand-new series of 12 Doxologies -- all in C -- clean, contemporary re-colorings of the traditional church tune, with refreshing harmonic breezes to take us into greener pastures and the New Milennium; very easy to pick up and play, yet quietly stunning in effect.
$29.99
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Orgue, Piano (duo)
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Joseph Andrew Marcello
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Pavane Music, Inc
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A Dozen Delightful Doxologies in C, for Organ &/or Piano
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Pavane Music, Inc.
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SheetMusicPlus
A Dozen Delightful Doxologies in D, for Organ &/or Piano
Orgue, Piano (duo)
Instrumental Duet Instrumental Duet,Organ,Piano - Level 3 - Digital Download SKU: A0.90…
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Instrumental Duet Instrumental Duet,Organ,Piano - Level 3 - Digital Download SKU: A0.904047 Composed by Joseph Andrew Marcello. Arranged by Pavane Music, Inc. Christian,Contemporary,Sacred,Spiritual. Score and parts. 31 pages. Pavane Music, Inc. #2022571. Published by Pavane Music, Inc. (A0.904047). A set of a Dozen Delightful Doxologies -- clean, contemporary re-colorings of the traditional church tune, with refreshing harmonic breezes to take us into greener pastures and the New Milennium; very easy to pick up and play, yet quietly stunning in effect.
$29.99
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Orgue, Piano (duo)
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Joseph Andrew Marcello
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Pavane Music, Inc
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A Dozen Delightful Doxologies in D, for Organ &/or Piano
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Pavane Music, Inc.
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SheetMusicPlus
The Staff of Faith (My Faith It Is an Oaken Staff) for oboe & piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.1399185 By Hilton Kean Jones. By Sw…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.1399185 By Hilton Kean Jones. By Swiss folk melody. Arranged by Hilton Kean Jones. Christian,Religious,Sacred. Score and part. 7 pages. Hilton Kean Jones #982482. Published by Hilton Kean Jones (A0.1399185). A fun piece to play, especially the center section. May be performed as a solo trumpt piece with organ (or piano) accompaniment, or as an accompaniment to congregational singing of the familiar hymn. PDF contains full score (trumpet and organ) plus extracted trumpet part.
$6.99
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Hautbois, Piano (duo)
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Hilton Kean Jones
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Hilton Kean Jones
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The Staff of Faith
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Hilton Kean Jones
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SheetMusicPlus
G.F.Händel: "He Shall Feed His Flock" from "The Messiah" for Horn and Piano/Organ
Cor et Piano
French Horn,Piano - Digital Download SKU: A0.886186 Composed by George Frideric Han…
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French Horn,Piano - Digital Download SKU: A0.886186 Composed by George Frideric Handel. Arranged by Pavel Bakovsky. Baroque,Christmas. Score and part. 5 pages. Pavel and Richelle Bakovsky #545897. Published by Pavel and Richelle Bakovsky (A0.886186). I have arranged the beautiful aria He Shall Feed His Flock for horn and organ or piano.
$4.00
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Cor et Piano
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George Frideric Handel
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Pavel Bakovsky
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G.F.Händel: "He Shall Feed His Flock" from "The Messiah" for Horn and Piano/Organ
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Pavel and Richelle Bakovsky
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SheetMusicPlus
If I Believe (Easy Organ/Piano Hymn)
Piano, Voix
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1033360 Composed by Andrew T…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1033360 Composed by Andrew Turnquist. Christian,Praise & Worship,Sacred. Score. 2 pages. Andrew Turnquist #6385383. Published by Andrew Turnquist (A0.1033360). Original hymn arranged for easy organ or piano, plus voice. Appropriate for any time of the church year.
$2.49
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Piano, Voix
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Andrew Turnquist
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If I Believe
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Andrew Turnquist
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SheetMusicPlus
Partita on "Neander" for French Horn and Organ
Cor et Piano
Instrumental Duet,Piano French Horn,Piano - Level 3 - Digital Download SKU: A0.737092
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Instrumental Duet,Piano French Horn,Piano - Level 3 - Digital Download SKU: A0.737092 Composed by John Jay Hilfiger. Sacred,Standards. Score and part. 9 pages. John Jay Hilfiger #5822215. Published by John Jay Hilfiger (A0.737092). An exciting theme-and-variations on the hymn Open Thou Thy Gates of Beauty (also known as Rise, Ye Children of Salvation). For French horn and organ (or piano). Suitable for service music as prelude, postlude, offering. Also suitable for recitals.
$10.00
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Cor et Piano
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John Jay Hilfiger
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Partita on "Neander" for French Horn and Organ
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John Jay Hilfiger
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SheetMusicPlus
No Fear in Love (piano/tenor)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1465260 Composed by Melody M…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1465260 Composed by Melody Mills. Arranged by Jon Burr. Christian,Religious,Sacred. Score. 5 pages. Melody Mills #1043957. Published by Melody Mills (A0.1465260). Sacred Solo for church service. Available in 2 versions for Tenor, organ or piano.Lyrics include these words:Strengthened in the inner man,when you're ready for the plan of God.Perfect Love has perfect peace;therefore set your heart at ease in God.In the place where[chorus]There is no fear in Love,There is no fear to obey;No intimidation, No terror night or day;Expect no limitation,since Love will guide the way.There is no fear in Love, no fear in Love.
$4.27
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Piano, Voix
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Melody Mills
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Jon Burr
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No Fear in Love
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Melody Mills
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SheetMusicPlus
"Ave Maria" for Horn in F and Piano
Cor et Piano
French Horn,Piano - Digital Download SKU: A0.1336826 Composed by Franz Schubert. Ar…
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French Horn,Piano - Digital Download SKU: A0.1336826 Composed by Franz Schubert. Arranged by Pavel Bakovsky. 19th Century,Christian. Score and part. 5 pages. Pavel and Richelle Bakovsky #922615. Published by Pavel and Richelle Bakovsky (A0.1336826). Schubert's beautiful Ave Maria, originally for voice, is arranged for organ or piano and horn in F.
$5.00
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Cor et Piano
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Franz Schubert
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Pavel Bakovsky
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"Ave Maria" for Horn in F and Piano
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Pavel and Richelle Bakovsky
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SheetMusicPlus
Bach-Gounod: Ave Maria for Clarinet and Piano
Clarinette et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
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Clarinette et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Clarinet and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, …
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his<br> <br> own melody over a rippling keyboard accompaniment which was a slightly adapted version of the<br> <br> Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,<br> <br> published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de<br> <br> Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major<br> <br> into F major and it was scored for violin (or cello), organ and piano. In 1859, the French<br> <br> music publishing company Jacques-Léopold Heugel brought out a vocal version based on the<br> <br> familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the<br> <br> Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his<br> <br> own melody over a rippling keyboard accompaniment which was a slightly adapted version of the<br> <br> Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,<br> <br> published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de<br> <br> Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major<br> <br> into F major and it was scored for violin (or cello), organ and piano. In 1859, the French<br> <br> music publishing company Jacques-Léopold Heugel brought out a vocal version based on the<br> <br> familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the<br> <br> Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
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Saxophone Tenor et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
Saxophone Alto et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B<br> <br> flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate<br> <br> player who can manage a top “b” with confidence.<br> In 1853, the well-known French composer Charles Gounod added his own melody over a rippling<br> <br> keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,<br> <br> BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of<br> <br> the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s<br> <br> original arrangement transposed Bach’s keyboard part from C major into F major and it was<br> <br> scored for violin (or cello), organ and piano. In 1859, the French music publishing company<br> <br> Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria<br> <br> (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B<br> <br> flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate<br> <br> player who can manage a top “b” with confidence.<br> In 1853, the well-known French composer Charles Gounod added his own melody over a rippling<br> <br> keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,<br> <br> BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of<br> <br> the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s<br> <br> original arrangement transposed Bach’s keyboard part from C major into F major and it was<br> <br> scored for violin (or cello), organ and piano. In 1859, the French music publishing company<br> <br> Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria<br> <br> (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
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Saxophone Alto et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Alto Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Oboe and Piano
Hautbois, Piano (duo)
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother'…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother's Day, Wedding, Bar or Bat Mitzvah, Funeral. Set of Parts. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
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Hautbois, Piano (duo)
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Oboe and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Flute and Piano
Flûte traversière et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
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Flûte traversière et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Flute and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
"Hymne de Matin" by 19th Century French composer, transcribed for organ or piano
Orgue
Organ - Level 3 - Digital Download SKU: A0.984501 Composed by Jean-Amédée Lef…
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Organ - Level 3 - Digital Download SKU: A0.984501 Composed by Jean-Amédée Lefroid de Mereux (1802-1874). Arranged by Robert M. Thompson, A.Mus.D. (b. 1940). Romantic Period,Sacred,Standards. Score. 4 pages. Bob Thompson #6119521. Published by Bob Thompson (A0.984501). Mereux was a noted French musicologist, composer and pianist. His father was an organist, composer, pianist and friend of Chopin. He is mostly unknown today. This Hymne de Matin for violin and organ or piano, works very well on organ alone with very little pedal work. .
$11.90
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Orgue
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Jean-Amédée Lefroid de Mereux
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Robert M
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"Hymne de Matin" by 19th Century French composer, transcribed for organ or piano
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Bob Thompson
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SheetMusicPlus
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