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Poor Tom
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Vous avez sélectionné:
Poor Tom
Partitions à imprimer
45 partitions trouvées
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1
26
Poor Uncle Tom. Song & Chorus
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Piano, Voix
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Alfred Sedgwick
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The Music Composed by A
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Poor Uncle Tom. Song & Cho
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.14772 Composed by Alfred Sedgwick. African Americans, Slavery, Children, Accidents--drowning, Heroes, Death, Emotion--pain. Le...
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Piano and voice - SKU: LV.14772 Composed by Alfred Sedgwick. African Americans, Slavery, Children, Accidents--drowning, Heroes, Death, Emotion--pain. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14772). Poor Uncle Tom. Song & Chorus. The Words by Henry Wood, Esq.; The Music Composed by A. Sedgwick. Published 1852 by Wm. Vanderbeek, 479 Broadway in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include African Americans, Slavery, Children, Accidents--drowning, Heroes, Death, Emotion--pain. First line reads A Look of gloomy bitter sadness, Rests on every creature.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Poor House
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Basse electrique
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FACILE
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Rock
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The Traveling Wilburys
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Rhys Lett
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Poor House
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Eastern Suburbs School of Music
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SheetMusicPlus
Bass Guitar TAB - Level 2 - SKU: A0.1500053 By The Traveling Wilburys. By Bob Dylan, George Harrison, Jeff Lynne, and Tom Petty. Arranged by Rhys Lett. ...
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Bass Guitar TAB - Level 2 - SKU: A0.1500053 By The Traveling Wilburys. By Bob Dylan, George Harrison, Jeff Lynne, and Tom Petty. Arranged by Rhys Lett. Pop,Rock. Score. 4 pages. Eastern Suburbs School of Music #1076129. Published by Eastern Suburbs School of Music (A0.1500053). Poor House bass tab transcription by The Traveling Wilburys from the album VOL. 3.
$6.00
What can we poor females do (version in E minor for two voices and guitar)
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Voix duo
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INTERMÉDIAIRE
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Classique
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Henry Purcell
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David Warin Solomons
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What can we poor females do
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David Warin Solomons
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SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.575688 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque. 7 pages. David Warin Solomons #2026921...
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Voice Duet Voice - Level 3 - SKU: A0.575688 Composed by Henry Purcell. Arranged by David Warin Solomons. Baroque. 7 pages. David Warin Solomons #2026921. Published by David Warin Solomons (A0.575688). Arrangement in E minor of Purcell's What can we poor females do (from Orpheus Britannicus) for guitar and two voices (low version). The second alto (optionally sung by a female tenor as in the recording) goes down very low (bottom E and optional bottom D). The pdf file contains the score in both versions (ie the second voice is represented as high tenor or as low alto) and the guitar part The recording features David W Solomons (male alto) and Margaret Jackson Roberts (female tenor), but the guitar part is represented by an electronic preview sound. A higher version in A minor (with soprano, alto and two guitars) is also available on this site.
$9.00
Tommy's Return
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Chorale SATB
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C
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Tommy's Return
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3885 Composed by C. T. Lockwood. Dwellings, Dogs, Homecomings, Poor persons, Families, Country life, Bi...
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Piano and voice (solo and SATB chorus) - SKU: LV.3885 Composed by C. T. Lockwood. Dwellings, Dogs, Homecomings, Poor persons, Families, Country life, Biblical references. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3885). Tommy's Return. Composed by C.T. Lockwood. Published 1868 by Root & Cady, 67 Washington St. Opera House in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Dwellings, Dogs, Homecomings, Poor persons, Families, Country life, Biblical references. First line reads I missed it, dear Father, most sadly, I know, to cast all your counsels away.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Tommy's Return
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Chorale SATB
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C
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Tommy's Return
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3886 Composed by C. T. Lockwood. Dwellings, Dogs, Homecomings, Poor persons, Families, Country life, Bi...
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Piano and voice (solo and SATB chorus) - SKU: LV.3886 Composed by C. T. Lockwood. Dwellings, Dogs, Homecomings, Poor persons, Families, Country life, Biblical references. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3886). Tommy's Return. Composed by C.T. Lockwood. Published 1868 by Root & Cady, 67 Washington St. Opera House in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Dwellings, Dogs, Homecomings, Poor persons, Families, Country life, Biblical references. First line reads I missed it, dear Father, most sadly, I know, to cast all your counsels away.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Two Pieces for Garret: 2. Octomarch
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Contemporain
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Gary Friedman
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Two Pieces for Garret: 2. Octo
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Gary Friedman
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Drums,Flute,Horn,Oboe,Percussion,Timpani,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.889877 Composed by Gary Friedman. Con...
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Large Ensemble Bassoon,Clarinet,Drums,Flute,Horn,Oboe,Percussion,Timpani,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.889877 Composed by Gary Friedman. Contemporary. Score and parts. 37 pages. Gary Friedman #11347. Published by Gary Friedman (A0.889877). At the request of members of the San Francisco Civic Symphony I orchestrated two of my wind octets to be played by the orchestra in honor of the tenth anniversary of excellent and collegial conducting by Garret Gerritsen. This is the second piece that we played and is suitable for chamber orchestra, with added brass and percussion, including two horns, two trumpets, trombone, tuba, timpani and snare drum. The sound clip is of computer playback and of poor quality with disproportionately loud percussion. I suggest listening to a nice performance of the Octomarch wind octet, sound clip either here or at my music website, www.garyfriedmanmusic.net. I like to think of this piece as humorous so I've checked comedy below. Year 2009. Duration 3 minutes.
$20.00
Cornelius Gurlitt : Anfangs-Stunden (Les premières leçons), Op.117 - No. 28 The Poor Child (Moderato)
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Piano seul
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FACILE
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Cornelius Gurlitt
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Anfangs
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Tomplay
Téléchargez la partition Piano Anfangs-Stunden (Les premières leçons), Op.117 - No. 28 The Poor Child (Moderato) de Gurlitt. Partition pour Piano seul -- Cl...
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Téléchargez la partition Piano Anfangs-Stunden (Les premières leçons), Op.117 - No. 28 The Poor Child (Moderato) de Gurlitt. Partition pour Piano seul -- Classique,Exercices et gammes
2.99€ ≈
$3.22
Poor Tom by Led Zeppelin - Authentic Guitar TAB, Guitar TAB Transcription/Authentic Guitar TAB;Guitar TAB Transcription
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Guitare notes et tablatures
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Led Zeppelin
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Poor Tom
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Musicnotes
Performed by: Led Zeppelin: Poor Tom Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this ar...
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Performed by: Led Zeppelin: Poor Tom Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Harmonica 1;Guitar;Harmonica 2;Backup Vocals;Drum Set; 11 pages -- Blues Rock~~British Metal~~Folk-Rock~~Hard Rock~~Album Rock
$5.50
Poor Tom by Led Zeppelin - Guitar/Vocal
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Voix, Guitare
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Led Zeppelin
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Poor Tom
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Musicnotes
Performed by: Led Zeppelin: Poor Tom Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this ar...
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Performed by: Led Zeppelin: Poor Tom Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar/Vocal, instruments: Voice;Guitar; 4 pages -- Blues Rock~~British Invasion~~Rock & Roll
$3.25
Aurora Waltz
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Juventino Rosas
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Joel Jacklich (ASCAP)
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Aurora Waltz
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Joel Jacklich
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.723189 Composed by Juventino Rosas. Arranged by Joel Jacklich (ASCAP). Concert,Holiday,Romantic Period...
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String Quartet String Quartet - Level 3 - SKU: A0.723189 Composed by Juventino Rosas. Arranged by Joel Jacklich (ASCAP). Concert,Holiday,Romantic Period,Wedding. Score and parts. 32 pages. Joel Jacklich #6717977. Published by Joel Jacklich (A0.723189). José Juventino Policarpo Rosas Cadenas (25 January 1868 - 9 July 1894) was a Mexican composer, violinist, and band leader.Rosas was born in Santa Cruz de Galeana, Guanajuato, in a poor Otomi Native American family. In his youth he did whatever he could related to music, from ringing church bells to playing violin on the street, making music for his living from age 7 on. He used music for his ambitions to better himself, including composing a waltz in exchange for a pair of shoes.He moved to Mexico City and soon became a well known musician and composer. At age 12 he was playing violin in one of the city's most popular dance bands. In his early teens, he worked accompanying well known singer Angela Peralta. Although he applied twice for entrance to the National Music Conservatory and briefly studied there, he was mostly self taught.Rosas led a large orchestra and a brass band that toured internationally.Rosas's best known work is Sobre las Olas or Over the Waves. This classic waltz has often been mistakenly thought by many to be Viennese, and frequently attributed to Johann Strauss II. It was first published by Rosas in 1884 when he was in New Orleans, Louisiana with the popular Mexican band at the World Cotton Centennial World's Fair. (It was later republished in Mexico and Europe in 1888, and 1891; these later years are sometimes incorrectly given as the piece's first publication date.) Rosas died in Surgidero de Batabanó, Cuba. Fifteen years later, in 1909, his remains were brought back to Mexico.Here is his Aurora Waltz from 1890, as arranged for string quartet by Joel Jacklich (A.S.C.A.P.)..(Biographical information from Wikipedia)
$12.99
George Frideric Friedrich Handel Haendel : Ah! Mio cor! Schernito sei - SOPRANO
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Voix seule
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INTERMÉDIAIRE
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Classique
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George Frideric Friedrich Hand
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Ah! Mio cor! Schernito sei
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Tomplay
Telechargez la partition Chant Ah! Mio cor! Schernito sei - SOPRANO de Händel. Partition pour Avec piano d'accompagnement -- Classique...
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Telechargez la partition Chant Ah! Mio cor! Schernito sei - SOPRANO de Händel. Partition pour Avec piano d'accompagnement -- Classique
5.99€ ≈
$6.46
George Frideric Friedrich Handel Haendel : Ah! Mio cor! Schernito sei - ALTO
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Voix seule
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INTERMÉDIAIRE
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Classique
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George Frideric Friedrich Hand
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Ah! Mio cor! Schernito sei
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Tomplay
Telechargez la partition Chant Ah! Mio cor! Schernito sei - ALTO de Händel. Partition pour Avec piano d'accompagnement -- Classique...
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Telechargez la partition Chant Ah! Mio cor! Schernito sei - ALTO de Händel. Partition pour Avec piano d'accompagnement -- Classique
5.99€ ≈
$6.46
Schumann : Album pour la jeunesse, Opus 68, Livre I – N° 6 Pauvre orphelin
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Piano seul
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INTERMÉDIAIRE
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Classique
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Schumann
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Album pour la jeunesse, Opus 6
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Tomplay
Telechargez la partition Piano Album pour la jeunesse, Opus 68, Livre I – N° 6 Pauvre orphelin de Schumann. Partition pour Piano seul -- Classique...
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Telechargez la partition Piano Album pour la jeunesse, Opus 68, Livre I – N° 6 Pauvre orphelin de Schumann. Partition pour Piano seul -- Classique
3.99€ ≈
$4.30
George Frideric Friedrich Handel Haendel : Ah! Mio cor! Schernito sei - MEZZO-SOPRANO
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Voix seule
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INTERMÉDIAIRE
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Classique
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George Frideric Friedrich Hand
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Ah! Mio cor! Schernito sei
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Tomplay
Telechargez la partition Chant Ah! Mio cor! Schernito sei - MEZZO-SOPRANO de Händel. Partition pour Avec piano d'accompagnement -- Classique...
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Telechargez la partition Chant Ah! Mio cor! Schernito sei - MEZZO-SOPRANO de Händel. Partition pour Avec piano d'accompagnement -- Classique
5.99€ ≈
$6.46
George Frideric Friedrich Handel Haendel : Ah! Mio cor! Schernito sei - TENOR
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Voix seule
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INTERMÉDIAIRE
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Classique
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George Frideric Friedrich Hand
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Ah! Mio cor! Schernito sei
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Tomplay
Telechargez la partition Chant Ah! Mio cor! Schernito sei - TENOR de Händel. Partition pour Avec piano d'accompagnement -- Classique...
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Telechargez la partition Chant Ah! Mio cor! Schernito sei - TENOR de Händel. Partition pour Avec piano d'accompagnement -- Classique
5.99€ ≈
$6.46
George Frideric Friedrich Handel Haendel : Ah! Mio cor! Schernito sei - BASSE
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Voix seule
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INTERMÉDIAIRE
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Classique
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George Frideric Friedrich Hand
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Ah! Mio cor! Schernito sei
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Tomplay
Telechargez la partition Chant Ah! Mio cor! Schernito sei - BASSE de Händel. Partition pour Avec piano d'accompagnement -- Classique...
(+)
Telechargez la partition Chant Ah! Mio cor! Schernito sei - BASSE de Händel. Partition pour Avec piano d'accompagnement -- Classique
5.99€ ≈
$6.46
George Frideric Friedrich Handel Haendel : Ah! Mio cor! Schernito sei- BARYTON
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Voix seule
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INTERMÉDIAIRE
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Classique
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George Frideric Friedrich Hand
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Ah! Mio cor! Schernito sei
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Tomplay
Telechargez la partition Chant Ah! Mio cor! Schernito sei- BARYTON de Händel. Partition pour Avec piano d'accompagnement -- Classique...
(+)
Telechargez la partition Chant Ah! Mio cor! Schernito sei- BARYTON de Händel. Partition pour Avec piano d'accompagnement -- Classique
5.99€ ≈
$6.46
My Old Kentucky Fried Chicken
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Stephen Collins Foster
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Chris Gorman
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My Old Kentucky Fried Chicken
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Chris Gorman
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1304665 Composed by Stephen Collins Foster (July 4, 1826 – January 13, 1864). Arranged by Chris Gorman. 19th Century,Spiritual,Standards,Traditional. Brass Band. 53 pages. Chris Gorman #894106. Published by Chris Gorman (A0.1304665). My Old Kentucky Home, Good-Night! is a sentimental ballad written by Stephen Foster, probably composed in 1852. It was published in January 1853. Foster was likely inspired by Harriet Beecher Stowe's anti-slavery novel Uncle Tom's Cabin, as evidenced by the title of a sketch in Foster's sketchbook, Poor Uncle Tom, Good-Night! This arrangement has been given a fresh upgrade and re-cooked into an upbeat Bluegrass style which appears from the oven as My Old Kentucky Fried Chicken !. Everyone gets to have their solo spot.
$35.00
Voila Viola!
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Orchestre à Cordes
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INTERMÉDIAIRE
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Alisa Tomlinson
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Voila Viola!
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Alisa Tomlinson
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.971967 Composed by Alisa Tomlinson. Baroque,Classical,Contemporary,Instructional. Score and parts. 15 pages. Alisa ...
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String Orchestra - Level 3 - SKU: A0.971967 Composed by Alisa Tomlinson. Baroque,Classical,Contemporary,Instructional. Score and parts. 15 pages. Alisa Tomlinson #3113513. Published by Alisa Tomlinson (A0.971967). Viola players can feel left out of the fun when they keep getting all the left over notes. All the cool melodies are split between the violins and the cellos while the bass plays moving bass lines but the poor viola, left to the last bits of harmony no one else is using. But in Voila Viola!, the viola is the star! The cheerful melody allows room for the viola to really express itself while being backed by moving harmonies. This piece is great for teaching timing and listening to the other players. Wide ranging eighth notes dominate this piece with emphasis on the viola's changing melodies while the backing harmonies keep the piece with the playfulness of pizzicato.
$3.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Poor Edward by Tom Waits - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Tom Waits
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Poor Edward
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Musicnotes
Performed by: Tom Waits: Poor Edward Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Vo...
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Performed by: Tom Waits: Poor Edward Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 4 pages -- Experimental~~Singer-Songwriter~~Album Rock
$5.50
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
Papirossen for alto recorder and harp
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Flûte à bec, Harpe
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FACILE
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Traditional
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David Warin Solomons
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Papirossen for alto recorder a
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Alto Recorder,Harp,Instrumental Duet - Level 2 - SKU: A0.579801 Composed by Traditional. Arranged by David Warin Solomons. 20th Centur...
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Instrumental Duet Alto Recorder,Harp,Instrumental Duet - Level 2 - SKU: A0.579801 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Classical,Jewish,World. Score and parts. 5 pages. David Warin Solomons #3399609. Published by David Warin Solomons (A0.579801). Papirossen is based on a Yiddish song of a poor cheap cigarette seller in a market who can find no customers.
$7.00
The Choir Invisible
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Chorale SATB
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AVANCÉ
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Nicholas White
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The Choir Invisible
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Nicholas White Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1257185 Composed by Nicholas White. 21st Century,Classical,Traditional. Octavo. 16 pages. Nicholas White ...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1257185 Composed by Nicholas White. 21st Century,Classical,Traditional. Octavo. 16 pages. Nicholas White Music #850509. Published by Nicholas White Music (A0.1257185). George Eliot's poem is given a rich and powerful setting for choir and organ.O May I join the choir invisible  Of those immortal dead who live again  In minds made better by their presence: live  In pulses stirr'd to generosity,  In deeds of daring rectitude, in scorn For miserable aims that end with self,  In thoughts sublime that pierce the night like stars,  And with their mild persistence urge man's search  To vaster issues.      So to live is heaven:  To make undying music in the world,  Breathing as beauteous order that controls  With growing sway the growing life of man.  So we inherit that sweet purity  For which we struggled, fail'd, and agoniz'd With widening retrospect that bred despair.  Rebellious flesh that would not be subdued,  A vicious parent shaming still its child,  Poor anxious penitence, is quick dissolv'd;  Its discords, quench'd by meeting harmonies,   Die in the large and charitable air.  And all our rarer, better, truer self,  That sobb'd religiously in yearning song,  That watch'd to ease the burthen of the world,  Laboriously tracing what must be,    And what may yet be better,—saw within  A worthier image for the sanctuary,  And shap'd it forth before the multitude,  Divinely human, raising worship so  To higher reverence more mix'd with love,—   That better self shall live till human Time  Shall fold its eyelids, and the human sky  Be gather'd like a scroll within the tomb Unread forever.      This is life to come,  Which martyr'd men have made more glorious     For us who strive to follow. May I reach  That purest heaven, be to other souls  The cup of strength in some great agony,  Enkindle generous ardor, feed pure love,  Beget the smiles that have no cruelty,Be the sweet presence of a good diffus'd,  And in diffusion ever more intense!  So shall I join the choir invisible  Whose music is the gladness of the world.
$4.00
October (Autumn Song), - instruments in four parts
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Classique
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Peter Ilyich Tchaikovsky
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Paul Burnell
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October
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.835892 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Burnell. Romantic Period. Score and parts. 36 pages. Pa...
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Small Ensemble - Level 4 - SKU: A0.835892 Composed by Peter Ilyich Tchaikovsky. Arranged by Paul Burnell. Romantic Period. Score and parts. 36 pages. Paul Burnell #6597247. Published by Paul Burnell (A0.835892). October (Autumn Song), Pyotr Ilyich Tchaikovsky, arranged by Paul Burnell for instruments in four parts(The Seasons, Op. 37a: X. October, Autumn Song)Duration 3:30Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello) Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part. Any other appropriate instruments, even if not suggested above, may play.Programme note:The Seasons, Op. 37a, is a set of twelve short pieces for solo piano by the Russian composer Pyotr Ilyich Tchaikovsky (1840 – 1893). Each piece portrays in music the character of a different month of the year in Russia. The tenth movement is October.The following is a translation of the epigraph for October contained in the Russian edition (all chosen by the publisher Nikolay Bernard):Octobre (October), Chant d'automne (Autumn Song)Autumn, our poor garden is all falling down,the yellowed leaves are flying in the wind.(Aleksey Konstantinovich Tolstoy)
$3.99
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