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Vous avez sélectionné:
Suite for Four Horns
Partitions à imprimer
27 partitions trouvées
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Suite for Four Horns
4hn - Intermediate-Advanced - Digital Download SKU: F2.FM333 Composed by Liz Sharma…
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4hn - Intermediate-Advanced - Digital Download SKU: F2.FM333 Composed by Liz Sharma. Quartet for Horns. Score and Parts. 24 pages. Forton Music - Digital #FM333. Published by Forton Music - Digital (F2.FM333). ISBN 9790570482320.Three pieces for four horns in F. Each movement is fairly short, but still packed with enough material to reward the work involved. Horn 1 goes quite high with the other parts getting progressively lower. The second movement has frequently changing time signatures, while the third features idiomatic repeated notes to make it's impact.
$14.95
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Liz Sharma
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Suite for Four Horns
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Forton Music - Digital
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SheetMusicPlus
SULLIVAN 5 Pieces for horn quartet
Quatuor de cuivres: 4 cors
Horn - Level 4 - Digital Download SKU: A0.963642 Composed by Sir Arthur Seymour Sul…
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Horn - Level 4 - Digital Download SKU: A0.963642 Composed by Sir Arthur Seymour Sullivan. Arranged by Ian Butterworth. 19th Century,Wedding. 32 pages. Ian Butterworth #5289407. Published by Ian Butterworth (A0.963642). Five pieces from Sullivan's light operas which are well suited to four horns. All parts are of equal importance.
$9.99
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Quatuor de cuivres: 4 cors
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Sir Arthur Seymour Sullivan
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Ian Butterworth
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SULLIVAN 5 Pieces for horn quartet
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Ian Butterworth
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SheetMusicPlus
Anitra's Dance - From Peer Gynt - 2 Horns in F and Piano
2 Cors (duo)
French Horn Duet Horn - Level 4 - Digital Download SKU: A0.760077 Composed by Edvar…
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French Horn Duet Horn - Level 4 - Digital Download SKU: A0.760077 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Romantic Period,World. Score. 18 pages. Raymond Fenech #3501813. Published by Raymond Fenech (A0.760077). Peer Gynt, Op. 23 is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture. This aria is arranged for 2 Horns in F and Piano . The Duration is approx. 3.19 minutes and the level is Advanced Intermediate.
$4.99
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2 Cors (duo)
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Edvard Grieg
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Raymond Fenech
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Anitra's Dance - From Peer Gynt - 2 Horns in F and Piano
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Raymond Fenech
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SheetMusicPlus
5 Duos in 3 Clefs for Trombones
2 Trombones (duo)
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.1297340 Composed by Gio…
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Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.1297340 Composed by Gioachino Rossini. Arranged by David Mathie. 19th Century,Classical. Score. 16 pages. Gordon Cherry #887420. Published by Gordon Cherry (A0.1297340). Here is what arranger David Mathie writes about the 5 Duos by Rossini.Gioachino Rossini was an Italian composer, born in 1792 and died in 1868. He was known primarily for his thirty-nine operas, although he did compose some chamber pieces and a few orchestral works. His 5 Duos for 2 Horns in E♠were probably written in 1806 when Rossini was fourteen and living in Bologna, although they weren’t published until 1861. While it may seem unusual for a fourteen-year-old to be composing, by then Rossini had already written his String Sonatas at the age of twelve, and those works are still performed today. An explanation for why Rossini would write a set of duets for horn may be that his father was a professional trumpet player, and taught his son Gioachino to play the horn at a very young age.These five pieces were written for the natural (valveless) horns of the time, and like the horn writing of Mozart some very technical passages can be found in the lower part, especially in duets four and five. We can also hear the future opera composer’s arias in number three. The duos will work quite well on recitals and also for casual duet playing. Because trombonists can never have enough practice in clefs, I have transcribed the duets into three versions each using bass, tenor and alto clefs.The 5 Duos in 3 Clefs by Rossini arranged by David Mathie are perfect studies for any aged performer to begin learning Tenor and Alto Clefs. The duet format allows the teacher to play alongside the student, which is always so valuable for learning. They are of moderate difficulty making them well-suited for the Clef Novice to begin adding these necessary tools to their technique.
$17.50
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2 Trombones (duo)
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Gioachino Rossini
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David Mathie
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5 Duos in 3 Clefs for Trombones
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Gordon Cherry
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SheetMusicPlus
Suite - Op. 14 - 1st movement - Brass Choir
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.547180
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.547180 Composed by Bela Bartok. Arranged by Christophe Pochon. 20th Century,Classical. Score and parts. 37 pages. Christophe Pochon #157076. Published by Christophe Pochon (A0.547180). This nice piece written originally for piano by Béla Bartók sounds particularly great with this brass arrangement for four horns in F, three trumpets in Bb, two trombones, one bass trombone and on tuba. Score and parts included.
$19.99
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Bela Bartok
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Christophe Pochon
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Suite - Op. 14 - 1st movement - Brass Choir
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Christophe Pochon
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SheetMusicPlus
Norwegian Dance Opus 35, No. 2 for French Horn Quartet
Quatuor de cuivres: 4 cors
Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.714962 Composed by Edvard …
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Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.714962 Composed by Edvard Grieg. Arranged by Jeremy Corcoran. Concert,Romantic Period,Wedding,World. Score and parts. 14 pages. LPC Publishers #4798593. Published by LPC Publishers (A0.714962). The second of a suite of four dances for piano, Norwegian Dance No. 2 for French Horn Quartet is in a style of dance popular to Norway. The piece creates folksong common to the style of the native music of Grieg's country.
$10.00
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Quatuor de cuivres: 4 cors
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Edvard Grieg
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Jeremy Corcoran
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Norwegian Dance Opus 35, No. 2 for French Horn Quartet
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LPC Publishers
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SheetMusicPlus
Othello Suite, Op. 79 for Brass Choir
Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 5 - Digital Dow…
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Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1132715 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,March,Multicultural,World. 110 pages. Charles Decker Music Press #732911. Published by Charles Decker Music Press (A0.1132715). This multi-movement brass choir arrangement adapted from Samuel Coleridge-Taylor's orchestral Othello Suite, Op. 79 provides a technical and musical showpiece to highlight any performance. Four distinctive movements in this Suite include a driving Dance, melancholy Funeral March, languid Willow Song featuring a flugelhorn solo and a rousing Military March to conclude. Every player gets an opportunity to shine and display not only their technical expertise but also their musicianship as well. The work is arranged for a brass choir of four B-trumpets with trumpet I doubling on piccolo B-flat trumpet and flugelhorn, 4 F horns, 3 trombones, euphonium and tuba. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!â€Â  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$39.99
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Samuel Coleridge-Taylor
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Richard Decker
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Othello Suite, Op. 79 for Brass Choir
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Charles Decker Music Press
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SheetMusicPlus
The Danserye Suite for Symphonic Brass Ensemble & Percussion
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.811243 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.811243 Composed by Tielman Susato. Arranged by Andrew Poirier. Baroque,Classical,Renaissance. Score and parts. 189 pages. Gordon Cherry #6424533. Published by Gordon Cherry (A0.811243). In 1551 while residing in Antwerp, Susato composed a collection of sixty popular dances, La Danserye for a four-part instrumental group. Andrew Poirier has selected and deftly arranged eight of these Renaissance dances titled The Danserye Suite for 13-part Symphonic Brass Ensemble and Percussion for advanced performers:1. La Mourisque2. Bergeret3. Les Quatre Branles4. Trombonen5. Den hoboecken dans6. Ronde & Aliud7. Basse danse: Mon desir8. Pavane: La BattailleInstrumentation is for: 4 Trumpets (incl. Piccolo & Flugelhorns), 4 Horns, 3 Trombones with opt. Euphonium, Tuba, Percussion (3 performers).Mr. Poirier's arrangement is the first for this sized group and is dedicated to the Vancouver Brass Orchestra debut performance in 2019.The first movement, La Mourisque is beautifully performed by the VBO on the soundtrack sample below.
$45.00
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Ensemble Jazz
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Tielman Susato
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Andrew Poirier
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Aliud
7
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The Danserye Suite for Symphonic Brass Ensemble & Percussion
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Gordon Cherry
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SheetMusicPlus
Danse Nègre from African Suite. Op. 35 for Brass Choir
Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 4 - Digital Dow…
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Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1047096 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,Multicultural,World. 80 pages. Charles Decker Music Press #651613. Published by Charles Decker Music Press (A0.1047096). This brilliant brass choir arrangement captures the excitement of the composer’s orchestral showpiece Danse Nègre from his African Suite, Op. 35. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. The five-minute arrangement is scored for four B-flat trumpets (1st trumpet doubles on piccolo B-flat; trumpets 3 and 4 double on flugelhorn), 4 horns, 3 trombones, euphonium and tuba with brass orchestration that mirrors the texture and excitement of Coleridge-Taylor's orchestral work to inspire performers and excite audiences. Consider this impressive arrangement to feature your band or orchestra brass section on your next concert. The recording is of the entire arrangement. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$28.99
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Samuel Coleridge-Taylor
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Richard Decker
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Danse Nègre from African Suite. Op. 35 for Brass Choir
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Charles Decker Music Press
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SheetMusicPlus
Sarabande from Keyboard Suite in D minor HWV 437 (for Horn Quartet)
Quatuor de cuivres: 4 cors
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.845579 Composed by George …
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.845579 Composed by George Frideric Handel. Arranged by Robert Newth. Baroque. Score and parts. 8 pages. Robert Newth #3508601. Published by Robert Newth (A0.845579). The Sarabande from Georg Frideric Handel's Keyboard Suite in D minor HWV 437 is one of the most famous pieces of classical music, and this arrangement for french horn quartet preserves the character of the original piece. The theme and two variations can be repeated or omitted as required. This PDF download includes a full score in F and all four parts.The second and fourth horn parts feature extensive bass clef writing, with the fourth horn part reaching pedal G.https://www.youtube.com/watch?v=7nLbE4Fa3uY
$7.20
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Quatuor de cuivres: 4 cors
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George Frideric Handel
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Robert Newth
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Sarabande from Keyboard Suite in D minor HWV 437
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Robert Newth
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SheetMusicPlus
12 Mozart Duets for Trumpet and Tuba
Trompette, Tuba (duo)
B-Flat Trumpet,Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0.1453061 …
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B-Flat Trumpet,Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0.1453061 Composed by Wolfgang Amadeus Mozart. Arranged by Rudy Volkmann. Classical,Contest,Festival. 35 pages. Rudy Volkmann #1032310. Published by Rudy Volkmann (A0.1453061). A set of twelve short duets by Mozart published posthumously- the title lists horns as the instrumentation, but probably for Bassett Horns, rather tha French Horns based on the ranges. The key was changed, and the repeats somewhat manipulated. Any number of these could be combined to create a suite of, say, four movements in a recital.
$10.00
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Trompette, Tuba (duo)
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Wolfgang Amadeus Mozart
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Rudy Volkmann
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12 Mozart Duets for Trumpet and Tuba
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Rudy Volkmann
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SheetMusicPlus
A Second Mozart Suite
Recorder - Level 3 - Digital Download SKU: A0.841275 Composed by Wolfgang Amadeus M…
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Recorder - Level 3 - Digital Download SKU: A0.841275 Composed by Wolfgang Amadeus Mozart. Arranged by Chris Gordon. Classical,Standards. Recorder Ensemble. 13 pages. Cool Wind Music Digital #6868519. Published by Cool Wind Music Digital (A0.841275). Four movements selected from Wolfgang Amadeus Mozart's 'Kegel-Duette' (Skittles Duets) collection of 12 miniature duets written either for french horns or basset clarinets. Mozart's original score for 2 instruments has been expanded to a choir of 4 recorders (2 descant, treble and tenor recorders) necessitating fuller harmonies. In addition, comprehensive dynamic and phrase markings (which the original score lacks) have been added to complement the full-voiced harmonies.
$12.00
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Wolfgang Amadeus Mozart
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Chris Gordon
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A Second Mozart Suite
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Cool Wind Music Digital
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SheetMusicPlus
Sarabande - (from 'Keyboard Suite in D minor' - III. Mov.) for Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.597316 By George Frideric Hande…
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Full Orchestra - Level 3 - Digital Download SKU: A0.597316 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 15 pages. Flavio Regis Cunha #5355195. Published by Flavio Regis Cunha (A0.597316). The Keyboard suite in D minor (HWV 437) was composed by George Frideric Händel, for solo keyboard (harpsichord), between 1703 and 1706. It is also referred to as Suite de pièce Vol. 2 No. 4. It was first published in 1733.The piece was used in an orchestral arrangement for Stanley Kubrick's Barry Lyndon. Dutch singer Petra Berger used the Sarabande as the musical setting for her song about Mary, Queen of Scots, Still a Queen (In My End Is My Beginning), from her album Eternal Woman (2001). An orchestral version was also used on the first episode of the 2018 television mini-series of Agatha Christie's A.B.C. Murders, starring John Malkovich as Poirot.This beautiful arrangement for orchestra brings in its variations, an intercalation of orchestral forces and different climaxes. The first part of the theme starts on the strings accompanied by the continuum. The second part includes the metals and the tympani. In the first variation, the theme is played by a group of strings, within a chamber proposal. In the third variation, the strings give way to the woodwinds, where horns, trombones talk to the woodwinds. In the fourth variation, the same group of winds remains, but they are accompanied by the ow strings. Finally, in the last variation, the orchestral force appears with brilliance and intensity.
$19.99
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Orchestre
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George Frideric Handel
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Flavio Regis Cunha
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Sarabande -
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Flavio Regis Cunha
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SheetMusicPlus
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99
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Orchestre
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
Fauré: Dolly Suite Op.56 Complete - wind dectet/bass
Large Ensemble - Level 5 - Digital Download SKU: A0.553929 Composed by Gabriel Faur…
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Large Ensemble - Level 5 - Digital Download SKU: A0.553929 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Holiday,Romantic Period. Score and parts. 114 pages. RayThompsonMusic #6232669. Published by RayThompsonMusic (A0.553929). Complete.Some movements transposed from original.All clarinet parts in Bb, Horns in FThe Dolly Suite, Op. 56, is a collection of pieces for piano four-hands by Gabriel Fauré. It consists of short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress.An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, received several recordings. The best-known section of the suite, the Berceuse, has been arranged for several combinations of instruments. In Britain it became famous as the play-out tune to Listen with Mother.The suite, consisting of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse and Le pas espagnol. The complete suite takes about fifteen minutes to perform.Arranged double wind quintet and bass.
$19.95
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Gabriel Faure
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Ray Thompson
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Fauré: Dolly Suite Op.56 Complete - wind dectet/bass
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RayThompsonMusic
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SheetMusicPlus
Fauré: Masques et Bergamasques Suite Op.112 - symphonic wind
Large Ensemble - Level 5 - Digital Download SKU: A0.553822 Composed by Gabriel Faur…
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Large Ensemble - Level 5 - Digital Download SKU: A0.553822 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Romantic Period. Score and parts. 100 pages. RayThompsonMusic #4804305. Published by RayThompsonMusic (A0.553822). Masques et bergamasques, Op. 112, is an orchestral suite by Gabriel Fauré. It was arranged by the composer from incidental music he provided for a theatrical entertainment commissioned for Albert I, Prince of Monaco in 1919. The original score contained eight numbers, including two songs for tenor, and a choral passage. These numbers were not included in the published suite, which has four movements.The eight movements of the divertissement were almost all drawn from earlier works of Fauré:Ouverture (from an abandoned 1869 symphony)Pastorale (the only wholly new movement)Madrigal (Op. 35, 1884; for chorus and orchestra)Le Plus doux chemin (Op. 87, No. 1; for tenor and orchestra)Menuet (extensively reworked from the 1869 symphony)Clair de lune (Op. 46, No. 2; for tenor and orchestra)Gavotte (from the 1869 symphony)Pavane (Op. 50, 1887)The suite drawn from the work has remained one of Fauré's most popular works. It was published by Durand et cie in 1919. It is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, harp and strings.The suite, which has a typical playing time of about 14 minutes, consists of four of the purely orchestral movements:OvertureMinuetGavottePastoraleIt is arranged here for double wind quintet and bass.(string bass/tuba parts provided)
$19.95
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Gabriel Faure
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Ray Thompson
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Fauré: Masques et Bergamasques Suite Op.112 - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Tuk Tuk Ride flexible saxophone Octet (optional bass sax) Crazy antics for advanced ensembles!
Ensemble de saxophones
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopr…
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.761567 Composed by Claire Tomsett-Rowe. Contemporary,Instructional,Jazz. 29 pages. Masquerade Music #6692047. Published by Masquerade Music (A0.761567). Tuk tuk ride is movement one (of four) from the delightful 'A Night In Bangkok' original suite by Claire Tomsett-Rowe for flexible saxophone octet (with optional bass sax) - not to be confused with 'ONE Night in Bangkok' from Chess! (the musical). Strap in and be part of a thoroughly bonkers ordeal as the tuk tuk careers around the city (complete with many blaring horns and panic!) as it endeavours to reach its destination. Tuk tuk ride is one of the two more lively movements from the book (Spicy Disco is the other hilarious and rather frantic piece....obviously someone really needs to party! ;D), but we get a brief respite before that observing the local sights (Pat Pong), and also on the river boat ride (Chao Phraya) which is a nice slow tempo with blending lines (great for practicing control and blending within the ensemble). The saxophone octet is aimed at advanced confident ensembles (we'd typically recommend grade 7+) due to the tempo changes (and just tempo for that matter!). .
$12.50
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Ensemble de saxophones
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Claire Tomsett-Rowe
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Tuk Tuk Ride flexible saxophone Octet
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Masquerade Music
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SheetMusicPlus
Nineteen Skeletal Duets for Trombones
2 Trombones (duo)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.<br> <br> 1. Cranium<br> This duet presents the cantabile “singing” style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.<br> <br> 2. Stirrup<br> This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos – a common choice for all of the duets.<br> 3. Humerus<br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.<br> 4. Vertebra<br> This is in a “rock” style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.<br> 5. Axis<br> Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.<br> 6. Tibia<br> This duet alternates in rock style and swing. Articulations and manipulation of “swing” rhythms are important.<br> 7. Clavicle<br> The key of A for this duet provides variation for the students.<br> 8. Fibula nd<br> This duet uses the easiest of rhythms and range, especially for the 2<br> 9. Scapula<br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.<br> 10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.<br> <br> (student) part.<br> <br> 11. Radius<br> This duet is in a “Medium Swing” jazz style. Each part has a chance to play a little bit of a “walking” bass line. Articulations and manipulation of “swing” rhythms are important in this duet.<br> 12. Femur<br> This duet works on double time and half time tempo changes.<br> 13. Patella<br> This is another duet that includes graphic notation. In this duet “Free rapid legato lines” are used.<br> 14. Anvil<br> This gallop displays different types of articulation.<br> 15. Hammer<br> This duet is in the style of a fanfare.<br> 16. Rib<br> This duet is a melody, “Magallon Blues”, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.<br> 17. Sacrum<br> This duet is a short arrangement of Mozart’s “Eine Kleine Nachtmusic”.<br> 18. Ulna<br> This duet is a short arrangement of the traditional Irish folk song “Londonderry Air”, more commonly known as “Danny Boy”.<br> 19. Ilium<br> This duet is a short arrangement of the Beethoven’s song “Ode to Joy” which represents the triumph of universal brotherhood against war and desperation.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.<br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.<br> <br> 1. Cranium<br> This duet presents the cantabile “singing” style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.<br> <br> 2. Stirrup<br> This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos – a common choice for all of the duets.<br> 3. Humerus<br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.<br> 4. Vertebra<br> This is in a “rock” style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.<br> 5. Axis<br> Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.<br> 6. Tibia<br> This duet alternates in rock style and swing. Articulations and manipulation of “swing” rhythms are important.<br> 7. Clavicle<br> The key of A for this duet provides variation for the students.<br> 8. Fibula nd<br> This duet uses the easiest of rhythms and range, especially for the 2<br> 9. Scapula<br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.<br> 10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.<br> <br> (student) part.<br> <br> 11. Radius<br> This duet is in a “Medium Swing” jazz style. Each part has a chance to play a little bit of a “walking” bass line. Articulations and manipulation of “swing” rhythms are important in this duet.<br> 12. Femur<br> This duet works on double time and half time tempo changes.<br> 13. Patella<br> This is another duet that includes graphic notation. In this duet “Free rapid legato lines” are used.<br> 14. Anvil<br> This gallop displays different types of articulation.<br> 15. Hammer<br> This duet is in the style of a fanfare.<br> 16. Rib<br> This duet is a melody, “Magallon Blues”, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.<br> 17. Sacrum<br> This duet is a short arrangement of Mozart’s “Eine Kleine Nachtmusic”.<br> 18. Ulna<br> This duet is a short arrangement of the traditional Irish folk song “Londonderry Air”, more commonly known as “Danny Boy”.<br> 19. Ilium<br> This duet is a short arrangement of the Beethoven’s song “Ode to Joy” which represents the triumph of universal brotherhood against war and desperation.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.<br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
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2 Trombones (duo)
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Gregory Fritze
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Nineteen Skeletal Duets for Trombones
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Musica Nova USA
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SheetMusicPlus
Pat Pong - (an original flexible Sax octet for advanced players) by Claire Tomsett-Rowe
Ensemble de saxophones
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopr…
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.992932 Composed by Claire Tomsett-Rowe. Blues,Jazz. 35 pages. Masquerade Music #597532. Published by Masquerade Music (A0.992932). Pat Pong is movement two (of four) from the delightful 'A Night In Bangkok' original suite by Claire Tomsett-Rowe for flexible saxophone octet (with optional bass sax) - not to be confused with 'ONE Night in Bangkok' from Chess! (the musical). Pat Pong shows the sleaze of a visit to a club (musical directions include 'filthy' for example ;D). Other pieces from the suite (though not included here in this purchase) are 'Tuk Tuk Ride': a thoroughly bonkers ordeal as the tuk tuk careers around the city (complete with many blaring horns and panic!) as it endeavours to reach its destination. Tuk tuk ride is one of the two more lively movements from the book (Spicy Disco is the other hilarious and rather frantic piece....obviously someone really needs to party! ;D), and (thankfully!) some respite on the river boat ride (Chao Phraya) which is a nice slow tempo with blending lines (great for practicing control and blending within the ensemble). The saxophone octet is aimed at advanced confident ensembles (we'd typically recommend grade 7+) due to the tempo changes (and just tempo for that matter!).
$12.49
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Ensemble de saxophones
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Claire Tomsett-Rowe
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Pat Pong -
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Masquerade Music
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SheetMusicPlus
Nocturne from “A Midsummer Night's Dream” Op. 61 for Brass Ensemble
Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 4 - Digital Download S…
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Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1426067 Composed by Felix Bartholdy Mendelssohn. Arranged by Shinya Ishida. 19th Century. 30 pages. BitNotes.jp #1006877. Published by BitNotes.jp (A0.1426067). Nocturne is a captivating work adapted from the incidental music for Shakespeare's play A Midsummer Night's Dream, composed by the German master Felix Mendelssohn. Inspired by the Bard's fanciful tale of tangled lovers, mischievous fairies, and an enchanted forest, this music transports listeners to a magical midsummer eve.The story follows four lovers whose romantic entanglements become chaotically intertwined thanks to the meddling pranks of the impish Puck with his love potion. To quell the madness he has unleashed, Puck casts a spell lulling the four into a deep slumber accompanied by Mendelssohn's wistful Nocturne. When they awake, all is forgotten and order restored.This transcription for brass ensemble exquisitely captures the longing melody originally voiced by solo horn, dividing it among three horns. The euphonium and bass trombone parts are interchangeable, though the powerful euphonium is featured during the work's swelling middle section. If performing without euphonium, some phrases differ slightly.Two versions are included - the full-length original and an abridged edition better suited for certain programs and ensembles' abilities and stamina. Whichever you choose, Nocturne will cast your audiences under its dreamy, midsummer spell. Please be sure to watch the short video of the reference performance below!https://youtube.com/shorts/dYRVmF-qq9g.
$12.00
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Felix Bartholdy Mendelssohn
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Shinya Ishida
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Nocturne from “A Midsummer Night's Dream” Op. 61 for Brass Ensemble
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BitNotes.jp
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SheetMusicPlus
Nativity Suite
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1308999 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas,Contest,Festival,Holiday,Religious. Brass Band. 83 pages. John van Gulik #898221. Published by John van Gulik (A0.1308999). This Christmas suite brings together tunes that convey the progression and event of the Nativity.“While shepherds watched†starts the first movement (Shepherds) and is followed in the section with “Angels We haveHeard on Highâ€.The second movement (Prophecy) interleaves the tune “O Come, O Come Emmanuel†with references to “When HeComethâ€.The third movement (Nativity) uses the Huron Carol … “Jesus your King is born, Jesus is born, in excelsis gloria...†writtenprobably in 1642 by Jean de Brébeuf, a Jesuit missionary among the Hurons in Canada.The fourth and final movement (Herald) uses the well-known Christmas carol “Hark the Herald Angels Sing†to herald thearrival of our Christ and Lord.Standard InstrumentationSoprano, Solo, Repiano, 2nd and 3rd CornetFlugel HornSolo, 1st and 2nd Horn1st and 2nd Baritone1st, 2nd, and Bass TromboneEuphoniumEb and Bb BassPercussionNote: additional parts are included for horns in F and baritones to tubas in bass clef concert pitchSee https://jvgmusiconline.com for additional parts and other scores for brass band and other ensembles.
$20.00
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John van Gulik
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John van Gulik
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Nativity Suite
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John van Gulik
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SheetMusicPlus
Air from Suite no. 3 in D
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.921027 Composed by Johann …
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.921027 Composed by Johann Sebastian Bach. Arranged by Michael Drennan. Baroque,Wedding. Score and parts. 7 pages. Drennan Music Publications #119437. Published by Drennan Music Publications (A0.921027). Also called Air on a G String, this piece is from Bach's Suite No. 3 in D major, BWV 1068. A tough piece to play for wind instruments, the arrangement attempts to make this easier by putting it in the key of B-flat, and passing the melody between the first three Horns. The fourth horn plays the bassline the entire time. Repeats are included, but can be omitted.
$15.00
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Johann Sebastian Bach
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Michael Drennan
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Air from Suite no. 3 in D
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Drennan Music Publications
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SheetMusicPlus
Sing Christmas
Chorale SATB
SATB Score-Digital Version - Digital Download Arranged by Mary McDonald and Joel Raney. …
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SATB Score-Digital Version - Digital Download Arranged by Mary McDonald and Joel Raney. Musicals for Adults. Christmas, Sacred. Choral score. 116 pages. Hope Publishing - Digital #8901DP. Published by Hope Publishing - Digital
In this collaboration between two of the most popular sacred music arrangers in the country, Mary McDonald's exuberant, dynamic style blends seamlessly with Joel Raney's rhythmic and beautifully emotional music to provide your musicians with a unique Christmas event that is sure to become the highlight of the season. The work is composed of four stand-alone suites. Each movement includes original music combined with favorite carols, creating a perfect blend of familiar and new. The writing is accessible for most groups yet contains enough richness to provide any choir with a fulfilling choral experience. The optional two-person narration knits the suites into a thrilling and complete re-telling of the Christmas story. Performance time is 45 minutes. Full Orchestrations by Michael Lawrence includes: Conductor's Score, Piccolo, 2 Flutes, Oboe, 2 Clarinets, Bassoon, Bass Clarinet (substitute for Bassoon), 3 Trumpets, 2 Horns, Alto Sax (substitute for Horn 1 and 2), 3 Trombones, Tenor Sax/Baritone T.C. (substitute for Trombone 1 and 2), Tuba, Percussion, Timpani, Harp, Piano, 2 Violins, Viola, Cello, String Bass, String Reduction. Included in the Percussion are: Timpani, Bells, Sus. Cymbal, Crash Cymbals, Chimes, Mark Tree (Windchimes), Finger Cymbal, Bell Tree, Triangle, Sleigh Bells, Congas (opt. D'jembe), Tambourine, Shaker).In this collaboration between two of the most popular sacred music arrangers in the country, Mary McDonald's exuberant, dynamic style blends seamlessly with Joel Raney's rhythmic and beautifully emotional music to provide your musicians with a unique Christmas event that is sure to become the highlight of the season.
The work is composed of four stand-alone suites. Each movement includes original music combined with favorite carols, creating a perfect blend of familiar and new. The writing is accessible for most groups yet contains enough richness to provide any choir with a fulfilling choral experience. The optional two-person narration knits the suites into a thrilling and complete re-telling of the Christmas story. Performance time is 45 minutes.
Full Orchestrations by Michael Lawrence includes: Conductor's Score, Piccolo, 2 Flutes, Oboe, 2 Clarinets, Bassoon, Bass Clarinet (substitute for Bassoon), 3 Trumpets, 2 Horns, Alto Sax (substitute for Horn 1 and 2), 3 Trombones, Tenor Sax/Baritone T.C. (substitute for Trombone 1 and 2), Tuba, Percussion, Timpani, Harp, Piano, 2 Violins, Viola, Cello, String Bass, String Reduction. Included in the Percussion are: Timpani, Bells, Sus. Cymbal, Crash Cymbals, Chimes, Mark Tree (Windchimes), Finger Cymbal, Bell Tree, Triangle, Sleigh Bells, Congas (opt. D'jembe), Tambourine, Shaker).
$12.95
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Chorale SATB
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Mary McDonald and Joel Raney
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Sing Christmas
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Hope Publishing - Digital
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SheetMusicPlus
Brew Time March
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1279514 Composed by Kara Williams…
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Concert Band - Level 2 - Digital Download SKU: A0.1279514 Composed by Kara Williams. Classical,Contemporary,Contest,Festival,March. Score and Parts. 69 pages. Kara Williams #870997. Published by Kara Williams (A0.1279514). The third movement from the four movement 'Suite in Sea' written for clarinet and piano by Kara Williams, 'Brew Time March' has been orchestrated for wind ensemble by the composer and has since proven to be a favourite with performers and audiences. We follow a young sailor as they excitedly hear the bugle call to have a break from work (brew time), grab a coffee (brew) and sit on the bow to watch the waves… lost in thoughts, the young sailor unexpectedly hears the sound of work recommencing, and scurries back, making it just in the nick of time… waiting eagerly for next the next call for Brew Time!  Opening with the 'Stand Easy' (break time) bugle call, Brew Time March is full of familiarly-sea-worthy sounds, and is a fun concert march that would be a great addition to any ensemble's library. In the style of a traditional military march, unless otherwise specified, notes should be played slightly detached throughout. Ensure the bass solo has plenty of attitude, and the rhythmic accompanying parts let the melodies breathe. Use a small set of crash cymbals (if parade-style cymbals are not available) - your percussionist will thank you! Also, hit the cymbals together slightly off-centre for zing and dynamic control, and hold the edges of the cymbals against the body to choke the ring where indicated. Keep this march a very steady two-feel throughout; however, feel free to completely stress the upper woodwinds out by going as fast as musically possible where marked at the end :-) Brew Time March runs for around 2:45 and is scored for full wind ensemble; however, it will work without one, some, or all the following parts: piccolo, 4th clarinet, baritone sax, bass clarinet, bassoon, horns in F, and bass trombone.
$30.00
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Orchestre d'harmonie
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Kara Williams
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Brew Time March
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Kara Williams
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SheetMusicPlus
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