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Bach Hymn Sacred
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Lord of All Our Days (Funeral Hymn) Backup Track (No Vocals)
Piano Accompaniment - Level 2 - Digital Download SKU: A0.1477614 By Stacey Plays Hy…
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Piano Accompaniment - Level 2 - Digital Download SKU: A0.1477614 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Accompaniment. Duration 235. Anastace #1054994. Published by Anastace (A0.1477614). As of this publishing, over 140,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. Also available, by searching Stacey Plays Hymns and the song title on this site, is an accompaniment track with the full backup vocals as well as the following sheet music versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
2.73 €
#
Stacey Plays Hymns
#
Anastace
#
Lord of All Our Days
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Anastace
#
SheetMusicPlus
Lord of All Our Days (Funeral Hymn) Backup Track (Full harmonies and choral parts)
Piano Accompaniment - Level 2 - Digital Download SKU: A0.1477616 By Stacey Plays Hy…
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Piano Accompaniment - Level 2 - Digital Download SKU: A0.1477616 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Accompaniment. Duration 235. Anastace #1054996. Published by Anastace (A0.1477616). As of this publishing, over 140,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. Also available, by searching Stacey Plays Hymns and the song title on this site, is an accompaniment track with only piano (instead of this one with the full choral backup vocals) as well as the following sheet music options:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key] For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
2.73 €
#
Stacey Plays Hymns
#
Anastace
#
Lord of All Our Days
#
Anastace
#
SheetMusicPlus
Bach: Wachet auf for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.72 €
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Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Bass Flute & Piano
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jmsgu3
#
SheetMusicPlus
Bach: Wachet auf for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.72 €
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Oboe d'Amore & Piano
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jmsgu3
#
SheetMusicPlus
Meditation on Bachofen, Op. 219 (2 Treble Instruments and Organ) by Vidas Pinkevicius
Instrumental Duet,Piano Instrumental Duet,Organ,Piano,Treble Clef Instrument - Level 2 - D…
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Instrumental Duet,Piano Instrumental Duet,Organ,Piano,Treble Clef Instrument - Level 2 - Digital Download SKU: A0.1160868 Composed by Vidas Pinkevicius. Christian,Contemporary,Praise & Worship,Religious,Sacred. 6 pages. Vidas Pinkevicius #761180. Published by Vidas Pinkevicius (A0.1160868). This is a meditation on the hymn tune Bachofen, Op. 219 created for 2 treble instruments of any kind and an organ with two manuals and pedals in the key of F major. The tune is presented in the first solo treble instrument part. The other parts play interesting ostinato figures. This piece will be very effective in liturgical organ playing and recital programs.
$4.99
4.54 €
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Vidas Pinkevicius
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Meditation on Bachofen, Op. 219
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Vidas Pinkevicius
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SheetMusicPlus
Wachet auf, ruft uns die Stimme (BWV 645) - All Parts
Brass Ensemble Euphonium,Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.504…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.504500 Composed by Johann Sebastian Bach. Arranged by David A. Riethmiller. Baroque,Classical,Praise & Worship,Sacred. Score and parts. 21 pages. David A. Riethmiller #116291. Published by David A. Riethmiller (A0.504500). This is the complete set of parts for a brass quintet arrangement of J.S. Bach’s chorale Wachet auf, ruft uns die Stimme. The chorale was a 3-voice prelude modeled on part of Bach's earlier cantata by the same name, first performed in November 1731. The cantata was in turn is based on the hymn Wake, Awake, for Night is Flying, written by the German Lutheran pastor, composer, and lyricist Philipp Nicolai in 1598, which is typically used during the end-of-year or Advent season. This arrangement is intended for a brass quintet of varying skill level; the Trumpet 1 part does not exceed a brief high G, but an optional Piccolo Trumpet is available. The three voices of the chorale are purposely divided among the five brass parts, to avoid fatigue in any one part. The bass part is taken by the Euphonium player, assumed to have a four-valve instrument accommodating several lower notes, but a Tuba may also be substituted, one octave below written.
$30.00
27.32 €
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Johann Sebastian Bach
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David A
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Wachet auf, ruft uns die Stimme
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David A. Riethmiller
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SheetMusicPlus
Ich Steh an Deiner Krippen Hier / Beside Thy Cradle Here I Stand / Berlutut di Palungan-Mu
Small Ensemble Cello,Clarinet,Flute,Violin - Level 2 - Digital Download SKU: A0.967218
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Small Ensemble Cello,Clarinet,Flute,Violin - Level 2 - Digital Download SKU: A0.967218 Composed by Johann Sebastian Bach. Arranged by Angie Wiranata. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 1 pages. Angie Wiranata #6198829. Published by Angie Wiranata (A0.967218). A beautiful hymn by JS BachTranscribed from Ich Steh an Deiner Krippen Hier BWV 469Arranged for flute, clarinet in Bb, violin and violoncello. Piano chords included.
$3.99
3.63 €
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Johann Sebastian Bach
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Angie Wiranata
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Ich Steh an Deiner Krippen Hier / Beside Thy Cradle Here I Stand / Berlutut di Palungan-Mu
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Angie Wiranata
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SheetMusicPlus
Forget me Not (Vergiss mein nicht)
Baritone Horn BC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.1096676 Compo…
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Baritone Horn BC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.1096676 Composed by Johann Sebastian Bach. Arranged by Jane Frasier. Baroque,Children,Classical. Score and part. 3 pages. Jane Frasier #700664. Published by Jane Frasier (A0.1096676). This baritone solo would be perfect for a young player. It is included in Schemellis Gesangbuch (Schemelli's hymnal), the common name of a collection of sacred songs titled Musicalisches Gesang-Buch (Musical song book) published in Leipzig in 1736 by Georg Christian Schemelli.
$4.50
4.1 €
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Johann Sebastian Bach
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Jane Frasier
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Forget me Not
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Jane Frasier
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SheetMusicPlus
Forget me Not (Vergiss mein nicht)
Baritone Horn TC/Euphonium,Piano - Level 2 - Digital Download SKU: A0.1096331 Compo…
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Baritone Horn TC/Euphonium,Piano - Level 2 - Digital Download SKU: A0.1096331 Composed by Johann Sebastian Bach. Arranged by Jane Frasier. Baroque,Chamber,Classical. Score and part. 3 pages. Jane Frasier #700300. Published by Jane Frasier (A0.1096331). This baritone (treble clef) solo would be perfect for a young player. It is included in Schemellis Gesangbuch (Schemelli's hymnal), the common name of a collection of sacred songs titled Musicalisches Gesang-Buch (Musical song book) published in Leipzig in 1736 by Georg Christian Schemelli.
$4.50
4.1 €
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Johann Sebastian Bach
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Jane Frasier
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Forget me Not
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Jane Frasier
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SheetMusicPlus
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