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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
María
Non classifié
2 110
Piano & claviers
Piano seul
1 346
Piano Facile
1 124
Piano, Voix
873
Orgue
438
Instruments en Do
271
Piano, Voix et Guitare
218
1 Piano, 4 mains
41
Accompagnement Piano
33
Piano Trio: piano, violon, violoncelle
33
Piano Quatuor: piano, 2 violons, violoncelle
24
Accordéon
14
2 Pianos, 4 mains
7
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Orgue, Trompette (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
5
1 Piano, 6 mains
4
Orgue, Piano (duo)
2
Clavier
1
Piano (partie séparée)
1
Clavecin
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
440
Ligne De Mélodie, (Paroles) et Accords
202
Guitare
126
2 Guitares (duo)
68
Ukulele
41
Basse electrique
30
Paroles et Accords
15
Mandoline
12
4 Guitares (Quatuor)
9
Dulcimer
4
Basse électrique (partie séparée)
3
Banjo
3
Ensemble de guitares
2
2 Dulcimers (duo)
1
3 Guitares (trio)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
764
Chorale 2 parties
605
Chorale 3 parties
385
Voix duo, Piano
221
Chorale TTBB
196
Chorale SSAA
169
Chorale Unison
166
Voix duo
93
Voix seule
13
Voix haute
7
Voix Soprano, Piano
7
Chorale
7
Voix moyenne, Piano
6
Voix Alto, Piano
6
Voix Tenor, Piano
4
Voix basse, Piano
3
Voix Soprano
2
Voix Tenor
1
Voix Baryton, Piano
1
Chorale SSAB a cappella
1
Male Voice
1
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
278
Quatuor de Saxophones: 4 saxophones
271
Flûte traversière et Piano
213
2 Flûtes traversières (duo)
206
Clarinette et Piano
190
Flûte traversière
187
Flûte, Hautbois, Clarinette, Basson
187
2 Clarinettes (duo)
170
Saxophone Alto
155
Saxophone (partie séparée)
152
Saxophone Alto et Piano
149
Clarinette
139
Saxophone Tenor et Piano
138
Saxophone Tenor
132
Saxophone Soprano et Piano
120
Quatuor de Clarinettes: 4 clarinettes
112
Hautbois, Piano (duo)
108
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
92
Hautbois (partie séparée)
81
Quintette de Saxophone: 5 saxophones
58
3 Saxophones (trio)
47
Saxophone Baryton, Piano
46
Flûte, Clarinette (duo)
45
3 Clarinettes (trio)
34
Quatuor de Flûtes : 4 flûtes
31
Saxophone Soprano
31
Ensemble de Flûtes
29
Flûte et Guitare
28
Cor anglais, Piano
27
Quatuor de Flûtes à bec
26
Saxophone
23
Flûte à Bec
22
2 Hautbois (duo)
21
Hautbois
20
2 Flûte à bec (duo)
20
Trio de Flûtes: 3 flûtes
20
Clarinette, Violon (duo)
19
Saxophone, Clarinette (duo)
18
Flûte, Violon
18
Hautbois, Basson (duo)
15
Quintette de Clarinettes: 5 clarinettes
15
3 Flûtes à bec (trio)
14
Quintette de Flûte : 5 flûtes
14
Clarinette, Basson (duo)
13
Flûte à bec Soprano
13
Hautbois, Clarinette (duo)
13
Ensemble de Clarinettes
13
Ensemble de saxophones
11
Flûte, Violon, Piano
11
Flûte, Hautbois, Clarinette (trio)
11
Clarinette Basse, Piano
11
Flûte, Hautbois (duo)
10
Hautbois, violon (duo)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Flûte à bec Alto
9
Flûte, Trompette (duo)
9
Saxophone, Violon (duo)
8
Clarinette (partie séparée)
8
Harmonica
8
Hautbois, Trompette (duo)
8
Flûte, Violoncelle
8
Clarinette, Trompette (duo)
8
Cor Anglais
7
Saxophone Baryton
7
Hautbois, Violoncelle
6
Flûte, Alto (duo)
5
Flûte, Clarinette et Basson
5
Hautbois, Flûte
5
Clarinette et Alto
5
Flûte à bec Tenor
5
Flûte à bec Alto, Piano
5
Clarinette, Violoncelle (duo)
5
Saxophone et Orgue
4
Clarinette, Trombone (duo)
4
Flûte à bec Soprano, Piano
4
Cornemuse
4
Flûte, Trombone (duo)
4
Flûte, Saxophone (duo)
4
Flute (partie séparée)
4
Ensemble De Flûte à bec
3
Saxophone et Guitare
2
Clarinette, Orgue
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Clarinette, Piano (trio)
2
5 Flûtes à bec
2
2 Cors Anglais Et Pianoforte
2
Ocarina
2
Flûte à bec, Harpe
2
Flûte, Hautbois, Basson
2
Clarinette, Guitare (duo)
2
Flûte traversière, Orgue (duo)
1
Hautbois, trombone (duo)
1
3 Hautbois
1
Clarinette, Harpe (duo)
1
Flûte à bec Alto, Basse continue
1
Piccolo, Piano
1
2 Flûtes traversières, Piano
1
Flûte irlandaise
1
Hautbois et alto (duo)
1
Flûte, Tuba (duo)
1
2 Clarinettes, Piano
1
Flûte, Violon et Violoncelle
1
Clarinette, Contrebasse (duo)
1
Flûte à Bec, Piano
1
Flûte, Basson et Piano
1
Clarinette, Basson, Piano (trio)
1
Flûte et Trio à cordes
1
Cor anglais et Harpe (duo)
1
+ 103 instrumentations
Retracter
Cuivres
Trompette
185
Trompette, Piano
161
Trombone et Piano
149
2 Trompettes (duo)
137
Trombone
121
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
121
Quatuor de Cuivres : 2 trompettes, trombone, tuba
116
Cor et Piano
98
Cor
95
Tuba
66
2 Trombones (duo)
56
Tuba et Piano
50
Quatuor de Cuivres: 2 trompettes, Cor, trombone
43
Trompette, Trombone (duo)
36
Quatuor de Cuivres
31
Euphonium, Piano (duo)
27
Euphonium
27
Cor anglais, Piano
27
2 Cors (duo)
26
Trompette (partie séparée)
23
Trompette, Cor (duo)
22
Trompette, Saxophone (duo)
18
Quatuor de cuivres: 4 cors
14
Quatuor de cuivres: 4 trombones
12
Trompette, violon (duo)
8
Trombone (partie séparée)
8
Trombone, violoncelle (duo)
8
Trio de Cuivres
7
Cor Anglais
7
Quatuor de cuivres: 4 trompettes
7
Trompette, Basson (duo)
6
Trombone, Orgue
6
3 Trompettes (trio)
6
3 Trombones (trio)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Ensemble de Cors
6
Trombone, Cor (duo)
5
4 Tubas
5
Euphonium, Tuba (duo)
4
2 Tubas (duo)
4
Ensemble de Trompettes
3
Cor (partie séparée)
3
3 Tubas (trio)
3
Tuba (partie séparée)
3
Cor, Violoncelle (duo)
3
2 Cors Anglais Et Pianoforte
2
3 Cors (trio)
2
2 Trompettes, Clavier (piano ou orgue)
2
Trompette, Violoncelle (duo)
2
2 Euphoniums et 2 Tubas
2
Trombone, Tuba (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Cor et Basson (duo)
1
Ensemble de Trombones
1
Trombone, Violon (duo)
1
Trompette, Trombone, Piano
1
Trombone basse
1
Trompette, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Trompette, Harpe
1
Cor anglais et Harpe (duo)
1
Cor et Harpe
1
+ 57 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
403
Violon et Piano
236
Violon
222
Alto, Piano
180
Violoncelle
177
Violoncelle, Piano
176
2 Violons (duo)
163
Alto seul
102
Harpe
91
Violon, Violoncelle (duo)
76
2 Violoncelles (duo)
66
Contre Basse
63
Trio à Cordes: violon, alto, violoncelle
57
Contrebasse, Piano (duo)
54
Violon, Alto (duo)
46
Quintette à cordes: 2 violons, alto, violoncelle, basse
42
Alto (partie séparée)
38
2 Altos (duo)
35
Piano Trio: Violon, Alto, Piano
30
2 Harpes (duo)
27
Alto, Violoncelle (duo)
20
Trio à Cordes: 2 violons, violoncelle
18
4 Violoncelles
13
Quatuor à cordes : 4 altos
12
Trio à cordes: 3 violins
11
Trio à Cordes: 3 violoncelles
10
Violon, Guitare (duo)
7
Quatuor à cordes: 4 violons
7
Trio à cordes: 3 altos
7
2 Contrebasses (duo)
6
Violon, Basson (duo)
5
Trio à Cordes: 2 violons, alto
4
Alto et Harpe
3
Harpe, Violoncelle (duo)
3
Alto et Basson
3
Violon (partie séparée)
3
Violoncelle, Orgue
3
2 Violons, Piano
3
Harpe, Voix
2
Harpe, Violon (duo)
2
4 Harpes
2
Harpe, Flûte (duo)
2
Alto, Guitare (duo)
2
Violoncelle, Contrebasse (duo)
2
Violoncelle, Basse continue
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto, Orgue
1
Violoncelle , Guitare (duo)
1
Violon, Tuba (duo)
1
Violoncelle (partie séparée)
1
3 Contrebasses
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
420
Fanfare
303
Orchestre à Cordes
140
Cloches
114
Ensemble Jazz
81
Ensemble de cuivres
78
Orchestre
59
Ensemble de Percussions
50
Orchestre de chambre
36
Batterie
32
Jazz combo
29
Marimba
27
Percussion (partie séparée)
7
Batterie (partie séparée)
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Percussion
3
Xylophone
2
Marimba, Piano (duo)
2
3 Marimbas
2
Xylophone, Piano
2
2 Xylophones
2
Timbales (partie séparée)
1
Caisse Claire
1
Vibraphone et Marimba
1
+ 19 instrumentations
Retracter
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CHORALE - CHAN…
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2101
Has the Rain a Father? [Piano OR Guitar]
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Contemporain
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Juan MarÃa Solare
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Has the Rain a Father? [Piano
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Juan Maria Solare
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Piano - Level 2 - SKU: A0.596568 Composed by Juan MarÃa Solare. 20th Century,Contemporary. Score and parts...
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Instrumental Duet Guitar,Instrumental Duet,Piano - Level 2 - SKU: A0.596568 Composed by Juan MarÃa Solare. 20th Century,Contemporary. Score and parts. 9 pages. Juan Maria Solare #4717703. Published by Juan Maria Solare (A0.596568). Has the Rain a Father? This piece exists in two versions: Piano solo Guitar solo (without or with electronic sounds) The piano version has no huge secrets (to clarify: the pedal is used da capo al fine without interruption). The guitar version is written in three keys: E, G and A (Dorian). The performer may choose one or another score at their convenience. The guitar version can also use effects of all kinds, or amplifiers that are not always used in classical music. At the end of 2019 an album will be released on Spotify and other online music platforms with both versions of the piece (solo piano and acoustic guitar with electronic sounds). As an example of the amplitude that the composer expects from the performers: in this record production, the guitar signal is split in two parts, panned to the right and left, and different types of effects are applied to each channel (chorus, delay, reverb of different kinds and with different parameters). The original guitar signal is also in the center. Of course, there are also the electronic sounds themselves. A preliminary version can be heard here: https://juanmariasolare.bandcamp.com/album/has-the-rain-a-father Has the Rain a Father? is a quote from the bible, specifically from the book of Job 38:28. It is part of a series of rhetorical questions that tend to convince Job of his ignorance. Has the Rain a Father? was composed in Bremen (Germany) on March 17, 2019 (plus details to the piano part on March 27). Its duration is about 4:30. I asked some people about the wording of the title. Among the meaningful answers: Which wording is better, Has the rain a Father? or Does the Rain have a father? (Bible, Job, 38:28). It will be used as the title of a music piece for piano. Has the Rain a Father? is slightly unusual, and thus is attention-grabbing, something you want in a title. It sounds more biblical, calling attention to the allusion. In ordinary speech the Does the . . . version is more common, but for a title you don’t necessarily want common. (Johnny Wilson, former Writer and Magazine Editor (1973-1999))
$2.35
Muiñeira de Lugo - Arranged by Na-Mara
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Traditional
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Na-Mara
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Muiñeira de Lugo - Arra
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Na-Mara
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SheetMusicPlus
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 2 - SKU: A0.1013011 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score...
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Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 2 - SKU: A0.1013011 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5791381. Published by Na-Mara (A0.1013011). Muiñeira de Lugo: this traditional muiñeira from Galicia (Spain) is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. A jig-like dance tune, written in 6/8 time in the Key of G, Muiñeira de Lugo can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. Performance tips: this is beginner / intermediate level piece played at andante or at a medium fast or allegro speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. As it is a dance–like tune, try to keep the tempo even, particularly at the beginning with the dotted notes in the melody. The guitar accompaniment can be played with strummed chords. Sometimes we play the first time at a slow tempo, and then a faster / tempo speed the second time around. When we play this live we make a two-part set by starting with our arrangement of the Spanish Galician Muiñeira Muiñeira de Morrazo, and finishing with the Muiñeira de Lugo.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
Danza Queimada - Arranged by Na-Mara
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Traditional
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Na-Mara
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Danza Queimada - Arranged by N
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Na-Mara
#
SheetMusicPlus
Woodwind Ensemble - Level 2 - SKU: A0.1013010 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. 1 pages. Na-Mara #5778645. Published by N...
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Woodwind Ensemble - Level 2 - SKU: A0.1013010 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. 1 pages. Na-Mara #5778645. Published by Na-Mara (A0.1013010). Danza Queimada: this traditional folk tune from Asturias (Spain) is arranged for two melody instruments and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara.A ‘danza’ is a circle dance in two-time. Written in the the key of G, Danza Queimada can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. We came across this particular tune played by the Asturian band Niundes from their album Enxamás Ye Pa Siempres. Performance tips: this is beginner / intermediate level piece played andante or at a moderate speed. We have added a second melody part to the original tune, and this makes for a nice interplay between the melody instruments. Make sure the top line sings above the second line in the B section. As it is a dance–like tune, so try to keep the tempo even. The guitar accompaniment can be played with strummed chords.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
Tu, Doamna noastră, Sfântă Marie! (You, our Lady, Saint Mary!) - a religious song (prayer) based
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Robert Klenck
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Andrei Lucian Dragoi
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Tu, Doamna noastră, Sf&acir
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Andrei-Lucian Dragoi
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SheetMusicPlus
Harpsichord,Low Voice,Medium Voice - Level 2 - SKU: A0.913010 Composed by Robert Klenck (b.1850-d.1921). Arranged by Andrei Lucian Dragoi. Contemporary,...
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Harpsichord,Low Voice,Medium Voice - Level 2 - SKU: A0.913010 Composed by Robert Klenck (b.1850-d.1921). Arranged by Andrei Lucian Dragoi. Contemporary,Instructional,Standards. 4 pages. Andrei-Lucian Dragoi #4718695. Published by Andrei-Lucian Dragoi (A0.913010). Tu, Doamna noastră, Sfântă Marie! (You, our Lady, Saint Mary!) - a religious song (prayer) based on Minuetto (in G minor) (no. 112), a violin duo from Klenck's Violin method (1892) - Notebook no. 1 -Music by: Robert Klenck (b.1850 - d.1921) (Romanian violinist and teacher) and dr. Andrei-Lucian Drăgoi Arrangement with harmonic&melodic modifications and (both Romanian and English) lyrics by: dr. Andrei-Lucian DrăgoiThe Violin II part from the Klenck's original version of this Minuetto in Gm was preserved and attributed to acoustic/classical guitar, harpsichord or viola as the accompaniment line that minimally sustains the alto voice part. The original Minuetto in Gm can be also accessed at this URL: https://www.scoreexchange.com/scores/362369.htmldr. Andrei-Lucian Drăgoi also created a Vixrapedia article on Robert Klenck life and work which can be accessed at this URL:https://www.vixrapedia.org/wiki/RK
$2.00
Marry You
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Soul/R&B
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Bruno Mars
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Rob Bushnell
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the originally charted at 85)
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Marry You
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RBMusic
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SheetMusicPlus
E-Flat Tenor Horn,Instrumental Solo,Piano - Level 2 - SKU: A0.752317 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Rob Bush...
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E-Flat Tenor Horn,Instrumental Solo,Piano - Level 2 - SKU: A0.752317 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Rob Bushnell. Hip-Hop,Pop,R & B. Score and individual part. 10 pages. RBMusic #3502217. Published by RBMusic (A0.752317). Released in 2011, Marry You is a song by The Smeezingtons and sung by Bruno Mars. Its lyrics talk of spontaneous marriage and, as a result, has been used as a song to propose to. The song has mostly notably been covered by the cast of Glee in the eighth episode of the second season (in fact, this cover reached 32 on the Billboard Hot 100; the originally charted at 85).This arrangement is ideal for teachers or anyone who wants to play the same piece but have lots of different instruments to include because it is designed such that the piano part works with any of the different instruments that solo parts are available for. These include:Flute or Oboe: http://www.sheetmusicplus.com/title/20725677Cor Anglais*: http://www.sheetmusicplus.com/title/20725865Clarinet*: http://www.sheetmusicplus.com/title/20725802Soprano/Tenor Saxophone*: http://www.sheetmusicplus.com/title/20725828Alto/Baritone Saxophone*: http://www.sheetmusicplus.com/title/20725832Bassoon: http://www.sheetmusicplus.com/title/20725699Trumpet*: http://www.sheetmusicplus.com/title/20725820French Horn*: http://www.sheetmusicplus.com/title/20725865Tenor Horn*: http://www.sheetmusicplus.com/title/20725879Trombone (in Bass Clef)**: http://www.sheetmusicplus.com/title/20725793Trombone (in Treble Clef)**: http://www.sheetmusicplus.com/title/20725821Tuba (in Bass Clef): http://www.sheetmusicplus.com/title/20725794Tuba (in Treble Clef)†: http://www.sheetmusicplus.com/title/20725873Mallet Percussion (such as xylophone, vibraphone, marimba, etc.): http://www.sheetmusicplus.com/title/20725695Violin: http://www.sheetmusicplus.com/title/20725692Viola: http://www.sheetmusicplus.com/title/20725799Violoncello or Double Bass: http://www.sheetmusicplus.com/title/20725791 * Some of these solo parts are identical.** Also suitable for euphoniums.†Tuba in E-flat.
$6.50
Beira-mar Novo [ for oboe and clarinet without chords ]
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Por Lira Marques e Frei Chico
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Acrux
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Beira-mar Novo [ for oboe and
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Acrux Edicoes Musicais
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SheetMusicPlus
Instrumental Duet B-Flat Clarinet,Instrumental Duet,Oboe - Level 2 - SKU: A0.1170978 By Por Lira Marques e Frei Chico. By Tradicional do Vale do Jequiti...
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Instrumental Duet B-Flat Clarinet,Instrumental Duet,Oboe - Level 2 - SKU: A0.1170978 By Por Lira Marques e Frei Chico. By Tradicional do Vale do Jequitinhonha, Minas Gerais, Brasil. Arranged by Acrux. Folk,Latin,Multicultural,Traditional,World. Score and parts. 6 pages. Acrux Edicoes Musicais #771316. Published by Acrux Edicoes Musicais (A0.1170978). Beira-mar Novo is a brazilian traditional song from Minas Gerais.#brazil #brazilianthemes #braziliansong(it also contains individual parts).
$4.99
Beira-mar Novo [ for oboe and clarinet with chords ]
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Por Lira Marques e Frei Chico
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Acrux
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Beira-mar Novo [ for oboe and
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Acrux Edicoes Musicais
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SheetMusicPlus
Instrumental Duet B-Flat Clarinet,Instrumental Duet,Oboe - Level 2 - SKU: A0.1170980 By Por Lira Marques e Frei Chico. By Tradicional do Vale do Jequiti...
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Instrumental Duet B-Flat Clarinet,Instrumental Duet,Oboe - Level 2 - SKU: A0.1170980 By Por Lira Marques e Frei Chico. By Tradicional do Vale do Jequitinhonha, Minas Gerais, Brasil. Arranged by Acrux. Folk,Latin,Multicultural,Traditional,World. Score and parts. 6 pages. Acrux Edicoes Musicais #771318. Published by Acrux Edicoes Musicais (A0.1170980). Beira-mar Novo is a brazilian traditional song from Minas Gerais.#brazil #brazilianthemes #braziliansong(it also contains individual parts).
$4.99
Marcello's Adagio for Euphonium and Piano
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Classique
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Allesandro Marcello
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Diego Marani
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Marcello's Adagio for Euphoniu
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Diego Marani
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SheetMusicPlus
Baritone Horn BC,Baritone Horn TC/Euphonium,Piano - Level 2 - SKU: A0.1198758 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,Classic...
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Baritone Horn BC,Baritone Horn TC/Euphonium,Piano - Level 2 - SKU: A0.1198758 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 5 pages. Diego Marani #797840. Published by Diego Marani (A0.1198758). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This easy arrangement for euphonium (C and Bb) with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$7.99
Marcello's Adagio for Brass Quartet
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Allesandro Marcello
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Diego Marani
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Marcello's Adagio for Brass Qu
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Diego Marani
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SheetMusicPlus
Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1204024 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,C...
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Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1204024 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and parts. 9 pages. Diego Marani #802601. Published by Diego Marani (A0.1204024). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This easy arrangement for brass quartet (Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba) of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$9.99
Red and Yellow Card (Military march for Brass Band)
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Raymond Fenech
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Red and Yellow Card
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Raymond Fenech
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - SKU: A0.759806 Composed by Raymond Fenech. 20th Century,Contemporary,Contest,Easter,Festival,Film/TV. Brass Band. 37 pages. Raymond Fenech #2966955. Published by Raymond Fenech (A0.759806). Red and Yellow Card is an original military march composed for Brass Band. In this march a referee whistle is to be used. This whistle is to be used only twice in the first repeat. I recommend that the whistle blower should be a musician who is sitting so that when it will be the time to blow, he should stand up, blow and raise a yellow card and point it up to the conductor. While in the second whistle blow raise a red card and obviously the conductor have to leave the band continue performing by itself. It is a joke which should be very pleasant to the audience. This march could also be played while marching. The level is advanced beginners/ intermediate.
$25.00
A Million Dreams (Lead Sheet) from "The Greatest Showman"
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Comédie Musicale
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Pink, Ziv Zaifman, Hugh Jack
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Marco Polo Ignacio
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A Million Dreams
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Marco Polo C. Ignacio
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SheetMusicPlus
Piano Solo, Flute, Violin - Early Intermediate - Digital Download By Pink, Ziv Zaifman, Hugh Jackman and Michelle Williams. Arranged by Marco Polo Ig...
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Piano Solo, Flute, Violin - Early Intermediate - Digital Download By Pink, Ziv Zaifman, Hugh Jackman and Michelle Williams. Arranged by Marco Polo Ignacio. Lead Sheet. 2 pages. Published by Marco Polo C. Ignacio
"A Million Dreams" is a song performed by Ziv Zaifman, Hugh Jackman and Michelle Williams for the film The Greatest Showman (2017). It is the second track from soundtrack of the film, The Greatest Showman: Original Motion Picture Soundtrack, released in the same year. A reimagined version was performed by American singer P!nk.
$4.99
Sitio Do Pica Pau Amarelo
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Gilberto Passos Gil Moreira
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Marcelo Borba
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Sitio Do Pica Pau Amarelo
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Marcelo Borba
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SheetMusicPlus
Percussion Duet - Level 2 - SKU: A0.1248666 Composed by Gilberto Passos Gil Moreira. Arranged by Marcelo Borba. Broadway,Latin,Multicultural,Musical/Sho...
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Percussion Duet - Level 2 - SKU: A0.1248666 Composed by Gilberto Passos Gil Moreira. Arranged by Marcelo Borba. Broadway,Latin,Multicultural,Musical/Show,Pop,Traditional,World. Score. 8 pages. Marcelo Borba #843164. Published by Marcelo Borba (A0.1248666). This is an arrangement for Marimba and Xylophone of the song Sitio do Pica-pau Amarelo. The arrangement is made for percussion keyboard duet but with chords (harmony).The song SÃtio do Pica-Pau Amarelo was composed by Brazilian musician and composer Gilberto Gil in 1977. The song was written for the soundtrack of the television series of the same name, which was based on the children's books of the same name written by Monteiro Lobato.SÃtio do Pica-Pau Amarelo is a very popular work in Brazilian children's literature, created by Monteiro Lobato. The book series tells the adventures of characters like Narizinho, Pedrinho, EmÃlia (the rag doll that comes to life), and Visconde de Sabugosa (a corn cob doll that also comes to life).Gilberto Gil was invited to compose the theme song for the television adaptation of SÃtio do Pica-Pau Amarelo. He created an animated and captivating song that captured the essence of the story and the characters.The song SÃtio do Pica-Pau Amarelo became a great success, and the television series also gained a legion of fans, both children and adults. The song became a childhood anthem for many generations of Brazilians and is still fondly remembered.SÃtio do Pica-Pau Amarelo and its theme song are considered important landmarks in Brazilian culture as they helped popularize national children's literature and promote interest in reading among children. Furthermore, Gilberto Gil's song is also an example of his talent as a composer and his ability to create engaging and memorable melodies.
$4.99
Pequeña marcha
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Leonardo Mendoza S
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Leonardo Mendoza S
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tarola (snare drum)
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Pequeña marcha
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Leonardo Mendoza S.
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SheetMusicPlus
Instrumental Duet,Marimba,Snare Drum - Level 2 - SKU: A0.1201733 By Leonardo Mendoza S. By Leonardo Mendoza S. Arranged by Leonardo Mendoza S. Chamber,I...
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Instrumental Duet,Marimba,Snare Drum - Level 2 - SKU: A0.1201733 By Leonardo Mendoza S. By Leonardo Mendoza S. Arranged by Leonardo Mendoza S. Chamber,Instructional,March. 2 pages. Leonardo Mendoza S. #800349. Published by Leonardo Mendoza S. (A0.1201733). Pequeña marcha es una obra para dúo de Marimba & tarola (snare drum). La obra está concebida con fines pedagógicos para personas iniciantes en los instrumentos mencionados.
$8.00
The Marines' Hymn: Apotheosis
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Contemporain
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Sammy Nestico
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Adrian Horn
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The Marines' Hymn: Apotheosis
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AJH Brass
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - SKU: A0.1241960 Composed by Sammy Nestico. Arranged by Adrian Horn. 20th Century. Brass Band. 35 pages. AJH Brass #837317. Published by AJH Brass (A0.1241960). The Marines’ Hymn is the official hymn of the United States Marine Corps and the oldest official song in the US Armed Forces, authorised for use by the Commandant of the Marine Corps in 1929. The lyrics for the hymn were written by an anonymous author prior to this and includes lines referencing famous battles such as “To the shores of Tripoli†referring to the First Barbary War and “The Halls of Montezuma†referencing the Battle of Chapultepec. The music, however, originates from the “Gendarmes’ Duet†from Offenbach's 1859 opera Genevieve de Brabant. Sammy Nestico, whilst best known as a composer, arranger, and conductor for the Count Basie Orchestra and as a prolific composer of television themes including shows such as M*A*S*H*, and Charlie’s Angels, was also the director of the U.S. Marine Band under both John F. Kennedy and Lyndon B. Johnson. In 1968, Nestico took the original version of the hymn and revamped it in his own inimitable style giving us Apotheosis - Marines' Hymn. I give it my heart… a Marine's heart – Sammy Nestico. Instrumentation - British Brass Band,  Full Score,  Soprano Cornet, Solo Cornets, Repiano Cornet, 2nd Cornets, 3rd Cornets,  Flugel Horn, Solo Tenor Horn, 1st Tenor Horn, 2nd Tenor Horn,  1st Baritone, 2nd Baritone,  1st Trombone, 2nd Trombone, Bass Trombone,  Euphoniums,  Eb Basses, BBb Basses,  Timpani, Tubular Bells.
$24.99
Silent Night Prelude for five marimbas
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Noël
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Pharaoh Publications
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Silent Night Prelude for five
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Pharaoh Publications
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SheetMusicPlus
Small Ensemble Marimba - Level 2 - SKU: A0.935384 Arranged by Pharaoh Publications. Christian,Christmas. Score and parts. 21 pages. Pharaoh Publications...
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Small Ensemble Marimba - Level 2 - SKU: A0.935384 Arranged by Pharaoh Publications. Christian,Christmas. Score and parts. 21 pages. Pharaoh Publications #5363017. Published by Pharaoh Publications (A0.935384). Silent Night Prelude for five marimbas arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and keyboard parts require only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At letter D, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 2:20. A recording of this arrangement scored for percussion octet is available under the listing for Silent Night Prelude for Percussion Octet. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
Military March No. 1 by Franz Schubert for Woodwind Quintet
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Classique
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Franz Schubert
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Woods Only
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Military March No. 1 by Franz
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Woods Only, Arrangements
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SheetMusicPlus
Level 2 - SKU: A0.956907 Composed by Franz Schubert. Arranged by Woods Only. Film/TV,Holiday,Multicultural,Patriotic,Romantic Period,World. 24 pages. Wo...
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Level 2 - SKU: A0.956907 Composed by Franz Schubert. Arranged by Woods Only. Film/TV,Holiday,Multicultural,Patriotic,Romantic Period,World. 24 pages. Woods Only, Arrangements #6492809. Published by Woods Only, Arrangements (A0.956907). Schubert's fun march in this version for wood quintet where it preserves the original essence of the work, can be played by intermediate and professional students. It is fully recommended for public, famous and military performances; not only, but also in concert halls.The Three Marches Militaires, Op. 51, D. 733, are pieces in march form written for piano four-hands by Franz Schubert. The first of the three is far more famous than the others. It is one of Schubert's most famous compositions, and it is often simply referred to as Schubert's Marche militaire. The Marches militaires were published in Vienna on 7 August 1826, as Op. 51, by Anton Diabelli. They are all in ternary form, with a central trio leading to a reprise of the main march. Â
$9.99
The Artisan Memorial Post #120 March
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Michael C
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The Artisan Memorial Post #120
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Michael McDonough A.S.C.A.P.
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SheetMusicPlus
Brass Ensemble Trombone - Level 2 - SKU: A0.965522 Composed by Michael C. McDonough, A.S.C.A.P. Concert. Score and parts. 17 pages. Michael McDonough A....
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Brass Ensemble Trombone - Level 2 - SKU: A0.965522 Composed by Michael C. McDonough, A.S.C.A.P. Concert. Score and parts. 17 pages. Michael McDonough A.S.C.A.P. #6197389. Published by Michael McDonough A.S.C.A.P. (A0.965522). This march is dedicated to Joseph W. Gladen, one of my musical mentors. All parts get to play lead. Give this traditional march a try.
$15.00
Bach-Gounod: Ave Maria for Baritone Horn & Piano
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Bar
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jmsgu3
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SheetMusicPlus
Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Co...
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Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3491315. Published by jmsgu3 (A0.552852). Schwencke There are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano, S0.661783. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Piccolo & Piano
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Pic
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549362 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,W...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549362 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 12 pages. Jmsgu3 #3490121. Published by jmsgu3 (A0.549362). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Piccolo & Piano - S0.661869. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Oboe d'Amore & Piano
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Obo
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549360 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Eas...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549360 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 12 pages. Jmsgu3 #3490109. Published by jmsgu3 (A0.549360). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano - S0.661867. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
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J
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James M
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Bach-Gonoud: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Concert,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888307. Published by jmsgu3 (A0.550921). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,S...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888395. Published by jmsgu3 (A0.550930). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Trumpet march (a due)
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Felix Bräuer
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Trumpet march
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Felix Bräuer
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SheetMusicPlus
Instrumental Duet,Pipe Organ - Level 2 - SKU: A0.1373299 Composed by Felix Bräuer. 21st Century,Children,Classical,Contemporary,March. 4 pages. Felix...
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Instrumental Duet,Pipe Organ - Level 2 - SKU: A0.1373299 Composed by Felix Bräuer. 21st Century,Children,Classical,Contemporary,March. 4 pages. Felix Bräuer #957645. Published by Felix Bräuer (A0.1373299). Trumpet march for organ duet.
$6.00
Trumpet Voluntary (Prince of Denmark's March) with backing track - Western Classical Music Classroom
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Jeremiah Clarke
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Austin Ralphson
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Trumpet Voluntary
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Austin Ralphson
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SheetMusicPlus
Large Ensemble Bass Guitar,Bassoon,Cello,Double Bass,Flute,Marimba,Piano,Recorder,Tuba,Ukulele,Vibraphone,Violin,Xylophone - Level 2 - SKU: A0.563844 Co...
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Large Ensemble Bass Guitar,Bassoon,Cello,Double Bass,Flute,Marimba,Piano,Recorder,Tuba,Ukulele,Vibraphone,Violin,Xylophone - Level 2 - SKU: A0.563844 Composed by Jeremiah Clarke. Arranged by Austin Ralphson. Baroque,Instructional,Standards. Score and parts. 23 pages. Austin Ralphson #5215825. Published by Austin Ralphson (A0.563844). As an experienced classroom music teacher, two of the main difficulties I have faced have been:* having the time to arrange music for standard classroom instruments such as keyboards, ukuleles, guitars, tuned percussion etc.* finding suitable arrangements of Western Classical pieces to contribute to a broad and balanced curriculumThe Classroom Ensemble Series meets both of these problems head on, providing approachable yet challenging arrangements which are tailor-made for a large classroom ensemble. Each piece includes a score and parts as follows:Melody (treble clef)Melody plus note names (treble clef)Melody (ukulele tab)Melody (guitar tab)Bass part (bass clef)Bass part plus note names (bass clef)Bass part (bass guitar tab)Easy piano part (treble and bass clefs)Standard piano part (treble and bass clefs)Chords (chord shapes with chord names, e.g. Dm)Chords (ukulele tabs and chord shapes)Chords (guitar tabs and chord shapes)This arrangement of Trumpet Voluntary enables all students within a classroom, regardless of ability, to make clear progress on one or more of the parts provided. You can use the YouTube video above as a backing track within the classroom, helping the students to play together and freeing you up to teach. Or you can lead the session yourself.Backing tracks for all other pieces in this series can be found at https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhAPrinting and CopyingThe purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.Also look out for the associated books, which offer this piece and others at a greatly reduced price.
$4.99
Mambo No. 5 (A Little Bit Of...)
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Lou Bega
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James Atkins
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Mambo No. 5
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James Atkins
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - SKU: A0.1448695 By Lou Bega. By Damaso Perez Prado, Lou Bega, and Zippy. Arranged by James Atkins. 20th Century,Contest,Festival,Jazz,Multicultural,Pop,World. Brass Band. 35 pages. James Atkins #1028515. Published by James Atkins (A0.1448695). Arranged by request of the Flixton Band for the 2024 Whit Friday Brass Band Contests for use as a street march.A fun, simple but effective arranged of the popular mambo and jazz dance song originally composed and recorded by Cuban musician Dámaso Pérez Prado in 1949, later sampled and released by Lou Bega on his 1999 debut album, A Little Bit of Mambo.Perfect item for brass bands of all abilities to include as part of their concert programmes, parades and music festivals!
$39.99
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