By the time MichaelPraetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory)in 1612, he was one of the most famous musicians in Germany. This Bour�eis a well-known and lively dance and sure to add some sparkle to any concertevent. This piece is arranged for virtually any combination of conventionalwind instruments and percussion, with optional keyboard part.

In this series, Renaissance Hits for Wind Instruments, someof the most well-known dances from Terpsichore are included. They are allattractive pieces and are sure to be popular at any concerts or end-of-semesterevents. They are fairly easy to play too. The flexible arrangement makes themplayable by all sorts of non-standard ensembles.The keyboard part allows you to use them as solos or duets for mixed instruments.

This publication consists of a score showing the four-partensemble, keyboard and percussion parts. There are separate parts in varioustranspositions. The optional keyboard part is intended as a guide and whenpossible the keyboard player should improvise around the part and chords shown.A piano sounds distinctly out of place in this music and a digital or acousticharpsichord sounds more authentic. Most electronic keyboards have a harpsichordoption.

The percussion instruments used are similar to those foundin elementary school music rooms and usually include a small bass drum orhand-held drum, clave or small headless tambourine. Two players are usuallyrequired and the parts can be interpreted quite freely. Dance music is intendedto be fun, and we hope that this arrangement brings you just that.

Your Favorite Christmas Hymns and Carols for Wind Instruments
Arranged by Colin Kirkpatrick
Book 1

This essential collection may be all you ever need for your wind instruments at Christmas. It's a bargain price too! The arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing.

The publication consists of a four-staff score in concert pitch together with fourteen separate parts in various transpositions. There is also a fairly easy optional keyboard part. These four-part arrangements use flexible instrumentation so that you can exercise considerable control over the instrumental voicing. You can also create interesting instrumental tone colour by omitting groups of instruments. This can be achieved with the aid of a pencil. If the ensemble is large enough you could omit brass instruments in the quieter sections, or use a solo trumpet against a woodwind background. There are endless possibilities. You can hear the effect of omitting sections in the audio samples. The arrangements could therefore be played by brass quartet, woodwind quartet, saxophone quartet or virtually any combination of wind instruments. Using the piano part (which has been kept as simple as possible) the arrangements could also be used as solos or duets, depending of what instruments are available. Parts 1 and 2 in C have been printed an octave higher than the pitch shown in the score because the parts invariably are too low for flute or oboe. All the scores and parts are contained in a single125-page PDF file.

The publication consists of four-stave scores for each hymn and carol plus:

1. Part 1 in B flat (clarinet, trumpet, cornet, soprano sax);

2. Part 1 in C (8ve higher for piccolo, flute, oboe);

3. Part 1 in E flat (alto saxophone, E flat clarinet);

4. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn);

5. Part 2 in C (8ve higher for flute, oboe);

6. Part 2 in E flat (alto saxophone);

7. Part 3 in B flat (tenor saxophone, B flat baritone);

8. Part 3 in C (bass clef for trombone, bassoon);

9. Part 3 in E flat (E flat tenor horn, alto saxophone, alto clarinet);

10. Part 3 in F (French horn in F);

11. Part 3a in B flat (8ve below score pitch for 3rd clarinet);

12. Part 4 in B flat (B flat bass clarinet, B flat bass);

13. Part 4 in C (bass clef for trombone, bass trombone, bassoon, tuba);

14. Part 4 in E flat (E flat baritone saxophone, E flat bass)

Book 1 includes the following 19 titles: Angels from the Realms of Glory (Melody: Gloria); Away in a Manger (Melody: Mueller); Unto Us a Child Is Born (Melody: Puer Nobis); Christians Awake! (Melody: Yorkshire); Deck the Halls with Boughs of Holly (Melody: Nos Galan); Go Tell it on the Mountain; Good Christian Men, Rejoice (Melody: In Dulci Jubilo); Good King Wenceslas (Melody: Tempus Adest Floridum); I Saw Three Ships Come Sailing In; It Came Upon the Midnight Clear (Melody: Carol); Little Jesus, Sweetly Sleep (Melody: Rocking); O Christmas Tree (Melody: Tannenbaum); O Come all ye Faithful (Melody: Adeste Fidelis); O Little Town of Bethlehem (Melody: Saint Louis); O Holy Night (Melody: Cantique No�l); Silent Night (Melody: Stille Nacht); The Holly and the Ivy; We Wish You a Merry Christmas and What Child is This? (Melody: Greensleeves)

The audio samples include Angels from the Realms of Glory, Deck the Halls with Boughs of Holly, Go Tell it on the Mountain and Silent Night. Please note that arrangements in the publication are not intended to be compatible with Your Favorite Christmas Hymns and Carols for Brass.