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PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
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VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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3
Partitions
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18 846
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50 040
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100 626
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
18846
PIANO & CLAVIERS
Piano seul
31719
Piano Facile
20070
Piano, Voix
6028
Piano, Voix et Guitare
1896
Orgue
1550
Instruments en Do
1427
Accordéon
892
1 Piano, 4 mains
577
Accompagnement Piano
403
Piano Trio: piano, violon, violoncelle
381
Piano Quatuor: piano, 2 violons, violoncelle
210
2 Pianos, 4 mains
121
Piano Quatuor: piano, violon, alto, violoncelle
85
1 Piano, 6 mains
35
Orgue, Trompette (duo)
33
Piano Quintette: piano, 2 violons, alto, violoncelle
32
Orgue, Piano (duo)
19
Clavecin
16
Clavier
14
2 Accordéons
10
Ensemble d'Accordéons
7
2 Pianos, 8 mains
7
Orgue, Voix
6
Piano Quintette: piano, violon, alto, violoncelle, contre basse
3
Piano (partie séparée)
3
3 Pianos
2
Accordéon, Corde(s)
1
Accordéon, Piano
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
7302
Guitare
4221
Ligne De Mélodie, (Paroles) et Accords
1982
Paroles et Accords
1577
Basse electrique
1453
Ukulele
624
2 Guitares (duo)
357
4 Guitares (Quatuor)
209
Mandoline
204
3 Guitares (trio)
90
Ensemble de guitares
49
Banjo
43
Piano, Guitare (duo)
37
Dulcimer
36
Dobro
26
Mandoline, Piano (duo)
17
Ukulele Baryton
11
2 Ukuleles
6
2 Dulcimers (duo)
5
Mandoline, Guitare (duo)
4
Cithare
2
Guitare (partie séparée)
2
Guitare, Violon, Violoncelle (trio)
2
2 Mandolines (duo)
1
Luth
1
Instrumentations suivantes
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VOIX
Chorale SATB
6081
Chorale 2 parties
5284
Chorale 3 parties
3801
Chorale Unison
2116
Voix duo, Piano
2054
Voix seule
1972
Chorale TTBB
1419
Voix duo
833
Chorale SSAA
645
Chorale
197
Voix Soprano, Piano
137
Voix Alto, Piano
131
Voix haute
105
Voix basse, Piano
98
Voix Tenor, Piano
65
Voix Baryton, Piano
63
Voix moyenne, Piano
41
Voix Tenor
23
Voix, Guitare
22
Chorale, Orgue
14
Voix basse
12
Chorale SSAB, Piano
10
Voix Soprano
8
Chorale SSATB
6
Male Voice
5
Chorale SSATTB
4
Chorale SSAB a cappella
4
Voix Mezzo-Soprano, Piano
3
Soli, choeur mixte et accompagnement
2
Voix duo, Orgue
2
Chorale SSAATB
1
Instrumentations suivantes
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VENTS
Saxophone
5336
Flûte traversière
3917
Clarinette
3425
Clarinette et Piano
2376
Flûte traversière et Piano
2299
Quatuor de Saxophones: 4 saxophones
2176
2 Saxophones (duo)
1991
Saxophone Alto et Piano
1895
Flûte, Hautbois, Clarinette, Basson
1760
Saxophone Tenor et Piano
1663
Hautbois, Piano (duo)
1661
Saxophone Alto
1574
2 Flûtes traversières (duo)
1465
Saxophone Tenor
1259
2 Clarinettes (duo)
1146
Saxophone Soprano et Piano
1114
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1086
Quatuor de Clarinettes: 4 clarinettes
1032
Saxophone (partie séparée)
776
Hautbois (partie séparée)
694
Quintette de Saxophone: 5 saxophones
634
Flûte à Bec
628
Flûte, Clarinette (duo)
618
3 Saxophones (trio)
558
Hautbois
540
3 Clarinettes (trio)
447
Cor anglais, Piano
446
Quatuor de Flûtes : 4 flûtes
430
Saxophone Baryton, Piano
400
Saxophone Soprano
367
Trio de Flûtes: 3 flûtes
353
2 Hautbois (duo)
328
2 Flûte à bec (duo)
290
Flûte et Guitare
258
Ensemble de Clarinettes
229
Quintette de Clarinettes: 5 clarinettes
217
Harmonica
215
Flûte, Violon
215
Flûte à bec Soprano
204
Hautbois, Basson (duo)
176
Quatuor de Flûtes à bec
174
Hautbois, Clarinette (duo)
159
Ensemble de Flûtes
153
Clarinette, Violon (duo)
138
Clarinette, Basson (duo)
134
Flûte, Violoncelle
131
Flûte, Hautbois, Basson
126
Flûte à bec Alto
117
Saxophone Baryton
115
Flûte, Clarinette et Basson
108
Ocarina
103
Ensemble de saxophones
101
3 Flûtes à bec (trio)
98
Clarinette Basse, Piano
98
Saxophone, Clarinette (duo)
97
Flûte, Hautbois, Clarinette (trio)
91
Clarinette, Violoncelle (duo)
89
Hautbois, Clarinette, Basson (trio d'anches)
88
Hautbois, Violoncelle
79
Flûte, Hautbois (duo)
78
Quintette de Flûte : 5 flûtes
76
Flûte, Alto (duo)
70
Hautbois, Flûte
64
Clarinette, Trompette (duo)
63
Flûte à Bec, Piano
62
Cor Anglais
61
Flûte, Trompette (duo)
61
Ensemble De Flûte à bec
60
2 Saxophones, Piano
60
Clarinette, Guitare (duo)
59
Flûte à bec Soprano, Piano
59
Flûte, Violon, Piano
56
Clarinette et Alto
51
Flûte, Trombone (duo)
44
3 Hautbois
43
Hautbois, violon (duo)
40
Flûte, Saxophone (duo)
39
Saxophone et Orgue
35
Flûte, Clarinette, Cor, Basson (Quartet)
35
Clarinette (partie séparée)
34
Flûte à bec Alto, Piano
31
2 Clarinettes, Piano
31
Clarinette, Trombone (duo)
30
Saxophone et Piano
30
Flûte à bec Tenor
28
Flûte, Violon et Violoncelle
27
2 Flûtes traversières, Piano
26
Harmonica, Piano
26
Flûte, Violoncelle, Piano (trio)
25
Flûte, Tuba (duo)
24
Piccolo
23
4 Hautbois
23
Hautbois et alto (duo)
23
Saxophone et Guitare
23
Flûte, Clarinette, Piano (trio)
22
Cor anglais, Guitare (duo)
22
Hautbois, Guitare (duo)
21
Flûte, Basson et Piano
21
Saxophone, Violon (duo)
20
5 Flûtes à bec
18
Hautbois, Trompette (duo)
14
Piccolo, Piano
12
2 Cors Anglais Et Pianoforte
12
Clarinette Basse
12
Flute (partie séparée)
11
Flûte et Trio à cordes
10
Saxophone, Basson (duo)
9
Clarinette, Alto et Piano (trio)
9
Flûte, Hautbois, Piano (trio)
8
2 Clarinettes, Basson
8
2 Hautbois, Piano
8
Hautbois, trombone (duo)
8
Clarinette, Harpe (duo)
8
Flûte irlandaise
7
Hautbois, Violon, Piano
7
Cornemuse
7
Clarinette, Tuba
6
Flûte, Violon, Violoncelle et Piano
6
Clarinette, Contrebasse (duo)
6
Clarinette, Basson, Piano (trio)
6
2 Flûtes à bec, Piano
5
Flûte, Hautbois, Violon
5
Hautbois, Harpe
5
Flûte, Alto et Piano
5
Clarinette, Orgue
5
Flûte à bec, Guitare (duo)
4
Flûte, Violon, Guitare
4
Clarinette, Violoncelle, Piano (trio)
4
Flute, harpe et violon
4
Flûte à bec Soprano, Basse continue
4
Flûte à bec Alto, Basse continue
3
Saxophone et violoncelle
3
Hautbois, Clarinette et Piano (Trio)
3
Hautbois, Violoncelle et Piano
3
Flûte à bec, Harpe
3
2 Flûtes traversières, Guitare
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte traversière, Orgue (duo)
3
Saxophone et Harpe
2
Flûte, Violoncelle, Guitare
2
Hautbois, Basson et Piano
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Harpe et Violoncelle
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
2 Flûtes à bec, Guitare
1
Cor anglais et Harpe (duo)
1
Flûte de Pan
1
Melodica
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Alto et Violoncelle
1
2 Hautbois et Basson
1
Flute, Cor (duo)
1
Ensemble à vent
1
Flûte traversière, Basse continue
1
Flûte et Quatuor à Cordes
1
Flûte, alto et harpe
1
Instrumentations suivantes
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CUIVRES
Trompette
3472
Trombone
2717
Trompette, Piano
1792
Trombone et Piano
1474
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1200
Cor et Piano
1121
Cor
887
2 Trompettes (duo)
821
Quatuor de Cuivres : 2 trompettes, trombone, tuba
773
Tuba
725
Quatuor de Cuivres: 2 trompettes, Cor, trombone
650
2 Trombones (duo)
633
Tuba et Piano
475
Cor anglais, Piano
446
Trompette, Trombone (duo)
429
Quatuor de Cuivres
386
Euphonium
316
Trompette, Cor (duo)
273
2 Cors (duo)
272
Euphonium, Piano (duo)
187
Quatuor de cuivres: 4 cors
129
Trompette (partie séparée)
105
2 Tubas (duo)
103
Trompette, Saxophone (duo)
99
Quatuor de cuivres: 4 trombones
97
Trio de Cuivres
74
Cor Anglais
61
Quatuor de cuivres: 2 trompettes, 2 trombones
60
3 Trompettes (trio)
57
Quatuor de cuivres: 4 trompettes
49
3 Trombones (trio)
49
2 Trompettes, Clavier (piano ou orgue)
37
Cor, Violoncelle (duo)
35
Euphonium, Tuba (duo)
34
Trombone, Orgue
33
Trompette, violon (duo)
32
Trompette, Basson (duo)
30
2 Euphoniums (duo)
29
Trompette, Violoncelle (duo)
29
Trombone basse
27
4 Tubas
26
Trompette, Tuba (duo)
26
Trombone, Cor (duo)
24
Cor anglais, Guitare (duo)
22
Trombone, violoncelle (duo)
20
Trombone, Violon (duo)
20
Trombone, Tuba (duo)
19
Cor, Trompette, Trombone (trio)
18
Ensemble de Cors
17
Cor, Tuba (duo)
17
3 Cors (trio)
15
3 Tubas (trio)
14
Trombone (partie séparée)
13
Trombone basse et Piano
12
2 Cors Anglais Et Pianoforte
12
Trompette, Trombone, Piano
11
Cor et Orgue
10
Cor et Basson (duo)
9
2 Euphoniums et 2 Tubas
7
Ensemble de Trompettes
7
Ensemble de Trombones
7
Tuba (partie séparée)
6
2 Trombones, Piano
6
Cor et Harpe
5
Trompette et Guitare
4
2 Cors, Piano
3
Clarinette, Cor (duo)
3
Trompette, Harpe
3
Trombone, Alto (duo)
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Trompette, Euphonium (duo)
2
Trompette, Violoncelle et Piano
1
Cor anglais et Harpe (duo)
1
Tuba et Orgue
1
Bass Clef Instruments
1
Euphonium Ou Saxhorn Et Piano
1
Cor (partie séparée)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
4043
Violon
3811
Violon et Piano
2933
Violoncelle
2700
Violoncelle, Piano
2185
Alto seul
2000
Alto, Piano
1893
2 Violons (duo)
1060
Harpe
939
Violon, Violoncelle (duo)
902
2 Violoncelles (duo)
829
Trio à Cordes: violon, alto, violoncelle
632
Quintette à cordes: 2 violons, alto, violoncelle, basse
619
Contre Basse
587
2 Altos (duo)
532
Violon, Alto (duo)
517
Contrebasse, Piano (duo)
395
Piano Trio: Violon, Alto, Piano
370
Alto (partie séparée)
255
Trio à cordes: 3 violins
235
Trio à Cordes: 2 violons, violoncelle
219
Alto, Violoncelle (duo)
198
Trio à Cordes: 3 violoncelles
168
4 Violoncelles
148
Violon, Guitare (duo)
115
2 Contrebasses (duo)
101
Quatuor à cordes: 4 violons
79
Quatuor à cordes : 4 altos
70
Violon, Basson (duo)
68
Violoncelle , Guitare (duo)
65
Trio à cordes: 3 altos
65
Violoncelle, Contrebasse (duo)
56
Trio à Cordes: 2 violons, alto
48
2 Harpes (duo)
46
Alto, Guitare (duo)
46
2 Violons, Piano
41
Alto et Basson
41
Violon (partie séparée)
37
Harpe, Flûte (duo)
27
Trio à cordes
21
Harpe, Violon (duo)
20
Quintette à cordes : 2 violons, alto et 2 violoncelles
20
Quintette à cordes: 2 violons, 2 altos, violoncelle
20
Harpe, Violoncelle (duo)
18
Violoncelle, Orgue
17
4 Contrebasses
15
2 Violoncelles, Piano
13
Violon, Tuba (duo)
12
Flûte, Contrebasse (duo)
11
Violoncelle (partie séparée)
10
Harpe, Voix
8
Ensemble de Violoncelles
7
Alto et Harpe
6
Violoncelle, Basse continue
5
Violon, Clarinette, Piano (trio)
5
Violon, Violoncelle, Clarinette
5
Alto, Orgue
4
3 Contrebasses
4
Contrebasse (partie séparée)
4
Harpe, Violon, Violoncelle
3
Violon, Orgue
3
4 Harpes
3
2 Altos, Piano
2
Harpe et Orgue
2
Harpe et Piano
1
Autoharp
1
Harpe (partie séparée)
1
Violoncelle, Orchestre
1
3 Harpes
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
3171
Orchestre à Cordes
1838
Batterie
1818
Cloches
1020
Orchestre
906
Ensemble de cuivres
781
Ensemble Jazz
606
Fanfare
314
Orchestre de chambre
304
Jazz combo
196
Ensemble de Percussions
187
Percussion
75
Vibraphone
58
Xylophone
52
Marimba
50
Piano et Orchestre
33
Xylophone, Piano
31
2 Xylophones
30
Percussion (partie séparée)
25
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
18
3 Marimbas
5
Timbales (partie séparée)
5
Caisse Claire
5
Ensemble d'École
4
Quintette de Cuivres: autres combinaisons
4
Orchestre, Violon
3
Vibraphone et Marimba
3
Marimba, Piano (duo)
3
Bongos
2
Quintette à Vent
2
Instrumentation Flexible
2
Xylophone ou Marimba ou Vibraphone
1
Batterie (partie séparée)
1
2 Marimbas
1
3 Percussions
1
Quatuor à Vent : 4 instruments à vents
1
Cajon
1
Big band
1
Marimba ou Xylophone et Piano
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
4
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Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.550921 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Concert,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888307. Published by jmsgu3 (A0.550921). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
25.34 €
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J
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James M
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Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.550930 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888395. Published by jmsgu3 (A0.550930). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.88 €
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Moment Musicaux for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
29.88 €
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Franz Schubert
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James M
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Schubert: Moment Musicaux for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468186. Published by jmsgu3 (A0.552847). J. S. Bach BWV 508  Score: 5 pages, Solo part: 1 page. Piano part: 2 pages. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.88 €
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Compose…
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Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3469232. Published by jmsgu3 (A0.549238). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
29.88 €
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Piccolo & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.62 €
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.62 €
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Scarborough Fair arr. for flute, clarinet, bassoon and piano
Level 2 - Digital Download SKU: A0.1444898 Composed by Traditional. Arranged by Col…
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Level 2 - Digital Download SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1024766. Published by Colin Kirkpatrick Publications (A0.1444898). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The clarinet part avoids awkward movement around the break. This arrangement would make a splendid encore piece for a recital.
$11.99
10.87 €
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for flute, clarinet, bassoon and piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Scarborough Fair arr. for two violins, cello and piano
Level 2 - Digital Download SKU: A0.1473773 Composed by Traditional. Arranged by Col…
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Level 2 - Digital Download SKU: A0.1473773 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 20 pages. Colin Kirkpatrick Publications #1051492. Published by Colin Kirkpatrick Publications (A0.1473773). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. This arrangement would make a splendid encore piece for a recital.
$11.99
10.87 €
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for two violins, cello and piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Scarborough Fair arr. for violin, cello and piano
Piano Trio - Level 2 - Digital Download SKU: A0.1474945 Composed by Traditional. Ar…
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Piano Trio - Level 2 - Digital Download SKU: A0.1474945 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 17 pages. Colin Kirkpatrick Publications #1052537. Published by Colin Kirkpatrick Publications (A0.1474945). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The violin top note is E6 (the E above the treble staff) and the cello top note is G4 (the G above the bass staff). This arrangement would make a splendid encore piece for a recital.
$11.99
10.87 €
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for violin, cello and piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Scarborough Fair arr. for oboe, clarinet, bassoon and piano
Level 2 - Digital Download SKU: A0.1452373 Composed by Traditional. Arranged by Col…
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Level 2 - Digital Download SKU: A0.1452373 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1031703. Published by Colin Kirkpatrick Publications (A0.1452373). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. It would make an excellent addition to a woodwind recital.
$11.99
10.87 €
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for oboe, clarinet, bassoon and piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Scarborough Fair arr. for flute, oboe, bassoon and piano
Woodwind Ensemble Bassoon,Flute,Oboe - Level 2 - Digital Download SKU: A0.1442831 C…
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Woodwind Ensemble Bassoon,Flute,Oboe - Level 2 - Digital Download SKU: A0.1442831 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,Traditional,World. 20 pages. Colin Kirkpatrick Publications #1022767. Published by Colin Kirkpatrick Publications (A0.1442831). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. It would make an excellent addition to a woodwind recital.
$11.99
10.87 €
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for flute, oboe, bassoon and piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Playaround for Horn in F Book 3- Revised Edition 2017
Hn in F. pft - Easy - Digital Download SKU: F2.FM548 Composed by Roma Cafolla. Horn…
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Hn in F. pft - Easy - Digital Download SKU: F2.FM548 Composed by Roma Cafolla. Horn in F and Piano. Score and part. 26 pages. Forton Music - Digital #FM548. Published by Forton Music - Digital (F2.FM548). ISBN 9790570484478.Playaround are graded pieces, divided into five books, written to encourage younger or less advanced players to perform. The accompaniments as well as the solo parts have musical interest and balance the melodies perfectly. Book one is accessible to most beginners and graded in difficulty through to book five. The pieces are diverse in style and will appeal to beginner and intermediate players of all ages. Approx grade 2-3 standard.
$9.95
9.02 €
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Roma Cafolla
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Playaround for Horn in F Book 3- Revised Edition 2017
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Forton Music - Digital
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SheetMusicPlus
Playaround Book 2 for Oboe - Revised Edition 2017
Ob pft - Easy - Digital Download SKU: F2.FM367 Composed by Roma Cafolla. Oboe and P…
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Ob pft - Easy - Digital Download SKU: F2.FM367 Composed by Roma Cafolla. Oboe and Piano. Score and Parts. 17 pages. Forton Music - Digital #FM367. Published by Forton Music - Digital (F2.FM367). ISBN 9790570482665.Oboe and Piano - Playaround are graded pieces, divided into five books, written to encourage younger or less advanced players to perform. The accompaniments as well as the solo parts have musical interest and balance the melodies perfectly. Book one is accessible to most beginners and graded in difficulty through to book five. The pieces are diverse in style and will appeal to beginner and intermediate players of all ages. Approx grade 2 standard.
$10.95
9.93 €
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Roma Cafolla
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Playaround Book 2 for Oboe - Revised Edition 2017
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Forton Music - Digital
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SheetMusicPlus
Playaround Book 3 for Oboe - Revised Edition 2017
Ob. Pft - Easy - Digital Download SKU: F2.FM368 Composed by Roma Cafolla. Oboe and …
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Ob. Pft - Easy - Digital Download SKU: F2.FM368 Composed by Roma Cafolla. Oboe and Piano. Score and Parts. 23 pages. Forton Music - Digital #FM368. Published by Forton Music - Digital (F2.FM368). ISBN 9790570482672.Oboe and Piano - Playaround are graded pieces, divided into five books, written to encourage younger or less advanced players to perform. The accompaniments as well as the solo parts have musical interest and balance the melodies perfectly. Book one is accessible to most beginners and graded in difficulty through to book five. The pieces are diverse in style and will appeal to beginner and intermediate players of all ages. Approx grade 2-3 standard.
$10.95
9.93 €
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Roma Cafolla
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Playaround Book 3 for Oboe - Revised Edition 2017
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Forton Music - Digital
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SheetMusicPlus
Turkish March by Beethoven for Woodwind Trio
Woodwind Ensemble,Woodwind Trio - Level 2 - Digital Download SKU: A0.1146900 Compos…
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Woodwind Ensemble,Woodwind Trio - Level 2 - Digital Download SKU: A0.1146900 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 8 pages. Woods Only, Arrangements #747099. Published by Woods Only, Arrangements (A0.1146900). This arrangement adapted for woodwind trio was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$5.99
5.43 €
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Woodwind Trio
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Woods Only, Arrangements
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SheetMusicPlus
Turkish March by Beethoven for Clarinet Ensemble
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.11…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1147365 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 11 pages. Woods Only, Arrangements #747569. Published by Woods Only, Arrangements (A0.1147365). This arrangement adapted for clarinet ensemble was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.24 €
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Clarinet Ensemble
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Woods Only, Arrangements
#
SheetMusicPlus
Turkish March by Beethoven for String Quintet
String Quintet - Level 2 - Digital Download SKU: A0.1164259 Composed by Ludwig van …
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String Quintet - Level 2 - Digital Download SKU: A0.1164259 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #764606. Published by Woods Only, Arrangements (A0.1164259). This arrangement adapted for string quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99
9.06 €
#
Ludwig van Beethoven
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Ander
#
Turkish March by Beethoven for String Quintet
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Woods Only, Arrangements
#
SheetMusicPlus
Turkish March by Beethoven for Viola Quintet
String Quintet Viola - Level 2 - Digital Download SKU: A0.1164264 Composed by Ludwi…
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String Quintet Viola - Level 2 - Digital Download SKU: A0.1164264 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #764611. Published by Woods Only, Arrangements (A0.1164264). This arrangement adapted for viola quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99
9.06 €
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for Viola Quintet
#
Woods Only, Arrangements
#
SheetMusicPlus
Turkish March by Beethoven for Violin Quintet
String Quintet Violin - Level 2 - Digital Download SKU: A0.1164262 Composed by Ludw…
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String Quintet Violin - Level 2 - Digital Download SKU: A0.1164262 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #764609. Published by Woods Only, Arrangements (A0.1164262). This arrangement adapted for violin quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99
9.06 €
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for Violin Quintet
#
Woods Only, Arrangements
#
SheetMusicPlus
Turkish March by Beethoven for Cello Quintet
String Quintet Cello - Level 2 - Digital Download SKU: A0.1164266 Composed by Ludwi…
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String Quintet Cello - Level 2 - Digital Download SKU: A0.1164266 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #764613. Published by Woods Only, Arrangements (A0.1164266). This arrangement adapted for violoncello quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99
9.06 €
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for Cello Quintet
#
Woods Only, Arrangements
#
SheetMusicPlus
Turkish March by Beethoven for String Trio
String Trio - Level 2 - Digital Download SKU: A0.1184404 Composed by Ludwig van Bee…
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String Trio - Level 2 - Digital Download SKU: A0.1184404 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 8 pages. Woods Only, Arrangements #784130. Published by Woods Only, Arrangements (A0.1184404). This arrangement adapted for string trio was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$5.99
5.43 €
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for String Trio
#
Woods Only, Arrangements
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for String Choir
String Ensemble - Level 2 - Digital Download SKU: A0.549211 Composed by Gabrieli. A…
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String Ensemble - Level 2 - Digital Download SKU: A0.549211 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 88 pages. Jmsgu3 #3464715. Published by jmsgu3 (A0.549211). A musical monument: the first composition to employ dynamics. Instrumentation: 2 violins, 1 viola, 5 cellos 1 double bass. Arranged in two antiphonal choirs: I - string quartet, II - cello choir w/bass. The double bass part assumes low c extension; however, a non-extension bass part is included.Giovanni Gabrieli's Sonata Pian e Forte is essential as it represents the shift from the Renaissance to the Baroque period. It is part of his 1597 Sacrae symphoniae, which contains sixty-three choral and instrumental works, many in multi-choir formations. It is the first known composition in history to employ dynamics, with Gabrieli using specific notation to indicate instrumentation and experimenting with assembling massive instrumental forces into isolated groups separated by space. This innovation contributed heavily to the Baroque Concertato style and the development of the sonata, a musical form that came into general use toward the end of the sixteenth century. The structure of the piece is defined by the dialogue between two instrumental choirs, making it a key example of Gabrieli's influential contributions to the transition in musical style during his time.
$47.95
43.48 €
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for String Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.…
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3465004. Published by jmsgu3 (A0.549212). A musical monument: the first composition to employ dynamics. Instrumentation: 3 oboes, 3 English horns, 2 bassoons, 1 contrabassoon. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
43.48 €
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
String Ensemble Cello - Level 2 - Digital Download SKU: A0.549267 Composed by Giova…
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String Ensemble Cello - Level 2 - Digital Download SKU: A0.549267 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Instructional,Renaissance,Standards. 45 pages. Jmsgu3 #3479835. Published by jmsgu3 (A0.549267). A musical monument: the first composition to employ dynamics. Minimum instrumentation: 11 cellos.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.48 €
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte Ch 175 for Cello Choir
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jmsgu3
#
SheetMusicPlus
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