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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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1191
PIANO & CLAVIERS
Piano, Voix
19864
Piano seul
3974
Piano Facile
221
Piano, Voix et Guitare
159
Piano Trio: piano, violon, violoncelle
92
1 Piano, 4 mains
77
Accompagnement Piano
53
Piano Quatuor: piano, violon, alto, violoncelle
45
2 Pianos, 4 mains
34
Orgue
22
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19
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11
Piano Quatuor: piano, 2 violons, violoncelle
9
1 Piano, 6 mains
3
2 Pianos, 8 mains
2
Orgue, Piano (duo)
2
Clavier
2
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GUITARES
Guitare
33
Piano, Guitare (duo)
21
Guitare notes et tablatures
20
2 Guitares (duo)
12
Basse electrique
6
Ukulele
3
4 Guitares (Quatuor)
1
Ligne De Mélodie, (Paroles) et Accords
1
Instrumentations suivantes
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VOIX
Chorale SATB
154
Chorale 3 parties
69
Voix seule
65
Voix basse, Piano
21
Chorale 2 parties
15
Voix duo, Piano
14
Voix Soprano, Piano
13
Voix Tenor, Piano
12
Voix duo
10
Chorale TTBB
9
Chorale SSAA
9
Voix moyenne, Piano
9
Voix Baryton, Piano
7
Voix haute
6
Voix Alto, Piano
6
Chorale
5
Chorale Unison
5
Voix Tenor
3
Voix basse
2
Voix Mezzo-Soprano, Piano
1
Voix Soprano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
1075
Clarinette et Piano
545
Hautbois, Piano (duo)
418
Saxophone Alto et Piano
354
Saxophone Soprano et Piano
216
Saxophone Tenor et Piano
186
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
126
Cor anglais, Piano
113
Quatuor de Saxophones: 4 saxophones
70
2 Flûtes traversières (duo)
67
Saxophone Baryton, Piano
64
Quatuor de Clarinettes: 4 clarinettes
52
Flûte, Hautbois, Clarinette, Basson
51
Clarinette Basse, Piano
46
2 Saxophones (duo)
43
Clarinette
42
2 Clarinettes (duo)
41
Quintette de Saxophone: 5 saxophones
36
Flûte, Clarinette (duo)
29
Quatuor de Flûtes : 4 flûtes
27
Flûte et Guitare
24
2 Flûtes traversières, Piano
23
Flûte, Violon, Piano
22
2 Clarinettes, Piano
21
Clarinette, Violon (duo)
20
3 Saxophones (trio)
18
Flûte traversière
18
Flûte, Clarinette, Piano (trio)
17
Saxophone et Piano
17
Flûte, Violon
15
Clarinette, Guitare (duo)
14
Clarinette, Violoncelle, Piano (trio)
14
Hautbois, Clarinette (duo)
13
Saxophone Alto
13
Trio de Flûtes: 3 flûtes
12
Flûte, Hautbois (duo)
12
Flûte, Violoncelle, Piano (trio)
12
2 Hautbois (duo)
12
Hautbois, violon (duo)
11
Flûte, Trompette (duo)
10
Flûte, Hautbois, Clarinette (trio)
10
2 Saxophones, Piano
10
Ensemble de Flûtes
10
Saxophone, Violon (duo)
9
Saxophone, Clarinette (duo)
9
Hautbois, Clarinette, Basson (trio d'anches)
9
3 Clarinettes (trio)
9
Hautbois, Trompette (duo)
8
Ensemble de saxophones
8
Ensemble de Clarinettes
8
Flûte, Basson et Piano
8
Flûte, trombone et piano
7
Saxophone Tenor
7
Flûte, Hautbois, Piano (trio)
7
Flûte à bec Soprano, Piano
7
2 Flûte à bec (duo)
6
5 Flûtes à bec
6
Quatuor de Flûtes à bec
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Alto et Piano
5
Hautbois
5
Flûte, Clarinette et Basson
5
Clarinette, trompette et piano
5
Clarinette, Alto et Piano (trio)
5
Flûte à bec Alto
4
Flûte à bec Soprano
4
Clarinette, Basson (duo)
3
Flûte, Hautbois, Basson
3
Quintette de Flûte : 5 flûtes
3
Cor anglais, Guitare (duo)
3
Hautbois, Basson (duo)
3
Harmonica, Piano
2
Piccolo, Piano
2
Hautbois, Guitare (duo)
2
Saxophone Soprano
2
Saxophone et Orgue
2
2 Hautbois, Piano
2
Flûte, Violon, Violoncelle et Piano
2
Hautbois, Flûte
2
2 Flûtes à bec, Piano
2
Clarinette Basse
1
Saxophone et Guitare
1
2 Clarinettes, Basson
1
Flûte de Pan
1
Ensemble de Hautbois
1
Flûte, Violoncelle
1
3 Flûtes à bec (trio)
1
Flûte, Saxophone (duo)
1
Flûte à bec, Guitare (duo)
1
Flûte à Bec
1
Clarinette, Basson, Piano (trio)
1
Hautbois (partie séparée)
1
Clarinette, Orgue
1
Flûte à bec Alto, Piano
1
Hautbois, Orgue
1
Flûte traversière, Orgue (duo)
1
Hautbois, Harpe
1
Cor Anglais
1
Saxophone (partie séparée)
1
Flûte, Trombone (duo)
1
Clarinette, Trombone (duo)
1
Instrumentations suivantes
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CUIVRES
Trompette, Piano
239
Trombone et Piano
210
Cor et Piano
209
Cor anglais, Piano
113
Tuba et Piano
94
Euphonium, Piano (duo)
72
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Trompette
51
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
2 Trompettes (duo)
26
2 Trombones (duo)
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trompette, Trombone (duo)
13
Trombone, violoncelle (duo)
11
2 Cors (duo)
10
Trombone
10
Trompette, Saxophone (duo)
9
Trompette, violon (duo)
8
Cor
6
Quatuor de Cuivres
5
Tuba
5
2 Trompettes, Clavier (piano ou orgue)
4
Trompette, Cor (duo)
4
Trombone basse et Piano
3
Trompette, Violoncelle et Piano
3
Trompette, Trombone, Piano
3
Tuba et Orgue
3
Cor anglais, Guitare (duo)
3
3 Cors (trio)
2
3 Tubas (trio)
2
Quatuor de cuivres: 4 cors
2
2 Tubas (duo)
2
Ensemble de Cors
2
3 Trombones (trio)
2
Quatuor de cuivres: 4 trombones
2
Trompette, Basson (duo)
1
Cor, Violoncelle et Piano
1
2 Trombones, Piano
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 trompettes
1
3 Trompettes (trio)
1
2 Euphoniums (duo)
1
Euphonium
1
Trio de Cuivres
1
4 Tubas
1
Cor et Harpe
1
Trombone, Orgue
1
Cor Anglais
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
1248
Violoncelle, Piano
968
Alto, Piano
498
Quatuor à cordes: 2 violons, alto, violoncelle
222
Contrebasse, Piano (duo)
117
2 Violons (duo)
44
Violon
32
2 Violoncelles (duo)
30
Harpe
28
Violoncelle
28
2 Altos (duo)
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Trio à Cordes: violon, alto, violoncelle
22
Piano Trio: Violon, Alto, Piano
19
2 Violons, Piano
11
Violon, Violoncelle (duo)
9
Alto seul
9
Violoncelle , Guitare (duo)
8
Alto, Violoncelle (duo)
7
Violon, Guitare (duo)
5
Contre Basse
5
Harpe, Violon (duo)
4
Trio à Cordes: 3 violoncelles
4
2 Violoncelles, Piano
4
Alto (partie séparée)
4
Alto, Guitare (duo)
4
Violon, Alto (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
4 Violoncelles
3
Trio à Cordes: 2 violons, alto
3
Harpe et Piano
3
Trio à cordes: 3 altos
3
Trio à cordes: 3 violins
3
4 Contrebasses
2
2 Contrebasses (duo)
2
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Flûte, Contrebasse (duo)
1
Alto, Orgue
1
Violon (partie séparée)
1
Alto et Basson
1
2 Harpes (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Orgue
1
2 Altos, Piano
1
Alto et Harpe
1
Violon, Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
103
Orchestre de chambre
79
Orchestre
48
Orchestre d'harmonie
32
Ensemble de cuivres
17
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Ensemble Jazz
8
Cloches
8
Xylophone, Piano
5
Ensemble de Percussions
2
Jazz combo
2
Xylophone
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
45
Vous avez sélectionné:
PIANO Romantic
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Partitions à imprimer
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1176
Canon in D (Trio for Flute, Guitar and Piano)
Flute, Guitar, Piano - Intermediate - Digital Download Composed by Johann Pachelbel …
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Flute, Guitar, Piano - Intermediate - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by John A. Dempsey. Romantic Period, Classical Period, Baroque Period, Christmas, Wedding. Score, Set of Parts. 18 pages. Published by John A. Dempsey
A celebrated Baroque work, Pachelbel's "Canon in D" radiates warmth, beauty and serenity, all in a stylishly flowing, timeless way. A favorite for concerts, recitals and weddings (as a bridal march, a bridesmaid processional, unity candle music or a prelude), this version is a trio for flute, guitar and piano. Also makes a moving prelude or offertory for church services and other worship events. Key: C major. 14 pages of music (that includes separate two-page pullout parts for flute and guitar).A celebrated Baroque work, Pachelbel's "Canon in D" radiates warmth, beauty and serenity, all in a stylishly flowing, timeless way. A favorite for concerts, recitals and weddings (as a bridal march, a bridesmaid processional, unity candle music or a prelude), this version is a trio for flute, guitar and piano. Also makes a moving prelude or offertory for church services and other worship events. Key: C major. 14 pages of music (that includes separate two-page pullout parts for flute and guitar).
$11.99
10.96 €
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Johann Pachelbel (1653-1706)
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John A
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Canon in D
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John A. Dempsey
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SheetMusicPlus
Sunflowers. Flute, Clarinet and Piano- Intermediate
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 3 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1511021 Composed by Grant Horsley. Classical,Contest,Festival,Praise & Worship,Romantic Period,Wedding. 28 pages. Grant Horsley #1086237. Published by Grant Horsley (A0.1511021). A Piano accompaniment backing track is also availableSunflowers is an original for Flute Clarinet and Piano Romantic style -It is in ternary form- Concert B flat major major outer sections with a barcarolle like middle section in E flat major. The range of the instruments is around 2 octaves. It is roughly 5 mins 15 in length. Intermediate level, but the full score is on the youtube link for you to judge.Great for concerts, recitals, contests, weddings, incidental music, or just something different to play. Other duet versions duets are also available.
$5.99
5.48 €
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Grant Horsley
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Sunflowers. Flute, Clarinet and Piano- Intermediate
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Grant Horsley
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SheetMusicPlus
Ten Romantics for Sax
Asax. Pft. - Intermediate - Digital Download SKU: F2.FM627 Composed by Andrew Middl…
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Asax. Pft. - Intermediate - Digital Download SKU: F2.FM627 Composed by Andrew Middleton. Romantic pieces for alto saxophone and piano. Score and Part. 49 pages. Forton Music - Digital #FM627. Published by Forton Music - Digital (F2.FM627). ISBN 9790570485260.From Chopin to Schumann, Ten Romantics for Sax is an exciting collection of pieces for alto sax with piano accompaniment, arranged by Andrew Middleton. All of the pieces are from the Romantic Period (1820 to 1910), exploring the music of both famous and lesser known composers of the time, as well as a range of styles from the period including: lieder, preludes and even music from ballet! Ideal for the intermediate student, each piece has been carefully selected and arranged to help develop good playing techniques as well as introduce the player to a range of styles of music.
$17.95
16.41 €
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Andrew Middleton
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Ten Romantics for Sax
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Forton Music - Digital
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SheetMusicPlus
Mozart-Piano Sonata,K.448,in D Major,for 2 Pianos
Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.676202 Composed by Wol…
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Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.676202 Composed by Wolfgang Amadeus Mozart. Arranged by Open Cloud. Classical,Romantic Period. 57 pages. Open Cloud #6696431. Published by Open Cloud (A0.676202). This product is a digital sheet music in PDF format. The music was composed by Mozart (Wolfgang Amadeus Mozart), 1756-1791,for 2 Pianos, published by More Sheet Music Press.
$19.99
18.28 €
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Wolfgang Amadeus Mozart
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Open Cloud
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Mozart-Piano Sonata,K.448,in D Major,for 2 Pianos
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Open Cloud
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SheetMusicPlus
Brahms-Variations on a Theme by Haydn,Op.56, in B flat Major,for 2 Pianos
Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.675809 Composed by Joh…
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Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.675809 Composed by Johannes Brahms. Arranged by Open Cloud. Classical,Romantic Period. 38 pages. Open Cloud #6683503. Published by Open Cloud (A0.675809). This product is a digital sheet music in PDF format. The music was composed by Brahms (Johannes Brahms), 1833-1897,for 2 Pianos, published by More Sheet Music Press.
$12.99
11.88 €
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Johannes Brahms
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Open Cloud
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Brahms-Variations on a Theme by Haydn,Op.56, in B flat Major,for 2 Pianos
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Open Cloud
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SheetMusicPlus
Nameless-Christmas Carol,It came upon the midnight clear,in G Major,for 4 Voicepiano
Alto Saxophone,Soprano Saxophone,Tenor Saxophone,Voice - Level 3 - Digital Download SKU…
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Alto Saxophone,Soprano Saxophone,Tenor Saxophone,Voice - Level 3 - Digital Download SKU: A0.668379 Composed by Nameless. Arranged by MSM. Classical,Romantic Period. 8 pages. Open Cloud #4414625. Published by Open Cloud (A0.668379). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Nameless (Nameless), 17-19century, for Voice and Piano.
$1.99
1.82 €
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Nameless
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MSM
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Nameless-Christmas Carol,It came upon the midnight clear,in G Major,for 4 Voicepiano
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Open Cloud
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SheetMusicPlus
Rachmaninoff-Russian Rhapsody,in e minor,for 2 Pianos
Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.676265 Composed by Rac…
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Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.676265 Composed by Rachmaninoff,Sergei. Arranged by Open Cloud. Classical,Romantic Period. 68 pages. Open Cloud #6705163. Published by Open Cloud (A0.676265). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Rachmaninoff (Rachmaninoff,Sergei), 1873-1943,for Voice and Piano, published by More Sheet Music Press.
$21.99
20.1 €
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Rachmaninoff,Sergei
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Open Cloud
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Rachmaninoff-Russian Rhapsody,in e minor,for 2 Pianos
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Open Cloud
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SheetMusicPlus
The Swan (Le Cygne) (Piano accompaniment)
Piano Accompaniment - Level 3 - Digital Download SKU: A0.1439708 Composed by Camill…
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Piano Accompaniment - Level 3 - Digital Download SKU: A0.1439708 Composed by Camille Saint-Saens. Arranged by Harry Walker. 19th Century,Chamber,Classical,Lent,Romantic Period. Accompaniment. Duration 176. SCORE EDITIONS #1019670. Published by SCORE EDITIONS (A0.1439708). The Swan (Le cygne) is a movement from The Carnival of the Animals (Le carnaval des animaux), a musical suite of fourteen movements, each representing a different animal or animals. The work was written for private performance by an ad hoc ensemble of two pianos and other instruments. This version was made only with the accompanying piano.
$4.99
4.56 €
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Camille Saint-Saens
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Harry Walker
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The Swan
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SCORE EDITIONS
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.12 €
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
$24.95
22.81 €
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Oboe d'Amore & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Wedding March for Viola & Piano
Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Fel…
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Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885). Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.
$32.95
30.12 €
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Viola & Piano
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jmsgu3
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SheetMusicPlus
Delibes: Duo des Fleurs for Baritone Horn Duo & Piano
Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 3 - Digital Download SKU: …
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Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 3 - Digital Download SKU: A0.552415 Composed by Leo Delibes (1836-1891). Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and parts. 7 pages. Jmsgu3 #6342771. Published by jmsgu3 (A0.552415). Duo of the flowers from Lakme, Act I. A popular wedding selection.Leo Delibes (1836-1891) was a French composer of the Romantic period best known for his ballets and operas. He was a child prodigy and began composing music at the age of seven. He studied at the Paris Conservatoire, where he developed a mastery of the symphonic form and wrote several pieces for the orchestra. His works for the stage are among the most popular and beloved of the Romantic era, including the ballets Coppélia and Sylvia, and the opera Lakmé.Delibes was a pioneer in the use of orchestral color and instrumental effects to enhance the dramatic narrative of his works. His works are often praised for their lyricism, graceful melodies, and colorful orchestrations. His music is considered to be a bridge between the grandiose and romantic works of the French composers before him, such as Gounod and Berlioz, and the more intimate and melodic style of composers like Debussy and Ravel.Delibes’ influence can be heard in the works of later composers such as Stravinsky and Prokofiev, and his music continues to be performed and enjoyed today. His contributions to music history are significant, and his works remain beloved masterpieces of the Romantic era.Léo Delibes' opera Lakmé is an opera in three acts. It was first performed in 1883 at the Théâtre Lyrique in Paris. The libretto was written by Edmond Gondinet and Philippe Gille. The story is set in British-occupied India and tells the story of a young Indian girl, Lakmé, who is in love with a British officer, Gerald. The story follows the couple's romantic journey, as well as the obstacles they face from Lakmé's father and the British military. The opera is best known for its beautiful score, which includes the famous aria The Flower Duet as well as the duet Lakmé! The Bell Song. The opera has been performed in opera houses all over the world and is considered one of Delibes' most popular works.The Duo des Fleurs, composed by French composer Léo Delibes, is a ballet pas de deux from the ballet Lakme, Act I. It is a beloved masterpiece of the Romantic period and is often performed as a standalone piece in many ballet performances. The piece is typically danced by two female ballet dancers and is known for its playful and lighthearted nature. The music consists of a melody that alternates between the two dancers and is often accompanied by a lighthearted waltz. The music has a strong sense of unity and connection between the two dancers, which is enhanced by the use of the same melody. The piece also features a beautiful soaring coda that gives it a sense of grandeur and beauty. The Duo des Fleurs is an exquisite piece of music and an enduring classic of the ballet repertoire.
$26.95
24.64 €
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Leo Delibes
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James M
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Delibes: Duo des Fleurs for Baritone Horn Duo & Piano
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jmsgu3
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SheetMusicPlus
Romantic Night (Violin, Tenor horn, Piano)
Small Ensemble Piano Accompaniment,Tenor Horn,Violin - Level 3 - Digital Download SKU: …
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Small Ensemble Piano Accompaniment,Tenor Horn,Violin - Level 3 - Digital Download SKU: A0.905033 Composed by Jean-Philippe Ichard. Contemporary. Score and parts. 10 pages. Jean-Philippe Ichard #3879865. Published by Jean-Philippe Ichard (A0.905033). Romantic Night is a romantic trio piece pour Violin, Tenor Horn and Piano
$12.99
11.88 €
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Jean-Philippe Ichard
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Romantic Night
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Jean-Philippe Ichard
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SheetMusicPlus
Morning Mood by Grieg for Double Bass Duet with Piano and Chords
Instrumental Duet,Piano Double Bass,Instrumental Duet,Piano - Level 3 - Digital Download
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Instrumental Duet,Piano Double Bass,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1409799 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. 5 pages. Glauco Fernandes #992315. Published by Glauco Fernandes (A0.1409799). Dive into the serenity of dawn with our exclusive arrangement of Edvard Grieg's Morning Mood from the Peer Gynt Suite. This carefully crafted arrangement is perfect for musicians looking to not only enrich their repertoire but also capture the tranquil and inspiring essence of Grieg's famous melody.For educators and music teachers, this score becomes a valuable pedagogical resource, allowing students to explore the nuances of Romantic composition and develop a deep appreciation for the ability to evoke images and emotions through music. Introducing Morning Mood into lessons can offer a window into the vast world of program music, encouraging a more intimate and expressive connection with musical performance.This arrangement is equally valuable for professional musicians, providing a refined and expressive piece for concerts, special events, and even moments of personal reflection. The universality and timeless beauty of Morning Mood make it a desirable addition to any musician's repertoire, standing out in occasions ranging from formal recitals to more intimate ceremonies.Our arrangement of Morning Mood promises to be a rewarding addition for students seeking musical growth as well as for professionals wishing to enchant their audience with the tranquil beauty of dawn. Maintaining the essence and charm of Grieg's original composition, this arrangement invites everyone to experience the magic of one of the most emblematic moments in classical music.Tags: Edvard Grieg, Peer Gynt, Morning Mood, Romantic music, music education, arrangement, repertoire for events, classical music, sheet music, musical growth, expressive performance.
$7.99
7.3 €
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Edvard Grieg
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Glauco Fernandes
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Morning Mood by Grieg for Double Bass Duet with Piano and Chords
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Glauco Fernandes
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SheetMusicPlus
Morning Mood by Grieg for Double Bass Duet with Piano
Instrumental Duet,Piano Double Bass,Instrumental Duet,Piano - Level 3 - Digital Download
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Instrumental Duet,Piano Double Bass,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1409801 Composed by Edvard Grieg. Arranged by Glauco Fernandes. Chamber,Classical,Instructional,Romantic Period,Wedding. 5 pages. Glauco Fernandes #992316. Published by Glauco Fernandes (A0.1409801). Dive into the serenity of dawn with our exclusive arrangement of Edvard Grieg's Morning Mood from the Peer Gynt Suite. This carefully crafted arrangement is perfect for musicians looking to not only enrich their repertoire but also capture the tranquil and inspiring essence of Grieg's famous melody.For educators and music teachers, this score becomes a valuable pedagogical resource, allowing students to explore the nuances of Romantic composition and develop a deep appreciation for the ability to evoke images and emotions through music. Introducing Morning Mood into lessons can offer a window into the vast world of program music, encouraging a more intimate and expressive connection with musical performance.This arrangement is equally valuable for professional musicians, providing a refined and expressive piece for concerts, special events, and even moments of personal reflection. The universality and timeless beauty of Morning Mood make it a desirable addition to any musician's repertoire, standing out in occasions ranging from formal recitals to more intimate ceremonies.Our arrangement of Morning Mood promises to be a rewarding addition for students seeking musical growth as well as for professionals wishing to enchant their audience with the tranquil beauty of dawn. Maintaining the essence and charm of Grieg's original composition, this arrangement invites everyone to experience the magic of one of the most emblematic moments in classical music.Tags: Edvard Grieg, Peer Gynt, Morning Mood, Romantic music, music education, arrangement, repertoire for events, classical music, sheet music, musical growth, expressive performance.
$7.99
7.3 €
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Edvard Grieg
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Glauco Fernandes
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Morning Mood by Grieg for Double Bass Duet with Piano
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Glauco Fernandes
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SheetMusicPlus
Romantic Night - Solo Flute and Piano
Chamber Orchestra Flute,Piano - Level 3 - Digital Download SKU: A0.760244 Composed …
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Chamber Orchestra Flute,Piano - Level 3 - Digital Download SKU: A0.760244 Composed by Raymond Fenech. Arranged by Raymond Fenech. Contest,Easter,Festival,Holiday,Standards,Wedding. Score and part. 6 pages. Raymond Fenech #3537357. Published by Raymond Fenech (A0.760244). This original composition is for Solo Flute and Piano. The level is an intermediate and the duration is 2.45 minutes. This is a romantic piece of composition and could be used for any activity and concerts.
$3.99
3.65 €
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Raymond Fenech
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Raymond Fenech
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Romantic Night - Solo Flute and Piano
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Raymond Fenech
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SheetMusicPlus
Prelude to Love - Romantic Flute
Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.572518 Composed by …
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Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.572518 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Sacred,Wedding. Score and part. 7 pages. James M Stevens Music ASCAP #3563677. Published by James M Stevens Music ASCAP (A0.572518). This is an original composition for Flute and Piano with some added orchestration on the recording in a very romantic and passionate style. There is a separate flute part in the score and the piano can serve as a stand alone solo. The track as heard is available under Prelude to Love Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://youtu.be/6_uk7NUIkO0
$6.99
6.39 €
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James Michael Stevens
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James Michael Stevens
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Prelude to Love - Romantic Flute
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James M Stevens Music ASCAP
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552860 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.81 €
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549644 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
22.81 €
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
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jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549645 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516867. Published by jmsgu3 (A0.549645). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
22.81 €
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.24 €
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.24 €
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
The Wedding March - Trumpet Duet and Piano (Full Score and Parts)
Instrumental Duet,Piano B-Flat Trumpet,B-Flat instrument,Instrumental Duet,Piano - Level 3…
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Instrumental Duet,Piano B-Flat Trumpet,B-Flat instrument,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1178955 Composed by Felix Bartholdy Mendelssohn. Arranged by César Madeira. Children,Classical,Multicultural,Romantic Period,Wedding,World. 12 pages. Sheet Music To Play Editions #778927. Published by Sheet Music To Play Editions (A0.1178955). The Wedding March by Felix Mendelssohn. Arrangement for Trumpet Duet and Piano. With Full Score and Individual Parts. Enjoy it!Jakob Felix Mendelssohn (1809 - 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night's Dream (incluyed The Wedding March), the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto and the String Octet. The melody for the Christmas carol Hark! The Herald Angels Sing is also his. Mendelssohn's Songs Without Words are his most famous solo piano compositions.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$10.99
10.05 €
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Felix Bartholdy Mendelssohn
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César Madeira
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The Wedding March - Trumpet Duet and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Tchaikovsky - Romance Op.5 - Piano Trio Violin Cello Piano
Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.824002 Composed by …
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Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.824002 Composed by Peter Ilyich Tchaikovsky. Arranged by Tim TK Murray. Concert,Romantic Period. Score and parts. 13 pages. TK (Tim) Murray #4783863. Published by TK (Tim) Murray (A0.824002). The Romance Op.5 is pure Tchaikovsky at his most Romantic - Lyrical, Passionate & very Dramatic! It is a beautiful work and lends itself very successfully to Piano Trio as the interaction of the instruments really heightens the emotions.Highly recommended. Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
6.35 €
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Peter Ilyich Tchaikovsky
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Tim TK Murray
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Tchaikovsky - Romance Op.5 - Piano Trio Violin Cello Piano
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TK
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552857 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552857 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511309. Published by jmsgu3 (A0.552857). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore!Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.81 €
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
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