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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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DEEJAY
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FLUTE TRAVERSI…
FORMATION MUSI…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All By Myself
Non classifié
41
Piano & claviers
Piano seul
32
Piano, Voix
27
Piano, Voix et Guitare
12
Orgue
5
Instruments en Do
2
1 Piano, 4 mains
1
+ 1 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
8
Guitare
7
Basse electrique
3
Guitare notes et tablatures
3
Paroles et Accords
1
Mandoline
1
Piano, Guitare (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
13
Chorale TTBB
9
Chorale 3 parties
3
Chorale SSAA
1
Voix Soprano, Piano
1
Chorale SSATB
1
Chorale Unison
1
+ 2 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Flûte traversière et Piano
3
Saxophone Alto et Piano
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Soprano et Piano
2
Clarinette et Piano
2
Clarinette Basse, Piano
2
Hautbois, Piano (duo)
2
Cor anglais, Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Cor Anglais
1
Hautbois (partie séparée)
1
Saxophone Soprano
1
Saxophone Baryton, Piano
1
Saxophone (partie séparée)
1
Quatuor de Flûtes : 4 flûtes
1
2 Flûtes traversières (duo)
1
Quintette de Flûte : 5 flûtes
1
Saxophone Alto
1
Quintette de Saxophone: 5 saxophones
1
2 Saxophones (duo)
1
+ 17 instrumentations
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Cuivres
Tuba
2
Euphonium, Piano (duo)
2
Cor et Piano
2
Cor anglais, Piano
2
Cor Anglais
1
Trompette
1
Trombone et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor
1
Trompette, Piano
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Tuba et Piano
1
+ 7 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
6
Violon
3
Alto, Piano
3
Violoncelle, Piano
3
Violon et Piano
2
Violoncelle
2
Trio à Cordes: violon, alto, violoncelle
1
Alto seul
1
+ 3 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
6
Ensemble Jazz
6
Orchestre à Cordes
4
Orchestre
4
Batterie
2
Ensemble de cuivres
2
Marimba
1
Ensemble de Percussions
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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Crtitères actifs :
All By Myself
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Partitions à imprimer
41 partitions trouvées
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26
All By Myself
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Film/TV
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Celine Dion
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Thomas Graf
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All By Myself
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.569557 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by Thomas Gr...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.569557 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by Thomas Graf. Film/TV. 26 pages. Thomas Graf - the-hit-factory.com #6405415. Published by Thomas Graf - the-hit-factory.com (A0.569557). This great song by American artist Eric Carmen was released in 1975. The verse is based on the second movement (Adagio sostenuto) of Sergei Rachmaninoff's circa 1900-1901 Piano Concerto No. 2 in C minor, Opus 18, famously used to underscore the 1945 British film Brief Encounter. The chorus was taken from the song Let's Pretend, which Carmen wrote and recorded with the Raspberries in 1972. Many famous artists sang that song, among them Celine Dion. Instrumentation: Clarinet 1/2/3/4 in Bb, Alto Clarinet 3/4 in Bb, Bass Clarinet in Bb, Drum Set (opt.) Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! .
$19.99
All By Myself
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Pop musique
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Celine Dion
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James M
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All By Myself
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552807 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by James M. Guthrie, ASCAP....
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552807 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by James M. Guthrie, ASCAP. Pop. Score and part. 11 pages. Jmsgu3 #3130437. Published by jmsgu3 (A0.552807). Score: 6 pages. Solo part: 2 pages.Piano part: 3 pages. Duration: 4'41 Extremely popular song, well suited for a variety of venues: church, concert hall, nightclub, etc. Interesting crossover production with Sergei Rachmaninoff. Features a very wide tessitura of nearly 2 1/2 octaves.
$49.95
All By Myself
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Pop musique
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Celine Dion
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James M
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All By Myself
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jmsgu3
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SheetMusicPlus
Piano,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.548100 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by James M. Guthrie, AS...
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Piano,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.548100 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by James M. Guthrie, ASCAP. Pop. 11 pages. Jmsgu3 #3130511. Published by jmsgu3 (A0.548100). Score: 6 pages. Solo part: 2 pages. Piano part: 3 pages. Duration: 4'41 Extremely popular song, well suited for a variety of venues: church, concert hall, nightclub, etc. Interesting crossover production with Sergei Rachmaninoff. Features a very wide tessitura
$49.95
All By Myself (Score & Parts)
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Jazz
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Irving Berlin
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Michael Pilley
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All By Myself
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NiceChart
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.931975 Composed by Irving Berlin. Arranged by Michael Pilley. Jazz. Score and parts. 73 pages. NiceChart #4762825. Pu...
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Small Ensemble - Level 3 - SKU: A0.931975 Composed by Irving Berlin. Arranged by Michael Pilley. Jazz. Score and parts. 73 pages. NiceChart #4762825. Published by NiceChart (A0.931975). Take a trip back to the days when big bands were king! This standard has been styled to emulate the sound of a true traditional swing big band from the 40’s and 50’s and features a tenor sax solo. Piano, Guitar and Bass parts are available in both slash and standard notation and a solo insert is included in case adding a solo or moving the solo to another instrument makes sense for your group.
$65.00
All By Myself
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Film/TV
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Celine Dion
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Goos ten Napel
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All By Myself
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Goos ten Napel
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SheetMusicPlus
Bells,Instrumental Solo - Level 3 - SKU: A0.974591 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by Goos ten Napel. Film/TV. Individu...
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Bells,Instrumental Solo - Level 3 - SKU: A0.974591 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by Goos ten Napel. Film/TV. Individual part. 3 pages. Goos ten Napel #6456139. Published by Goos ten Napel (A0.974591).
$4.99
Piano Concerto in D – Hoboken XVIII/11, Rondo all'Ungarese - Score Only
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Classique
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Franz Joseph Haydn
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Nelson Ramos
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Piano Concerto in D – Ho
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Published / Arranged by Nelson Ramos
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SheetMusicPlus
Level 3 - SKU: A0.1141686 Composed by Franz Joseph Haydn. Arranged by Nelson Ramos. Classical. 22 pages. Published / Arranged by Nelson Ramos #742049. P...
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Level 3 - SKU: A0.1141686 Composed by Franz Joseph Haydn. Arranged by Nelson Ramos. Classical. 22 pages. Published / Arranged by Nelson Ramos #742049. Published by Published / Arranged by Nelson Ramos (A0.1141686). IMPORTANT: If you want to help me, and instead of buying the arrangement via this platform, which takes 50% comission over the price from the arranger / composer, please contact me via email at nelsonramos@pm.me and I may even make you a discount, since I will receive the value in its entirety.Contact me for the parts PDF, and having been shown proof of acquisition, I will gladly send them.I adapted/arranged this Piano Concerto, by Franz Haydn, for a Mixed Ensemble, with Piano Solo, constituted by Organ, Piano, Soprano and Alto Saxophone, Flute, Clarinet in Bb, Trombone and French Horn, apropos of a small project I used to have with a class at EAB, in Portugal – that explains the unusual orchestration. Inasmuch as there was no tuba, the French Horn part, played by myself, had to play really low notes. If required, separate parts can be sent via email, if shown purchase proof.
$20.00
Walking By Myself
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Contemporain
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Jimmy Rogers
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Bob Swadling
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Walking By Myself
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Swadling Publications
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SheetMusicPlus
Small Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1001421 By Jimmy Rogers. By James A. Lane. Arranged...
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Small Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1001421 By Jimmy Rogers. By James A. Lane. Arranged by Bob Swadling. Contemporary. Score and parts. 16 pages. Swadling Publications #6211245. Published by Swadling Publications (A0.1001421). Written byJimmy Rodgers
$15.00
Lyin' To Myself
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Carl Seante Mcgrier, Jean-Yves
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Ted Gehring
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Lyin' To Myself
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Ted Gehring
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.940820 Composed by Carl Seante Mcgrier, Jean-Yves G. Ducornet, Kofi A. Owusi-Ofori, and Todrick Dramaul Hall. Arrange...
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Small Ensemble - Level 3 - SKU: A0.940820 Composed by Carl Seante Mcgrier, Jean-Yves G. Ducornet, Kofi A. Owusi-Ofori, and Todrick Dramaul Hall. Arranged by Ted Gehring. A Cappella. Score and parts. 9 pages. Ted Gehring #6463367. Published by Ted Gehring (A0.940820). A Cappella arrangement for mixed ensemble of Toddrick Hall's Lying to Myself for SMATBB. The arrangement highlights the bases with the melody. Â Link to Toddrick Hall's original workhttps://www.youtube.com/watch?v=Y6whgq0quV8IMPORTANT: One purchase allows for up to 25 copies.
$12.99
Dancing With Myself
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Rock
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Billy Idol
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David Maddux
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Dancing With Myself
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David Maddux
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SheetMusicPlus
Small Ensemble Drum Set,Electric Bass Guitar,Piano - Level 3 - SKU: A0.575291 By Billy Idol. By Billy Idol and Tony James. Arranged by David Maddux. Pop...
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Small Ensemble Drum Set,Electric Bass Guitar,Piano - Level 3 - SKU: A0.575291 By Billy Idol. By Billy Idol and Tony James. Arranged by David Maddux. Pop,Rock. Score and parts. 40 pages. David Maddux #184650. Published by David Maddux (A0.575291). NOTE: This PDF file contains the conductor’s score, individual instrumental parts, and vocal-only part. The piano-vocal is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$50.00
Falling In Love With Myself Again
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Sparks
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Nathaniel Hontz
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Falling In Love With Myself Ag
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TigerSong LLC
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SheetMusicPlus
Clarinet,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1404387 By Sparks. By Ronald D Mael. Arranged by Nathaniel Hontz. Folk,Multicultural,Pop,Rock,World. ...
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Clarinet,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1404387 By Sparks. By Ronald D Mael. Arranged by Nathaniel Hontz. Folk,Multicultural,Pop,Rock,World. 15 pages. TigerSong LLC #987463. Published by TigerSong LLC (A0.1404387). Wieder mich selbst Verlieren reimagines Spark's Falling in Love with Myself Again as a German Waltz! Arranged for Hungry Five Polka Band. The original song, off their 1974 album Kimono My House, already leans heavily into the genre. A great, fun, and quirky waltz!
$12.99
Not Myself
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John Mayer
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Nico Mendoza
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Not Myself
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Nico Mendoza
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SheetMusicPlus
Percussion Ensemble Drum Set,Glockenspiel,Marimba,Vibraphone - Level 3 - SKU: A0.1478320 By John Mayer. By John Mayer. Arranged by Nico Mendoza. Contemp...
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Percussion Ensemble Drum Set,Glockenspiel,Marimba,Vibraphone - Level 3 - SKU: A0.1478320 By John Mayer. By John Mayer. Arranged by Nico Mendoza. Contemporary,Contest,Festival,Instructional,Pop,Singer/Songwriter. 19 pages. Nico Mendoza #1055700. Published by Nico Mendoza (A0.1478320). Here's another mellow tune from the early 2000's that will give a wave of nostalgia for your millenial audience! Instrumentation is 1 Marimba (4 mallet), 2 Vibraphones (one 4 mallet, one 2 mallet), bells, bass guitar, drum set.
$40.00
All Things Bright and Beautiful — festival hymn accompaniment for organ, brass quintet
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English Traditional Melody
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Todd Marchand
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All Things Bright and Beautifu
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Con Spirito Music
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SheetMusicPlus
Horn,Organ,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1264232 Composed by English Traditional Melody. Arranged by Todd Marchand. Christian,Sacred,Traditi...
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Horn,Organ,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1264232 Composed by English Traditional Melody. Arranged by Todd Marchand. Christian,Sacred,Traditional. 22 pages. Con Spirito Music #857095. Published by Con Spirito Music (A0.1264232). All Things Bright and Beautiful is a beloved hymn written by Cecil Frances Alexander (1818-1895), an Anglo-Irish poet known for her hymns There is a Green Hill Far Away and Once in Royal David's City as well as her metrical paraphrase of St. Patrick's Breastplate (a prayer attributed to Patrick, patron saint of Ireland), known by its opening words, I bind unto myself today the strong name of the Trinity. An exposition of the clause of the Apostles' Creed that describes God as maker of heaven and earth, All Things Bright and Beautiful was published in Alexander's Hymns for Little Children in 1848. It was later included in The English Hymnal (1906) with a tune composed by W.H. Monk in 1887.All Things Bright and Beautiful is also frequently sung to the hymn tune ROYAL OAK, adapted from a 17th-century English folk tune, The Twenty-Ninth of May and published in the collection of English country dances, The Dancing Master, in 1686. This tune was first associated with Alexander's poem in a 1916 arrangement published by English composer Martin Shaw (1875-1978) and earned wide popularity after its inclusion in the 1925 English hymnal, Songs of Praise. This accompaniment to unison voices for organ and brass quintet is based on the ROYAL OAK tune. Includes full score, parts for organ, Bb trumpets 1-2, F horn, trombone, tuba, and reproducible bulletin insert.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #528866...
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Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Publishe...
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Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
The Poohratorio (Winnie the Pooh - the Expotition to the North Pole) (mp3)
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David Warin Solomons
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The Poohratorio
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David Warin Solomons
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SheetMusicPlus
Guitar,Medium Voice - Level 3 - SKU: A0.1271084 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. ...
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Guitar,Medium Voice - Level 3 - SKU: A0.1271084 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Duration 1608. David Warin Solomons #863477. Published by David Warin Solomons (A0.1271084). Here is my 1976 Oratorio on Winnie the Pooh (Poohratorio) for alto voice, spoken parts, guitar and various optional other instrumentsGreat fun for young and old. It uses the whole of Chapter 8 of A A Milne's Now we are six -The expotition to the North Pole, which is now in the public domain in the USA.CHAPTER 8 ...IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLEONE fine day Pooh had stumped to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this:Sing Ho! For the life of a Bear.When he had got as far as this, he scratched his head, and thought to himself That's a very good start for a song, but what about the second line? He tried singing Ho, two or three times, but it didn't seem to help. Perhaps it would be better, he thought, if I sang Hi for the life of a Bear. So he sang it . . . but it wasn't. Very well, then, he said, I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose! I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two! He was so pleased with this song that he sang it all the way to the top of the Forest, ... etc.
$10.50
Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1156205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1156205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 43 pages. Socrates Arvanitakis #756519. Published by Socrates Arvanitakis (A0.1156205). This is the seventeenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)I Love My LoveI must live all aloneI saw a maidenI will Give my Love an AppleI will give you the keys of Heaven (Cheshire)I wish I was Single AgainI wish I wish 1 (My True Love Once He courted Me 1)I wish I wish 2 (My True Love Once He courted Me 2)I wish I wish 3 (My True Love Once He courted Me 3)I wish I wish 4 (My True Love Once He courted Me 4)I Wonder as I WanderI’ll Build Myself A Gallant ShipI’ll Mount the Air on Swallow’s Wings [The Loyal Lover]I’ll Tell You of a FellowI’m a Man that’s done wrong to my ParentsI’m A’ Doon For Lack of JohnnieI’se the B’y That Builds the BoatI’ve Set My Face For Zion’s KingdomIn a British Man O’ WarIn Bethlehem CityIn Good King Arthur’s Time (King Arthur’s Servants)In My Father’s GardenIn Nightly StillnessIron Horse (THE)Isle of DreamsIt’s of a farmer all in the town.
$25.00
Clarinet Concerto in A major, K. 622 - Score Only
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Classique
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Wolfgang Amadeus Mozart
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Nelson Ramos
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Clarinet Concerto in A major,
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Published / Arranged by Nelson Ramos
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SheetMusicPlus
Level 3 - SKU: A0.1141683 Composed by Wolfgang Amadeus Mozart. Arranged by Nelson Ramos. Classical. 8 pages. Published / Arranged by Nelson Ramos #74204...
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Level 3 - SKU: A0.1141683 Composed by Wolfgang Amadeus Mozart. Arranged by Nelson Ramos. Classical. 8 pages. Published / Arranged by Nelson Ramos #742041. Published by Published / Arranged by Nelson Ramos (A0.1141683). IMPORTANT: If you want to help me, and instead of buying the arrangement via this platform, which takes 50% comission over the price from the arranger / composer, please contact me via email at nelsonramos@pm.me and I may even make you a discount, since I will receive the value in its entirety.Contact me for the parts PDF, and having been shown proof of acquisition, I will gladly send them.I adapted/arranged this Clarinet Concerto, by Amadeus Mozart, for a Mixed Ensemble, with Alto Saxophone Solo, constituted by Organ, Piano, Soprano and Alto Saxophone, Flute, Clarinet in Bb, Trombone and French Horn, apropos of a small project I used to have with a class at EAB, in Portugal – that explains the unusual orchestration. Inasmuch as there was no tuba, the French Horn part, played by myself, had to play really low notes. If required, separate parts can be sent via email, if shown purchase proof.
$20.00
Eine Kleine Nachtmusik
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Classique
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Wolfgang Amadeus Mozart
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Nelson Ramos
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Eine Kleine Nachtmusik
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Published / Arranged by Nelson Ramos
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SheetMusicPlus
Acoustic Guitar,Alto Saxophone,B-Flat Trumpet,Horn,Mezzo-Soprano Voice,Organ,Piano - Level 3 - SKU: A0.1141701 Composed by Wolfgang Amadeus Mozart. Arra...
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Acoustic Guitar,Alto Saxophone,B-Flat Trumpet,Horn,Mezzo-Soprano Voice,Organ,Piano - Level 3 - SKU: A0.1141701 Composed by Wolfgang Amadeus Mozart. Arranged by Nelson Ramos. Chamber,Classical. 31 pages. Published / Arranged by Nelson Ramos #742077. Published by Published / Arranged by Nelson Ramos (A0.1141701). IMPORTANT: If you want to help me, and instead of buying the arrangement via this platform, which takes 50% comission over the price from the arranger / composer, please contact me via email at nelsonramos@pm.me and I may even make you a discount, since I will receive the value in its entirety.I adapted/arranged this piece, by Amadeus Mozart, for a Mixed Ensemble, constituted by one Mezzo-Soprano, Organ, Piano, Alto Saxophone, Trumpet in Bb, French Horn and two classical guitars, apropos of a small project I used to have with a class at EAB, in Portugal – that explains the unusual orchestration. Inasmuch as there was no tuba, the French Horn part, played by myself, had to play really low notes.
$20.00
St Theresa - Brightly Gleams our Banner - Solo for Cornet & Piano in Support of the NHS
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Contemporain
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Sir Arthur Seymour Sullivan
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Kevin P Holdgate
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St Theresa - Brightly Gleams o
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Kevin P Holdgate
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SheetMusicPlus
Instrumental Duet,Piano Cornet,Instrumental Duet,Piano,Trumpet - Level 3 - SKU: A0.791222 Composed by Sir Arthur Seymour Sullivan. Arranged by Kevin P H...
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Instrumental Duet,Piano Cornet,Instrumental Duet,Piano,Trumpet - Level 3 - SKU: A0.791222 Composed by Sir Arthur Seymour Sullivan. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgate #5708867. Published by Kevin P Holdgate (A0.791222). KPHMS 'Hymn' CollectionI have done this arrangement as a solo with piano accompaniment in support of the NHS in the UK. There are 2 verses the second of which carries an obligato for the solo voiceAll commission payments received by myself (the arranger) for this work will be donated to the Combined NHS Charities.An MP3 of the piano part for this work can be obtained directly from myself (the arranger).
$5.50
Intermezzo from "Cavalleria rusticana" (Mascagni) - Solo Trombone or Euphonium and Piano
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0....
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B-Flat instrument,B-Flat trombone,Baritone Horn TC/Euphonium,C Instrument,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0.1320503 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. Score and individual part. 9 pages. RBMusic #909019. Published by RBMusic (A0.1320503). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement (for solo trombone or euphonium and piano accompaniment) includes an alternative part for trombone/euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
Intermezzo from "Cavalleria rusticana" (Mascagni) - Brass Quintet
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1321540 Composed by Pietro Mascagni. Arranged ...
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Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1321540 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 18 pages. RBMusic #910007. Published by RBMusic (A0.1321540). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$19.99
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