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Arbeau
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Partitions à imprimer
4 partitions trouvées
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Aire On Two Canaries
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Renaissance
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Thoinot Arbeau and Michael Pra
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Christopher Perez
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Aire On Two Canaries
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Chris Perez
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1420138 Composed by Thoinot Arbeau and Michael Praetorius. Arranged by Christopher Perez. Renaissance. 12 pages. Chris Perez ...
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Guitar - Level 3 - SKU: A0.1420138 Composed by Thoinot Arbeau and Michael Praetorius. Arranged by Christopher Perez. Renaissance. 12 pages. Chris Perez #1001559. Published by Chris Perez (A0.1420138). Aire is a Canary Melody from the Renaissance period and thus has two different interpretations (Arbeau and Praetorius). One is in cut time/half time feel. The other is in 6/4 and has a two feel. Additional arranged counterpoint melodies, a continuum voice for Acoustic Guitar and optional Percussion were written to give these two arragements an more historial sound and flair.
$10.99
Ding Dong Merrily Swing
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16th C French melody collected
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Virginia Firnberg
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Ding Dong Merrily Swing
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Virginia Firnberg
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SheetMusicPlus
Choral Choir,Choral (5-Part) - Level 3 - SKU: A0.1280933 Composed by 16th C French melody collected by Thoinot Arbeau, harmonised by Charles Wood. Arran...
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Choral Choir,Choral (5-Part) - Level 3 - SKU: A0.1280933 Composed by 16th C French melody collected by Thoinot Arbeau, harmonised by Charles Wood. Arranged by Virginia Firnberg. A Cappella,Barbershop,Christmas,Jazz,Religious. 8 pages. Virginia Firnberg #872271. Published by Virginia Firnberg (A0.1280933). This fun, upbeat, Jazz version of the traditional Christmas carol Ding Dong Merrily on High is scored for SSATB and optional piano. It is 3.08 minutes long. My choir WAVE did it on the same stage as Cleo Laine and Jacqui Dankworth and big band, the audience loved it and it will lift any Christmas programme!
$1.99
Ding Dong! Merrily on High (BRANLE DE L'OFFICIEL)
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Noël
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Thoinot Arbeau
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Richard Giszczak
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Ding Dong! Merrily on High
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.823584 Composed by Thoinot Arbeau (1519-1595) 16th Century French Carol. Arranged by Richard Giszczak. Ch...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.823584 Composed by Thoinot Arbeau (1519-1595) 16th Century French Carol. Arranged by Richard Giszczak. Christmas. Individual part. 3 pages. Singing Winds Music Company #4727747. Published by Singing Winds Music Company (A0.823584). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 3 variations, and a D.S al Fine. The hymn tune name is BRANLE DE L'OFFICIEL. It was published in 1588. The words Ding Dong! Merrily on High are associated with Christmas.
$2.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
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Arbeau