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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
At the End of the Day
Non classifié
255
Piano & claviers
Piano seul
177
Piano, Voix
47
Piano, Voix et Guitare
26
Orgue
17
Piano Facile
14
Instruments en Do
12
Piano Trio: piano, violon, violoncelle
5
1 Piano, 4 mains
4
Orgue, Trompette (duo)
4
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
+ 7 instrumentations
Retracter
Guitares
Guitare
24
Guitare notes et tablatures
10
Piano, Guitare (duo)
5
Ukulele
3
Banjo
2
Basse électrique (partie séparée)
1
Mandoline
1
3 Guitares (trio)
1
Paroles et Accords
1
Ensemble de guitares
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
103
Chorale 3 parties
23
Chorale TTBB
13
Chorale SSAA
10
Chorale 2 parties
4
Voix Alto, Piano
3
Voix Soprano, Piano
3
Chorale Unison
2
Voix Tenor, Piano
2
Voix duo, Piano
2
Voix basse
1
Voix basse, Piano
1
Voix duo
1
+ 8 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
23
2 Saxophones (duo)
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Saxophone Alto et Piano
18
Clarinette et Piano
17
Flûte traversière et Piano
16
Quintette de Saxophone: 5 saxophones
13
Quatuor de Clarinettes: 4 clarinettes
12
Saxophone Alto
12
Hautbois, Piano (duo)
12
Saxophone Tenor
10
Flûte traversière
10
2 Clarinettes (duo)
10
Clarinette
10
2 Flûtes traversières (duo)
9
Saxophone Soprano et Piano
9
Ensemble de Flûtes
8
Flûte, Hautbois, Clarinette, Basson
8
Saxophone Tenor et Piano
8
Flûte, Clarinette (duo)
6
Saxophone, Clarinette (duo)
6
Hautbois (partie séparée)
6
Clarinette, Violoncelle, Piano (trio)
5
Ensemble de saxophones
5
Ensemble de Clarinettes
5
3 Clarinettes (trio)
4
3 Saxophones (trio)
4
Quatuor de Flûtes : 4 flûtes
4
Clarinette, Trompette (duo)
4
Saxophone Soprano
4
Clarinette, Harpe (duo)
3
Hautbois, Flûte
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette, Violon (duo)
3
Quintette de Flûte : 5 flûtes
3
Flûte, Hautbois, Clarinette (trio)
3
Hautbois, Harpe
3
Saxophone Baryton
2
Flûte, Violon
2
Hautbois, Basson (duo)
2
Flûte, Trompette (duo)
2
Flûte, Saxophone (duo)
2
2 Hautbois (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Alto et Piano
2
Saxophone (partie séparée)
2
Saxophone Baryton, Piano
2
Quatuor de Flûtes à bec
2
Hautbois, Clarinette (duo)
2
Hautbois
2
Flûte, Alto (duo)
2
2 Flûtes traversières, Piano
1
Flute (partie séparée)
1
Flûte, Violon, Piano
1
Clarinette, Violoncelle (duo)
1
Clarinette et Alto
1
2 Clarinettes, Piano
1
Flûte à bec Tenor
1
Flûte, Violoncelle, Piano (trio)
1
Trio de Flûtes: 3 flûtes
1
Clarinette (partie séparée)
1
+ 56 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
31
Trompette
16
Trompette, Piano
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trombone et Piano
12
Trombone
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Ensemble de Trompettes
9
Quatuor de Cuivres
8
Cor
6
2 Trompettes (duo)
5
Ensemble de Trombones
5
2 Cors (duo)
4
2 Trombones (duo)
4
Cor et Piano
4
Trompette, Saxophone (duo)
4
Trompette (partie séparée)
3
Tuba
3
Trompette, Harpe
2
Trompette, Trombone (duo)
2
Cor et Harpe
2
Tuba et Piano
2
Quatuor de cuivres: 4 trombones
1
2 Euphoniums (duo)
1
Trompette, Cor (duo)
1
Ensemble de Tubas
1
Cor (partie séparée)
1
Quatuor de cuivres: 4 cors
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
75
Violon, Violoncelle (duo)
28
Violon et Piano
27
Trio à Cordes: violon, alto, violoncelle
25
Violoncelle, Piano
20
Alto, Piano
16
Violon
16
Harpe
15
Violoncelle
14
2 Harpes (duo)
10
2 Violons (duo)
9
Trio à Cordes: 2 violons, violoncelle
9
Alto seul
9
2 Violoncelles (duo)
7
Violon, Alto (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Harpe, Violon (duo)
5
Contre Basse
3
Harpe, Flûte (duo)
3
Contrebasse, Piano (duo)
2
4 Violoncelles
2
Alto (partie séparée)
2
Piano Trio: Violon, Alto, Piano
2
2 Altos (duo)
2
Ensemble d'Altos
1
Harpe, Voix
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto et Harpe
1
Quatuor à cordes : 4 altos
1
Ensemble de Violons
1
Alto, Violoncelle (duo)
1
Harpe, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe et Piano
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Fanfare
40
Orchestre d'harmonie
32
Orchestre
16
Ensemble de cuivres
16
Orchestre à Cordes
14
Jazz combo
6
Cloches
6
Orchestre de chambre
4
Ensemble Jazz
4
Batterie (partie séparée)
2
Batterie
1
Ensemble de Percussions
1
+ 7 instrumentations
Retracter
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COR ANGLAIS
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DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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PAS DE PART…
PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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KLEZMER - JUIVE
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MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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At the End of the Day
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Partitions à imprimer
255 partitions trouvées
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1
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51
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251
Music for Holy Week - Good Friday
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Eoin Buchanan
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Music for Holy Week - Good Fri
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7plc Music
#
SheetMusicPlus
Small Ensemble Cello,Harp,Horn - Level 3 - SKU: A0.1017095 Composed by Eoin Buchanan. Christian,Concert,Contemporary,Easter. Score and parts. 10 pages. ...
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Small Ensemble Cello,Harp,Horn - Level 3 - SKU: A0.1017095 Composed by Eoin Buchanan. Christian,Concert,Contemporary,Easter. Score and parts. 10 pages. 7plc Music #6285089. Published by 7plc Music (A0.1017095). Often termed the saddest day in the church's calendar this addition to my Holy Week suite looks very firmly to The Cross. Nails being driven into the helpless Christ, are announced on the harp with echoes of physical and emotional pain heralded by Horn (could be a Cor Anglais) with the cello adding a touch of cynicism. The Cross is lifted at the end of the repeated section and from thereon the work is semi-programmatic. The words of Jesus and the crowd are printed in brief to help the performers. The music gives way to the beautiful hymn 'O Sacred Head, sore wounded' and then the theme is extended in harp and cello. The upper harp part introduces what maybe tears falling...but whose?
$6.50
教师节快乐 Selamat Hari Guru Happy Teacher's Day Medley in D for String Quartet by Johnson Lee
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Johnson Lee
#
Johnson Lee
#
教师节快乐 Selamat Hari G
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johnson lee
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1497071 By Johnson Lee. By Johnson Lee. Arrange...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1497071 By Johnson Lee. By Johnson Lee. Arranged by Johnson Lee. Folk,Holiday,Pop. 19 pages. Johnson lee #1073489. Published by johnson lee (A0.1497071). 早安老师! 'Zao An Lao Shi' is a common phrase in Mandarin Chinese meaning 'Good morning, teacher!' used by students to respectfully greet their teachers at the start of the day. 听我说谢谢你 ‘Ting Wo Suo Xie Xie Ni' - expresses gratitude to teachers who has been the guiding light on our educational journey. 你笑起来真好看 ‘Ni Xiao Qi Lai Zhen Hao Kan' - Teachers are known to be strict and have a stern face but they are also fun loving people. So this song hopes to bring laughter and smiles to all teachers. Happy Teacher's Day!!! 早安老师 ! 是普通话中的一个常用短语，意思是“早上好，老师！”学生们在一天开始时用它来恭敬地向老师打招呼。 听我说谢谢你 表达对老师的谢意，他们是我们教育旅程中的指路明灯。 你笑起来真好看“ - 老师们都是出了名的严厉、表情严肃，但他们也是爱玩的人。所以这首歌希望能给所有老师带来欢声笑语。 教师节快乐！！！早安老师! 'Zao An Lao Shi' ialah frasa biasa dalam bahasa Cina Mandarin yang bermaksud 'Selamat pagi, cikgu!' digunakan oleh pelajar untuk memberi salam hormat kepada guru mereka pada permulaan hari. 听我说谢谢你 'Ting Wo Suo Xie Xie Ni' - mengucapkan terima kasih kepada guru-guru yang telah menjadi pembimbing dalam perjalanan pendidikan kami.你笑起来真好看 ‘Ni Xiao Qi Lai Zhen Hao Kan' - Guru dikenali sebagai seorang yang tegas dan berwajah tegas tetapi mereka juga seorang yang penyayang yang menyeronokkan. Jadi lagu ini diharapkan dapat membawa ketawa dan senyuman kepada semua guru. Selamat Hari Guru!!!
$18.00
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
The Wedding Album, for Solo Horn in Eb and Piano
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Film Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo Ho
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David McKeown
#
SheetMusicPlus
Small Ensemble E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - SKU: A0.587627 Composed by Various. Arranged by David McKeown. Baroque,Romantic Per...
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Small Ensemble E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - SKU: A0.587627 Composed by Various. Arranged by David McKeown. Baroque,Romantic Period,Standards,Wedding. Score and individual part. 24 pages. David McKeown #4594693. Published by David McKeown (A0.587627). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Horn in Eb with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
King Of The Road
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Contemporain
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Randy Travis
#
Keith Terrett
#
English title
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King Of The Road
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Keith Terrett
#
SheetMusicPlus
Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terret...
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Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terrett #6426723. Published by Keith Terrett (A0.747086). An arrangement of the classic King of the Road for Wind Dectet.King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, Trailers for sale or rent. This would become the opening line of the song.The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright & Teddy Thompson, Giant Sand, Peligro, John Williamson (singer) & Adam Harvey, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James The King Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV. Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, If there was any justice in the world, Roger Miller should be able to sue for what we did to this song.King of the Road was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.The song appears in Wim Wenders's 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The Proclaimers' version is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is Roger Miller, King of Plugs.Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.A send-up version by English entertainer Billy Howard was a British chart hit in 1976.A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$16.99
The Charleston (1923) for Brass Choir
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James P
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Charles Decker
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The Charleston
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Charles Decker Music Press
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1411272 Composed by James P. Johnson. Arranged by Charles Decker. 20t...
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Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1411272 Composed by James P. Johnson. Arranged by Charles Decker. 20th Century,Broadway,Contest,Festival,Film/TV,Jazz,Musical/Show. 28 pages. Charles Decker Music Press #993606. Published by Charles Decker Music Press (A0.1411272). From the Music of Black Composers Series at Charles Decker Music Press is the The Charleston which debuted in James P. Johnson’s Broadway 1923 show “Runnin’ Wild†to become the wildly popular and unofficial anthem of the Roaring 20’s.  An important jazz pianist and composer, Johnson was a major influence on Count Basie, Duke Ellington, Art Tatum, Thelonious Monk, and Fats Waller.  Arranged for a ten-piece brass choir of three B-flat trumpets, two horns in F with a substitute flugelhorns parts, three trombones or euphoniums with substitute horn for trombone 1, euphonium and tuba, the arrangement uses the original 1923 piano edition and retains the style of the day. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, FountainCity Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series brass†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to  Kendor Music and  Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$15.99
Sunday
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Comédie Musicale
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Ukelele Ike
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Jim Ivy
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Sunday
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Jim Ivy
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SheetMusicPlus
Choral Piano and Keyboard,Ukulele,Voice (4-Part) - Level 3 - Interactive Download SKU: A0.1033592 By Ukelele Ike (Cliff Edwards). Arranged by Jim Ivy. Th...
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Choral Piano and Keyboard,Ukulele,Voice (4-Part) - Level 3 - Interactive Download SKU: A0.1033592 By Ukelele Ike (Cliff Edwards). Arranged by Jim Ivy. This edition: Interactive Download. Musical/Show,Standards. Octavo. Duration 133. Jim Ivy #bLtl7pcHmOevED0xqdd2w. Published by Jim Ivy (A0.1033592). Key: C major.Am I the only one here who remembers Saturday morning at the movies? No one had air conditioning or TV sets when I was a boy. The only way to cool off during those long, hot Alabama summers was to either jump in the creek for a swim, or go into town to the movie theater! On Saturday mornings we would pedal our bikes into town, where for a dime, we could spend half the day in refrigerated air comfort. There was always a double feature on Saturday and between the two movies, there was newsreel about the important events of the day, the weekly installment of the serial, one or two cartoons, and always a bouncing ball sing-a-long! Here is an arrangement that reminds me very much of those Saturday mornings. I had to figure out some new things (at least new to me) but I'm rather pleased with the way it turned out. It reminds me very much of those Saturday mornings long ago!
$2.99
Also Sprach Zarathustra (2001 A Space Odyssey) also Happy Birthday
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The Candlelight Guitarist
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Bradley Powell
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Also Sprach Zarathustra
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Geofonica Artistworks
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1452366 By The Candlelight Guitarist. By Richard Strauss. Arranged by Bradley Powell. 19th Century,20th Century,Classical,Fil...
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Guitar - Level 3 - SKU: A0.1452366 By The Candlelight Guitarist. By Richard Strauss. Arranged by Bradley Powell. 19th Century,20th Century,Classical,Film/TV,Holiday. Guitar Tab. 4 pages. Geofonica Artistworks #1031691. Published by Geofonica Artistworks (A0.1452366). This is a solo classical guitar 'mashup'/medley of Also Sprach Zarathustra (widely known from film 2001: A Space Odyssey) by Richard Strauss with the traditional Happy Birthday song. It begins with Also Sprach Zarathustra (the portion from 2001: A Space Odyssey)--then at the penultimate dominant chord, switches to Happy Birthday in a similar style, then at the Happy Birthday penultimate dominant chord, returns to the final three melody chords of Also Sprach Zarathustra. The playing level is intermediate classical guitar... even playable by a good early intermediate player. This arrangement is in standard notation with TAB. Arranged by Bradley Powell, who records as The Candlelight Guitarist...the entire arrangement can be seen and heard at the video link provided. If a player ONLY wants to play Also Sprach Zarathustra, they can skip from the end of measure 14 to the beginning of measure 24). YouTube link: https://www.youtube.com/shorts/QgzHaRrtftQABOUT the arranger: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.
$2.99
We Gather Together
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Noël
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Eduard Kremser
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F
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We Gather Together
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Sweetwater Brass Press
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SheetMusicPlus
Level 3 - SKU: A0.808696 Composed by Eduard Kremser (1838-1914). Arranged by F. Leslie Smith. Christmas,Holiday. 20 pages. Sweetwater Brass Press #49681...
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Level 3 - SKU: A0.808696 Composed by Eduard Kremser (1838-1914). Arranged by F. Leslie Smith. Christmas,Holiday. 20 pages. Sweetwater Brass Press #4968147. Published by Sweetwater Brass Press (A0.808696). We Gather Together is one of the best known Thanksgiving hymns. It originated in the Netherlands in 1597 as Wilt Heden Nu Treden, written by Adrianus Valerius to commemorate a victory in the Dutch war of liberation from Spanish oppression. It was first published in Valerius’ 1626 collection of Dutch folks songs, Nederlandtsche Gedenck-Clanck. In 1877, the Austrian composer and conductor, Eduard Kremser, published arrangements for six songs from Valerius’ collection, one of which was Wilt Heden Nu Treden. Seven years later, American musicologist Theodore Baker wrote a modern English version of the hymn. It is Baker’s words and Kremser’s melody that are today sung as We Gather Together.  This arrangement consists of six versions of the Kremser tune. The first is a fairly straightforward melody-and-harmony rendition, except that Trumpet 1 begins solo, and the other instruments join the playing group one at a time. Succeeding versions consist of variations, until the final, which, for the four upper instruments, reverts to a simple statement of melody-plus-harmony. Tuba, on the other hand, has a wonderful running bass part. The piece ends with a brief diminuendo and ritardando repetition of the last four measures. The key signature changes twice: C to D and back to C. There are no tricky rhythmic figures. As for high notes: Trumpet 1 plays one quarter-note A above its staff; Trombone has two high-F eighth-notes.   This arrangement was completed in 2019, and performance time runs about 2 minutes, 55 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$6.99
Anthem: Lift Up Your Heads for Mixed Chorus and Brass Quartet
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Musique Sacrée
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Samuel Coleridge-Taylor
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Richard Decker
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Anthem: Lift Up Your Heads for
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Charles Decker Music Press
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SheetMusicPlus
B-Flat Trumpet,Baritone Horn TC/Euphonium,Choir,Trombone - Level 3 - SKU: A0.1156067 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20...
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B-Flat Trumpet,Baritone Horn TC/Euphonium,Choir,Trombone - Level 3 - SKU: A0.1156067 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Christmas,Contest,Easter,Festival,Praise & Worship. 42 pages. Charles Decker Music Press #756379. Published by Charles Decker Music Press (A0.1156067). Samuel Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. His numerous choir anthems offer dramatic performance opportunities for church or the concert hall. His festival anthem SATB choral anthem Lift Up Your Heads is an expressive and dramatic work enhanced with brass quartet accompaniment of two B-flat trumpets and two trombones with alternate F horn and treble clef euphonium parts provided for the trombone parts. The organ/piano part can be used for chorus preparation as well as additional support for performances if desired. However, not using the keyboard part in its entirety for a performance in addition to the brass group will create a more interesting interplay of different timbres. Conductors should ensure accompaniment parts don't overwhelm the chorus especially if the keyboard part is added with the brass. The recording is of the entire edition.Use this link to see all the Charles Decker Music Press Christmas holiday music for mixed brass and homogeneous groups.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$19.99
In the Dark Pine-Wood (Downloadable)
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Juliana Hall
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In the Dark Pine-Wood
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-4E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
Strings in the Earth and Air (Downloadable)
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Juliana Hall
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Strings in the Earth and Air
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-1E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
WITCHES’ FIREDANCE at BELTANE String quartet.
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Alan Edgar
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WITCHES’ FIREDANCE at BE
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Alan Edgar Ted Moon
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1518635 Composed by Alan Edgar. Romantic Period. 18 pages. Alan Edgar Ted Moon #1092735. Published by ...
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String Quartet String Quartet - Level 3 - SKU: A0.1518635 Composed by Alan Edgar. Romantic Period. 18 pages. Alan Edgar Ted Moon #1092735. Published by Alan Edgar Ted Moon (A0.1518635). WITCHES’ FIREDANCE at BELTANE String quartet. Beltane continues to be observed throughout Ireland and Scotland. The Beltane celebrations on the Hill of Uisneach in Ireland and the Edinburgh Fire Festival are long-standing and beloved. These days, Beltane has been embraced by modern witches and mystics as a celebration of the energies of Spring. You can probably find a Spring festival with a maypole and a bonfire near you. Witches celebrate Beltane on May 1st as the height of Spring. They give thanks for the fertility of our planet and the ability of the Earth to renew herself. They revel in the new growth and general fecundity of the season. As co-creators with the Universe, witches also like to tap into the energy of Spring to help them bring new life into their own endeavours.They have a maypole and a bonfire. They celebrate the sexual union of Mother Earth and Green Man. The maypole is a symbol of masculine energy which is then joyfully embraced by colourful ribbons, symbolic of the beautiful abundance and diversity of our living world.Beltane is a pagan Celtic festval, but as is their wont, the Roman Catholic Church has modified it: into May Day, with participation of priests. Even the maypole upset many Christians.The sections of the piece are: Introduction to the witches theme, Witches fly in, Witches dance round the bonfire, Maypole dance, Witches inspect the finished maypole and disperse.The witches have a ground bass. I hint at their suspected spiritual allegiance to the Devil by including an occasional diabolus in musica.The Maypole Dance tune is English seventeenth C traditional.DURATION: 4 minutes.INSTRUMENTATION: String Quartet.
$29.00
Father, Forgive Them
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Musique Sacrée
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Lewis A
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Father, Forgive Them
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Lewis A. Kocher
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.943024 Composed by Lewis A. Kocher. Christian,Easter,Sacred. Score and parts. 3 pag...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.943024 Composed by Lewis A. Kocher. Christian,Easter,Sacred. Score and parts. 3 pages. Lewis A. Kocher #4410815. Published by Lewis A. Kocher (A0.943024). I wrote this piece at the request of a pastor friend of mine who was lamenting the fact that there were too few hymns concerning the subject of forgiveness.At little more than 1 ½ minutes long, this song could work perfectly for a short prelude or postlude during Good Friday, Easter, or at any service during the year.An advantage to this piece is its flexibility in performance and thus in its performance length. As a slow ballad it is of course longer than the 1:40 shown above. And as fast Praise music, it will probably be closer to 1:30 depending upon the performance. And this flexibility is also its beauty: It can suit a variety of moods from reflective to enthusiastic.Wishing you God’s blessing always!
$3.99
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (
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David Catherwood
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Jack's Journey - A new Musical
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Opus 3 Music
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 3 - SKU: A0.739502 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 60 pages. Opus 3 Music #6052583...
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Choral Piano,Vocal,Voice - Level 3 - SKU: A0.739502 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 60 pages. Opus 3 Music #6052583. Published by Opus 3 Music (A0.739502). 'Jack's Journey'(A new Musical by Adeline Dinsmore and David Catherwood)Piano and vocal score (contains 7 songs plus overture and incidental music) plus Script - $9.50Duration c.40 minutesIdeal for schools, youth groups or adult dramatic/musical companies.Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompanimentOptional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar About the Musical A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$9.50
Jack's Journey - A Musical inspired by the boyhood adventures of CS Lewis (lyrics by Adeline Dinsmor
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David Catherwood
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Jack's Journey - A Musical ins
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Opus 3 Music
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SheetMusicPlus
Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - SKU: A0.739501 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 323 pages. Opus...
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Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - SKU: A0.739501 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 323 pages. Opus 3 Music #6051989. Published by Opus 3 Music (A0.739501). A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$75.00
Weekend in Paris. A Jazz Waltz for Flute Clarinet and Piano.
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Grant Horsley
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Weekend in Paris. A Jazz Waltz
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Grant Horsley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.1473258 Composed by Grant Horsley. Contest,Festival,Film/TV,Ho...
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.1473258 Composed by Grant Horsley. Contest,Festival,Film/TV,Holiday,Jazz,Wedding. 30 pages. Grant Horsley #1051064. Published by Grant Horsley (A0.1473258). There is a Piano accompaniment track availableWeekend in Paris is a bright jazz waltz intended to convey the excitement and anticipation of a trip to Paris.The music is to bring to mind pleasure in sightseeing, wandering around cafe's, seeing children at play, people dancing and laughing and families gathering in a happy relaxed atmosphere in the glorious sunshine. The piece is in concert F major establishing the bright swingy rhythm, this then flows into the second section which is more lyrical and legato and is in E flat major.A short bridge section follows keeping the motif's heard in the first section but exploring the lower registers and remains largely legato. The first two sections are then heard again before a modulation takes place to give the piece a final lift before the end. The piece concludes quietly with a snippet of the opening motif. I have set it to intermediate level but the whole score is on the youtube link for you to assess suitability.The music would be a great addition to any repertoire as a happy piece, programmatic with a world/travelling theme in mind.Full score 13 pages-parts 4 pages. 4 mins 30 in length. Price is for the full score and all parts.NB Versions for Flute Duet, 6 C flutes, Flute Choir, Clarinet Choir and Brass Sextet are also available.
$5.99
Day by Day [12 pieces for flute and piano]
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Juan Maria Solare
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Juan Maria Solare
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Day by Day [12 pieces for flut
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Juan Maria Solare
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1491061 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. Chamber,Classical,Contemporar...
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Piano,Soprano Flute - Level 3 - SKU: A0.1491061 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. Chamber,Classical,Contemporary,Instructional,Latin. Score and part. 54 pages. Juan Maria Solare #1067824. Published by Juan Maria Solare (A0.1491061). Day by Day is a suite of twelve pieces for flute and piano that reflects the continuous, ongoing process of daily life. The overarching title Day by Day suggests both a focus on the present moment and daily progress. The individual titles are chosen to evoke specific moods, settings, and introspective themes (from the mundane to the profound), each capturing a distinct moment or emotion within the broader journey of life. The suite, while pedagogical in nature, offers layers of meaning and technical challenges that encourage both the performer and the listener to engage deeply with each piece. 1. One Day at a Time (Un día a la vez / Einen Tag nach dem anderen) 1:152. End of Summer (Final del verano, Sommerende / Ende des Sommers) 1:153. Late Night Drive (Manejando de noche / Nachtfahrt) 1:204. Daydreamcatcher (Atrapasueños diurnos / Tagtraumfänger) 1:205. Touching the Rain (Palpando la lluvia / Den Regen spüren) 1:156. Echoes of the Valley (Ecos del Valle / Echos des Tals) 1:207. Satin Gloves (Guantes de satén / Satinhandschuhe) 2:308. The Origin of Trust (El origen de la confianza / Der Ursprung des Vertrauens) 1:209. Behind the Clock (Detrás del reloj / Hinter der Uhr) 1:3010. Streets of Neon and Vigil (Calles de Neón y de vigilia / Straßen des Neons und der Wachsamkeit) 2:3011. In the Pocket (En el bolsillo / In der Tasche) 2:0012. Patagonian Wild Horses (Caballos salvajes patagónicos / Patagonische Wildpferde) 2:30.
$6.00
Forty Days (From Ashes We Came) - Full Choral Version
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Musique Sacrée
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Stacey Plays Hymns
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Anastace
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Forty Days
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Anastace
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SheetMusicPlus
Choral Choir,Choral - Level 3 - SKU: A0.1190619 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Sp...
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Choral Choir,Choral - Level 3 - SKU: A0.1190619 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Spiritual,Traditional. 14 pages. Anastace #790198. Published by Anastace (A0.1190619). As seen on Youtube - this is a brand new hymn for Lent that blends solid theology with haunting, ancient Celtic-style melodies and a simple refrain, easy for any congregation or small choir to pick up and start singing immediately. Comes with an optional descant and full choir arrangement for an anthem style offering. Lead sheet and other alternate versions available- contact me at staceyplayshymns@gmail.com for any other parts you may need, or large print, etc. I am delighted to serve congregations and choir directors with new music and so honoured with the support for this song so far. God bless you!See the youtube link for an ideal presentation- consider using a soft keyboard pad sound instead of piano for an even more ethereal effect!This version has the entire choral arrangement as well as a breakdown by parts at the end of the pdf so you can print each separately.
$1.99
Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani
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Noël
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Felix Mendelssohn / W
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Todd Marchand
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Hark! The Herald Angels Sing &
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Con Spirito Music
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SheetMusicPlus
B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - SKU: A0.1272749 Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Ch...
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B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - SKU: A0.1272749 Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Christmas,Holiday,Sacred,Traditional. 23 pages. Con Spirito Music #864944. Published by Con Spirito Music (A0.1272749). One of the “Great Four†Anglican hymns of the 19th century, Charles Wesley’s (1707-1788) “Hark! The Herald Angels Sing†first appeared in the 1739 collection, Hymns and Sacred Poems, by Wesley and his brother John (1703-1791) under the title “Hymn for Christmas-Day.â€Based on a verse from the Gospel of Luke (“Glory to God in the highest, and on earth peace, good will toward men.†— 2:14), the hymn tells of an angelic host singing praises from Heaven above to Christ — the God incarnate, Savior and Redeemer of the world. George Whitefield, a fellow Anglican cleric and founder with the Wesley brothers of the evangelical movement known as Methodism, adapted the hymn and published it in his 1754 Collection of Hymns for Social Worship. Additional revisions were made by other editors, including the repetition of the opening lines, “Hark! the herald angels sing / glory to the new-born king†at the end of each stanza, as it is commonly sung today.Wesley envisioned his hymn being sung to the same tune as his “Christ the Lord is Risen Today†(published as “Hymn for Easter-Day†in Hymns and Sacred Poems). However, the tune MENDELSSOHN, an adaptation by English musician William H. Cummings (1831-1915) of music from Felix Mendelssohn’s 1840 secular cantata, Festgesang, is overwhelmingly associated with Wesley’s text today. This arrangement proceeds as follows:•  Introduction: brass, organ, timpani •  Verse 1: organ •  Verse 2: brass, timpani•  Interlude•  Verse 3: organ, brass, timpani, with alternate harmonizationIncludes full score, parts for Organ, Bb Trumpets 1-2, F Horn, Trombone, Tuba, Timpani, and reproducible bulletin insert for voices.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00
Together Again
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Zack Richards
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Together Again
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Zack Richards
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SheetMusicPlus
Brass Ensemble Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.894382 Composed by Zack Richards. 20th Century,Contemporary,Holiday. Score...
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Brass Ensemble Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.894382 Composed by Zack Richards. 20th Century,Contemporary,Holiday. Score and parts. 29 pages. Zack Richards #5178719. Published by Zack Richards (A0.894382). Dedicated to my maternal grandparents, Harry and Audrey Olin, I composed Together Again shortly after my grandmother's passing. The theme is that of the anguish felt by my grandmother in the final years of her life after her husband of over 5 decades passed away. The two melodies represent each of them calling to the other, filled with sorrow, yet somehow beautifully connected and expectant of each other, until finally at the end, the two melodies return simultaneously in a somewhat more joyful setting as they are Together Again.Brass Ensemble: (Recommended that each part have at least 2 players to ensure full Brass Choir sound)3 Trumpets in BbFlugelhorns (2 soloists, recommended 4 total)4 Horns in F2 TrombonesEuphoniums (Bass Clef)TubaIntermediateApprox. 6:15Visit zackrichards.com for more from this composer!
$49.99
Reflections of Assisi
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Nicole Buetti
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Reflections of Assisi
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Forton Music - Digital
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SheetMusicPlus
Fl. Ob. Cl. Hn. Bsn. - Intermediate - SKU: F2.FM629 Composed by Nicole Buetti. Five movements for Wind Quintet. Score and parts. 31 pages. Forton Music ...
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Fl. Ob. Cl. Hn. Bsn. - Intermediate - SKU: F2.FM629 Composed by Nicole Buetti. Five movements for Wind Quintet. Score and parts. 31 pages. Forton Music - Digital #FM629. Published by Forton Music - Digital (F2.FM629). ISBN 9790570485284.This piece was composed for the Assisi Performing Arts Festival woodwind quintet. It's made up of five movements, each reflecting a different aspect of the beautiful and mystical town of Assisi, Italy. Movement one, 'Sunrise', begins as the sun's light extends over walls and the many churches that adorn the mountainside. Movement 2 is entitled 'Tourists' and reflects the hustle and bustle of incoming visitors to the shops and chapels with imitations of car horns and the pandemonium of the crowds. The third movement is 'Monasteries'. As the orders of monks and nuns are called to Vespers, you can hear their voices from monasteries, chapels and churches throughout Assisi. A beautiful cacophony of sacred music rises above the town! The 4th movement is titled 'Rocca Maggiore' after the lookout post atop a great hill that looks out over the top of the city and across the valley. The hike up to this post is steep, but at the top you are rewarded with not only a spectacular view, but the songs of birds soaring over the town. The 5th and final movement is 'Sunset and Dinner with Family and Friends'. This movement symbolizes the end of the day as all the tourists are gone and the families and friends in Assisi sit down together for their delicious evening meals. Wine, incredible food and conversation close out the day as the sun sets behind the mountain. This piece was written as a tribute to one of the most spiritual and beautiful places in the world...Assisi, Italy.
$15.95
Mother's Way
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The Candlelight Guitarist
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Mother's Way
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Geofonica Artistworks
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SheetMusicPlus
Guitar,Voice - Level 3 - SKU: A0.1434550 By The Candlelight Guitarist. By Bradley Powell. Classical,Country,Folk,Holiday,Jazz. Guitar Tab with Voice. 11...
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Guitar,Voice - Level 3 - SKU: A0.1434550 By The Candlelight Guitarist. By Bradley Powell. Classical,Country,Folk,Holiday,Jazz. Guitar Tab with Voice. 11 pages. Geofonica Artistworks #1014688. Published by Geofonica Artistworks (A0.1434550). In honor and tribute to a mother, this is an instrumental guitar solo (with optional lyrics included), as recorded by The Candlelight Guitarist, with music and lyrics composed by Bradley Powell. The piece seemlessly blends country, jazz, folk and classical guitar styles, and the lyrics are heartfelt, warm, loving and positive.It's an intermediate level fingerstyle-classical guitar solo (comparable in difficulty to an easier Sor or Carcassi etude, or Beatle song played as intrumental solo). This sheet music is in Standard notation with TAB... (a version in Standard notation without TAB is also available). You can see Brad Powell's performance of the piece on the YouTube link provided below.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$5.99
Joy to the World! Arranged for Piano Six Hands
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Classique
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George Frideric Handel--Lowell
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D
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Joy to the World! Arranged for
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D. Eugene Mathers
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SheetMusicPlus
Small Ensemble Piano - Level 3 - SKU: A0.917495 Composed by George Frideric Handel--Lowell Mason. Arranged by D. E. Mathers. Christmas,Concert,Sacred,St...
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Small Ensemble Piano - Level 3 - SKU: A0.917495 Composed by George Frideric Handel--Lowell Mason. Arranged by D. E. Mathers. Christmas,Concert,Sacred,Standards. Score and parts. 6 pages. D. Eugene Mathers #4836571. Published by D. Eugene Mathers (A0.917495). This version allows pianists at different levels of accomplishment to come together in an impressive instrumental rendition of a holiday favorite. It is tailored for use in most any forum where this title is likely to be heard and where pianists of different ages are gathered, whether the home, church, or recital hall. In addition, it can double as an enriched, even glittery, accompaniment to vocal or choral performance in these multiple venues for all ages and audiences.
$4.99
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At the End of the Day