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Please Come Home For Christmas
Large Ensemble Bass Guitar,Cello,Choir,Double Bass,Drums,Harp,High Voice,Horn,Percussion,P…
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Large Ensemble Bass Guitar,Cello,Choir,Double Bass,Drums,Harp,High Voice,Horn,Percussion,Piano,Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - Digital Download SKU: A0.718652 By Willie Nelson. By Charles Brown and Gene Redd. Arranged by Daryl McKenzie. Christmas,Contemporary,Holiday. Score and parts. 53 pages. Daryl McKenzie #6478267. Published by Daryl McKenzie (A0.718652). Arranged for Male Vocal, Backing Vocals with Small Pops Orchestra (4 Saxes, 3 F Hns, 3 Trpts, 3 Trbs, Piano, Â Guitar, Bass Guitar, Drums, Perc, Harp, Vln1, Vln2, Vla, Vcl, CB) or small big band (4 saxes, 3 Trpts, 3 Trbs, Piano, Guitar, Bass Guitar, Drums, Perc) Key of A majorMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$59.99
54.63 €
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Willie Nelson
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Daryl McKenzie
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Please Come Home For Christmas
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Daryl McKenzie
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SheetMusicPlus
Eternal Bridge For Oboe Harp And Strings
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SK…
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
22.76 €
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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SheetMusicPlus
Fürchte Dich Nicht (for medium-low voice)
Small Ensemble High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - Digital D…
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Small Ensemble High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1028938 Composed by Sabin Fisher. Concert,Contemporary,Patriotic,Standards. Score and parts. 5 pages. Sabin Fisher #4641429. Published by Sabin Fisher (A0.1028938). A short, but sweet tale of a soldier living for war, comforting their significant other, set to a sweeping melody that soars over a flowing piano accompaniment. See the lyrics below:GERMAN: Wenn du sagst, dass du mich liebst, warum trauerst du um mich? Heben Sie Ihren Kopf und weiß, dass du von mir geliebt wirst. Du zitterst, als du siehst, wie ich gehe, aus Angst, dass ich nicht zurückkehre. Ich bitte dich: Fürchte dich nicht. Erhöhe unsere Kinder, Sag ihnen, sie sollen so stark sein wie du. Ich werde nicht für immer weggehen, nicht zu lange. Ich ziehe in die Schlacht, zwischen dem Blut und der Angst. Ich werde den Feind bekämpfen und den Krieg gewinnen. aber du musst auf mich warten. Warte auf mich. Ich werde wieder nach Hause kommen. Ich verspreche es. ENGLISH: If you say that you love me, why are you mourning me? Lift your head and know that you are loved by me. You tremble as you see how I go, for fear that I will not return. I ask you: do not be afraid. Raise our children, Tell them to be as strong as you are. I will not go away forever, not too long. I go to battle, between the blood and the fear. I will fight the enemy and win the war. but you have to wait for me. Wait for me. I will come back home. I promise it.
$3.50
3.19 €
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Sabin Fisher
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Fürchte Dich Nicht
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Sabin Fisher
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SheetMusicPlus
Fürchte Dich Nicht (for medium-high voice)
Small Ensemble High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - Digital D…
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Small Ensemble High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1028941 Composed by Sabin Fisher. Concert,Contemporary,Patriotic,Standards. Score and parts. 6 pages. Sabin Fisher #4716341. Published by Sabin Fisher (A0.1028941). A short, but sweet tale of a soldier living for war, comforting their significant other, set to a sweeping melody that soars over a flowing piano accompaniment. See the lyrics below:GERMAN:Wenn du sagst, dass du mich liebst,warum trauerst du um mich?Heben Sie Ihren Kopfund weiß, dass du von mir geliebt wirst.Du zitterst, als du siehst, wie ich gehe,aus Angst, dass ich nicht zurückkehre.Ich bitte dich: Fürchte dich nicht.Erhöhe unsere Kinder,Sag ihnen, sie sollen so stark sein wie du.Ich werde nicht für immer weggehen,nicht zu lange.Ich ziehe in die Schlacht,zwischen dem Blut und der Angst.Ich werde den Feind bekämpfen und den Krieg gewinnen.aber du musst auf mich warten.Warte auf mich. Ich werde wieder nach Hause kommen. Ich verspreche es. ENGLISH:If you say that you love me,why are you mourning me?Lift your headand know that you are loved by me.You tremble as you see how I go,for fear that I will not return.I ask you: do not be afraid.Raise our children,Tell them to be as strong as you are.I will not go away forever,not too long.I go to battle,between the blood and the fear.I will fight the enemy and win the war.but you have to wait for me.Wait for me.I will come back home.I promise it.
$3.50
3.19 €
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Sabin Fisher
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Fürchte Dich Nicht
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Sabin Fisher
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SheetMusicPlus
They'll Be on the Rock This Christmas
Accordion,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download
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Accordion,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105243 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 228. David Kai #708503. Published by David Kai (A0.1105243). A Newfoundland Christmas song about wishing to be back home for Christmas. THEY’LL BE ON THE ROCK THIS CHRISTMAS words and music by David Kai ©1997 They’ll come from far as Whitehorse and as close as Sydney Mines, They’re packing up their suitcases and their boxes tied with twine, They’re getting on those airplanes, Dash 8s and DC 9s, Driving to the ferry docks and they’re waiting there in line. And they'll be on the Rock this Christmas, where stars shine twice as bright, They'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And I’ll be wondering “Why, oh why aren’t I?†‘Cause I’ll be in the factory, pulling double overtime, No one wants the Christmas shift so I guess that makes it mine, Late tonight I’ll light a candle in my lonely room, And think of those who are traveling home, ‘cause I know that very soon, That they'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, they'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove eating partridgeberry pie, And I’ll be wondering “Why, oh why aren’t I?†I’ve got to get there somehow, this poor soul’s just too homesick, My busted car won’t take me far, but my thumb will do the trick. I’ll call the boss from Port aux Basques, hope he’s in the mood to see, ‘Though I may choose to leave the Rock, it’s the Rock that won’t leave me. And I'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, I'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And no more wondering “Why, oh why aren’t I?†Optional extra chorus: And we'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, we'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And no more wondering “Why, oh why aren’t I?†Tag: No, no more wondering “Why, oh why aren’t I?â€.
$1.99
1.81 €
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David Kai
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David Kai
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They'll Be on the Rock This Christmas
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David Kai
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SheetMusicPlus
Plateau of Dances with a Scottish Flavour
Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Compos…
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Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages. Forton Music - Digital #FM628. Published by Forton Music - Digital (F2.FM628). ISBN 9790570485277.'Plateau of Dances with a Scottish Flavour' Plateau of Dances with a Scottish Flavour was composed in autumn 2016, Eastbourne, and is inspired by my childhood in Doune, Perthshire; as well as the Ceilidhs and Feis (cultural festival in the Highlands) my daughter, Clara, and I were immersed in when we lived in the picturesque village of Kingussie, Badenoch and Strathspey. The four dances are a celebration of my love and nostalgia for Scotland, and an expression of my family's Scottish memories. Each dance comes with a quote from my favourite poet, Robert Burns, whose insightful and sensitive observations are a poignant appreciation of everyday life. Why the reference to Scottish food? Because this piece is dedicated to my father, Papou, who appreciates a merry supper. The 1st Movement, 'To the Mighty Haggis', is a Strathspey with its characteristic Scotch snap -a short-long rhythm, as if saying the word 'haggis'; which is fitting as the Scottish bard's quote comes from his poem Address to a Haggis, traditionally said on Burns' Night. The 2nd Movement, 'The Humble Shortbread', is a Reel; as is usually the case in Scottish dances. It should be played with a slightly 'snappy', swung rhythm. 'What though on homely fare we dine, [...] A man is a man for all that' comes from my favourite Burns' poem: A Man's a Man for A' That. And who doesn't enjoy the humble shortbread? There is a more reflective, nostalgic mood to the 3rd Movement, 'Ode to the Homely (salty) Porridge'. The Air is a reminiscence of the quiet evenings Clara and I would spend in Kingussie, with our view of the beautifully haunting mountains. 'What will I get to my supper, [...] Ye'se get a panfu' o' plumpin parridge' comes from Burns' The Shepherd's Wife who tries to entice her husband back home with the promise of porridge (the Scottish way: with salt). Finally, the 4th Movement, 'Too Many Drams of Whisky', is a cheerful and lively Jig. It's the convivial merriness of being with friends and family, maybe at a Ceilidh, with a wink to Scotland's 'water of life'. 'We'll tak a cup o' kindness yet, For auld lang syne' comes from Burns' famous Auld Lang Syne: a fitting end to our musical and culinary tour of Scotland.
$7.95
7.24 €
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Alexandra Lehmann
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Plateau of Dances with a Scottish Flavour
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Forton Music - Digital
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.28 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
Pour me Another One (King David and his Troops) from "The Kings" - ACT 2:Song 6
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.784832 Composed by McCor…
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.784832 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11755. Published by DF McCorkle Music and eBook Publications (A0.784832). ACT TWO: Song 6. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:12-13 - And David said to Uriah: ‘Tarry here to-day also, and to-morrow I will let thee depart.’ So Uriah abode in Jerusalem that day, and the morrow. 13 And when David had called him, he did eat and drink before him; and he made him drunk; and at even he went out to lie on his bed with the servants of his lord, but went not down to his house.] In fear of being exposed, DAVID has her husband brought back from the field with the hope that he will have relations with his wife covering up his own indiscretion. URIAH, a conscientious soldier, returns home, but sleeps outside on his steps out of respect for the men still fighting on the front. Seeing that his ploy has not worked, he has URIAH and some of his men over to the palace for drinks [Pour Me Another One – Troops, Uriah and David]. Getting URIAH drunk, DAVID has him escorted home, but as before he sleeps outside. As a last desperate measure, he sends a letter for JOAB (David’s commander and confidant) back with URIAH to place URIAH on the front line and then have the rest of the troops pull back leaving him exposed. URIAH is killed. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.72 €
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McCorkle, Dennis F
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and he made him drunk
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Pour me Another One
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Superwoman MP3 Accompaniment track
Bass Guitar,Drum Set,Keyboard - Level 3 - Digital Download SKU: A0.1404285 By Debor…
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Bass Guitar,Drum Set,Keyboard - Level 3 - Digital Download SKU: A0.1404285 By Deborah Johnson. By Deborah Johnson. Broadway,Comedy,Contemporary,Jazz,Musical/Show,Singer/Songwriter. Accompaniment. Duration 128. Deborah Johnson #987388. Published by Deborah Johnson (A0.1404285). Deborah Johnson's Superwoman is a vibrant tribute to the incredible strength of women worldwide. This is the MP3 accompaniment track without the lead vocal--it includes the backgrounds. This upbeat and energetic song celebrates the everyday feats of ordinary yet extraordinary women. Drawing from her own experiences, Deborah navigates the complexities of managing a household, navigating career changes, raising three children, maintaining a marriage, and all the challenges life throws her way. Through Superwoman, Deborah captures the resilience and determination required to juggle multiple roles and responsibilities, resonating with listeners who understand the struggle of holding everything together. Purchase the single MP3 here: https://amzn.to/3PvNCHK The piano/vocal sheet music with vocal lead sheet is also available for download Note from Deborah: Are you embracing your inner superheroine? I get it—navigating life's hurdles while donning our invisible capes can feel like a whirlwind circus act. To claim the title of Superwoman, you've got to juggle the whole shebang: home life, career acrobatics, kid wrangling, spouse wrangling (or partner wrangling, let's keep it inclusive), and just the general chaos of existence. It's the kind of balancing act that'd make a Cirque du Soleil performer jealous! Speaking from the trenches myself, I've done my fair share of plate-spinning: managing a household, enduring the rollercoaster ride of a career (complete with loop-de-loops), wrangling three sons who seem to have synchronized their mischief, keeping a marriage afloat through the stormy seas and dealing with the curveballs life tosses our way. And let's not forget society's laundry list of expectations: staying fit, maintaining a Pinterest-worthy home, being the rock for our loved ones... and that's not even touching on the culinary escapades! And let's raise a toast to the single moms out there, pulling off the ultimate juggling act—balancing multiple jobs, raising the next generation of superheroes, and keeping the household shipshape. They're the Superwomen on turbocharged overdrive! It's no wonder that the song Superwoman resonates with us—it's our anthem, our battle cry, and our reminder that we're all superheroes in our own right! Written, arranged and performed by Deborah Johnson. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded dozens of albums, written 3 original musicals and has appeared on many stages around the country and world. She also appeared with the headliner piano/vocal duo Double Grande. Her internationally released bookshave garnered great reviews (on Amazon & Barnes & Noble) Deborah’s songs have also been up for multiple Grammy Awards. Music and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Backgrounds by Deborah and David Johnson. Additional production, guitars and bass by Michael Ferenci. Recorded at Ferenci Studios, Silverlake, CA. https://DJWorksMusic.com For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com YouTube Link https://youtu.be/YUOvivxjlsw?si=AGohZrZl1ErdkQTD
$8.99
8.19 €
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Deborah Johnson
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Barnes &
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Superwoman MP3 Accompaniment track
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Deborah Johnson
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SheetMusicPlus
Lil Darlin'
String Ensemble - Level 3 - Digital Download SKU: A0.826725 Composed by Jon Hendric…
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String Ensemble - Level 3 - Digital Download SKU: A0.826725 Composed by Jon Hendricks and Neal Hefti. Arranged by Bud Caputo. Contemporary. Score and parts. 26 pages. Bud Caputo #6196943. Published by Bud Caputo (A0.826725). This video meets copyright requirements as no original melodic material or lyrics are posted here. teachers who purchase the full arrangement on Sheetmusicplus.com should use this video in the classroom for rehearsal purposes and ask students to practice their parts at home using YouTube.This 1957 Neal Hefti original was popularized by the Count Basie Orchestra and has become a jazz standard. It requires string players to learn how to swing the eight notes and hold back on the quarter notes to create the feeling that was so uniquely part of the Basie tradition. All parts remain mostly in first position. The guitar part is optional but will add to the Basie flavor if the player can imitate the Freddie Green style of rhythmic quarter notes that sinks with the drummer’s hi-hat. A Violin 3 part is included to bolster the Viola section and there is a considerable amount of divisi in the Violin I part that is needed to create the same harmonies of the 5 saxes in the Basie Band.
$25.00
22.76 €
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Jon Hendricks and Neal Hefti
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Bud Caputo
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Lil Darlin'
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Bud Caputo
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SheetMusicPlus
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