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Trompette
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2 Trompettes (duo)
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2 Trombones (duo)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trompette, Trombone (duo)
7
2 Cors (duo)
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Tuba et Piano
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Trombone
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Ensemble de Trombones
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Quatuor de cuivres: 4 trombones
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Ensemble de Trompettes
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Cor, Tuba (duo)
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Trombone, Tuba (duo)
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2 Tubas (duo)
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3 Tubas (trio)
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Trompette, Euphonium (duo)
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Cor
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Quatuor de cuivres: 4 cors
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Quatuor de Cuivres
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Cor anglais, Guitare (duo)
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2 Euphoniums (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
69
Violon et Piano
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Alto, Piano
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Violoncelle, Piano
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Violon, Violoncelle (duo)
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2 Violons (duo)
14
Trio à Cordes: 2 violons, violoncelle
13
Violon
12
2 Violoncelles (duo)
11
Harpe
10
2 Altos (duo)
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Violon, Alto (duo)
9
Trio à Cordes: violon, alto, violoncelle
5
2 Harpes (duo)
4
Violoncelle
4
4 Violoncelles
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Ensemble de Violons
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Alto (partie séparée)
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2 Contrebasses (duo)
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Alto seul
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Alto, Violoncelle (duo)
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Harpe, Voix
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Contrebasse, Piano (duo)
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Violoncelle, Contrebasse (duo)
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Quatuor à cordes : 4 altos
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Quatuor à cordes: 4 violons
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Harpe et Piano
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Trio à cordes: 3 altos
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Trio à cordes: 3 violins
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Trio à Cordes: 3 violoncelles
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Contre Basse
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
42
Orchestre à Cordes
26
Orchestre
26
Ensemble Jazz
19
Ensemble de cuivres
17
Jazz combo
11
Cloches
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Orchestre de chambre
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Fanfare
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Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged …
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Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. Published by jmsgu3 (A0.549196). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 3 trombones, 3 euphoniums & 3 tubas. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.76 €
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Giovvanni Gabrieli
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James M
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3 tubas
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Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95
43.76 €
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
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jmsgu3
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SheetMusicPlus
Enjoy Yourself (it's Later Than You Think)
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.965539 Composed by Car…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.965539 Composed by Carl Sigman and Herb Magidson. Arranged by Dr. Michael C. McDonough A.S.C.A.P. Contemporary. Score and parts. 19 pages. Michael McDonough A.S.C.A.P. #6439471. Published by Michael McDonough A.S.C.A.P. (A0.965539). This is a swing version of a great tune. All tenor parts get to play lead. Give this fun arrangement a try.
$15.00
13.69 €
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Carl Sigman and Herb Magidson
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Dr
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Enjoy Yourself
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Michael McDonough A.S.C.A.P.
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SheetMusicPlus
It's Too Late
Small Ensemble Bass Guitar,Drum Set,Flute - Level 3 - Digital Download SKU: A0.855318
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Small Ensemble Bass Guitar,Drum Set,Flute - Level 3 - Digital Download SKU: A0.855318 By Gloria Estefan. By Carole King and Toni Stern. Arranged by Joseph Pugh. Contemporary. Score and parts. 8 pages. Joseph Pugh #6610465. Published by Joseph Pugh (A0.855318). Copyright © 1971 Colgems-EMI Music Inc. Copyright RenewedIt's Too Late is a song from Carole King's 1971 album Tapestry. Toni Stern wrote the lyrics and King wrote the music. It was released as a single in April 1971 and reached number 1 on the Billboard Hot 100 and Adult Contemporary charts. Sales were later gold-certified by the RIAA. Billboard ranked It's Too Late and its fellow A-side, I Feel the Earth Move, as the No. 3 record for 1971.This is a shortened jazz flute solo version of the song by, Joseph Pugh.
$7.99
7.29 €
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Gloria Estefan
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Joseph Pugh
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It's Too Late
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Joseph Pugh
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SheetMusicPlus
It's Too Late
Large Ensemble,Strings Alto Flute,Autoharp,Drum Set,Electric Bass Guitar,Oboe,Piano - Leve…
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Large Ensemble,Strings Alto Flute,Autoharp,Drum Set,Electric Bass Guitar,Oboe,Piano - Level 3 - Digital Download SKU: A0.1506044 By Carole King. By Carole King and Toni Stern. Arranged by David Maddux. Pop. 38 pages. David Maddux #1081427. Published by David Maddux (A0.1506044). NOTE: This PDF file contains the conductor’s score, individual instrumental parts, and vocal-only part. The piano-vocal is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS. Explore the emotional depths of Carole King's classic, It's Too Late, through a heartfelt SSAA arrangement that captures the soulful essence of the original. This piece conveys the poignant narrative of realization and resignation in a relationship that has run its course, expressed through intricate harmonies and a reflective melody. Ideal for ensembles that appreciate nuanced storytelling through music, this arrangement offers a powerful opportunity to connect with audiences on an emotional level.
$75.00
68.45 €
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Carole King
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David Maddux
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It's Too Late
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David Maddux
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SheetMusicPlus
It's Been A Long, Long Time
Alto Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592534 Comp…
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Alto Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592534 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and individual part. 6 pages. David McKeown #6366337. Published by David McKeown (A0.592534). It’s Been a Long Long Time is arranged as a solo for one Alto Flute with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.47 €
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592537
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E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592537 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and individual part. 6 pages. David McKeown #6366345. Published by David McKeown (A0.592537). It’s Been a Long Long Time is arranged as a solo for one Tenor Horn in E Flat with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.47 €
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
Instrumental Duet,Piano Alto Recorder,Recorder Solo - Level 3 - Digital Download SKU: A…
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Instrumental Duet,Piano Alto Recorder,Recorder Solo - Level 3 - Digital Download SKU: A0.592539 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Individual part. 6 pages. David McKeown #6366351. Published by David McKeown (A0.592539). It’s Been a Long Long Time is arranged as a solo for one Alto Recorder with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.47 €
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
Instrumental Duet E-Flat Tenor Horn,Instrumental Duet,Trumpet - Level 3 - Digital Download…
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Instrumental Duet E-Flat Tenor Horn,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.592518 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and parts. 4 pages. David McKeown #6366157. Published by David McKeown (A0.592518). It’s Been a Long Long Time is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.It’s Been a Long Long Time is best known to modern audiences as the song at the end Avengers: Endgame, where Steve Rogers, after seventy years, finally gets to dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both parts enjoying plenty of melodic interest. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.47 €
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A…
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.592489 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and parts. 4 pages. David McKeown #6366087. Published by David McKeown (A0.592489). It’s Been a Long Long Time is arranged as a duet for one Clarinet and one Alto Clarinet. It’s Been a Long Long Time is best known to modern audiences as the song at the end Avengers: Endgame, where Steve Rogers, after seventy years, finally gets to dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both parts enjoying plenty of melodic interest. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.47 €
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.592506 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and parts. 4 pages. David McKeown #6366127. Published by David McKeown (A0.592506). It’s Been a Long Long Time is arranged as a duet for one Oboe and one Cor Anglais (or English Horn). It’s Been a Long Long Time is best known to modern audiences as the song at the end Avengers: Endgame, where Steve Rogers, after seventy years, finally gets to dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both parts enjoying plenty of melodic interest. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.47 €
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.592507 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and parts. 4 pages. David McKeown #6366129. Published by David McKeown (A0.592507). It’s Been a Long Long Time is arranged as a duet for one Oboe and one Violin. It’s Been a Long Long Time is best known to modern audiences as the song at the end Avengers: Endgame, where Steve Rogers, after seventy years, finally gets to dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both parts enjoying plenty of melodic interest. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.47 €
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
Plateau of Dances with a Scottish Flavour
Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Compos…
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Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages. Forton Music - Digital #FM628. Published by Forton Music - Digital (F2.FM628). ISBN 9790570485277.'Plateau of Dances with a Scottish Flavour' Plateau of Dances with a Scottish Flavour was composed in autumn 2016, Eastbourne, and is inspired by my childhood in Doune, Perthshire; as well as the Ceilidhs and Feis (cultural festival in the Highlands) my daughter, Clara, and I were immersed in when we lived in the picturesque village of Kingussie, Badenoch and Strathspey. The four dances are a celebration of my love and nostalgia for Scotland, and an expression of my family's Scottish memories. Each dance comes with a quote from my favourite poet, Robert Burns, whose insightful and sensitive observations are a poignant appreciation of everyday life. Why the reference to Scottish food? Because this piece is dedicated to my father, Papou, who appreciates a merry supper. The 1st Movement, 'To the Mighty Haggis', is a Strathspey with its characteristic Scotch snap -a short-long rhythm, as if saying the word 'haggis'; which is fitting as the Scottish bard's quote comes from his poem Address to a Haggis, traditionally said on Burns' Night. The 2nd Movement, 'The Humble Shortbread', is a Reel; as is usually the case in Scottish dances. It should be played with a slightly 'snappy', swung rhythm. 'What though on homely fare we dine, [...] A man is a man for all that' comes from my favourite Burns' poem: A Man's a Man for A' That. And who doesn't enjoy the humble shortbread? There is a more reflective, nostalgic mood to the 3rd Movement, 'Ode to the Homely (salty) Porridge'. The Air is a reminiscence of the quiet evenings Clara and I would spend in Kingussie, with our view of the beautifully haunting mountains. 'What will I get to my supper, [...] Ye'se get a panfu' o' plumpin parridge' comes from Burns' The Shepherd's Wife who tries to entice her husband back home with the promise of porridge (the Scottish way: with salt). Finally, the 4th Movement, 'Too Many Drams of Whisky', is a cheerful and lively Jig. It's the convivial merriness of being with friends and family, maybe at a Ceilidh, with a wink to Scotland's 'water of life'. 'We'll tak a cup o' kindness yet, For auld lang syne' comes from Burns' famous Auld Lang Syne: a fitting end to our musical and culinary tour of Scotland.
$7.95
7.26 €
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Alexandra Lehmann
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Plateau of Dances with a Scottish Flavour
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Forton Music - Digital
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SheetMusicPlus
Shake It Off
Choral 5-Part Chorus,Choir,Choral - Level 3 - Digital Download SKU: A0.1515030 By T…
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Choral 5-Part Chorus,Choir,Choral - Level 3 - Digital Download SKU: A0.1515030 By Taylor Swift. By Johan Schuster, Max Martin, Shellback, and Taylor Swift. Arranged by Rogier Ijmker. Pop,Singer/Songwriter. 82 pages. BeeMaster Music #1089531. Published by BeeMaster Music (A0.1515030). In this video, I present “Shake It Off”, a beautiful choir arrangement by Rogier IJmker. Perfect for pop choirs, this piece is sure to captivate both singers and audiences alike. Video Highlights: • Arrangement Name: Shake It Off • Composer/Arranger: by @TaylorSwift / arrangement by Rogier IJmker • Difficulty Level: 2-3 (on a scale of 1 to 5) • Duration: 3:37 • Suitable For: SMATB+combo (contact me if you need another voicing) ABOUT THE SONG: Shake It Off by Taylor Swift is a catchy, upbeat pop anthem from her 2014 album, '1989'. The song is known for its infectious melody and empowering lyrics about brushing off negativity and criticism. It was a commercial success, topping charts worldwide and becoming one of Taylor Swift's signature hits. Fun fact: the music video features Taylor dancing with various groups, showcasing her playful and carefree personality. ABOUT THIS ARRANGEMENT:This choral arrangement of Shake It Off is designed to capture the song's energetic and high-energy vibe. It's an uptempo piece that incorporates body beats, adding a rhythmic and dynamic element to the performance. The arrangement is perfect for choirs looking to engage their audience with a lively and spirited rendition of this popular hit. Purchase includes: SMATB + COMBO score SMATB + PIANO score SMATB CHORAL part PIANO part GUITAR part BASS GUITAR part DRUMS part CONNECT WITH ME: • Website: www.rogierijmker.nl • Facebook: https://www.facebook.com/RogiersArrangements/ • Instagram: https://www.instagram.com/rogiersarrangements SUBSCRIBE FOR MORE: Don’t forget to subscribe to my YouTube channel (@RogiersArrangements) for more beautiful choir arrangements and performance tips. Hit the bell icon to stay updated with my latest uploads! CONTACT: For any inquiries or custom arrangement requests, please contact me at rogier@beemaster.nl.Arrangement written in DoricoVocals by ACE Studio Video edited in DaVinci Resolve.
$3.49
3.19 €
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Taylor Swift
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Rogier Ijmker
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Shake It Off
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BeeMaster Music
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SheetMusicPlus
Mother's Way
Guitar,Voice - Level 3 - Digital Download SKU: A0.1434550 By The Candlelight Guitar…
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Guitar,Voice - Level 3 - Digital Download SKU: A0.1434550 By The Candlelight Guitarist. By Bradley Powell. Classical,Country,Folk,Holiday,Jazz. Guitar Tab with Voice. 11 pages. Geofonica Artistworks #1014688. Published by Geofonica Artistworks (A0.1434550). In honor and tribute to a mother, this is an instrumental guitar solo (with optional lyrics included), as recorded by The Candlelight Guitarist, with music and lyrics composed by Bradley Powell. The piece seemlessly blends country, jazz, folk and classical guitar styles, and the lyrics are heartfelt, warm, loving and positive.It's an intermediate level fingerstyle-classical guitar solo (comparable in difficulty to an easier Sor or Carcassi etude, or Beatle song played as intrumental solo). This sheet music is in Standard notation with TAB... (a version in Standard notation without TAB is also available). You can see Brad Powell's performance of the piece on the YouTube link provided below.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$5.99
5.47 €
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The Candlelight Guitarist
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Mother's Way
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Geofonica Artistworks
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SheetMusicPlus
The Church's One Foundation
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.5560…
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.556006 By ... By Eric Thimin and Samuel Sebastian Wesley. Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Holiday,Pop,Praise & Worship,Standards,Wedding,World. Score and parts. 10 pages. Duration 115. J. Randolph Hall #2enKh74dP30KjIlSIrxZ22. Published by J. Randolph Hall (A0.556006). This arrangement was composed by the brother of John Wesley and was barrowed by Samuel J. Stone. Section A is the exposition. Section B includes a descant by yours truly. It then modulates to a new key with the help of a French 6th augmented chord. Section C is aversion done by 20th Century composer Thimin.
$4.00
3.65 €
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J
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The Church's One Foundation
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J. Randolph Hall
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SheetMusicPlus
Don't Tell Her It's Me
Instrumental Duet Bass Guitar,Instrumental Duet - Level 3 - Interactive Download SKU: A…
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Instrumental Duet Bass Guitar,Instrumental Duet - Level 3 - Interactive Download SKU: A0.1202610 Composed by Chetwynd Seal. This edition: Interactive Download. Pop. Score and parts. 24 pages. Duration 126. Chetwynd Seal #2Li6hmyS5lzQPWsOfztJG8. Published by Chetwynd Seal (A0.1202610). Key: A major.A meeting of first love many years later. How will it go? complete with tab, melody-line and chord boxes.
$2.99
2.73 €
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Chetwynd Seal
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Don't Tell Her It's Me
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Chetwynd Seal
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SheetMusicPlus
Let It Be
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viol…
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
3.64 €
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
A Farmer's Boy
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1488853 Composed by Traditional Folk Tune. Arranged by Richard Jones. 19th Century,Folk. Brass Band. 26 pages. Richard Jones #1065707. Published by Richard Jones (A0.1488853). A Farmer's Boy is an example of a piece that gained fame and popularity through the oral traditions of singing in the United Kingdom during the 19th Century. It first appeared in print in an 1832 catalogue of street songs collected James Catnach, and appeared in many other printed books during that century. There are many tunes that are associated with the words, the most popular of these being 'Ye Sons of Albion', a patriotic tune associated with the Napoleonic Wars, that later become extremely popular as regimental march tunes for the Duke of Edinburgh and Prince of Wales Regiments.At the beginning of the 20th century legendary Folk Collector Percy Grainger recorded the song on phonograph, the song performed by a M. Tandy of Winchcombe, Gloucestershire. Just under 50 years later the great Musicologist/Ethnomusicologist Alan Lomax recorded a version that can be heard in his vast recording archive. Over time the tune followed people to other Commonwealth countries and numerous other versions appeared.This is a version that attempts to faithfully recreate the performances of bands in the late 19th Century period.
$15.99
14.59 €
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Traditional Folk Tune
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Richard Jones
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A Farmer's Boy
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Richard Jones
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SheetMusicPlus
The Boar's Head Carol - String Orchestra - Intermediate
Small Ensemble - Level 3 - Digital Download SKU: A0.734507 Composed by Traditional …
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Small Ensemble - Level 3 - Digital Download SKU: A0.734507 Composed by Traditional English Carol. Arranged by Dennis Ruello. Christmas,Holiday,Renaissance,Standards,World. Score and parts. 10 pages. Chicory Music #6102015. Published by Chicory Music (A0.734507). The Boar's Head CarolThis Christmas carol talks about a feast during midwinter in which a wild boar was served as the main dish and its head placed in a situated position to symbolize bravery and abundance. Closely related to the Norse tradition of boar sacrifice to their goddess Freyja during the feast of Winter Solstice, this song originated from an urban legend in Queen's College, Oxford back in the 15th century which tells of how a scholar from Queen’s College managed to kill an attacking boar and offered it at dinner.The song was first published in English during the 1520’s in a book entitled Christmase Carolles Newly Emprynted at London in the flete street, which was written by Jan van Wynken de Worde. It is also said to be the very 1st Christmas carol to ever be publish in English because it dates back that early.Although the modern versions of the song makes no mention of Christmas, the original verses does so in The boar's head we bring with song, in worship of Him that thus sprung, of a Virgin to redress all wrong; NoelThis Intermediate Level arrangement starts out in C Major and modulates to D Major for the final chorus .Performance time is approx. 2 minute 12 seconds. .
$9.99
9.12 €
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Traditional English Carol
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Dennis Ruello
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Noel
This
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The Boar's Head Carol - String Orchestra - Intermediate
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Chicory Music
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SheetMusicPlus
A Winter's Tale
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.985297 Composed by Mike Batt and Tim Rice. Arranged by David Holt. Contemporary. Brass Band. 45 pages. David Holt #5742811. Published by David Holt (A0.985297). A Winter’s Tale was written by Mike Batt and Tim Rice in the space of about a month, in late 1982. It had been requested by David Essex who was looking for a Christmas hit. It spent 10 weeks in the UK charts, peaking at number 2. David Essex later included the track on his album The Whisper.
$40.00
36.51 €
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Mike Batt and Tim Rice
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David Holt
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A Winter's Tale
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David Holt
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SheetMusicPlus
(you've Got It) The Right Stuff
Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digita…
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Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1080298 By New Kids on the Block. By Maurice Starr. Arranged by Christopher Alexander. Pop. 45 pages. Christopher Alexander #684515. Published by Christopher Alexander (A0.1080298). The popular late 80's pop group New Kids On the Block garnered this chart-topping hit from their second album. Â With its ear-catching intro and sentimental lyrics stereotypical of the boy bands from from the late 20th century, this will be an excellent addition to your pops concert repertoire for your men's choir. Â The audience may even want to join the famous dance craze this song inspired!Octavo available separately:https://www.sheetmusicplus.com/title/you-ve-got-it-the-right-stuff-digital-sheet-music/22313696.
$25.00
22.82 €
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New Kids on the Block
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Christopher Alexander
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(you've Got It) The Right Stuff
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Christopher Alexander
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SheetMusicPlus
Someday of Late Fall (For Piano Trio)
Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.511669 Composed by …
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Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.511669 Composed by Han-Ki Kim. Contemporary,Instructional,Standards. Score and parts. 7 pages. Han-Ki Kim #3915595. Published by Han-Ki Kim (A0.511669). Someday of Late Fall for Piano Trio is sketch of Late Fall.Shown bowing is helpful to Player, p.s. Attached Music file is just for reference, it is recorded by Violin and Piano
$5.50
5.02 €
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Han-Ki Kim
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Someday of Late Fall
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Han-Ki Kim
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SheetMusicPlus
Paint It, Black
String Ensemble Cello - Level 3 - Digital Download SKU: A0.1290794 By The Rolling S…
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String Ensemble Cello - Level 3 - Digital Download SKU: A0.1290794 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Dina H. L. Slechta. Contemporary,Film/TV,Holiday,Pop,Rock. 14 pages. Dina H. L. Slechta #881485. Published by Dina H. L. Slechta (A0.1290794). From Cello Duet to Mixed Level Cello Choir, options abound in this arrangement of Paint It Black, which makes the style of Netflix’s Wednesday Addams accessible to the level of a student Cello Choir.  Being arranged here in g minor allows the Cello 3 part to use entirely open strings for beginners to participate. The Cello 2 part requires the use of extensions and offers fingerings for shifting through upper third position.  Quick changes from pizz. to arco, to col legno, and quick string crossings offer exciting challenges for a late Suzuki Vol. 2 level cellist.  The more advanced upper third position fingerings would be appropriate for supplemental practice for a Suzuki Vol 3 level cellist.  The Cello 1 part requires shifting up to fourth position and the half string harmonic, making it appropriate for a Suzuki Vol. 3 level or above cellist.  For use as a duet, the Cello 3 part can be omitted, with the Cello 2 part cellist playing the cues in parentheses.  Paint It Black was written by Keith Richards and Mick Jagger, and was arranged here under arrangeme.com, by Dina H. L. Slechta, for Cello Duet to Cello Trio, to Mixed Level Cello Choir.  It comes with one copy of the score and two copies of each part, for up to a six person cello choir.
$12.99
11.86 €
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The Rolling Stones
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Dina H
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Paint It, Black
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Dina H. L. Slechta
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SheetMusicPlus
Minuet in G Major - J.S.Bach - Woodwind Quartet
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Tenor Saxophone - Level 3 - Digi…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Tenor Saxophone - Level 3 - Digital Download SKU: A0.760255 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Instructional,Standards. 9 pages. Raymond Fenech #3540569. Published by Raymond Fenech (A0.760255). The Minuet in G major is found in the 1725 Notebook for Anna Magdalena Bach, where it appears with its companion piece, Minuet in G minor, as a pair to be performed da capo. The notebook in question, which belonged to Johann Sebastian Bach's second wife Anna Magdalena, is a compilation of music by various composers of the late 17th and early 18th century. The Level is Intermediate and the duration is approximately 1.40 minutes. It could be played in any type of recital/concert.
$6.95
6.34 €
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Johann Sebastian Bach
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Raymond Fenech
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Minuet in G Major - J.S.Bach - Woodwind Quartet
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Raymond Fenech
#
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