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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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9
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6
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6
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Ensemble de Clarinettes
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Trombone et Piano
4
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3
Cor et Piano
3
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2
Euphonium, Piano (duo)
2
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2
2 Trombones (duo)
2
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2
2 Trompettes (duo)
2
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1
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1
2 Cors (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
5
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4
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3
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2
2 Violoncelles (duo)
2
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Harpe
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
8
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4
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Ensemble Jazz
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Fanfare
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AUTRES
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Late at Night
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Partitions à imprimer
43 partitions trouvées
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26
Lost at Midnight
Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.1034903 Composed by Cam…
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Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.1034903 Composed by Camden Hunt. Concert,Contemporary,Halloween,Instructional. Score and parts. 5 pages. Camden Hunt #3012107. Published by Camden Hunt (A0.1034903). It is eerie just before midnight, walking alone in the mist. Already spooked, it is easy to imagine being chased as the bell tower chimes their watch for more to come. Five trumpet parts emulate the Big Ben melody as the walking turns in a pace that build in suspense. Two trumpet voices create a chase scene that continues as the bells chime until the morning’s first light. As the sun rises and gradually begins to fill the sky with bright colors, the fears of the night falls away with the relief of the bell chimes signaling safety from being lost at midnight.
$8.00
7.34 €
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Camden Hunt
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Lost at Midnight
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Camden Hunt
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SheetMusicPlus
Rupert the Chocolate Angel 2 verses and an instrumental improvisation with hohoho between them (mp3)
Mixed Percussion Bass Voice,Choir,Guitar - Level 3 - Digital Download SKU: A0.1340942
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Mixed Percussion Bass Voice,Choir,Guitar - Level 3 - Digital Download SKU: A0.1340942 By David Warin Solomons. By David Warin Solomons. 21st Century,Christmas. Full Performance. Duration 218. David Warin Solomons #926515. Published by David Warin Solomons (A0.1340942). Multitrack performance of my Chocolate angel song using both verses and with an instrumental improvisation (with hohoho from Santa) between them.Well there's mince pies and sherry and pudding and whiskyand there's candies and chocolates to make us all friskybut do you know the most famous sweet of all?Rupert the chocolate angelWaited by the fire one day'cos he was told that Santawould be coming on his sleighall of the other chocolatestold him that he was a foolthey were afraid of meltingso they kept in shade and coolbut that night old Santa came alongat we all requestand he gulped the sherry downdoffed his boots and had a restthen he looked round at Rupertmelted now and quite deceasedgave out a little giggleand had a little chocolate feast. [impro with hohoho from Santa]Well there's presents and crackersand turkey and tellyand there's thousands of kidseating ice cream and jellybut do you know the most sicklysweet of all?Rupert the chocolate angelwaited by the fire one day'Cos he was told that Santawould be coming on his sleighAll of the children loved himtold him that he was so greatas they sat by the firethey could never know his fateSo that night old Santa came alongAs we all requestand he got the sherry downdoffed his boots and had a restthen he looked round at Rupertmelted now and quite deceasedgave out a little giggleand had a little chocolate feast.
$5.00
4.59 €
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David Warin Solomons
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Rupert the Chocolate Angel 2 verses and an instrumental improvisation with hohoho between them
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David Warin Solomons
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SheetMusicPlus
Rupert the Chocolate Angel in English and German for SAB choir (mp3)
Choir - Level 3 - Digital Download SKU: A0.1340941 By David Warin Solomons. By Davi…
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Choir - Level 3 - Digital Download SKU: A0.1340941 By David Warin Solomons. By David Warin Solomons. 21st Century,Christmas. Full Performance. Duration 186. David Warin Solomons #926514. Published by David Warin Solomons (A0.1340941). My multitrack performance of the English and German versions of my Chocolate angel songWell there's mince pies and sherry and pudding and whiskyand there's candies and chocolates to make us all friskybut do you know the most famous sweet of all?Rupert the chocolate angelWaited by the fire one day'cos he was told that Santawould be coming on his sleighall of the other chocolatestold him that he was a foolthey were afraid of meltingand so they kept in shade and coolbut that night old Santa came alongat Rupert's requestand he gulped the whisky downdoffed his boots and had a restthen he looked round at Rupertmelted now and quite deceasedgave out a little giggleand had a little chocolate feast yumyum!Es gibt Stollen Pralinen und knackige Nüsse und dann Schnapps und ein Feuer für die kalten Füsse aber wisst ihr schon Bescheid über diese Süssigkeit: Ruprecht der SchokoEngel eines Tages sass am Feuer da ein Besuch von Nikolaus war ihm wirklich lieb und teuer Die anderen Pralinen sagten er war in Gefahr Blieben ganz kühl im Dunkel und sagten Ruprecht sei ein Narr Doch am Heiligabend  kam der gute Nikolaus, trank den Schnaps und setzte sich in unserm warmen Haus Dann sah er wie der Ruprecht bei der Hitze ganz zergang kicherte jetzt der Nikolaus als er Schokolad' verschlang! jamjam!
$5.00
4.59 €
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David Warin Solomons
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Rupert the Chocolate Angel in English and German for SAB choir
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David Warin Solomons
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SheetMusicPlus
A Night in Tunisia
Alto Saxophone,Bass Voice,Drums,Keyboard - Level 3 - Digital Download SKU: A0.1325114
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Alto Saxophone,Bass Voice,Drums,Keyboard - Level 3 - Digital Download SKU: A0.1325114 By Joan Cartwright. By Dizzy Gillespie. Arranged by Joan Cartwright. 20th Century,21st Century,Jazz. Full Performance. Duration 334. FYI Communications Inc #913336. Published by FYI Communications Inc (A0.1325114). A NIGHT IN TUNISIAMusic by Dizzy Gillespie and Lyrics by Joan Cartwright It was a beautiful night in Tunisia She followed him back to his door The hour was late when he seized her But she hung around for more The mystery started unfolding Exciting adventure befell The end of that night in Tunisia Left exotic dreams to tell Warm was the kiss his lips kept taking Breathless was she, her inhibitions forsaken (Drum roll) The mystery started unfolding Exciting adventure befell The end of that night in Tunisia Left exotic dreams to tell She remembers the night in Tunisia As a moment of magic explored And each time she comes back to Tunisia He finds her waiting at his door She comes running back for more She finds her way back to his door.
$1.99
1.83 €
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Joan Cartwright
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Joan Cartwright
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A Night in Tunisia
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FYI Communications Inc
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SheetMusicPlus
Dancing Late at Night
Small Ensemble Bass Guitar,Double Bass,Drum Set,Piano - Level 3 - Digital Download SKU:…
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Small Ensemble Bass Guitar,Double Bass,Drum Set,Piano - Level 3 - Digital Download SKU: A0.864305 Composed by Jordan Grigg. Concert,Instructional,Jazz. Score and parts. 9 pages. Jordan Grigg #6492673. Published by Jordan Grigg (A0.864305).
$8.95
8.21 €
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Jordan Grigg
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Dancing Late at Night
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Jordan Grigg
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SheetMusicPlus
Late At Night
Cello,Multi-Percussion,Piano Accompaniment,Synthesizer,Tuba - Level 3 - Digital Download
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Cello,Multi-Percussion,Piano Accompaniment,Synthesizer,Tuba - Level 3 - Digital Download SKU: A0.979458 Composed by Ken Piche. Arranged by Ken Piche. Film/TV,Instructional,Multicultural,Pop,World. 12 pages. Ken Piche #3859865. Published by Ken Piche (A0.979458). Catchy Pretty Nostalgic Memories Fantasy Magic Happy Most of the proceeds from sales of my music going to : Sick Children's Hospitals Food Banks Cancer Societies Heart and Stroke Foundations and Diabetes
$1.99
1.83 €
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Ken Piche
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Ken Piche
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Late At Night
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Ken Piche
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SheetMusicPlus
Late Night Talking
Choral Choir,Choral,TBB Chorus - Level 3 - Digital Download SKU: A0.1442647 By Harr…
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Choral Choir,Choral,TBB Chorus - Level 3 - Digital Download SKU: A0.1442647 By Harry Styles. By Harry Styles and Thomas Hull. Arranged by Robert Lane. 21st Century,Contemporary,Pop. 13 pages. Robert Lane #1022640. Published by Robert Lane (A0.1442647). Enjoy this TTB arrangement of this fun and upbeat Harry Styles song. You have the opportunity to feature one or more soloists on the verses.Check out more of Rob's TTB arrangements at rob-lanearranging.com.
$2.50
2.29 €
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Harry Styles
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Robert Lane
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Late Night Talking
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Robert Lane
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SheetMusicPlus
A Night In Tunisia
Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Diz…
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Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.25 €
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
A Night In Tunisia
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Dow…
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Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.25 €
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
A Night In Tunisia
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Diz…
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
13.75 €
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Oh Holy Night
Alto Voice,Soprano voice - Level 3 - Digital Download SKU: A0.1354327 By Steven Ere…
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Alto Voice,Soprano voice - Level 3 - Digital Download SKU: A0.1354327 By Steven Erekson. By Adolphe Charles Adam/Placide Cappeau. Arranged by Steven L. Erekson. Christian,Christmas,Holiday,Sacred,Spiritual. 6 pages. Steven L. Erekson #939042. Published by Steven L. Erekson (A0.1354327). Written for 1 saprano and 2 altos, this arrangment of Oh Holy Night was written upon request of a family member who had difficulty finding an arrangement for 3 female vocalists. 4 days later and with a day to spare before they left for holidays, the request was happily filled and the result as you see it here. It features two of the 3 verses with a reference to the most important phrase found in the origional's third verse. The chord structures at some points differ from what is commonly associated with this carol and a number of key changes attempt to keep things in a suitable range and entertain the singers with added difficulty, but mostly enables a reverent capture of the attention of the audience. The third verse was not included in full to keep the piece to a suitable length for settings of worship.To my surprise, some church services at Christmas time leave me un-fed. I keep longing for the reverence that should be and would have been felt in the presence of the newborn of whom this song speaks. There is glory and rejoicing in the arrival of the Christ, yes; I do not wish to overlook this aspect of the season, but the greater emphasis that I intended to accompany this arrangement is that of the often-lacking submissive reverence embodied in the concluding phrase; behold your King.The best way to bring the best verision of this piece is to vary the tempo throughout to create more emotion and exagerate the dynamic markings. Begin the piece with awe and contained anticipation, increase in majesty to reflect the praise of angels and the glory of the Christ, then sing as though you enter the place where He rests as you lead your audience thereto. A voice recording is in the works.
$7.99
7.33 €
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Steven Erekson
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Steven L
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Oh Holy Night
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Steven L. Erekson
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SheetMusicPlus
Plateau of Dances with a Scottish Flavour
Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Compos…
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Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages. Forton Music - Digital #FM628. Published by Forton Music - Digital (F2.FM628). ISBN 9790570485277.'Plateau of Dances with a Scottish Flavour' Plateau of Dances with a Scottish Flavour was composed in autumn 2016, Eastbourne, and is inspired by my childhood in Doune, Perthshire; as well as the Ceilidhs and Feis (cultural festival in the Highlands) my daughter, Clara, and I were immersed in when we lived in the picturesque village of Kingussie, Badenoch and Strathspey. The four dances are a celebration of my love and nostalgia for Scotland, and an expression of my family's Scottish memories. Each dance comes with a quote from my favourite poet, Robert Burns, whose insightful and sensitive observations are a poignant appreciation of everyday life. Why the reference to Scottish food? Because this piece is dedicated to my father, Papou, who appreciates a merry supper. The 1st Movement, 'To the Mighty Haggis', is a Strathspey with its characteristic Scotch snap -a short-long rhythm, as if saying the word 'haggis'; which is fitting as the Scottish bard's quote comes from his poem Address to a Haggis, traditionally said on Burns' Night. The 2nd Movement, 'The Humble Shortbread', is a Reel; as is usually the case in Scottish dances. It should be played with a slightly 'snappy', swung rhythm. 'What though on homely fare we dine, [...] A man is a man for all that' comes from my favourite Burns' poem: A Man's a Man for A' That. And who doesn't enjoy the humble shortbread? There is a more reflective, nostalgic mood to the 3rd Movement, 'Ode to the Homely (salty) Porridge'. The Air is a reminiscence of the quiet evenings Clara and I would spend in Kingussie, with our view of the beautifully haunting mountains. 'What will I get to my supper, [...] Ye'se get a panfu' o' plumpin parridge' comes from Burns' The Shepherd's Wife who tries to entice her husband back home with the promise of porridge (the Scottish way: with salt). Finally, the 4th Movement, 'Too Many Drams of Whisky', is a cheerful and lively Jig. It's the convivial merriness of being with friends and family, maybe at a Ceilidh, with a wink to Scotland's 'water of life'. 'We'll tak a cup o' kindness yet, For auld lang syne' comes from Burns' famous Auld Lang Syne: a fitting end to our musical and culinary tour of Scotland.
$7.95
7.29 €
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Alexandra Lehmann
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Plateau of Dances with a Scottish Flavour
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Forton Music - Digital
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SheetMusicPlus
Nyanyian Serambi - Score Only
Level 3 - Digital Download SKU: A0.1413786 By Ramli Sarip. By Songs & Lyrics by Ram…
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Level 3 - Digital Download SKU: A0.1413786 By Ramli Sarip. By Songs & Lyrics by Ramli Sarip. Arranged by Zakey Javis. Folk,Multicultural,New Age,Pop,Traditional,World. 4 pages. DARIA RESOURCES #995572. Published by DARIA RESOURCES (A0.1413786). The song Nyanyian Serambi by Ramli Sarip speaks about the struggles of a daily routine where one has to leave early morning and come back late at night or even at times until midnight, in search of livelihood to bring back for their loved ones. It is a message of perseverance and patience even amidst the hardships encountered. The first verse describes the daily routine of a person whose aim is to provide for their family as they continuously search for opportunities to make a living. The usage of the word bersabarlah at the end of the stanza translates to be patient. The second verse talks about the meaning of love portrayed through a smiling face, warm kindness and undivided attention. The lyrics describe how a pure love can blossom, bringing along with it conscious and sincere hearts.
$23.00
21.1 €
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Ramli Sarip
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Zakey Javis
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Nyanyian Serambi - Score Only
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DARIA RESOURCES
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SheetMusicPlus
On The Streets of Rehavia
Small Ensemble - Level 3 - Digital Download SKU: A0.843788 Composed by Brian S. Wil…
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Small Ensemble - Level 3 - Digital Download SKU: A0.843788 Composed by Brian S. Wilson. Jazz. Score and parts. 1 pages. G. Meredith Publications #2026185. Published by G. Meredith Publications (A0.843788). On The Streets of Rehavia is one of over 30 jazz tunes written by this composer. It is dedicated to the neighborhood in Jerusalem where the composer spent a memorable Passover walking through the streets late at night.
$1.99
1.83 €
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Brian S
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On The Streets of Rehavia
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G. Meredith Publications
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SheetMusicPlus
Let It Be
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viol…
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
3.66 €
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
WHILE SHEPHERDS WATCHED THEIR FLOCKS with HOW GREAT OUR JOY - Woodwind Quartet with optional Piano
Woodwind Ensemble,Woodwind Quartet Clarinet,Flute,Oboe - Level 3 - Digital Download SKU…
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Woodwind Ensemble,Woodwind Quartet Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1074169 Composed by George Frederick Handel, Traditional German melody. Arranged by Glen Poehlmann. Christmas,Sacred. 15 pages. Arrangements by GPoehlmann #678452. Published by arrangements by GPoehlmann (A0.1074169). 2 Christmas carols are combined in this arrangement for a WOODWIND QUARTET (2 Flutes, Oboe & Clarinet) with optional Piano Originally written for WW Quartet, the Piano part was added later by request but is not required for performance. WHILE SHEPHERDS WATCHED THEIR FLOCKS - hymn tune CHRISTMAS HOW GREAT OUR JOY (While by the sheep we watched at night) - hymn tune JUNGST Grade 3 (Medium in Difficulty) 66 measures. Performance Time approx 2:45 Key: G - A. Meter: 4/43 Instrument Ranges (C4=middle C): Flute 1 G4 - A6 Flutes 2 D4 - E6 Oboe D4 - A5 Bb clarinet G#3 - E#5 (written) Parts included (PDF): Quartet Score, Quartet with Piano Score, Flute 1, Flute 2, Oboe, Bb Clarinet, Piano.
$5.00
4.59 €
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George Frederick Handel, Traditional German melody
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Glen Poehlmann
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WHILE SHEPHERDS WATCHED THEIR FLOCKS with HOW GREAT OUR JOY - Woodwind Quartet with optional Piano
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arrangements by GPoehlmann
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SheetMusicPlus
Mendelssohn: Wedding March for Viola & Piano
Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Fel…
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Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885). Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.
$32.95
30.22 €
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Viola & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
$24.95
22.88 €
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.22 €
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Vichnaya Pamyat
Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Di…
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Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.752457 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Sacred,Traditional. Score and parts. 17 pages. RBMusic #6504099. Published by RBMusic (A0.752457). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crews’ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttir’s arrangement is heard at the end of the final episode of the series. This arrangement is in the original key. A transposed version, making it easier to play, is available, item number H0.1100563-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99
12.83 €
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Various
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Rob Bushnell
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Vichnaya Pamyat
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RBMusic
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 10 (Songs 244-270)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152799 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1152799 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 48 pages. Socrates Arvanitakis #753038. Published by Socrates Arvanitakis (A0.1152799). This is the tenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 10 (Songs 244-270)Dilly Song 1 (the)Dilly Song 2 (the)Dives and LazarusDo you remember that nightDonkey RidingDorrington Lads (My Dearie She Sits Ower Late up)Doun the Burn DavieDowie Dens of Yarrow (the)Down By Sally’s GardenDown in the Meadows (O Waly Waly-variant)Down in Yon Forest 1Down in Yon Forest 2Dragoon and the Lady 1 (the)Dragoon and the Lady 2 (the)Dragoon and the Lady 3 (the)Dragoon and the Lady 4 (the)Drill Drill ye TarriersDrink To Me OnlyDrover’s Dream (the)Drowned Lover (the)Drowsy Sleeper (Arise, Arise-new setting)Drummer and the Cook (the)Drummer Boy of Waterloo (the)Duke of Marlborough (the)Dunster Carol 1 (I Hear Along Our Street)Dunster Carol 2 (I Hear Along Our Street)Dying Cowboy (the).
$25.00
22.93 €
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Sally’s Garden
Down in the Meadows
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 10
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Socrates Arvanitakis
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 24 (Songs 622-648)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1161269 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1161269 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 42 pages. Socrates Arvanitakis #761608. Published by Socrates Arvanitakis (A0.1161269). This is the twenty-fourth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment.The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 24 (Songs 622-648)Mummers’ Carol Must I thenMy Bonnie, Bonnie BoyMy Bonny CuckooMy Boy BillyMy Dearie She Sits Ower Late upMy Grandfather’s ClockMy JohnnyMy Johnny was a ShoemakerMy Love’s an ArbutusMy mother did so before meMy Own Pretty BoyMylecharane (Isle of Man) [Vylecharane]Myrtle Tree (the)Nae Bonnie Laddie tae Tak’ Me Awa’Nature CarolNelson’s DeathNever Marry an Old ManNew Year SongNewcastle FairThe New-Fashioned FarmerNight Visit SongNoble Foxhunting (the)Nos Galan (winter)Nottinghamshire Poacher (the)Ny Kirree Fo-SnaighteyO ’Twas in the Broad Atlantic
$25.00
22.93 €
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 24
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Socrates Arvanitakis
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SheetMusicPlus
Hungry Five Two-Pack - Two E.T. Paull pieces for "Hungry Five" Band
Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.7821…
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Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.782102 Composed by Lincoln/Paull. Arranged by Aaron Hettinga. 20th Century,Folk,Patriotic,Traditional. Score and parts. 35 pages. Aaron Hettinga #6713295. Published by Aaron Hettinga (A0.782102). Edward Taylor Paull (1858-1924) was an American composer of marches and rags who was successful in producing a large number of circus marches in the late 1800’s/early 1900’s.. The Ben Hur Chariot Race March was the first publication he released in 1894. He also arranged Harry J. Lincoln's hit, Midnight Fire Alarm.These arrangements have been prepared for the instrumentation of Alford’s Hungry Five polka band books and serve as a fine addendum to those familiar pieces. While the clarinet parts tend to be the most active, they often feature diatonic scalar patterns that remain accessible to most intermediate-level players. The trombone part here is more active than many other arrangements for this kind of ensemble and could also be handled by Euphonium if desired. Again, it’s mostly short diatonic 16th note bursts. At the risk of sounding sloppy, it may be better to take the tempo a little lesser than a circus march tempo to accommodate. Besides, if playing this piece for Polka dancing, it would be best to take this at a more danceable tempo anyway.This downloadable PDF package contains 2 complete packages of full scores and a sets of parts for Midnight Fire Alarm and Ben Hur Chariot Race March that are ready to go for adding some extra variety to your German Band’s Oktoberfest gig!
$24.99
22.92 €
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Lincoln/Paull
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Aaron Hettinga
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Hungry Five Two-Pack - Two E.T. Paull pieces for "Hungry Five" Band
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Aaron Hettinga
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SheetMusicPlus
Day by Day [12 pieces for flute and piano]
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1491061 By Juan Maria Sola…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1491061 By Juan Maria Solare. By Juan Maria Solare. Arranged by Juan Maria Solare. Chamber,Classical,Contemporary,Instructional,Latin. Score and part. 54 pages. Juan Maria Solare #1067824. Published by Juan Maria Solare (A0.1491061). Day by Day is a suite of twelve pieces for flute and piano that reflects the continuous, ongoing process of daily life. The overarching title Day by Day suggests both a focus on the present moment and daily progress. The individual titles are chosen to evoke specific moods, settings, and introspective themes (from the mundane to the profound), each capturing a distinct moment or emotion within the broader journey of life. The suite, while pedagogical in nature, offers layers of meaning and technical challenges that encourage both the performer and the listener to engage deeply with each piece. 1. One Day at a Time (Un día a la vez / Einen Tag nach dem anderen) 1:152. End of Summer (Final del verano, Sommerende / Ende des Sommers) 1:153. Late Night Drive (Manejando de noche / Nachtfahrt) 1:204. Daydreamcatcher (Atrapasueños diurnos / Tagtraumfänger) 1:205. Touching the Rain (Palpando la lluvia / Den Regen spüren) 1:156. Echoes of the Valley (Ecos del Valle / Echos des Tals) 1:207. Satin Gloves (Guantes de satén / Satinhandschuhe) 2:308. The Origin of Trust (El origen de la confianza / Der Ursprung des Vertrauens) 1:209. Behind the Clock (Detrás del reloj / Hinter der Uhr) 1:3010. Streets of Neon and Vigil (Calles de Neón y de vigilia / Straßen des Neons und der Wachsamkeit) 2:3011. In the Pocket (En el bolsillo / In der Tasche) 2:0012. Patagonian Wild Horses (Caballos salvajes patagónicos / Patagonische Wildpferde) 2:30.
$6.00
5.5 €
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Juan Maria Solare
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Juan Maria Solare
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Day by Day [12 pieces for flute and piano]
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Juan Maria Solare
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SheetMusicPlus
WANDERERS' SONGS: Masefield, Hardy, Wordsworth, Goethe, HIGH VOICE, OBOE & BASSOON or VIOLIN & CELLO
Small Ensemble Bassoon,Cello,Oboe,Violin,Voice - Level 3 - Digital Download SKU: A0.903…
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Small Ensemble Bassoon,Cello,Oboe,Violin,Voice - Level 3 - Digital Download SKU: A0.903821 Composed by Alan Edgar. Contemporary. Score and parts. 14 pages. Alan Edgar Ted Moon #6876677. Published by Alan Edgar Ted Moon (A0.903821). Four Settings for high voice (also available for low voice), oboe or violin and bassoon or cello. Masefield (Vagabond: Dunno a heap about the what an' why,), Hardy (The Walk: You did not walk with me of late), Wordsworth (I wandered, lonely as a cloud) and Goethe (Wanderer’s Night Song: soon, like these, thou too shalt have rest.). Short, contrasting songs which could form an easy-listening set at the end of an evening’s programme. Two of the songs would alternatively work well unaccompanied. For rehearsal, a keyboard player can see the instrumental parts together.
$8.00
7.34 €
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Alan Edgar
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WANDERERS' SONGS: Masefield, Hardy, Wordsworth, Goethe, HIGH VOICE, OBOE & BASSOON or VIOLIN & CELLO
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Alan Edgar Ted Moon
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SheetMusicPlus
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