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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mad World
Non classifié
550
Piano & claviers
Piano, Voix
349
Piano seul
218
Instruments en Do
33
Piano, Voix et Guitare
26
Piano Facile
18
Piano Trio: piano, violon, violoncelle
17
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Orgue
7
1 Piano, 4 mains
5
Accordéon
5
2 Accordéons
3
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare
44
Guitare notes et tablatures
33
Mandoline
24
2 Guitares (duo)
11
Ligne De Mélodie, (Paroles) et Accords
9
Paroles et Accords
6
Ukulele
5
Mandoline, Guitare (duo)
3
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Basse electrique
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
62
Voix Alto, Piano
25
Voix Tenor
25
Voix Soprano
23
Voix Baryton, Piano
19
Chorale 3 parties
11
Chorale TTBB
11
Voix duo, Piano
9
Chorale SSAA
7
Chorale 2 parties
5
Voix moyenne, Piano
2
Chorale SSAB, Piano
1
Voix seule
1
+ 8 instrumentations
Retracter
Vents
Clarinette et Piano
187
Flûte traversière et Piano
173
Saxophone Alto et Piano
81
Hautbois, Piano (duo)
77
Flûte, Hautbois, Clarinette, Basson
58
Saxophone Soprano et Piano
52
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Quintette de Saxophone: 5 saxophones
33
Cor anglais, Piano
31
Clarinette
30
Flûte traversière
29
Saxophone Tenor et Piano
24
Saxophone Alto
22
Saxophone (partie séparée)
19
Quatuor de Saxophones: 4 saxophones
19
Quatuor de Clarinettes: 4 clarinettes
18
Saxophone Tenor
17
2 Clarinettes (duo)
17
2 Saxophones (duo)
16
Flûte et Guitare
14
Hautbois (partie séparée)
14
Saxophone Baryton, Piano
13
Quintette de Flûte : 5 flûtes
11
Quatuor de Flûtes : 4 flûtes
11
2 Flûtes traversières (duo)
11
Flûte, Violoncelle, Piano (trio)
9
Ensemble de saxophones
8
Clarinette, Guitare (duo)
7
Quintette de Clarinettes: 5 clarinettes
7
Flûte, Violon, Piano
7
3 Clarinettes (trio)
6
Flûte, Clarinette (duo)
6
Ensemble de Clarinettes
6
2 Hautbois (duo)
6
3 Saxophones (trio)
6
Saxophone, Clarinette (duo)
6
Flûte, Violon
5
Saxophone Soprano
5
Clarinette, Violon (duo)
4
Hautbois, Guitare (duo)
4
Hautbois
4
Cor Anglais
4
Trio de Flûtes: 3 flûtes
4
Hautbois, Clarinette (duo)
4
Ensemble de Flûtes
4
Saxophone Baryton
3
Clarinette Basse, Piano
3
Hautbois, Basson (duo)
3
2 Flûte à bec (duo)
3
Clarinette, Trompette (duo)
3
Flûte irlandaise
2
2 Clarinettes, Piano
2
Flûte, Saxophone (duo)
2
Flûte, Basson et Piano
2
Clarinette Basse
2
Hautbois, Flûte
2
Flûte, Hautbois, Basson
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Trompette (duo)
2
Clarinette, Harpe (duo)
1
2 Flûtes traversières, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte à bec, Guitare (duo)
1
Flûte à bec Soprano
1
Flûte et Trio à cordes
1
5 Flûtes à bec
1
Saxophone
1
Flûte, Hautbois (duo)
1
Ensemble De Flûte à bec
1
Flûte à Bec
1
Flûte, Violoncelle, Guitare
1
Cor anglais, Guitare (duo)
1
Flûte, Clarinette et Basson
1
Saxophone et Guitare
1
Flûte, Harpe et Violoncelle
1
2 Hautbois, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Soprano, Piano
1
Clarinette et Alto
1
+ 75 instrumentations
Retracter
Cuivres
Trompette, Piano
77
Cor et Piano
59
Trombone et Piano
56
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Tuba et Piano
33
Cor anglais, Piano
31
Trompette
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Cor
20
Ensemble de Trompettes
20
Trombone
19
Tuba
14
2 Trompettes (duo)
8
2 Trombones (duo)
8
Quatuor de cuivres: 4 trombones
7
Quatuor de cuivres: 4 trompettes
6
Quatuor de Cuivres
6
Ensemble de Trombones
6
Euphonium, Piano (duo)
5
Trompette, Saxophone (duo)
4
2 Cors (duo)
4
Cor Anglais
4
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 cors
3
Trompette, Tuba (duo)
2
Trompette (partie séparée)
2
Euphonium
1
Trombone (partie séparée)
1
Ensemble de Cors
1
2 Cors, Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Violoncelle et Piano
1
Cor anglais, Guitare (duo)
1
+ 29 instrumentations
Retracter
Cordes
Violon et Piano
205
Violoncelle, Piano
189
Alto, Piano
185
Quatuor à cordes: 2 violons, alto, violoncelle
140
Violon
43
Contrebasse, Piano (duo)
35
Violoncelle
31
Violon, Violoncelle (duo)
24
Alto seul
23
Trio à Cordes: violon, alto, violoncelle
18
Contre Basse
16
2 Violoncelles (duo)
16
Violon, Alto (duo)
14
Trio à Cordes: 2 violons, violoncelle
12
2 Violons (duo)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Alto (partie séparée)
9
Harpe
9
2 Altos (duo)
9
Violon, Guitare (duo)
8
Violoncelle , Guitare (duo)
7
Alto, Violoncelle (duo)
7
Alto, Guitare (duo)
6
Ensemble de Violons
5
4 Violoncelles
4
2 Harpes (duo)
4
Violoncelle, Contrebasse (duo)
3
Quatuor à cordes : 4 altos
3
Trio à Cordes: 3 violoncelles
3
Ensemble d'Altos
3
Harpe, Violon, Violoncelle
2
2 Altos, Piano
2
Trio à cordes: 3 violins
1
Harpe, Violon (duo)
1
Violon, Clarinette, Piano (trio)
1
Harpe et Piano
1
Trio à cordes: 3 altos
1
Harpe, Flûte (duo)
1
Harpe, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Orgue
1
2 Contrebasses (duo)
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
54
Orchestre d'harmonie
48
Orchestre
28
Orchestre de chambre
10
Ensemble de cuivres
7
Marimba
6
Ensemble de Percussions
6
Cloches
5
Jazz combo
5
Xylophone
4
Fanfare
4
Ensemble Jazz
3
Xylophone, Piano
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Mad World
intermédiaire
Partitions à imprimer
550 partitions trouvées
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51
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526
Mad World
#
Pop musique
#
Adam Lambert
#
Christopher Wallace
#
Mad World
#
Wood and Steel Media
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.899897 By Adam Lambert. By Roland Orzabal. Arranged by Christopher Wallace. Pop. Score an...
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.899897 By Adam Lambert. By Roland Orzabal. Arranged by Christopher Wallace. Pop. Score and parts. 5 pages. Wood and Steel Media #5744819. Published by Wood and Steel Media (A0.899897). This is a Solo Guitar Arrangement of Mad World by Michael Andrews (feat. Gary Jules) in Standard Notation. It combines the melody, piano and electric piano parts into one guitar part for an Intermediate/Advanced Intermediate player. Careful attention has been paid to faithfully represent the parts while maintaining a cohesive and playable arrangement.As all songs arranged and published by Wood and Steel Publishing, this arrangement can be found in Standard and Tablature Notations, for numerous skill levels, allowing access to great sounding arrangements for any guitar player. For other versions of this song please visit our SMP Publisher Page.
$4.99
Mad World
#
Pop musique
#
Adam Lambert
#
Dennis Bathory-Kitsz
#
Mad World
#
Westleaf Edition
#
SheetMusicPlus
Large Ensemble Alto Voice,Baritone Horn TC,Cello,Piano,Soprano voice,Violin - Level 3 - SKU: A0.1074264 By Adam Lambert. By Roland Orzabal. Arranged by ...
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Large Ensemble Alto Voice,Baritone Horn TC,Cello,Piano,Soprano voice,Violin - Level 3 - SKU: A0.1074264 By Adam Lambert. By Roland Orzabal. Arranged by Dennis Bathory-Kitsz. Pop. Score and parts. 24 pages. Westleaf Edition #678555. Published by Westleaf Edition (A0.1074264). Entertaining arrangement of Mad World for voices, strings, and piano, with a clever interplay of words as the song develops.
$12.99
Mad World
#
Pop musique
#
Adam Lambert
#
Andy Derrick
#
Mad World
#
Andy Derrick
#
SheetMusicPlus
Brass Ensemble,Trumpet Quartet Trumpet - Level 3 - SKU: A0.1195444 By Adam Lambert. By Roland Orzabal. Arranged by Andy Derrick. Pop. Score and parts. 7...
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Brass Ensemble,Trumpet Quartet Trumpet - Level 3 - SKU: A0.1195444 By Adam Lambert. By Roland Orzabal. Arranged by Andy Derrick. Pop. Score and parts. 7 pages. Andy Derrick #794614. Published by Andy Derrick (A0.1195444). Another straightforward arrangement for trumpet quartet of the Tears for Fears track MAD WORLD. An arrangement with clear one page parts for each trumpet and with an approachable range for everyone.
$14.99
Sudhanva Sankirtanam : Madhuram : Singer : Kanakesh Rathod : Lyrics : Lakshmi Valli Devi Bijibilla
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Kanakesh Rathod
#
Bijibilla Rama Rao
#
Sudhanva Sankirtanam : Madhura
#
Bijibilla Rama Rao
#
SheetMusicPlus
Small Ensemble Flute,Percussion,Voice - Level 3 - SKU: A0.1020328 Composed by Kanakesh Rathod. Arranged by Bijibilla Rama Rao. Holiday,Musical/Show,Sacr...
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Small Ensemble Flute,Percussion,Voice - Level 3 - SKU: A0.1020328 Composed by Kanakesh Rathod. Arranged by Bijibilla Rama Rao. Holiday,Musical/Show,Sacred,Spiritual,World. Score and parts. 180 pages. Bijibilla Rama Rao #4783401. Published by Bijibilla Rama Rao (A0.1020328). Sudhanva Sankirtanam is a Devotional Album written by Lakshmi Valli Devi Bijibilla. Music composed by Kanakesh Rathod. Recorded at 'S' rec.in Hyderabad, Telangana State, India. Indian Percussions : Kanna : Sitar : Nandu Kumar : Flute : Pramod Umapathi. Singers : Vishnu Priya : Siri : Sarada Sai : Laxmi Gayathri : Tulasi : Vijayalaxmi : Bala Saahithi : Madhavi Bijibilla : Raman Rathod : Neeraj : Kanakesh Rathod. Presented by Bijibilla Foundation.This Devotional Album gives inspiration and relief. It gives pleasure and peace. It fits for all age groups. Children can learn and understand about Hindu Culture.
$1.99
Sudhanva Sankirtanam : Ooyalalugavaya : Singer : Madhavi Bijibilla : Lyrics : Lakshmi Valli Devi Bij
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Kanakesh Rathod
#
Bijibilla Rama Rao
#
Sudhanva Sankirtanam : Ooyalal
#
Bijibilla Rama Rao
#
SheetMusicPlus
Small Ensemble Flute,Percussion,Voice - Level 3 - SKU: A0.1020351 Composed by Kanakesh Rathod. Arranged by Bijibilla Rama Rao. Holiday,Musical/Show,Sacr...
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Small Ensemble Flute,Percussion,Voice - Level 3 - SKU: A0.1020351 Composed by Kanakesh Rathod. Arranged by Bijibilla Rama Rao. Holiday,Musical/Show,Sacred,Spiritual,World. Score and parts. 180 pages. Bijibilla Rama Rao #4783705. Published by Bijibilla Rama Rao (A0.1020351). Sudhanva Sankirtanam is a Devotional Album written by Lakshmi Valli Devi Bijibilla. Music composed by Kanakesh Rathod. Recorded at 'S' rec.in Hyderabad, Telangana State, India. Indian Percussions : Kanna : Sitar : Nandu Kumar : Flute : Pramod Umapathi. Singers : Vishnu Priya : Siri : Sarada Sai : Laxmi Gayathri : Tulasi : Vijayalaxmi : Bala Saahithi : Madhavi Bijibilla : Raman Rathod : Neeraj : Kanakesh Rathod. Presented by Bijibilla Foundation.This Devotional Album gives inspiration and relief. It gives pleasure and peace. It fits for all age groups. Children can listen and understand about HIndu Culture.
$1.99
We Are The World
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USA For Africa
#
David Maddux
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We Are The World
#
David Maddux
#
SheetMusicPlus
Small Ensemble Drum Set,Electric Bass Guitar,Electric Guitar,Piano,Synthesizer - Level 3 - SKU: A0.586516 By USA For Africa. By Lionel Richie and Michae...
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Small Ensemble Drum Set,Electric Bass Guitar,Electric Guitar,Piano,Synthesizer - Level 3 - SKU: A0.586516 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by David Maddux. Contemporary,Pop. Score and parts. 48 pages. David Maddux #195812. Published by David Maddux (A0.586516). NOTE: This PDF file contains the conductor’s score, individual instrumental parts, and vocal-only part. The piano-vocal is sold separately. YOU ARE LEGALLY OBLIGATED TO PURCHASE ONE PIANO-VOCAL PDF PER SINGING MEMBER, INCLUDING CONDUCTORS AND ACCOMPANISTS.
$50.00
Puccini Medley: Un Bel Di (Madame Butterfly) and Musetta's Waltz (La Boheme): Guitar and Piano
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Giacomo Puccini
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John A
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Puccini Medley: Un Bel Di
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John A. Dempsey
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo,Piano - Level 3 - SKU: A0.523879 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Multicultural,Ope...
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Acoustic Guitar,Instrumental Solo,Piano - Level 3 - SKU: A0.523879 Composed by Giacomo Puccini. Arranged by John A. Dempsey. Classical,Multicultural,Opera,Romantic Period,Wedding,World. Score and individual part. 15 pages. John A. Dempsey #4289545. Published by John A. Dempsey (A0.523879). Two Italian masterpieces combined in one arrangement, this medley for guitar and piano includes melody augmentation, mood shifts, tempo fluctuations, rich dynamic shading and a lavish finale, all built on two of the most beautiful melodies Puccini ever composed. Â Included: Un Bel Di (One Fine Day) from Madame Butterfly and Quando M'en Vo from La Boheme. Â Recommended for weddings, as a prelude, unity candle music, a bridal march or a bridesmaid processional. Â Also popular as a soaring, romantic selection for concerts, recitals and more. Â 11 pages of music (that includes a separate two-page guitar part). Â Key: G major. Â Guitar Level: Intermediate. Â Piano Level: Late Intermediate.
$6.99
Over The Rainbow / What A Wonderful World
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Comédie Musicale
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Film/TV
#
Israel Iz Kamakawiwo'ole
#
Sérgio Matias da Cunha
#
Over The Rainbow / What A Wond
#
Sérgio Matias da Cunha
#
SheetMusicPlus
String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1251644 By Israel Iz Kamakawiwo'ole. By E.Y. Yip Harburg, George David Weiss, Harold Arlen,...
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String Ensemble Cello,Piano,Viola,Violin - Level 3 - SKU: A0.1251644 By Israel Iz Kamakawiwo'ole. By E.Y. Yip Harburg, George David Weiss, Harold Arlen, and Robert Thiele. Arranged by Sérgio Matias da Cunha. Film/TV,Multicultural,Pop,Reggae,Wedding,World. 10 pages. Sérgio Matias da Cunha #845903. Published by Sérgio Matias da Cunha (A0.1251644). Arranjo da música Over the rainbow (versão: Israel Kamakawiwo'ole) trabalhado na distribuição polifônica dos acordes nos instrumentos de corda acompanhando o fio melódico, valorizando-o e mantendo o movimento dentro do estilo reggae. Destaque para o balanço ritmado do violoncelo, que sustenta o caráter vivo e expressivo dos instrumentos, remetendo à uma atmosfera de sonho, alegria e interação com a natureza. Conta com uma partitura completa e também partes individuais para cada instrumento e partitura vocal com letra e cifra para violão, num total de dez páginas. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$12.99
CC018SOL - Madeira Flower - The Lady - Piano and any C-instrument
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Carl Van Pevenage
#
CC018SOL - Madeira Flower - Th
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Carl Van Pevenage
#
SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.921266 Composed by Carl Van Pevenage. Film/TV,Musical/Show,World. 8 pages. Carl Van Pevenage #5777631. Published b...
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Woodwind Ensemble - Level 3 - SKU: A0.921266 Composed by Carl Van Pevenage. Film/TV,Musical/Show,World. 8 pages. Carl Van Pevenage #5777631. Published by Carl Van Pevenage (A0.921266). The Lady is a romantic piano solo piece, part of the Madeira flower bundle. Play it gently with love. Chords are provided. Listen to the MP3.
$1.99
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
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Classique
#
Musique Sacrée
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Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Bass Clef)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Scor...
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Brass Ensemble Euphonium - Level 3 - SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533911. Published by Regis Bookshar (A0.813827). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Bass Clef, he has made quite a few other arrangements of this selection which are readily available for a.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (French Horn Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn - Level 3 - SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and...
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Brass Ensemble Horn - Level 3 - SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533921. Published by Regis Bookshar (A0.813830). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (French Horn Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a French Horn Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instr.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 2 Trb)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Pe...
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Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533903. Published by Regis Bookshar (A0.813825). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets and 2 Trombones, he has made quite a few other arrangements of this selection wh.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Treble Clef)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - SKU: A0.813828 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards....
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Brass Ensemble Euphonium - Level 3 - SKU: A0.813828 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533917. Published by Regis Bookshar (A0.813828). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Treble Clef, he has made quite a few other arrangements of this selection which are readily available for a wi.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violoncello Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Cello - Level 3 - SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Perio...
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String Ensemble,String Quintet Cello - Level 3 - SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533955. Published by Regis Bookshar (A0.813841). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violoncello Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violoncello Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Cello, 1 Ba
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533937. Published by Regis Bookshar (A0.813834). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection which a.
$15.00
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Mad World