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Sinfonia 5
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J.S. Bach - SINFONIA #5 - Arranged for Horn and Viola
Instrumental Duet Horn,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.922…
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Instrumental Duet Horn,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.922530 Composed by Johann Sebastian Bach. Arranged by Dirk Schneiderheinze. Baroque,Classical. Score and parts. 4 pages. Dirk Schneiderheinze #5770445. Published by Dirk Schneiderheinze (A0.922530). Sinfonia #5 (BWV 791) from Johann Sebastian Bach's Three Part Inventions, arranged for Horn and Viola.Bach's Three Part Inventions were originally composed for keyboard as part of a set of 15 unique pieces. This particular Sinfonia lends itself well to arrangement with horn and viola due to each voice's melodic style. The piece has been transposed up a tone (from Eb for F Major) which suits the horn and viola better. Most of the viola part has been lowered by an octave to better fit its expressive range.
$4.99
4.55 €
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Johann Sebastian Bach
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Dirk Schneiderheinze
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J.S. Bach - SINFONIA #5 - Arranged for Horn and Viola
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Dirk Schneiderheinze
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SheetMusicPlus
Sinfonia No. 5
Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.768450 Compo…
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Brass Ensemble Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.768450 Composed by Johann Sebastian Bach. Arranged by Roar Kvam. Baroque. Score and parts. 5 pages. KVAMusic Edition #26875. Published by KVAMusic Edition (A0.768450). Sinfonia by Bach transcribed for Deep Brass Trio (Horn, Trombone and Tuba).
$5.95
5.43 €
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Johann Sebastian Bach
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Roar Kvam
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Sinfonia No. 5
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KVAMusic Edition
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A…
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Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 37 pages. Guido Menestrina #119775. Published by Guido Menestrina (A0.828699). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro Karl Friedrich Abel - Symphony Op. 7 n. 1 - First Movement - Allegro Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen,[3][4] a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.[citation needed] One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. https://www.youtube.com/watch?v=bN3mtmg-rLI.
$7.99
7.29 €
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
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Guido Menestrina
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SheetMusicPlus
Op 186 Sinfonia n 5 tempo unico allegro
Large Ensemble Cello,Double Bass,Flute,Oboe,Piano,Piccolo,Timpani,Viola,Violin - Level 3 -…
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Large Ensemble Cello,Double Bass,Flute,Oboe,Piano,Piccolo,Timpani,Viola,Violin - Level 3 - Digital Download SKU: A0.1021491 Composed by Enrico Bolgan. 20th Century,Contemporary. Score and parts. 37 pages. Enrico Bolgan #6078461. Published by Enrico Bolgan (A0.1021491). La mia quinta sinfonia. Riflette il ricordo un periodo torbido della mia vita, è la messa in musica di un terremoto emotivo. Il brano presenta difficoltà tecniche modeste, ottimo come studio d'assieme per orchestre in via di formazione e istruzione.
$4.99
4.55 €
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Enrico Bolgan
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Op 186 Sinfonia n 5 tempo unico allegro
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Enrico Bolgan
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SheetMusicPlus
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Violin and Piano
Cello,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.1417698 Composed by Jo…
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Cello,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.1417698 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #999237. Published by ACORDO Sheet Music (A0.1417698). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The cello part is the same as the piano's left hand and is optional.
$3.60
3.28 €
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Johann Sebastian Bach
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Kamada, Mikio
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Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Violin and Piano
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ACORDO Sheet Music
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SheetMusicPlus
Sinfonia
Stimmen (5 Violinen I (Oboen I); 5 Violinen II (Oboen II); 3 Violinen III (Viola); 5 Violo…
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Stimmen (5 Violinen I (Oboen I); 5 Violinen II (Oboen II); 3 Violinen III (Viola); 5 Violoncelli/Kontrabässe (Fagott)) string orchestra and wind instruments (2 oboes and bassoon) ad libitum - intermediate - Digital Download SKU: S9.Q1093 G Major. Composed by Tomaso Giovanni Albinoni. Arranged by Walter Kolneder. This edition: score. Concertino. Downloadable, Score. Duration 10 minutes. Schott Music - Digital #Q1093. Published by Schott Music - Digital (S9.Q1093). Key: G major.
$18.99
17.32 €
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Tomaso Giovanni Albinoni
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Walter Kolneder
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5 Violinen II (Oboen II)
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Sinfonia
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Schott Music - Digital
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SheetMusicPlus
Andante cantabile con alcuna licenza - Second movement from Symphony n. 5
Brass Ensemble Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.138…
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Brass Ensemble Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1386879 Composed by P. I. Tchaikovsky. Arranged by Alessandro Macrì. Classical,Contest,Festival,Film/TV,Romantic Period. 26 pages. Music Macri Editions #970756. Published by Music Macri Editions (A0.1386879). L'Andante cantabile con alcuna licenza è il secondo movimento della Sinfonia n. 5 in mi minore op. 64. È uno dei movimenti più famosi e amati di tutta la musica classica.Il movimento è caratterizzato dalle sue bellissime melodie, ricche armonie e un'orchestrazione rigogliosa. È un brano musicale commovente ed emozionante che è stato interpretato in molti modi diversi. Alcune persone la sentono come una canzone d'amore, mentre altri la sentono come una marcia funebre.L'Andante cantabile con alcuna licenza è un capolavoro della musica classica. È un brano musicale bellissimo e commovente che ha resistito alla prova del tempo.Questo brano è stato arrangiato per Brass Ensemble, composto da 10 strumenti: Corno Solista in Fa 3 trombe in DO 2 Corni in FA 2 Tromboni Trombone Basso Tuba
$14.00
12.77 €
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P
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Alessandro Macrì
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Andante cantabile con alcuna licenza - Second movement from Symphony n. 5
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Music Macri Editions
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SheetMusicPlus
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Clarinet and Piano
Bassoon,Clarinet,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426546 Composed b…
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Bassoon,Clarinet,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426546 Composed by Johann Sebastian Bach. Arranged by Kamada,Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007246. Published by ACORDO Sheet Music (A0.1426546). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for oboe and clarinet. The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60
3.28 €
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Johann Sebastian Bach
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Kamada,Mikio
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Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Clarinet and Piano
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ACORDO Sheet Music
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SheetMusicPlus
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for two Clarinets and Piano
Bassoon,Clarinet,Piano - Level 3 - Digital Download SKU: A0.1426548 Composed by Joh…
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Bassoon,Clarinet,Piano - Level 3 - Digital Download SKU: A0.1426548 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007248. Published by ACORDO Sheet Music (A0.1426548). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for Clarinets. The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60
3.28 €
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Johann Sebastian Bach
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Kamada, Mikio
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Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for two Clarinets and Piano
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ACORDO Sheet Music
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SheetMusicPlus
Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Cor Anglais and Piano
English Horn,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426549 Composed by Jo…
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English Horn,Oboe,Piano - Level 3 - Digital Download SKU: A0.1426549 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1007249. Published by ACORDO Sheet Music (A0.1426549). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for Oboe and Cor Anglais. The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60
3.28 €
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Johann Sebastian Bach
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Kamada, Mikio
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Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Cor Anglais and Piano
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ACORDO Sheet Music
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SheetMusicPlus
" Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Flute and Piano "
Bassoon,Flute,Oboe,Piano - Level 3 - Digital Download SKU: A0.1422054 Composed by J…
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Bassoon,Flute,Oboe,Piano - Level 3 - Digital Download SKU: A0.1422054 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 5 pages. ACORDO Sheet Music #1003395. Published by ACORDO Sheet Music (A0.1422054). Johann Sebastian Bach composed the cantata Ich hatte viel Bekümmernis BWV 21 during the Weimar period. Craig Smith of Emmanuel Music suggested that this work was not only written to accompany the readings for the third Sunday after Trinity, but also to bid farewell to the gravely ill Prince Johann Ernst of Sachsen-Weimar, one of Bach's talented students. However, at the time, Prince Johann was seriously ill and was on his way to Swabia for recovery.The first movement, Sinfonia, is a deeply sorrowful piece, characterized by a rich dialogue between the oboe and violin. Julian Mincham of The Cantatas of Johann Sebastian Bach described it is a continuous discourse between oboe and first violin, quite possibly suggestive of the dialogue structure (Christ and the Soul) to be found in later movements, however, it sounds like a dialogue between the Prince and Bach for me.The string ensemble part was transcribed for piano to make it easier to play. The solo parts are originally for oboe and violin, but in this arrangement, they are for oboe and flute.  The bassoon (or cello) part is the same as the piano's left hand and is optional.
$3.60
3.28 €
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Johann Sebastian Bach
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Kamada, Mikio
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" Sinfonia from Cantata "Ich hatte viel Bekummerniss", BWV 21 for Oboe, Flute and Piano "
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ACORDO Sheet Music
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SheetMusicPlus
Sinfonía No.5(Primer Movimiento)-Beautiful things Op.5 No.2
Large Ensemble Bassoon,Cello,Double Bass,Flute,Oboe,Viola,Violin - Level 3 - Digital Downl…
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Large Ensemble Bassoon,Cello,Double Bass,Flute,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.1002174 Composed by Beautiful things. Contemporary. Score and parts. 6 pages. Beautiful things #6495745. Published by Beautiful things (A0.1002174).
$10.00
9.12 €
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Beautiful things
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Sinfonía No.5(Primer Movimiento)-Beautiful things Op.5 No.2
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Beautiful things
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SheetMusicPlus
Sinfonía No.4(Primer Movimiento)-Beautiful things Op.5 No.1
Small Ensemble Cello,Double Bass,Flute,Oboe,Viola,Violin - Level 3 - Digital Download S…
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Small Ensemble Cello,Double Bass,Flute,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.1002167 Composed by Beautiful things. Contemporary. Score and parts. 7 pages. Beautiful things #6493249. Published by Beautiful things (A0.1002167).
$10.00
9.12 €
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Beautiful things
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Sinfonía No.4(Primer Movimiento)-Beautiful things Op.5 No.1
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Beautiful things
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SheetMusicPlus
Johann Sebastian Bach: Brandenburg Concerto V (parts) for fl, strings & harpsichord
Instantly downloadable sheet music by Johann Sebastian Bach for fl, strings & harpsich…
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Instantly downloadable sheet music by Johann Sebastian Bach for fl, strings & harpsichord of MEDIUM skill level. Contents: concerto 5, Brandeburg Concerto, BWV 1050, bwv1050, Brandenburg Concerto No.5, Brandenburg Concerto No. 5,brandenburg sinfonia / classical,concert
$9.99
9.11 €
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Brandenburg Concerto V (f.score) for fl, strings & harpsichord
Instantly downloadable sheet music by Johann Sebastian Bach for fl, strings & harpsich…
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Instantly downloadable sheet music by Johann Sebastian Bach for fl, strings & harpsichord of MEDIUM skill level. Contents: concerto 5, Brandeburg Concerto, BWV 1050, bwv1050, Brandenburg Concerto No.5, Brandenburg Concerto No. 5,brandenburg sinfonia / classical,concert
$6.75
6.16 €
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Johann Sebastian Bach
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Virtualsheetmusic
Johann Sebastian Bach: Brandenburg Concerto V (COMPLETE) for fl, strings & harpsichord
Instantly downloadable sheet music by Johann Sebastian Bach for fl, strings & harpsich…
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Instantly downloadable sheet music by Johann Sebastian Bach for fl, strings & harpsichord of MEDIUM skill level. Contents: concerto 5, Brandeburg Concerto, BWV 1050, bwv1050, Brandenburg Concerto No.5, Brandenburg Concerto No. 5,brandenburg sinfonia / classical,concert
$11.99
10.93 €
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Johann Sebastian Bach
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Virtualsheetmusic
In Memoriam - Score Only
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
7.29 €
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Robert A
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In Memoriam - Score Only
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Robert A. Howard
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni …
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.549214 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3465026. Published by jmsgu3 (A0.549214). A musical monument: the first known composition in history to employ dynamics. Minimum Instrumentation: 2 sopranos, 5 altos, 3 tenors, and 1 baritone sax. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Saxophone Choir
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jmsgu3
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SheetMusicPlus
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