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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
The Line
Non classifié
1 622
Piano & claviers
Piano seul
2 365
Piano, Voix
781
Piano, Voix et Guitare
434
Accordéon
242
Orgue
141
Instruments en Do
123
Piano Facile
34
1 Piano, 4 mains
31
Accompagnement Piano
11
Piano Trio: piano, violon, violoncelle
9
Orgue, Trompette (duo)
5
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
4
Clavier
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
2 Pianos, 8 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
Clavecin
1
+ 14 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
15 647
Basse electrique
675
Guitare
434
Guitare notes et tablatures
268
Mandoline
165
Ukulele
34
Banjo
29
Paroles et Accords
25
2 Guitares (duo)
13
Dulcimer
12
Mandoline, Piano (duo)
11
Mandoline, Guitare (duo)
9
Piano, Guitare (duo)
8
4 Guitares (Quatuor)
5
Ensemble de guitares
5
2 Mandolines (duo)
3
Guitare Pedal Steel
2
Guitare, Violon, Violoncelle (trio)
2
Ensemble de Ukulélés
1
3 Guitares (trio)
1
Luth
1
Basse électrique (partie séparée)
1
Ukulele Baryton
1
+ 18 instrumentations
Retracter
Voix
Chorale SATB
563
Voix seule
253
Chorale 3 parties
248
Chorale SSAA
142
Chorale TTBB
130
Chorale 2 parties
54
Chorale Unison
25
Voix duo, Piano
22
Voix haute
10
Voix Alto, Piano
9
Voix duo
8
Voix moyenne, Piano
5
Voix Soprano, Piano
2
Voix Soprano
2
Chorale SSAATTBB
1
Voix Tenor
1
Chorale SSAB, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale
1
Voix Soprano, Orchestre
1
Voix Baryton, Piano
1
Voix, Guitare
1
Chorale SSATB
1
Voix Tenor, Piano
1
+ 19 instrumentations
Retracter
Vents
Saxophone
1 120
Clarinette
564
Flûte traversière
560
Saxophone Alto
113
Flûte traversière et Piano
105
Saxophone Tenor
99
Clarinette et Piano
87
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
80
Hautbois, Piano (duo)
79
2 Flûtes traversières (duo)
78
Flûte à Bec
74
Quatuor de Saxophones: 4 saxophones
66
Flûte, Hautbois, Clarinette, Basson
61
Quatuor de Clarinettes: 4 clarinettes
57
Saxophone Alto et Piano
54
Hautbois
50
Saxophone Tenor et Piano
48
Quatuor de Flûtes : 4 flûtes
48
2 Saxophones (duo)
44
2 Clarinettes (duo)
43
Saxophone Soprano et Piano
39
3 Clarinettes (trio)
34
Hautbois (partie séparée)
33
Saxophone Soprano
30
Ensemble de Clarinettes
29
Quintette de Saxophone: 5 saxophones
24
Ensemble de Flûtes
24
Saxophone (partie séparée)
23
Quintette de Clarinettes: 5 clarinettes
21
Saxophone Baryton, Piano
19
Trio de Flûtes: 3 flûtes
19
Flûte, Clarinette (duo)
16
Flûte, Hautbois, Clarinette (trio)
15
Flûte et Guitare
14
3 Saxophones (trio)
14
Ensemble de saxophones
9
Saxophone, Clarinette (duo)
9
Harmonica
8
Flûte, Clarinette et Basson
8
Clarinette, Violon (duo)
8
Hautbois, Basson (duo)
8
Quintette de Flûte : 5 flûtes
7
Cor anglais, Piano
6
Clarinette, Trompette (duo)
6
Flûte, Violon
6
Flûte, Violon, Piano
6
Clarinette Basse, Piano
5
2 Hautbois (duo)
5
Quatuor de Flûtes à bec
4
Flûte, Hautbois (duo)
4
Hautbois, Flûte
4
Clarinette (partie séparée)
3
Clarinette, Orgue
3
Saxophone Baryton
3
Flûte, Trompette (duo)
3
Hautbois, Clarinette (duo)
3
Clarinette et Alto
3
2 Flûte à bec (duo)
3
Flûte, Clarinette, Violon (trio)
2
Hautbois, Violoncelle
2
Flûte, Violoncelle
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
2 Flûtes traversières, Piano
2
Hautbois, Harpe
2
Saxophone et Harpe
2
3 Flûtes à bec (trio)
2
Flûte traversière, Orgue (duo)
2
Clarinette, Harpe (duo)
2
Flûte, Saxophone (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Guitare (duo)
2
Flûte, Alto (duo)
2
Flûte, Hautbois, Basson
2
Flûte, Trombone (duo)
2
2 Clarinettes, Basson
2
Ocarina
2
Flûte à bec Alto
1
Clarinette, Trombone (duo)
1
Hautbois, Guitare (duo)
1
Flûte de Pan
1
Clarinette, Basson (duo)
1
Flûte à bec Soprano
1
Clarinette, Tuba
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone et Guitare
1
Flute, harpe et violon
1
Cor Anglais
1
Flûte, Hautbois, Violon
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Piano
1
Flûte, Harpe et Violoncelle
1
Cor anglais, Guitare (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette Basse
1
+ 89 instrumentations
Retracter
Cuivres
Trompette
491
Trombone
451
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
103
Cor
95
Cor et Piano
66
Trompette, Piano
63
Trombone et Piano
53
Tuba
53
Quatuor de Cuivres : 2 trompettes, trombone, tuba
51
Euphonium
39
Tuba et Piano
34
2 Trompettes (duo)
12
Quatuor de Cuivres
11
2 Trombones (duo)
10
Euphonium, Piano (duo)
8
Quatuor de cuivres: 4 cors
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trompette (partie séparée)
7
Cor anglais, Piano
6
Trompette, Saxophone (duo)
6
2 Cors (duo)
5
3 Trombones (trio)
5
Ensemble de Trombones
5
Trompette, Trombone (duo)
5
3 Trompettes (trio)
4
Quatuor de cuivres: 4 trombones
4
Ensemble de Cors
3
2 Tubas (duo)
3
Euphonium, Tuba (duo)
3
Trombone (partie séparée)
2
Cor (partie séparée)
2
Trio de Cuivres
2
Ensemble de Trompettes
1
Trompette, Cor (duo)
1
Trompette et Guitare
1
Bass Clef Instruments
1
Trombone, Tuba (duo)
1
Cor et Harpe
1
Cor Anglais
1
Trompette, Euphonium (duo)
1
2 Cors, Piano
1
Cor anglais, Guitare (duo)
1
+ 37 instrumentations
Retracter
Cordes
Violon
406
Quatuor à cordes: 2 violons, alto, violoncelle
388
Violoncelle
256
Alto seul
235
Violon et Piano
129
Violon, Violoncelle (duo)
105
Harpe
100
Violoncelle, Piano
83
Alto, Piano
81
Trio à Cordes: violon, alto, violoncelle
68
Contre Basse
62
Trio à Cordes: 2 violons, violoncelle
60
Contrebasse, Piano (duo)
35
2 Violons (duo)
35
Violon, Alto (duo)
29
2 Violoncelles (duo)
23
2 Harpes (duo)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
18
Alto (partie séparée)
14
2 Altos (duo)
13
Harpe et mandoline
12
Alto, Violoncelle (duo)
10
Violon (partie séparée)
10
2 Contrebasses (duo)
8
Trio à cordes: 3 violins
8
4 Violoncelles
6
Trio à Cordes: 2 violons, alto
4
Violoncelle, Contrebasse (duo)
3
Violon, Guitare (duo)
3
Violon, Orgue
2
Harpe, Voix
2
Harpe, Flûte (duo)
2
Harpe et Piano
2
Harpe, Violon (duo)
2
Piano Trio: Violon, Alto, Piano
2
2 Violons, Piano
2
Violoncelle , Guitare (duo)
2
Trio à cordes: 3 altos
1
Violon, Basse continue
1
Ensemble de Violons
1
Trio à Cordes: 3 violoncelles
1
Harpe, Violoncelle (duo)
1
Harpe, Violon, Violoncelle
1
Alto, Guitare (duo)
1
Ensemble d'Altos
1
Trio à cordes
1
Violoncelle, Orgue
1
Flûte, Contrebasse (duo)
1
Alto et Harpe
1
Quatuor à cordes: 4 violons
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Batterie
450
Orchestre d'harmonie
174
Orchestre à Cordes
142
Fanfare
104
Ensemble Jazz
102
Orchestre
99
Ensemble de cuivres
75
Cloches
63
Orchestre de chambre
36
Jazz combo
30
Ensemble de Percussions
18
Percussion
11
Percussion (partie séparée)
5
Vibraphone
4
Xylophone ou Marimba ou Vibraphone
3
Marimba
2
Bodhran
2
Quintette à Vent
1
Xylophone, Piano
1
Conga
1
+ 15 instrumentations
Retracter
Autres
Formation musicale - Solfège
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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CELTIQUE - IRISH - S…
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COMEDIES MUSICALES -…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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1 622 partitions trouvées
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1601
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Tales of the Great Water (Set of Instrument Parts)
#
Sandra Eithun
#
Tales of the Great Water
#
Chorister's Guild - Digital
#
SheetMusicPlus
Level 3, Level 4 - SKU: C7.CGRP56 Composed by Sandra Eithun. General. Bay View Week of Handbells. With with optional flute or violin, drum, chime tree a...
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Level 3, Level 4 - SKU: C7.CGRP56 Composed by Sandra Eithun. General. Bay View Week of Handbells. With with optional flute or violin, drum, chime tree and suspended cymbal. Set of parts. 8 pages. Chorister's Guild - Digital #CGRP56. Published by Chorister's Guild - Digital (C7.CGRP56). The word Michigan originally referred to the lake itself, and is believed to come from the Ojibwe word michi-gami meaning great water. Commissioned for the Bay View Week of Handbells, which is held on the shores of Lake Michigan, composer Sandra Eithun chose to offer an homage to this beautiful lake and its rich history. Tales of the Great Water is comprised of three short stories. Kinship -The Gathering is a tale of friendship conjuring up images of a place where cultures merged, and people from all over gathered. Shoreline Poem is a tale of longing. So many who settled near the shores of the Great Water, once had a life in another place, perhaps in a distant land. Standing on these remote shores, they can only imagine other places or times. Boundless is a tale of sailing. An adventurous romp on the water awaits our hearty sailors in this tale with stories to tell upon their return. The delightful stories are enhanced with optional flute or violin, drum, chime tree and suspended cymbal.
$11.95
Tales of the Great Water
#
Sandra Eithun
#
Tales of the Great Water
#
Chorister's Guild - Digital
#
SheetMusicPlus
4, 5, 6, 7 or 8 octaves handbells with optional flute or violin, drum, chime tree, suspended cymbal and 3, 4, 5, 6 or 7 octaves handchimes - Level 3, Level 4 - ...
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4, 5, 6, 7 or 8 octaves handbells with optional flute or violin, drum, chime tree, suspended cymbal and 3, 4, 5, 6 or 7 octaves handchimes - Level 3, Level 4 - SKU: C7.CGB1192 Composed by Sandra Eithun. General. Bay View Week of Handbells. With optional flute or violin, drum, chime tree and suspended cymbal. Score. 28 pages. Chorister's Guild - Digital #CGB1192. Published by Chorister's Guild - Digital (C7.CGB1192). The word Michigan originally referred to the lake itself, and is believed to come from the Ojibwe word michi-gami meaning great water. Commissioned for the Bay View Week of Handbells, which is held on the shores of Lake Michigan, composer Sandra Eithun chose to offer an homage to this beautiful lake and its rich history. Tales of the Great Water is comprised of three short stories. Kinship -The Gathering is a tale of friendship conjuring up images of a place where cultures merged, and people from all over gathered. Shoreline Poem is a tale of longing. So many who settled near the shores of the Great Water, once had a life in another place, perhaps in a distant land. Standing on these remote shores, they can only imagine other places or times. Boundless is a tale of sailing. An adventurous romp on the water awaits our hearty sailors in this tale with stories to tell upon their return. The delightful stories are enhanced with optional flute or violin, drum, chime tree and suspended cymbal.
$7.50
Essential Jazz Lines: In the Style of Clifford Brown-E Flat
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Jazz
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Corey Christiansen
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Essential Jazz Lines: In the S
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Saxophone (alto) - Intermediate - SKU: M0.20020BCDEB Composed by Corey Christiansen. Technique, Theory and Reference. Essential Jazz Lines. Jazz. E-book...
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Saxophone (alto) - Intermediate - SKU: M0.20020BCDEB Composed by Corey Christiansen. Technique, Theory and Reference. Essential Jazz Lines. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #20020BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20020BCDEB). ISBN 9781610651042. 8.75x11.75 inches.Clifford Brown was one of the most influential jazz trumpeters and was a true master of jazz. His fantastic tone, time, feel and command of the jazz language have been inspiring jazz musicians on all instruments for decades. This book breaks down many of the one and two-bar phrases played by Clifford and helps students apply them to their own playing. Lines played over minor, dominant, and major chords as well as short, long and minor ii-V material can be mastered by practicing with the accompanying play-along audio. Chapters on Guide Tones, Bebop Scales, Targeting, and Playing the Upper-Structure will help students analyze and memorize the lines presented in the book. There is also a chapter with further insight in Clifford's style which discusses his phrasing as well as other musical devices he used to get his sound. A must have for aspiring students wanting the master the jazz language.
$14.99
Contrapunctus I - From The Art of The Fugue ~ BWV 1080
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Johann Sebastian Bach
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Alberto Mandarini
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Contrapunctus I - From The Art
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Alm@music
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SheetMusicPlus
Level 3 - SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. ...
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Level 3 - SKU: A0.1488249 Composed by Johann Sebastian Bach. Arranged by Alberto Mandarini. Baroque,Chamber,Classical,Historic,Instructional. 19 pages. Alm@music #1065126. Published by Alm@music (A0.1488249). I transcribed Contrapunctus I from the Art of Fugue by Johann Sebastian Bach, faithfully respecting the work of the Great Maestro, intervening only to distribute the voices when impracticable by the individual instruments and to give some breathing space to the various performers. In fact, from 4 parts, I obtained 5 using a small doubling only in the final part.The choice to use 3 trumpets and 2 trombones, and not the more typical brass quintet (2 trumpets, horn, trombone and tuba), was dictated by the lineup I had available at the time I made the transcription. Luckily, the second trombone part fits perfectly with the original fourth voice (…except for one very brief point…).However, in the future, I don't rule out creating a version for the standard quintet too!On a didactic level, the choice of this piece was certainly ambitious, but the extraordinary thing is that through Bach's music (!!!) it was possible to address an enormous amount of musical nuances. This immediately fascinated my students, both young and old, who did not hesitate to get involved with all their strength and I must say that, at the end of the study path, each of them achieved a clear improvement both technically and, above all, expressive.But then it's no surprise, Bach's music is always extraordinary and surprising!The structure of the transcription is therefore the original one and the duration is around 2 minutes and 45 seconds. To the expected parts I also added that of the horn in F, replacing the 3rd trumpet. At your discretion, of course, decide whether to replace it or double it directly.Also in this case, the audio is made with the synthetic sounds of midi, therefore not particularly captivating, but it should still be useful for getting an idea of the arrangement and for studying the individual parts.Good music!am.
$4.99
We Have All The Time In The World
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John Barry
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Derek Hasted
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We Have All The Time In The Wo
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.797781 Composed by John Barry. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 19 pages. Der...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.797781 Composed by John Barry. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 19 pages. Derek Hasted #5776547. Published by Derek Hasted (A0.797781). WE HAVE ALL THE TIME IN THE WORLD - 4 GUITARS (see also trio version)For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is one of two arrangements I made of this piece during the 2020 Coronavirus Lockdown when we all had rather a lot of time on our hands. The other version is an easier arrangement for 3 guitars - find it on my website belowBoth are set in the key that Louis Armstrong sang it in as part of the James Bond Film On Her Majesty’s Secret Service.The other arrangement (for 3 guitars) has a more straightforward rhythm - this intermediate version captures some of Armstrong’s amazing Rubato. The additional guitar part in this version is based on the string motifs and acoustic guitar parts in the original soundtrack, and in a mixed-ability ensemble would suit the most confident player so that the entire piece sounds as relaxed as the original.There are two Guitar One parts in this edition - one that sits above the other instruments in pitch, and in a quartet will carry well. The other is at the pitch Louis Armstrong sang. Because of the depth and timbre of the line, the low version will struggle to cut through the accompaniment unless the other parts are played in a subdued voice. In a large ensemble, one can put a few more players on this line, or indeed play both versions - they are completely compatible. Both lines feature the Flugelhorn solo in the original.I hope you enjoy playing this piece!
$4.99
Liltin Doon the Glen
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Graham Hamilton
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Liltin Doon the Glen
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1440695 By Graham Hamilton. By Graham Hamilton. Celtic,Classical,Contest,Festival,Film/TV,Irish,Traditional. Brass Band. 38 pages. Hambone Music #1020663. Published by Hambone Music (A0.1440695). Aimed for intermediat brass bands, this piece starts with a gentle lilt (dance) which gather intensity until reaching a symphonic mazurka style dance in the middle.The second of my 'Peebles Beltane Festival Suite' is 'Liltin doon the glen' inspired from the line in the Festival Song. It's around the turn of the 20th century and the young lassies from the many farms and villages from the glens surrounding Peebles, leave their homes to come and enjoy the festival - 'To gather on the village green and hail the festal day' 'Lassies blooming fresh and fair cam liltin’ doon the glen' - they pause for breath now and again and as they join their friends along the way, the dance intensifies into a mazurka style. At 2:10 the fanfares herald the many compliments they get from 'Huntsman gallant and sheperds grey, doughtyand blythsome men' they encounter along the way. It culminates with all the lassies getherin' at the Mercat Cross. Festal Song Lyrics - https://tracscotland.org/wp-content/u... https://www.peeblesbeltanefestival.co...
$29.99
Just Another Birthday Song - Swing Edition - Playalong
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Jazz
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Phil Thrift
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Just Another Birthday Song - S
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Phil Thrift
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SheetMusicPlus
Piano,Voice - Level 3 - SKU: A0.1072043 Composed by Phil Thrift. Jazz. Accompaniment. Duration 154. Phil Thrift #5805787. Published by Phil Thrift (A0.1...
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Piano,Voice - Level 3 - SKU: A0.1072043 Composed by Phil Thrift. Jazz. Accompaniment. Duration 154. Phil Thrift #5805787. Published by Phil Thrift (A0.1072043). Are you looking for a new song to celebrate someone’s birthday? If so, then Just Another Birthday Song – Swing Edition might well be what you’re looking for. Simple melody, simple harmonies, simple ideas, not too long and at times a mildly reflective take on the birthday theme. However, the text is never too serious – it’s someone’s birthday, after all! The spaces between the lines of text in the Bridge and the Outro leave you scope for adding a solo instrument or perhaps speaking a few congratulatory words while others continue the song in the background. Indeed, measures 49-60 could even be repeated quietly to accompany a solo instrument or someone speaking. The possibilities for making this song more individual are endless! The well-known tunes will continue to feature at many birthday events, but Just Another Birthday Song – Swing Edition gives you the chance to present a refreshing, different and flexible musical number when honoring someone’s birthday.Available separately:Sheet music for solo voice and piano (swing version)
$2.99
Just Another Birthday Song - Playalong
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Pop musique
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Phil Thrift
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Just Another Birthday Song - P
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Phil Thrift
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SheetMusicPlus
Piano,Voice - Level 3 - SKU: A0.1072042 Composed by Phil Thrift. Pop. Accompaniment. Duration 154. Phil Thrift #5805785. Published by Phil Thrift (A0.10...
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Piano,Voice - Level 3 - SKU: A0.1072042 Composed by Phil Thrift. Pop. Accompaniment. Duration 154. Phil Thrift #5805785. Published by Phil Thrift (A0.1072042). Are you looking for a new song to celebrate someone’s birthday? If so, then Just Another Birthday Song might well be what you’re looking for. Simple melody, simple harmonies, simple ideas, not too long and at times a mildly reflective take on the birthday theme. However, the text is never too serious – it’s someone’s birthday, after all! The spaces between the lines of text in the Bridge and the Outro leave you scope for adding a solo instrument or perhaps speaking a few congratulatory words while others continue the song in the background. Indeed, measures 49-60 could even be repeated quietly to accompany a solo instrument or someone speaking. The possibilities for making this song more individual are endless! Optional harmony notes are also included for use with more than one singer. The well-known tunes will continue to feature at many birthday events, but Just Another Birthday Song gives you the chance to present a refreshing, different and flexible musical number when honoring someone’s birthday.Available separately:Sheet music for solo voice and piano (with optional 2-part harmony) (A0.955730 or 1051903)
$2.99
The Mother's Cry
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Apostolos Paraskevas
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The Mother's Cry
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Silver Sickle Publications
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SheetMusicPlus
Small Ensemble Harpsichord,High Voice,Piano - Level 3 - SKU: A0.942061 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Holiday,World. Score ...
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Small Ensemble Harpsichord,High Voice,Piano - Level 3 - SKU: A0.942061 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Holiday,World. Score and parts. 9 pages. Silver Sickle Publications #4744621. Published by Silver Sickle Publications (A0.942061). The Mother's CrySong for Mezzo Soprano and Harpsichord or Piano. Text in Greek, authentic traditional folk songs.Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas Tsougras
$6.99
Scottish National Anthem for Brass Band Quintet
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Patriotique
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Keith Terrett
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Keith Terrett
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Scottish National Anthem for B
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Tuba - Level 3 - SKU: A0.1215186 By Keith Terrett. By Williamson. Arranged by Keith ...
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Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Tuba - Level 3 - SKU: A0.1215186 By Keith Terrett. By Williamson. Arranged by Keith Terrett. Patriotic,Praise & Worship,Traditional. 10 pages. Keith Terrett #812052. Published by Keith Terrett (A0.1215186). An arrangement of the Scottish National Anthem for Brass Band Quintet. A constituent nation of the United Kingdom, Scotland lacks an official, legislated national song; in fact there are several songs in use as national songs of Scotland. The one most often considered as the unofficial national anthem (and most often presented as Scotland’s anthem at sporting matches) is Flower of Scotland, written by Roy Williamson in 1965 for the popular folk group The Corries. It was first used in a sporting match in 1974 by the Scottish national rugby team in 1974, sung by the team. When the British God Save the Queen was sung before a rugby match in 1988 to represent Scotland, and was met by derision from the crowd, Flower of Scotland was adopted as Scotland’s pregame anthem. Flower of Scotland, however, has not been adopted in any official basis as the Scottish anthem. Other popular national songs of Scotland have sometimes used as unofficial national anthems, the most common being Scotland the Brave (a traditional melody (sheet music) with lyrics writted by Cliff Hanley in 1950). Scotland the Brave was used as the Scottish anthem at the Commonwealth Games until 2010 (when it was replaced by Flower of Scotland) and is most commonly heard on the bagpipe, the Scottish national instrument. When the Scottish Parliament was opened in 1997, another national song (A Man’s A Man for A’ That by national poet Robert Burns) was used, which isn’t usually presented as a Scottish anthem. The choice of this song may have been to duck the controversy of choosing one of the previously mentioned national songs as an official regional anthem, or by using God Save the Queen (the anthem of the United Kingdom, of which Scotland is a part). For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$8.99
Jazz Guitar Lines
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Jazz
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Vincent Bredice
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Jazz Guitar Lines
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (jazz and contemporary) - Intermediate - SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publica...
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Guitar (jazz and contemporary) - Intermediate - SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #93721EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93721EB). ISBN 9781619119710. 8.75x11.75 inches.An interval is the distance between two notes measured in whole and half steps. When we stack intervals one on top of another, we produce chords. If we play the intervals in the chord one after another, we produce an arpeggio. But since all intervals, chords, and arpeggios are generated by scales, it follows that scales are the basis of all music from these scales we will find our JAZZ LINES, which is what this book is about. The following is a list of most of the jazz scales the student will encounter as he becomes involved in the study of improvising. When we improvise, we use as our weapons the scale, harmony and melody. The two dimensions in music are the harmony (vertical) and melody (horizontal). It is highly recommended that every student of improvising, know his scales in all positions and a variety of chords that the scales generate. All scales should be played in at least four positions especially the 1st position forces one to learn the theory. All other position pattern scales must be transposed throughout the guitar. The author has written a few pages in the beginning of the book serving as a prerequisite for the jazz lines to follow. It is essential that the student know the scales, key signatures, intervals, and chord constructions that will be used throughout the book. In order to benefit fully from this approach to jazz, the student must understand the full meaning of the words practice and analysis. Most students confuse practice with playing or reading through the exercise. To really improve and absorb the material, every phase must be practiced. This means the fingering must be committed to memory, slowly at first and then as fast as technique allows. The idea must be so ingrained in the mind that it flows from any part of the fingerboard that the performer desires. This is the way great players approach an idea – from any fret, string or position! If there is no harmonic or melodic analysis of the material being studied, then the learning skill becomes superfluous and there is no comprehension and absorption, and without this proper digestion the performer cannot use it as his taste dictates. All of the great players, have had a great technique and this is the first goal of the young student – “great chops.†As the student matures, musicianship will grow but technique is at the grasp of all who seek it. Start today to acquire it!
$22.99
King Of The Road
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Contemporain
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Randy Travis
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Keith Terrett
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English title
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King Of The Road
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Keith Terrett
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SheetMusicPlus
Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terret...
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Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terrett #6426723. Published by Keith Terrett (A0.747086). An arrangement of the classic King of the Road for Wind Dectet.King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, Trailers for sale or rent. This would become the opening line of the song.The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright & Teddy Thompson, Giant Sand, Peligro, John Williamson (singer) & Adam Harvey, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James The King Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV. Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, If there was any justice in the world, Roger Miller should be able to sue for what we did to this song.King of the Road was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.The song appears in Wim Wenders's 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The Proclaimers' version is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is Roger Miller, King of Plugs.Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.A send-up version by English entertainer Billy Howard was a British chart hit in 1976.A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$16.99
The Darktown Strutters' Ball
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Shelton Brooks
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Derek Hasted
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The Darktown Strutters' Ball
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.797742 Composed by Shelton Brooks. Arranged by Derek Hasted. Contemporary,Jazz,Standards. Score and parts. 22...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.797742 Composed by Shelton Brooks. Arranged by Derek Hasted. Contemporary,Jazz,Standards. Score and parts. 22 pages. Derek Hasted #4369036. Published by Derek Hasted (A0.797742). DARKTOWN STRUTTERS' BALL - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Shelton Brooks wrote this bouncy little song in a different age - where Darktown was an area of a city much like Chinatown is today. It tells the story of the Ball where women would wear their finest dresses and men would strut - a sort of swaggering dance.Derek Hasted writes I first arranged this piece for the Hampshire Guitar Orchestra, in a Dixieland-jazz setting, which I have retained in this version for 4 guitars or a large ensemble. The bass part would also suit an octave (or contra) guitar reading from treble clef. This line is a little easier than the other lines, so it's ideal for a mixed ability ensemble as well as making a real contrast in a conventional guitar concert. In the final chorus, one can almost hear a tenor banjo above the bass, and a clarinet swirling above the tune. Audiences love this piece!
$4.99
Hip Guitar Lines The Lines, Fingerings and Ideas That Will Transform Your Playing
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Jazz
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Hip Guitar Lines The Lines, Fi
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.30898EB Improvising, Lines & Phrases. Jazz. E-book. 121 pages. Mel Bay Publications - Digital Sheet Music #30898EB. Publ...
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Guitar - Intermediate - SKU: M0.30898EB Improvising, Lines & Phrases. Jazz. E-book. 121 pages. Mel Bay Publications - Digital Sheet Music #30898EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30898EB). ISBN 9781513455136. 8.75x11.75 inches.The Hip Guitar Lines book is a window and a gateway into learning and applying advanced jazz vocabulary on the guitar. It is intended to be a resource that a jazz guitarist of any level can use to take another step. Each line is laid out clearly with its application and TAB fingering.If you have wanted to know the secret lines that the Master musicians know...if you have been looking for a way to grow your ears and musical vocabulary.... if you have wondered how to take a musical leap....this is your moment. The key to rapid and amazing musical growth is in your hands. Now, go to work and have fun. I wrote this book for you. I am here to help.
$19.99
When the World Drops In to Town
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David Kai
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David Kai
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When the World Drops In to Tow
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David Kai
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SheetMusicPlus
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Ce...
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Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 233. David Kai #708518. Published by David Kai (A0.1105258). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! “Take it all to help the plane people, it’s the least that we can do!†Aunt Winnie baked two dozen of her partridgeberry pies She said, “I think those plane people will be in for some surprise!†So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:.
$1.99
Guinean National Anthem for String Orchestra
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Keith Terrett
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Keith Terrett
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Guinean National Anthem for St
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Keith Terrett
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1517572 By Keith Terrett. By Original: Korofo Moussa, 1904 Modern: Fodéba Keïta, 1958. Arranged by Keith Terrett....
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String Orchestra - Level 3 - SKU: A0.1517572 By Keith Terrett. By Original: Korofo Moussa, 1904 Modern: Fodéba Keïta, 1958. Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Praise & Worship,Traditional,World. 9 pages. Keith Terrett #1091734. Published by Keith Terrett (A0.1517572). Korofo Moussa's song:The music of the anthem is derived from a praise song for the late-1800s king of Labé, in Fouta Djallon, Alpha Yaya Diallo (or Alfa Yaya). Alpha Yaya is, along with Wassoulou Empire founder Samory Touré, considered central by Guineans to the foundation of the modern Guinean nation, in part because of his fierce attempts to resist colonisation.In 1904, Alpha Yaya was one of many traditional chiefs and kings summoned to a doctrinal conference with French colonists, who were still in the process of consolidating his territory.The chiefs each brought along a retinue for the journey; in Alpha Yaya's retinue was griot Korofo Moussa, from Kissidougou in the south of the country. Alpha Yaya arrived to the conference on its sixth day, and Korofo Moussa is said to have spontaneously improvised, along with his troupe of dancers and kora players, a praise song for Alpha Yaya after he arrived. The song began with the line Alpha Yaya, Mansa bè Manka (Alpha Yaya, mansas (kings) are not the same). According to Fodéba Isto Keira, former Minister of Youth, Sports and Culture, the performance took place in the building of the modern Directorate of the Judicial Police in the Kaloum sub-prefecture of Conakry.Korofo Moussa's air quickly became popular; it was sung and played by all the griots for the rest of the conference, and within a few days it was known throughout Conakry. Alpha Yaya's personal griot immediately trained to play the song. Upon the return of the kings and their retinues to their regions, it spread throughout the country.Modern anthem:Upon approaching independence in 1958, the lyrics of Korofo Moussa's song were reworked and written in French by artist, choreographer and politician Fodéba Keïta and Jean Cellier for the national anthem of Guinea. Korofo Moussa's melody was retained for the anthem. According to Keira, Keïta used the solfège method when working with the music. Keira stated that the national anthem had to be inspired by something from Fouta Djallon for the sake of avoiding frustrations and preserving national unity.
$8.99
Angels, We Call Them Mothers Down Here
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Contemporain
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Bert Kalmar and Harry Ruby
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Rebecca J
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Angels, We Call Them Mothers D
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Rebecca J. Wood
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SheetMusicPlus
Choral Choir (4-Part) - Level 3 - SKU: A0.996561 Composed by Bert Kalmar and Harry Ruby. Arranged by Rebecca J. Wood. Contemporary. Octavo. 5 pages. Reb...
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Choral Choir (4-Part) - Level 3 - SKU: A0.996561 Composed by Bert Kalmar and Harry Ruby. Arranged by Rebecca J. Wood. Contemporary. Octavo. 5 pages. Rebecca J. Wood #5324813. Published by Rebecca J. Wood (A0.996561). Hear 30 second clip, beginning at measure 1. Arrangement about 1 min 30 secs performance time. This arrangement has a surprise ending, so the title needs to be just Angels. The chords bring wonderful emotions which climax at m 52, followed by the surprise ending, the heart-swell. Could be done by YWIH, high school age girls or Women's Choruses. Use for shows, but not for Competition. Some churches might allow it for Mother's Day services. Feedback would be appreciated. After thinking about ANGELS, I HAVE TO TELL YOU the most important line in the song. After the Daddy tells the child what angels are, he says, They call them angels in Heaven (beautiful spot in the son), but we call them MOTHERS down here. Such a tear-jerker, I think!!
$1.99
Take The Long Way Home
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Rock
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Supertramp
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Derek Hasted
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Take The Long Way Home
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.797818 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Derek Hasted. Pop,Rock. Score and parts. ...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.797818 By Supertramp. By Rick Davies and Roger Hodgson. Arranged by Derek Hasted. Pop,Rock. Score and parts. 24 pages. Derek Hasted #6345113. Published by Derek Hasted (A0.797818). TAKE THE LONG WAY HOME (Supertramp) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is an arrangement for 4 guitars (or a large ensemble) of Supertramp’s 'Take The Long Way Home'.The original is nothing less than spectacular, running for a full 5 minutes with verse, chorus and instrumental breaks, and utilising rich orchestration and texture. I’ve captured all of the material in my arrangement, changing the key just slightly so that the shapes and melody are comfortable, and simplifying one or two non-guitar-friendly progressions in the breaks. The bass-line and harmony are close to the original. Guitar 4 could be played an octave lower on a contra guitar, although I’ve used subharmonics in the opening to give the illusion of a deeper bass than a guitar can manage.In order to make the piece music-stand-friendly, I’ve needed to use repeat marks meaning that the second verse has the same bass-line as the first, but a simple change in volume will provide a suitable feeling of building as the piece progresses. The opening section needs to imitate the indefinite sustain of high-pitched violins. By using harmonics across all four parts, and interleaving the repetitions, we can get a convincing sustain (or plucking at random times across the parts, or even a tremolo would also create the illusion of indefinite sustain). But if it doesn’t work in your ensemble, simply start the piece at A and omit all harmonics from that point onwards.My arrangement will suit an intermediate ensemble. Parts 3 and 4 are slightly easier, but skilled players on these lines can make magic happen by a confident use of articulation to shape the music’s texture.I hope you enjoy performing this!
$4.99
They Don't Care About Us
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Rock
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Michael Jackson
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Christopher Alexander
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They Don't Care About Us
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Christopher Alexander
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SheetMusicPlus
Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.839901 Composed by Michael Jackson. Arranged by Christopher ...
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Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.839901 Composed by Michael Jackson. Arranged by Christopher Alexander. Pop,Rock. 51 pages. Christopher Alexander #6069843. Published by Christopher Alexander (A0.839901). Michael Jackson wrote this protest anthem in the mid-1990's and the song reached #30 on the Billboard Top 100. The music includes strong accents and rhythmic cadences to demonstrate a march-like feel to the performance. Though controversial at the time of its release, lyrics including the line All I wanna say is that they don't really care about us is a strong message that should be heard in today's world.Octavo also available: https://www.sheetmusicplus.com/title/they-don-t-care-about-us-octavo-digital-sheet-music/21868851
$25.00
The Minstrel Boy - Oboe (Flute) and Bassoon Duet
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Traditional
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Catriona Melville-Mason
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The Minstrel Boy - Oboe
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C Melville-Mason
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SheetMusicPlus
Instrumental Duet Bassoon,Flute,Instrumental Duet,Oboe - Level 3 - SKU: A0.956629 Composed by Traditional. Arranged by Catriona Melville-Mason. Concert,...
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Instrumental Duet Bassoon,Flute,Instrumental Duet,Oboe - Level 3 - SKU: A0.956629 Composed by Traditional. Arranged by Catriona Melville-Mason. Concert,Contemporary,Standards. Score and parts. 5 pages. C Melville-Mason #6487633. Published by C Melville-Mason (A0.956629). This melody is described as traditional, as it is essentially an old Irish air. The lyrics of The Minstrel Boy were set to the tune by Thomas Moore (1779 – 1852), apparently in memory of friends who lost their lives in the Irish Rebellion of 1798. The tune is frequently performed in remembrance contexts, particularly those involving persons of Irish ancestry. In the UK, it is played annually at the National Service of Remembrance at the Cenotaph in London. The Minstrel Boy also featured during the procession to Westminster Abbey at the funeral of Her Majesty Queen Elizabeth the Queen Mother in April 2002, reflecting her long association with the men of the Irish Regiment. In the USA, police and fire departments historically included a high proportion of Irish-Americans, so it became traditional for The Minstrel Boy to be performed at the funerals of service members killed in the line of duty.This arrangement of The Minstrel Boy is designed for double reed duo of oboe and bassoon but the upper part could also be played by flute.
$4.50
Meditation on "We Gather Together" and "Dona Nobis Pacem" for Fl Cl TSax Tpt
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Musique Sacrée
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James Siddons
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Meditation on "We Gather
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James Siddons Music and Writings
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SheetMusicPlus
Clarinet,Flute,Tenor Saxophone,Trumpet - Level 3 - SKU: A0.1314336 Composed by James Siddons. Chamber,Christian,Holiday,Praise & Worship,Religious. 8 pa...
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Clarinet,Flute,Tenor Saxophone,Trumpet - Level 3 - SKU: A0.1314336 Composed by James Siddons. Chamber,Christian,Holiday,Praise & Worship,Religious. 8 pages. James Siddons Music and Writings #903081. Published by James Siddons Music and Writings (A0.1314336). Description This “Meditation,†in the unusual combination of flute, clarinet, tenor saxophone, and trumpet, uses melodic phrases from Kremser Tune, used to sing We Gather Together, and Dona Nobis Pacem. The latter is a round and gives a texture of flowing counterpoint to the homophonic stateliness of the hymn tune. The trumpet gives a clarion sound to entrances of the hymn tunes but elsewhere is mellowed by the three woodwinds. As is common practice in chamber music, each performer will need to listen to the other instruments to achieve a balanced sound. For this reason, relatively few dynamic markings are in the parts, as the performers will determine these in each performance environment. Note that this is not an arrangement or medley of these two melodies, but a distinct composition built on their melodic phrases (motives). For Christian worship, this short piece is appropriate for services of Christian unity and peace, and, in the United States, for Thanksgiving Day. This composition is also available as a standard woodwind quartet (fl ob cl bsn). The first performance was on November 5, 2023, at Saint Andrew Presbyterian Church, Lynchburg, Virginia.
$11.00
Dance of the Sugar Plum Fairy-Full Score
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Classique
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Peter Ilyich Tchaikovsky
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Deborah Johnson
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Dance of the Sugar Plum Fairy-
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Deborah Johnson
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SheetMusicPlus
Level 3 - SKU: A0.877829 Composed by Peter Ilyich Tchaikovsky. Arranged by Deborah Johnson. Christmas,Rock,Romantic Period. 14 pages. Deborah Johnson #6...
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Level 3 - SKU: A0.877829 Composed by Peter Ilyich Tchaikovsky. Arranged by Deborah Johnson. Christmas,Rock,Romantic Period. 14 pages. Deborah Johnson #6069715. Published by Deborah Johnson (A0.877829). Dance of the Sugar Plum Fairy is a classical composition originally composed by Pyotr Ilyich Tchaikovsky as part of the Nutcracker Suite. This iconic piece has been reimagined in a rock rendition with piano arrangement by Deborah Johnson, and it can be found on the album titled Merry Christmas Too. This unique adaptation is a fantastic choice for getting into the holiday spirit, as it infuses a beloved classical melody with a modern and energetic rock vibe. It serves as a wonderful addition to a wide range of performances and events, thanks to its versatility and ability to captivate audiences. The arrangement includes various musical components, making it suitable for different musicians and performers. It provides an individual piano part, allowing pianists to showcase their skills, as well as string parts and a rhythm section, which collectively create a rich and dynamic sound. Whether you're a classical music enthusiast, a rock music lover, or simply someone looking for a fresh take on a holiday classic, this version of Dance of the Sugar Plum Fairy offers an exciting and engaging musical experience for all. The MP3 accompaniment track is also available for download as well as individual extracted parts for performance. The full score contains 14 pages, including cover.Full song download on Spotify: https://open.spotify.com/track/4ZrsdBqtiRLSrboDTVC0my More information here: https://djworksmusic.com/sugarplum-fairy/ https://djworksmusic.com/products/ for physical albums & info. Twitter: @DJWorksMusic; Instagram: Deborah_johnsonmusic Like our Facebook page: https://www.facebook.com/deborah.johnsonSign up to receive weekly updates and articles: https://goalsforyourlife.com/newsletterDance of the Sugar Plum Fairy is performed and arranged by Deborah Johnson, included on the album Merry Christmas Too. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. She has also appeared with the headliner piano/vocal duo Double Grande. Also the author of multiple books, her music has been up for multiple Grammy Awards. Production, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson and Tom Keene; Bass Guitar: David Coy; Drums: Dave Spurr; Guitars: John Hunt; Flute: John Reilly; Strings: Living Strings. Recorded at: Tor-Wood-Lea Recording Studios, Engineered by Tom Keene. Bass/Strings Recorded at: A to Z Studios, Engineered by Tim Jaquette. Mixed at: ETC Studio A, Tim Jaquette; Album Mastering: Bernie Grundman.
$8.99
Dance of the Sugar Plum Fairy-Individual Parts
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Deborah Johnson
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Deborah Johnson
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Dance of the Sugar Plum Fairy-
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Deborah Johnson
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.877831 By Deborah Johnson. By Peter Ilyich Tchaikovsky. Arranged by Deborah Johnson. Christmas,Rock,Romantic Period....
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String Ensemble - Level 3 - SKU: A0.877831 By Deborah Johnson. By Peter Ilyich Tchaikovsky. Arranged by Deborah Johnson. Christmas,Rock,Romantic Period. 14 pages. Deborah Johnson #6069719. Published by Deborah Johnson (A0.877831). Dance of the Sugar Plum Fairy is a classical composition originally composed by Pyotr Ilyich Tchaikovsky as part of the Nutcracker Suite. This iconic piece has been reimagined in a rock rendition with piano arrangement by Deborah Johnson, and it can be found on the album titled Merry Christmas Too. This unique adaptation is a fantastic choice for getting into the holiday spirit, as it infuses a beloved classical melody with a modern and energetic rock vibe. It serves as a wonderful addition to a wide range of performances and events, thanks to its versatility and ability to captivate audiences. The arrangement includes various musical components, making it suitable for different musicians and performers. It provides an individual piano part, allowing pianists to showcase their skills, as well as string parts and a rhythm section, which collectively create a rich and dynamic sound. Whether you're a classical music enthusiast, a rock music lover, or simply someone looking for a fresh take on a holiday classic, this version of Dance of the Sugar Plum Fairy offers an exciting and engaging musical experience for all. The MP3 accompaniment track is also available for download as well as the full score. This version containing individual parts includes 14 pages with cover.Full song download on Spotify: https://open.spotify.com/track/4ZrsdBqtiRLSrboDTVC0my More information here: https://djworksmusic.com/sugarplum-fairy/ https://djworksmusic.com/products/ for physical albums & info. Twitter: @DJWorksMusic; Instagram: Deborah_johnsonmusic Like our Facebook page: https://www.facebook.com/deborah.johnsonSign up to receive our weekly updates and articles: https://goalsforyourlife.com/newsletterDance of the Sugar Plum Fairy is performed and arranged by Deborah Johnson, included on the album Merry Christmas Too. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. She has also appeared with the headliner piano/vocal duo Double Grande. Also the author of multiple books, her music has been up for multiple Grammy Awards. Production, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson and Tom Keene; Bass Guitar: David Coy; Drums: Dave Spurr; Guitars: John Hunt; Flute: John Reilly; Strings: Living Strings. Recorded at: Tor-Wood-Lea Recording Studios, Engineered by Tom Keene. Bass/Strings Recorded at: A to Z Studios, Engineered by Tim Jaquette. Mixed at: ETC Studio A, Tim Jaquette; Album Mastering: Bernie Grundman.
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