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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
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MANDOLINE
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
XYLOPHONE
Three Piano pieces
Non classifié
48
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149
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14
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4
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2
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1
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1
Piano Trio: piano, violon, violoncelle
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+ 5 instrumentations
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8
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6
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5
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2 Clarinettes (duo)
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1
3 Saxophones (trio)
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Ensemble de Clarinettes
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Saxophone Baryton, Piano
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Quintette de Clarinettes: 5 clarinettes
1
+ 20 instrumentations
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Cor et Piano
7
Trompette, Piano
6
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3
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1
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1
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1
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1
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1
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1
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1
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14
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9
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7
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6
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6
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2 Altos (duo)
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Harpe
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4 Contrebasses
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Piano Trio: Violon, Alto, Piano
1
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Jazz combo
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ACCORDEON
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AUTRES INSTRU…
BALALAIKA
BANJO
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BUGLE
CHANT - CHORA…
CHARANGO
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COR
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Débutant
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Intermédiaire
Intermédiaire/avancé
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Librairie Musicale
225
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NOUVEAUTÉS
|
PIANO
|
Tout Piano
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Meilleures Ventes
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GUITARE
|
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|
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CHANT - CHORALE
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VIOLON
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HARMONICA
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
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48 partitions trouvées
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1
26
Three Pieces for Cor Anglais
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Lenny Cavallaro
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Three Pieces for Cor Anglais
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Forton Music - Digital
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SheetMusicPlus
Cor Anglais and Piano - Intermediate - SKU: F2.FM198 Composed by Lenny Cavallaro. Score and part. 16 pages. Forton Music - Digital #FM198. Published by ...
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Cor Anglais and Piano - Intermediate - SKU: F2.FM198 Composed by Lenny Cavallaro. Score and part. 16 pages. Forton Music - Digital #FM198. Published by Forton Music - Digital (F2.FM198). ISBN 9790570480975.Cor Anglais and Piano. Three original pieces, two in a baroque style (a Moderato movement, and a separate fugue) have been left very plain to allow performers to add their own dynamics, articulation and additional ornamentation. the other - a Song without Words - is more classical in style, and allows this under-used instrument to show it's expressive qualities. All are beautifully lyrical, and would make great additions to the concert platform.
$9.95
Three Pieces (no viola) for string quintet or string orchestra
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Classique
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Peter Ilyich Tchaikovsky
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Diane Chaplin
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celli play up to 4th position
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Three Pieces
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Diane Chaplin
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.918352 Composed by Peter Ilyich Tchaikovsky. Arranged by Diane Chaplin. Romantic Period. Score and pa...
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String Ensemble,String Quintet - Level 3 - SKU: A0.918352 Composed by Peter Ilyich Tchaikovsky. Arranged by Diane Chaplin. Romantic Period. Score and parts. 20 pages. Diane Chaplin #6520585. Published by Diane Chaplin (A0.918352). String quintet or ensemble with NO viola (3 violins, 2 celli). Three short pieces - Folk Dance, Church Choir, Baba Yaga - arranged from the piano original Album for the Young. First violin has small amount of 5th position; celli play up to 4th position. First violin is advanced intermediate; other parts intermediate. Time: 5-6 minutes.
$14.99
3 Halloween Pieces Baritone Saxophone and Piano
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David Burndrett
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3 Halloween Pieces Baritone Sa
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David Burndrett
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SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - SKU: A0.1508664 Composed by David Burndrett. Halloween. Score and part. 9 pages. David Burndrett #1083929. Publishe...
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Baritone Saxophone,Piano - Level 3 - SKU: A0.1508664 Composed by David Burndrett. Halloween. Score and part. 9 pages. David Burndrett #1083929. Published by David Burndrett (A0.1508664). No.1 The Hairy Hobgoblin No.2 The Creepy Castle No.3 Pumpkin Party!Three fun pieces for baritone saxophone and piano!Download includes the piano score and both parts.
$5.99
3 Halloween Pieces for Guitar and Piano
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David Burndrett
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3 Halloween Pieces for Guitar
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David Burndrett
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo,Piano - Level 3 - SKU: A0.1508665 Composed by David Burndrett. Halloween. Score and individual part. 9 pages. David Bu...
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Acoustic Guitar,Instrumental Solo,Piano - Level 3 - SKU: A0.1508665 Composed by David Burndrett. Halloween. Score and individual part. 9 pages. David Burndrett #1083930. Published by David Burndrett (A0.1508665). No.1 The Hairy Hobgoblin No.2 The Creepy Castle No.3 Pumpkin Party!Three fun pieces for guitar and piano!Download includes the piano score and both parts.
$5.99
Gymnopedie No.1 - tenor horn and piano with FREE BACKING TRACK
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Classique
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Contemporain
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Erik Satie
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Austin Ralphson
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Gymnopedie No.1 - tenor horn a
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Austin Ralphson
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SheetMusicPlus
E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - SKU: A0.564165 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Contemporary,Roma...
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E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - SKU: A0.564165 Composed by Erik Satie. Arranged by Austin Ralphson. 20th Century,Contemporary,Romantic Period,Wedding. Score and individual part. 5 pages. Austin Ralphson #6270103. Published by Austin Ralphson (A0.564165). Originally published in 1888 as one of three short piano pieces, Satie's Gymnopédie No.1 has become a classic of the piano repertoire. It is presented here as an instrumental solo with piano accompaniment and is a firm favourite to play at any performance, from weddings to recitals to parties and beyond! This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/DM0lIKyLg28 (copy and paste into a new window) and also in the video screen above.This piece features in a collection of 5 beautiful solos which is available to purchase here for $9.99: https://armusiconline.com/b/QiF2g
$3.99
Delibes: Duo des Fleurs for Baritone Horn Duo & Piano
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Leo Delibes
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James M
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Delibes: Duo des Fleurs for Ba
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 3 - SKU: A0.552415 Composed by Leo Delibes (1836-1891). Arranged by James M. Guthrie. Holid...
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Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 3 - SKU: A0.552415 Composed by Leo Delibes (1836-1891). Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and parts. 7 pages. Jmsgu3 #6342771. Published by jmsgu3 (A0.552415). Duo of the flowers from Lakme, Act I. A popular wedding selection.Leo Delibes (1836-1891) was a French composer of the Romantic period best known for his ballets and operas. He was a child prodigy and began composing music at the age of seven. He studied at the Paris Conservatoire, where he developed a mastery of the symphonic form and wrote several pieces for the orchestra. His works for the stage are among the most popular and beloved of the Romantic era, including the ballets Coppélia and Sylvia, and the opera Lakmé.Delibes was a pioneer in the use of orchestral color and instrumental effects to enhance the dramatic narrative of his works. His works are often praised for their lyricism, graceful melodies, and colorful orchestrations. His music is considered to be a bridge between the grandiose and romantic works of the French composers before him, such as Gounod and Berlioz, and the more intimate and melodic style of composers like Debussy and Ravel.Delibes’ influence can be heard in the works of later composers such as Stravinsky and Prokofiev, and his music continues to be performed and enjoyed today. His contributions to music history are significant, and his works remain beloved masterpieces of the Romantic era.Léo Delibes' opera Lakmé is an opera in three acts. It was first performed in 1883 at the Théâtre Lyrique in Paris. The libretto was written by Edmond Gondinet and Philippe Gille. The story is set in British-occupied India and tells the story of a young Indian girl, Lakmé, who is in love with a British officer, Gerald. The story follows the couple's romantic journey, as well as the obstacles they face from Lakmé's father and the British military. The opera is best known for its beautiful score, which includes the famous aria The Flower Duet as well as the duet Lakmé! The Bell Song. The opera has been performed in opera houses all over the world and is considered one of Delibes' most popular works.The Duo des Fleurs, composed by French composer Léo Delibes, is a ballet pas de deux from the ballet Lakme, Act I. It is a beloved masterpiece of the Romantic period and is often performed as a standalone piece in many ballet performances. The piece is typically danced by two female ballet dancers and is known for its playful and lighthearted nature. The music consists of a melody that alternates between the two dancers and is often accompanied by a lighthearted waltz. The music has a strong sense of unity and connection between the two dancers, which is enhanced by the use of the same melody. The piece also features a beautiful soaring coda that gives it a sense of grandeur and beauty. The Duo des Fleurs is an exquisite piece of music and an enduring classic of the ballet repertoire.
$26.95
Time Off (for saxes and piano)
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Colin Kirkpatrick
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Time Off
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - SKU: A0.522199 Composed by Colin Kirkpatrick. Concert,H...
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Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - SKU: A0.522199 Composed by Colin Kirkpatrick. Concert,Holiday,Jazz,Latin. Score and parts. 37 pages. Colin Kirkpatrick Publications #3407717. Published by Colin Kirkpatrick Publications (A0.522199). These pieces are in jazz and Latin styles and are intended for intermediate students. This is a companion set to Let’s Go! but the music is technically more challenging. The pieces are intended for an end-of-term concert or recital but would be useful for any light hearted occasion. The 15-page piano score also includes the saxophone parts. The highest note in the 1st sax part is (written) D6 and that in the 2nd sax part is C6. Five-page parts for the two E flat alto saxophones are provided as well as an optional part for tenor sax, which is exactly the same part as the 2nd saxophone. In the piano parts the improvisation chords are shown only in the 1st alto part purely for the sake of visual tidiness, but they appear in all the saxophone parts. If the participants do not feel confident enough, the improvising sections can be omitted. The optional guitar and bass parts are combined and the bass part is similar to the left hand of the piano part. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679714 All five parts are presented in a single PDF file. The three numbers are: 1. Highway South - This is a jazz style number written in 6/8 time in concert G minor. There is an improvisation section in the minor key which can be repeated as often as required. It’s a real swinger and useful for giving students the experience of working in a minor key. 2. Summer Siesta - This is a slow number in E flat major which gives the opportunity to practise a soft singing tone-quality over chromatic shifts in harmony 3. Tequila Surprise - Written in 4/4 time in E flat, this is a Latin-style fun piece that lets the participants create surprises during the empty bars. The surprises can be musical or non-musical, depending on the performance occasion and there’s an improvisation section which can be repeated as often as required. The audio sample contains all three titles. Play-along backing tracks are available here: https://www.sheetmusicplus.com/title/20679714
$6.99
Handel: Seven Pieces from Water Music for Piano Quintet
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George Friderick Handel
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James M
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Handel: Seven Pieces from Wate
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jmsgu3
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SheetMusicPlus
Piano Quintet,String Ensemble Piano - Level 3 - SKU: A0.552018 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,In...
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Piano Quintet,String Ensemble Piano - Level 3 - SKU: A0.552018 Composed by George Friderick Handel (1685-1756). Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 43 pages. Jmsgu3 #6053173. Published by jmsgu3 (A0.552018). Seven popular pieces from Handel's Water Music - most often requested for weddings. Score: 16 pages, Duration 12:15. Players may read from the score, or from the included instrumental parts.Contents: 1. Air2. Minuet3. Bourrée4. Hornpipe5. Rigaudon6. Minuet7. AndanteHandel's Water Music is one of his most famous compositions. It was written for King George I's pleasure barge trip along the River Thames in 1717. The Water Music is divided into three suites, each containing a variety of movements. The music features a mix of dance rhythms such as minuets, bourrees, and hornpipes, along with lively fanfares and slower, more stately airs. Its combination of light and playful music with grandeur and pomp has made it one of the most beloved pieces of classical music. Water Music has been performed by many orchestras and is a popular choice for special occasions, such as coronations and weddings. Its enduring popularity has helped to make it one of Handel's most famous and beloved compositions.Weddings during the time of Handel were usually quite extravagant affairs. The ceremony was typically held in a church and was accompanied by a full orchestra. Handel's own compositions were frequently used to provide the music for the ceremony. This was especially true in London, where Handel was based and where his music was extremely popular. Handel wrote a number of pieces specifically for use at weddings, including the popular Wedding Anthem and the Wedding Anthem in D Major. Handel's music provided a sense of grandeur and elegance to the proceedings and was often used to give the wedding an extra special touch.The festivities following the ceremony were also often quite lavish, with a large feast and plenty of dancing. Handel's music was often used to provide the background music for the dancing, and he wrote many dance suites that were specifically designed for this purpose. The bride and groom would often have a special dance to the music of Handel's Water Music, a particularly popular piece for the occasion. Guests at the wedding would be treated to a variety of Handel's works, ranging from his operas to his oratorios, which often had a spiritual or religious theme. Handel's music provided a sense of joy and celebration to the wedding and helped make it an occasion to remember.
$38.95
Three Notes Each (for recorder and piano)
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Greg Shapley
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Three Notes Each
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Greg Shapley
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SheetMusicPlus
Small Ensemble Piano,Soprano Recorder - Level 3 - SKU: A0.966355 Composed by Greg Shapley. 20th Century,Contemporary,Standards. Score and parts. 5 pages...
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Small Ensemble Piano,Soprano Recorder - Level 3 - SKU: A0.966355 Composed by Greg Shapley. 20th Century,Contemporary,Standards. Score and parts. 5 pages. Greg Shapley #1987437. Published by Greg Shapley (A0.966355). One in a series of sparkly pieces specially designed for descant (soprano) recorder and piano. Inspired (in part) by Louis Andriessen's use of instrumentation in 'Melodie', 'Three Notes Each' is all about rhythmic counterpoint, simple, complimentary, Gamelan-inspired modes and the melding of two, very different, timbres. Post-minimalist in nature, it is challenging but not virtuosic, edgy, but not overly-dissonant. This piece is unusual in two other ways. The pianist only uses their right hand (the upper register of the piano goes particularly well with descant recorder), and each instrument is assigned only three notes. This economic use of compositional material yields surprisingly engaging results. Although written for descant (soprano) recorder and piano, this piece can also be played with treble (alto) and tenor recorder. Duration: 3 minutes.
$3.49
Three Sketches for Three Guitars - Score and Parts
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Contemporain
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Kevin Love
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Three Sketches for Three Guita
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Kevin Edward Love
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - SKU: A0.752781 Composed by Kevin Love. Contemporary. Score and parts. 19 pages. Kevin Edward Love #25539. Published b...
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Guitar Ensemble Guitar - Level 3 - SKU: A0.752781 Composed by Kevin Love. Contemporary. Score and parts. 19 pages. Kevin Edward Love #25539. Published by Kevin Edward Love (A0.752781). These are three short colour pieces based on some piano music that I wrote for my friend's daughter; they were first realized as 'Two sketches for Two Guitars and have now been significantly extended and expanded for three guitars.
$11.50
Bach 15 Three Part Inventions (sinfonias) arr. for Treble Instrument and Piano
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Classique
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Johann Sebastian Bach
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Steve Newman
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Bach 15 Three Part Inventions
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steve newman
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SheetMusicPlus
Large Ensemble Alto Saxophone,Clarinet,Flute,Guitar,Oboe,Piano Accompaniment,Soprano Saxophone,Tenor Saxophone,Violin - Level 3 - SKU: A0.916579 Compose...
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Large Ensemble Alto Saxophone,Clarinet,Flute,Guitar,Oboe,Piano Accompaniment,Soprano Saxophone,Tenor Saxophone,Violin - Level 3 - SKU: A0.916579 Composed by Johann Sebastian Bach. Arranged by Steve Newman. Baroque,Instructional,Standards. Score and parts. 71 pages. Steve newman #3379405. Published by steve newman (A0.916579). JS Bach, 15 Sinfonias (3 part Inventions) Originally for keyboard alone.This transcription separates the 3 voices, so that the bottom two can be played on a keyboard instrument while a treble instrument plays the top. The original has been transcribed for a piano to accompany a treble instrument like flute, violin, oboe, etc. The piano score has the second voice on treble and the third voice on the bass clef of the grand staff. The flute part is in a smaller size staff above the piano grand staff. A companion book for the flute, or other treble instrument, is also available. In addition, an audio cd has been made where the flute is in the right channel, and the piano accompaniment in the left channel. This cd is useful as a practice tool to let either player practice with a recording.. You can download the 16 tracks at https://app.box.com/s/wg2vyo7yg4imchnb7zaihk0e3fs1nqaw The user can use panning to either hear both parts, or only the other player’s part as he practices. All are in the original key. Violins and clarinets can play Sinfonia 15 in the original key of B minor, but the flute range doesn’t go low enough. So Sinfonia 15 has an additional version transposed to E minor so that a flute can play the low notes of the melody line without jumping octaves. Saxophones and other instruments can play the flute part without transposing if the accompanist has an electronic keyboard. to transpose the piano part. These pieces are a nice addition to the flute or violin literature as study, encore, or concert pieces. Steve Newman, Santa Cruz, Ca. newmans@cruzio.com
$5.99
Three Sketches for Flute, Oboe and Guitar - Score and Parts
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Contemporain
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Kevin Love
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Three Sketches for Flute, Oboe
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Kevin Edward Love
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SheetMusicPlus
Small Ensemble Flute,Guitar,Oboe - Level 3 - SKU: A0.753010 Composed by Kevin Love. Contemporary. Score and parts. 21 pages. Kevin Edward Love #4108537....
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Small Ensemble Flute,Guitar,Oboe - Level 3 - SKU: A0.753010 Composed by Kevin Love. Contemporary. Score and parts. 21 pages. Kevin Edward Love #4108537. Published by Kevin Edward Love (A0.753010). These are three short colour pieces based on some piano music that I wrote for my friend's daughter; they were first realized as 'Two sketches for Two Guitars and have now been significantly extended and expanded for this setting. They are depictions of her and her two siblings. Waltz is a deep and dreamy 12 year old girl; The Runner is a 10 year old soccer - playing boy; Beguine was a sentimental portrait of a teenage girl that somehow became a Latin dance.
$11.50
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructi...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516867. Published by jmsgu3 (A0.549645). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Let's Go! (for saxes and piano)
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Colin Kirkpatrick
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Let's Go!
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - SKU: A0.522196 Composed by Colin Kirkpatrick. Concert,H...
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Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - SKU: A0.522196 Composed by Colin Kirkpatrick. Concert,Holiday,Jazz,Latin,Patriotic,Wedding. Score and parts. 35 pages. Colin Kirkpatrick Publications #3397237. Published by Colin Kirkpatrick Publications (A0.522196). Three numbers in popular style for two alto saxes and piano (or alto and tenor) with optional part for guitar and/or bass.These pieces are in jazz and Latin styles and are intended for intermediate students. They’re ideal for an end-of-term concert or recital but would be useful for any festive occasion or celebration. The 13-page piano score also includes the saxophone parts. The highest note in the 1st sax part is (written) C6 and that in the 2nd sax part is A6. Both parts avoid low D and C. Five-page parts for the two E flat alto saxophones are provided as well as an optional part for tenor sax, which is exactly the same part as the 2nd saxophone. In the piano parts the improvisation chords are shown only in the 1st alto part purely for the sake of visual tidiness, but they appear in all the saxophone parts so that any participant can offer an improvised solo. The guitar and bass parts are combined and the bass part is similar to the left hand of the piano part. All five parts are presented in a single PDF file. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679812 1. Hit the Town This is an entertaining swinger in the concert key of E flat and 4/4 time. It uses “jazz†eighth notes (quavers) and would be good introduction to playing in a jazz style. The improvisation section can be repeated as often as required. 2. Cool company A slow number in F major in a Latin-American style, this gives the opportunity to practise a soft singing tone-quality. There is one short section for improvising. 3. Freeway Written in 3/4 time in B flat, this jazzy waltz also uses “jazz†eighth notes (quavers) and the improvisation section can be repeated as often as required.
$6.99
Last drops of brandy - Irish music for Flute, Piano and Double Bass
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J
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Last drops of brandy - Irish m
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Caesar Juvié
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SheetMusicPlus
Instrumental Duet,Piano Double Bass,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.969805 Composed by J. E. Cuevas. Celtic,Children,Folk,Holiday,Worl...
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Instrumental Duet,Piano Double Bass,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.969805 Composed by J. E. Cuevas. Celtic,Children,Folk,Holiday,World. Score and parts. 15 pages. Caesar Juvié #3603779. Published by Caesar Juvié (A0.969805). Three classical irish pieces mixed-up into one great trio for piano, flute and doublebass.
$5.99
Pachelbel: Canon in D for Piano Quintet
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Pian
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jmsgu3
#
SheetMusicPlus
Piano Quintet,String Ensemble - Level 3 - SKU: A0.552061 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wed...
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Piano Quintet,String Ensemble - Level 3 - SKU: A0.552061 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104307. Published by jmsgu3 (A0.552061). Score: 9 pagesDuration: 2:45. The famous Pachelbel Canon arranged for Piano Quintet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$52.95
Live Wires Rag, - instruments in four parts
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Adaline Shepherd
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Paul Burnell
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Live Wires Rag, - instruments
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Paul Burnell
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SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Tenor Recorder - Level 3 - SKU: A0.835905 Composed by Adaline Shepherd. Arranged by Paul Burnell. 20th Ce...
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Small Ensemble Alto Recorder,Baritone Recorder,Tenor Recorder - Level 3 - SKU: A0.835905 Composed by Adaline Shepherd. Arranged by Paul Burnell. 20th Century,Ragtime. Score and parts. 20 pages. Paul Burnell #6716143. Published by Paul Burnell (A0.835905). Live Wires Rag by Adaline Shepherd, arranged by Paul Burnell for instruments in four parts.Download comprises both score and partsDuration 2:55Score in C The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played or doubled an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.Play cue-sized notes in brackets where main notes are out of range or inconvenient.Programme note:Adaline Shepherd (1883 – 1950) was an American composer of piano pieces. In her twenties, she composed three ragtime pieces: Pickles and Peppers (1906), Wireless Rag (1909), and Live Wires Rag (1909). She married Frederick Sherman Olson in 1910, and thereafter used his last name as her own. After her marriage, she retired from composition, and her compositions were unknown to her remaining family by the 1970s until reporters contacted them.The dedication in the original piano composition reads: Dedicated to the real Live Wire Maurice A. Richmond.The metaphorical use of 'live wire' likely emerged around the year 1900, and applied the words used in electrical circuitry to describe an energetic and unpredictable person.
$3.99
Live Wires Rag, - duet: Alto and Tenor Recorder
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Adaline Shepherd
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Paul Burnell
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Live Wires Rag, - duet: Alto a
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Paul Burnell
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.835906 Composed by Adaline Shepherd. Arranged by Paul Burnell. 20th Century,Ragtime. 6 pages. Paul Burnell #671614...
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Woodwind Ensemble - Level 3 - SKU: A0.835906 Composed by Adaline Shepherd. Arranged by Paul Burnell. 20th Century,Ragtime. 6 pages. Paul Burnell #6716149. Published by Paul Burnell (A0.835906). Live Wires Rag by Adaline Shepherd, arranged by Paul Burnell for Recorder DuetDownload comprises both score and partsDuration 2:55Alto RecorderTenor RecorderThis arrangement may suitable for other instruments in C reading the treble clef.Programme note:Adaline Shepherd (1883 – 1950) was an American composer of piano pieces. In her twenties, she composed three ragtime pieces: Pickles and Peppers (1906), Wireless Rag (1909), and Live Wires Rag (1909). She married Frederick Sherman Olson in 1910, and thereafter used his last name as her own. After her marriage, she retired from composition, and her compositions were unknown to her remaining family by the 1970s until reporters contacted them.The dedication in the original piano composition reads: Dedicated to the real Live Wire Maurice A. Richmond.The metaphorical use of 'live wire' likely emerged around the year 1900, and applied the words used in electrical circuitry to describe an energetic and unpredictable person.
$1.99
Live Wires Rag, - duet: instruments in Eb and Bb
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Adaline Shepherd
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Paul Burnell
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Live Wires Rag, - duet: instru
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Paul Burnell
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SheetMusicPlus
Small Ensemble Alto Saxophone,Clarinet,Tenor Saxophone - Level 3 - SKU: A0.835907 Composed by Adaline Shepherd. Arranged by Paul Burnell. 20th Century,R...
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Small Ensemble Alto Saxophone,Clarinet,Tenor Saxophone - Level 3 - SKU: A0.835907 Composed by Adaline Shepherd. Arranged by Paul Burnell. 20th Century,Ragtime. Score and parts. 6 pages. Paul Burnell #6716157. Published by Paul Burnell (A0.835907). Live Wires Rag by Adaline Shepherd, arranged by Paul Burnell for duet - instrument in Eb and instrument in BbDownload comprises both score and parts.Duration 2:55Part 1 in Eb (Alto Clarinet, Alto Saxophone, Tenor Horn)Part 2 in Bb (Bass Clarinet, Tenor Saxophone, Euphonium)The arrangement may be suitable for other instruments with the same transpositions.Score shows parts transposed with Part 1 shown in Eb.Programme note:Adaline Shepherd (1883 – 1950) was an American composer of piano pieces. In her twenties, she composed three ragtime pieces: Pickles and Peppers (1906), Wireless Rag (1909), and Live Wires Rag (1909). She married Frederick Sherman Olson in 1910, and thereafter used his last name as her own. After her marriage, she retired from composition, and her compositions were unknown to her remaining family by the 1970s until reporters contacted them.The dedication in the original piano composition reads: Dedicated to the real Live Wire Maurice A. Richmond.The metaphorical use of 'live wire' likely emerged around the year 1900, and applied the words used in electrical circuitry to describe an energetic and unpredictable person.
$1.99
Album-Leaf, Elegie, and Folk-Song
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Classique
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Edvard H
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Richard Giszczak
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Album-Leaf, Elegie, and Folk-S
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1403377 Composed by Edvard H. Grieg (1843–1907). Arranged by Richard Giszczak. 19th Century,Classi...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1403377 Composed by Edvard H. Grieg (1843–1907). Arranged by Richard Giszczak. 19th Century,Classical,Romantic Period. Individual part. 3 pages. Singing Winds Music Company #986584. Published by Singing Winds Music Company (A0.1403377). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is a transcription of three separate piano pieces by Grieg: Album-Leaf, Op. 12, No. 7; Elegie, Op. 38, No. 6; and Folk-Song, Op. 12, No. 5.
$2.00
Invention No. 1 BWV 772
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Classique
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Johann Sebastian Bach
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Justin M
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Invention No. 1 BWV 772
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Justin M. Ryan
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886890 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886890 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score and parts. 6 pages. Justin M. Ryan #3015403. Published by Justin M. Ryan (A0.886890). Invention No. 1 BWV 772. The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 inventions, which are two-part contrapuntal pieces, and 15 sinfonias, which are three-part contrapuntal pieces. They were originally written as musical exercises for his students.Now in the 21st century, this piece comes alive once again. Arranged for 2 pianos, each piano is playing the same piece in 2 different keys simultaneously(C Major and G Major). Enjoy this wonderful classic.
$2.99
Invention No. 1 BWV 772
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Classique
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Johann Sebastian Bach
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Justin M
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Invention No. 1 BWV 772
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Justin M. Ryan
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886891 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.886891 Composed by Johann Sebastian Bach. Arranged by Justin M. Ryan. Baroque,Contemporary. Score and parts. 6 pages. Justin M. Ryan #3015405. Published by Justin M. Ryan (A0.886891). Invention No. 1 BWV 772. The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 inventions, which are two-part contrapuntal pieces, and 15 sinfonias, which are three-part contrapuntal pieces. They were originally written as musical exercises for his students.Now in the 21st century, this piece comes alive once again. Arranged for 2 pianos, each piano is playing the same piece in 2 different keys simultaneously(Perfect 5th apart). Enjoy this wonderful classic.
$2.99
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Three Piano pieces