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Wish You Were Here
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Wish You Were Here
Small Ensemble Acoustic Guitar,Bass Guitar,Drums,Piano - Level 3 - Digital Download SKU…
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Small Ensemble Acoustic Guitar,Bass Guitar,Drums,Piano - Level 3 - Digital Download SKU: A0.948497 By Pink Floyd. By David Gilmour and Roger Waters. Arranged by J.W. Heidebrecht. Rock. Score and parts. 16 pages. Musician Place #3897169. Published by Musician Place (A0.948497). This is the classic Pink Floyd tune, Wish You Were Here, but having an altered arrangement. This version of the tune features an extra chorus at the end, with a drone on G to end the song. The instrumentation is quite similar to the original, but with a 6-string guitar playing the 12-string part. This arrangement of Wish You Were Here is a great song for a school group, or a small band!https://www.youtube.com/watch?v=l5TXzRW9pqw
$16.00
14.64 €
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Pink Floyd
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J
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Wish You Were Here
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Musician Place
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SheetMusicPlus
Wish You Were Here
Small Ensemble Cornet,Drums,Euphonium,Flugelhorn,Tenor Horn,Trombone,Tuba - Level 3 - Digi…
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Small Ensemble Cornet,Drums,Euphonium,Flugelhorn,Tenor Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.847638 By Pink Floyd. By David Gilmour and Roger Waters. Arranged by Jock McKenzie. Rock. Score and parts. 21 pages. Superbrass #6294247. Published by Superbrass (A0.847638). Wish You Were HereComposed by Roger Waters & Dave GilmourArranged by Jock McKenzieBite-Size Brass Band.
$25.00
22.87 €
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Pink Floyd
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Roger Waters & Dave Gilmour
Arranged by Jock McKenzie
Bite-Size Brass Band
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Jock McKenzie
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Wish You Were Here
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Superbrass
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SheetMusicPlus
Wish You Were Here
Small Ensemble Drums,Guitar,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download …
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Small Ensemble Drums,Guitar,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.717826 By Pink Floyd. By David Gilmour and Roger Waters. Arranged by Daryl McKenzie. Rock. Score and parts. 16 pages. Daryl McKenzie #3692653. Published by Daryl McKenzie (A0.717826). Based on the Pink Floyd version. Arranged for Voice (no voice part included), Trumpet, Tenor Sax, Trombone, Piano, Guitar, Bass, Drums. Key of G major.More arrangements by Daryl McKenzie: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128
$39.99
36.58 €
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Pink Floyd
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Daryl McKenzie
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Wish You Were Here
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Daryl McKenzie
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SheetMusicPlus
Ale Brider, Jewish Klezmer song for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.589643 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6082327. Published by David McKeown (A0.589643). Ale Brider is a Yiddish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.The music for Ale Brider is a traditional East European melody of unknown origin. The lyrics were written by Morris Winchevsky, a Lithuanian writer who became a prominent socialist/communist in early twentieth century London and New York. The title Ale Brider, (We Are All Brothers), reflected his socialist beliefs.Ale Brider is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played three times with constant variations in the accompaniment. Ale Brider is suitable for players at an intermediate level and above. With a performance time of three minutes, this version of Ale Brider is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Traditional
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David McKeown
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Ale Brider, Jewish Klezmer song for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
Ale Brider, Jewish Klezmer song for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.58…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.589623 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6082285. Published by David McKeown (A0.589623). Ale Brider is a Yiddish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Violin.The music for Ale Brider is a traditional East European melody of unknown origin. The lyrics were written by Morris Winchevsky, a Lithuanian writer who became a prominent socialist/communist in early twentieth century London and New York. The title Ale Brider, (We Are All Brothers), reflected his socialist beliefs.Ale Brider is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played three times with constant variations in the accompaniment. Ale Brider is suitable for players at an intermediate level and above. With a performance time of three minutes, this version of Ale Brider is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Traditional
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David McKeown
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Ale Brider, Jewish Klezmer song for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
Ale Brider, Jewish Klezmer song for Oboe and Cor Anglais (or English Horn) Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.589622 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6082283. Published by David McKeown (A0.589622). Ale Brider is a Yiddish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Cor Anglais (or English Horn).The music for Ale Brider is a traditional East European melody of unknown origin. The lyrics were written by Morris Winchevsky, a Lithuanian writer who became a prominent socialist/communist in early twentieth century London and New York. The title Ale Brider, (We Are All Brothers), reflected his socialist beliefs.Ale Brider is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played three times with constant variations in the accompaniment. Ale Brider is suitable for players at an intermediate level and above. With a performance time of three minutes, this version of Ale Brider is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Traditional
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David McKeown
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Ale Brider, Jewish Klezmer song for Oboe and Cor Anglais
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David McKeown
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.32 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
Father, Forgive Them
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.943024 Composed by Lewis A. Kocher. Christian,Easter,Sacred. Score and parts. 3 pages. Lewis A. Kocher #4410815. Published by Lewis A. Kocher (A0.943024). I wrote this piece at the request of a pastor friend of mine who was lamenting the fact that there were too few hymns concerning the subject of forgiveness.At little more than 1 ½ minutes long, this song could work perfectly for a short prelude or postlude during Good Friday, Easter, or at any service during the year.An advantage to this piece is its flexibility in performance and thus in its performance length. As a slow ballad it is of course longer than the 1:40 shown above. And as fast Praise music, it will probably be closer to 1:30 depending upon the performance. And this flexibility is also its beauty: It can suit a variety of moods from reflective to enthusiastic.Wishing you God’s blessing always!
$3.99
3.65 €
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Lewis A
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Father, Forgive Them
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Lewis A. Kocher
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
6.86 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.57 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 C…
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.57 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by …
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Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.57 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Slide Ride
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SheetMusicPlus
Vivo Per Lei
Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.139…
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Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1393525 By Andrea Bocelli. By Gatto Panceri, Mauro Mengali, and Valerio Zelli. Arranged by Edward Naber & Peet du Toit. Classical,Pop. 14 pages. Peet du Toit #976977. Published by Peet du Toit (A0.1393525). The song in Italian was originally written by the group O.R.O. (Manzani – Mengalli – Zelli) in 1995 for their album Vivo per.... The song won the Disco per l'estate edition of that year. During the same year, the lyrics of the song were rewritten, still in Italian, by Gatto Panceri and the song was relaunched as a duet between Andrea Bocelli and Giorgia. The new lyrics were characterized by the fact that lei (her) in the title referred to music whereas in the original song lei referred to a girl.This arrangement is a tribute and homage to my late best and cunning friend, Jo van der Merwe - an excellent euphonist, french horn and trumpet player - whilst being a systems and sound engineer AND who was killed in a vehicle accident whilst we were in the process of recording Vivo per lei on flügelhorn and euph.I miss you every day, Jo. No one could wish for a better friend, husband and dad.
$24.00
21.95 €
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Andrea Bocelli
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Edward Naber & Peet du Toit
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Vivo Per Lei
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Peet du Toit
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SheetMusicPlus
Silver Wedding, Klezmer Tune for Flute and Viola Duet
Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.58…
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.589314 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 5 pages. David McKeown #6022237. Published by David McKeown (A0.589314). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Viola. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune for Flute and Viola Duet
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David McKeown
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SheetMusicPlus
Silver Wedding, Klezmer Tune for Trumpet and Tenor Horn in E Flat Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.589330 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 5 pages. David McKeown #6022281. Published by David McKeown (A0.589330). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune for Trumpet and Tenor Horn in E Flat Duet
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David McKeown
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SheetMusicPlus
Silver Wedding, Klezmer Tune for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.58…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.589320 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 5 pages. David McKeown #6022253. Published by David McKeown (A0.589320). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Violin. Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
Silver Wedding, Klezmer Tune for Oboe and Cor Anglais, (or English Horn), Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.589319 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 5 pages. David McKeown #6022251. Published by David McKeown (A0.589319). Silver Wedding, (Die Silberne Khasene in Yiddish), is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Cor Anglais, (or English Horn). Jewish Wedding bands, prominent in early twentieth century New York, were well placed to take advantage of the phonograph recording revolution. Accordingly, we are fortunate to have a rich record of the musical style of the time. Silver Wedding first appeared in a 1915 recording by Abe Elenkrig’s Orchestra. Elenkrig was born in Ukraine, which may point to the origins of the tune. Silver Wedding is in a Bulgar style, a happy piece designed to escort the newly-weds from the ceremony to the feast. Silver Wedding is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a short introduction and coda and with constant variations in the accompaniment. Silver Wedding is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Silver Wedding is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Traditional
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David McKeown
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Silver Wedding, Klezmer Tune for Oboe and Cor Anglais,
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David McKeown
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SheetMusicPlus
Bublitschki, Russian Klezmer song for Flute and Viola Duet
Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.58…
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.589577 Composed by Yakow Jadow. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6080543. Published by David McKeown (A0.589577). Bublitschki is a Ukrainian/Jewish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Viola.Bublitschki was written in 1922 by Yakov Jadow. The title means pretzels in Russian and was inspired by the pretzel sellers by the railway station in Odessa. Jadow observed that the street-vendors were poverty-stricken and wrote the song as a lament. Initially popular in the Soviet Union, a recording by the Barry Sisters in 1939 brought this song to an international audience.Bublitschki is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played twice with a short coda and constant variations in the accompaniment. Bublitschki is suitable for players at an intermediate level and above. With a performance time of just over three minutes, this version of Bublitschki is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Yakow Jadow
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David McKeown
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Bublitschki, Russian Klezmer song for Flute and Viola Duet
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David McKeown
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SheetMusicPlus
Bublitschki, Russian Klezmer song for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.589593 Composed by Yakow Jadow. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6080577. Published by David McKeown (A0.589593). Bublitschki is a Ukrainian/Jewish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.Bublitschki was written in 1922 by Yakov Jadow. The title means pretzels in Russian and was inspired by the pretzel sellers by the railway station in Odessa. Jadow observed that the street-vendors were poverty-stricken and wrote the song as a lament. Initially popular in the Soviet Union, a recording by the Barry Sisters in 1939 brought this song to an international audience.Bublitschki is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played twice with a short coda and constant variations in the accompaniment. Bublitschki is suitable for players at an intermediate level and above. With a performance time of just over three minutes, this version of Bublitschki is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Yakow Jadow
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David McKeown
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Bublitschki, Russian Klezmer song for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
Bublitschki, Russian Klezmer song for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.58…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.589583 Composed by Yakow Jadow. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6080557. Published by David McKeown (A0.589583). Bublitschki is a Ukrainian/Jewish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Violin.Bublitschki was written in 1922 by Yakov Jadow. The title means pretzels in Russian and was inspired by the pretzel sellers by the railway station in Odessa. Jadow observed that the street-vendors were poverty-stricken and wrote the song as a lament. Initially popular in the Soviet Union, a recording by the Barry Sisters in 1939 brought this song to an international audience.Bublitschki is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played twice with a short coda and constant variations in the accompaniment. Bublitschki is suitable for players at an intermediate level and above. With a performance time of just over three minutes, this version of Bublitschki is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Yakow Jadow
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David McKeown
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Bublitschki, Russian Klezmer song for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
Bublitschki, Russian Klezmer song for Oboe and Cor Anglais (or English Horn) Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.589582 Composed by Yakow Jadow. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6080555. Published by David McKeown (A0.589582). Bublitschki is a Ukrainian/Jewish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Cor Anglais (or English Horn).Bublitschki was written in 1922 by Yakov Jadow. The title means pretzels in Russian and was inspired by the pretzel sellers by the railway station in Odessa. Jadow observed that the street-vendors were poverty-stricken and wrote the song as a lament. Initially popular in the Soviet Union, a recording by the Barry Sisters in 1939 brought this song to an international audience.Bublitschki is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played twice with a short coda and constant variations in the accompaniment. Bublitschki is suitable for players at an intermediate level and above. With a performance time of just over three minutes, this version of Bublitschki is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Yakow Jadow
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David McKeown
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Bublitschki, Russian Klezmer song for Oboe and Cor Anglais
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David McKeown
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SheetMusicPlus
Down by the Riverside, Gospel Hymn for Flute and Trumpet Duet
Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.589913 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Jewish,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6133275. Published by David McKeown (A0.589913). Down by the Riverside is an Afro-American Spiritual Hymn and Song. This version is arranged as a duet for one Flute and one Trumpet. Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.Down by the Riverside is simply arranged in a key and range best suited to the instruments. Three choruses and two verses are played, with variations, in a gospel swing style. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Down by the Riverside is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Down by the Riverside is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.65 €
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Traditional
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David McKeown
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Down by the Riverside, Gospel Hymn for Flute and Trumpet Duet
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David McKeown
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SheetMusicPlus
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