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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
for KING
Non classifié
3 673
Piano & claviers
Piano seul
7 348
Piano, Voix et Guitare
1 064
Piano, Voix
1 043
Accordéon
740
Orgue
290
Instruments en Do
189
Piano Facile
140
Accompagnement Piano
99
1 Piano, 4 mains
70
Piano Trio: piano, violon, violoncelle
64
2 Pianos, 4 mains
16
Piano Quatuor: piano, violon, alto, violoncelle
15
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Quatuor: piano, 2 violons, violoncelle
4
Orgue, Piano (duo)
3
Orgue, Trompette (duo)
2
Clavecin
1
Clavier
1
Fake Book
1
1 Piano, 6 mains
1
Piano (partie séparée)
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 595
Guitare
1 172
Basse electrique
812
Ukulele
378
Ligne De Mélodie, (Paroles) et Accords
316
Paroles et Accords
199
Mandoline
67
Dulcimer
27
2 Guitares (duo)
19
Piano, Guitare (duo)
17
4 Guitares (Quatuor)
12
Banjo
12
Ensemble de guitares
10
2 Dulcimers (duo)
6
Ukulele Baryton
6
3 Guitares (trio)
5
Partitions De Groupes
4
Ensemble de Ukulélés
2
2 Ukuleles
1
+ 14 instrumentations
Retracter
Voix
Voix seule
1 140
Chorale SATB
980
Chorale 3 parties
331
Chorale TTBB
280
Chorale SSAA
208
Chorale 2 parties
100
Chorale
78
Chorale Unison
32
Voix duo, Piano
28
Voix Tenor, Piano
27
Voix Alto, Piano
26
Voix Soprano, Piano
21
Voix duo
15
Voix haute
13
Voix moyenne, Piano
8
Voix Tenor
6
Voix basse, Piano
4
Chorale SSAB a cappella
3
Voix Soprano
3
Chorale SSATB
3
Voix, Guitare
2
Voix Baryton, Piano
2
Chorale SSAB, Piano
2
Male Voice
2
Voix basse
1
Voix Soprano, Orchestre
1
Chorale SSAATTBB
1
Voix Mezzo-Soprano, Piano
1
+ 23 instrumentations
Retracter
Vents
Saxophone
3 324
Flûte traversière
1 826
Clarinette
1 636
Saxophone Alto
420
Saxophone Tenor
358
Flûte traversière et Piano
295
2 Saxophones (duo)
274
Quatuor de Saxophones: 4 saxophones
261
Clarinette et Piano
255
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
247
Flûte à Bec
238
2 Flûtes traversières (duo)
230
Hautbois
208
Saxophone Alto et Piano
206
Hautbois, Piano (duo)
179
Flûte, Hautbois, Clarinette, Basson
164
Ocarina
163
Quintette de Saxophone: 5 saxophones
160
Saxophone Tenor et Piano
156
Quatuor de Clarinettes: 4 clarinettes
154
2 Clarinettes (duo)
141
Saxophone Soprano
140
Flûte à bec Alto
140
Quatuor de Flûtes : 4 flûtes
123
Saxophone Soprano et Piano
117
Flûte à bec Soprano
98
3 Saxophones (trio)
86
Saxophone Baryton, Piano
76
Flûte, Clarinette (duo)
62
Ensemble de Flûtes
61
Quintette de Clarinettes: 5 clarinettes
56
Saxophone, Clarinette (duo)
55
Saxophone (partie séparée)
53
2 Hautbois (duo)
53
3 Clarinettes (trio)
52
Hautbois (partie séparée)
50
Hautbois, Basson (duo)
50
Trio de Flûtes: 3 flûtes
42
Ensemble de Clarinettes
39
Quintette de Flûte : 5 flûtes
39
2 Flûte à bec (duo)
38
Hautbois, Clarinette (duo)
38
Flûte, Violon, Piano
34
Clarinette, Violon (duo)
33
Saxophone Baryton
32
Ensemble de saxophones
31
Flûte à bec Alto, Piano
31
Flûte, Hautbois, Clarinette (trio)
30
Clarinette, Trompette (duo)
29
Ensemble De Flûte à bec
26
Flûte, Violon
26
Flûte et Guitare
26
Clarinette et Alto
24
Hautbois, Flûte
23
Flûte, Trompette (duo)
21
Flûte, Clarinette et Basson
21
Flûte, Alto (duo)
20
Clarinette, Basson (duo)
19
Flûte, Saxophone (duo)
19
Hautbois, Clarinette, Basson (trio d'anches)
17
Clarinette Basse, Piano
17
Flûte, Violoncelle
16
Quatuor de Flûtes à bec
15
Cor anglais, Piano
15
Clarinette, Harpe (duo)
13
Cor Anglais
12
Flûte, Clarinette, Piano (trio)
12
Flûte, Violoncelle, Piano (trio)
12
Clarinette, Guitare (duo)
11
2 Saxophones, Piano
9
5 Flûtes à bec
9
Clarinette, Violoncelle (duo)
8
Clarinette Basse
8
Flûte à bec Tenor
8
Flûte, Harpe et Violoncelle
7
Flûte, Hautbois, Basson
6
Flûte, Hautbois (duo)
6
Flûte, Violon et Violoncelle
5
Clarinette (partie séparée)
5
Instruments en Mib
5
Flûte, Hautbois, Piano (trio)
5
Saxophone et Harpe
5
Flute, harpe et violon
5
Hautbois, Harpe
4
Flûte, Basson et Piano
4
Harmonica
4
Hautbois, Clarinette et Piano (Trio)
3
Flûte irlandaise
3
Clarinette, Violoncelle, Piano (trio)
3
Hautbois, Violoncelle
3
2 Flûtes traversières, Piano
3
Clarinette, Basson, Piano (trio)
3
Flûte, Trombone (duo)
3
2 Clarinettes, Piano
3
Flûte à bec Soprano, Piano
3
2 Clarinettes, Basson
2
Clarinette, Contrebasse (duo)
2
Flute (partie séparée)
2
Saxophone, Violon (duo)
2
Piccolo, Piano
2
Hautbois, Basson et Piano
2
Piccolo
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Violoncelle, Guitare
2
Saxophone et Guitare
2
Flûte, trombone et piano
1
Clarinette, Tuba
1
Hautbois, violon (duo)
1
Flûte à bec, Guitare (duo)
1
Flûte, Tuba (duo)
1
2 Hautbois, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
4 Hautbois
1
Clarinette, Trombone (duo)
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Orgue
1
Flute, alto, violoncelle et guitare
1
Ensemble à vent
1
Clarinette, trompette et piano
1
Saxophone et Piano
1
2 Flûtes traversières, Harpe
1
Flute, Cor (duo)
1
Flûte de Pan
1
Flûte, Alto et Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte à bec Alto, Basse continue
1
Hautbois, Violoncelle et Piano
1
Flûte, Hautbois, Violon
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
+ 124 instrumentations
Retracter
Cuivres
Trompette
1 387
Trombone
1 271
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
282
Cor
203
Trompette, Piano
195
Trombone et Piano
185
Cor et Piano
130
Tuba
122
Quatuor de Cuivres : 2 trompettes, trombone, tuba
114
Tuba et Piano
98
2 Trompettes (duo)
83
2 Trombones (duo)
83
Euphonium
76
Quatuor de Cuivres: 2 trompettes, Cor, trombone
60
2 Cors (duo)
52
Ensemble de Trompettes
49
Trompette, Trombone (duo)
47
Trompette, Saxophone (duo)
41
Euphonium, Piano (duo)
30
Quatuor de Cuivres
23
Trompette (partie séparée)
20
Quatuor de cuivres: 4 trombones
20
Quatuor de cuivres: 4 cors
17
2 Tubas (duo)
17
Cor anglais, Piano
15
Trombone (partie séparée)
13
Cor Anglais
12
Trompette, Cor (duo)
10
3 Trombones (trio)
9
Quatuor de cuivres: 4 trompettes
9
3 Trompettes (trio)
9
Cor (partie séparée)
8
Ensemble de Trombones
7
Cor, Tuba (duo)
6
4 Tubas
6
Cor et Harpe
6
Bass Clef Instruments
5
Instruments en Sib
5
Trio de Cuivres
5
Trompette, Trombone, Piano
5
Ensemble de Cors
5
Trombone, Cor (duo)
4
Trompette, Harpe
4
Trompette, Tuba (duo)
3
Trombone basse
3
Trombone basse et Piano
3
Trombone, Tuba (duo)
3
Trompette, Violoncelle et Piano
2
Euphonium, Tuba (duo)
2
2 Euphoniums (duo)
2
3 Cors (trio)
2
2 Trombones, Piano
2
Trompette et Guitare
1
Euphonium Ou Saxhorn Et Piano
1
Cor, Violoncelle (duo)
1
2 Cors, Piano
1
2 Euphoniums et 2 Tubas
1
Trompette, Euphonium (duo)
1
Tuba (partie séparée)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 55 instrumentations
Retracter
Cordes
Violon
1 185
Violoncelle
683
Quatuor à cordes: 2 violons, alto, violoncelle
683
Alto seul
577
Violon et Piano
407
Alto, Piano
263
Violoncelle, Piano
244
Harpe
167
2 Violons (duo)
131
Trio à Cordes: violon, alto, violoncelle
131
Violon, Violoncelle (duo)
119
Contre Basse
100
Violon, Alto (duo)
84
Contrebasse, Piano (duo)
78
2 Violoncelles (duo)
69
Quintette à cordes: 2 violons, alto, violoncelle, basse
66
2 Altos (duo)
62
Trio à Cordes: 2 violons, violoncelle
41
Alto (partie séparée)
28
2 Harpes (duo)
23
Alto, Violoncelle (duo)
21
Harpe, Flûte (duo)
17
Piano Trio: Violon, Alto, Piano
14
4 Violoncelles
13
2 Contrebasses (duo)
13
Violon, Guitare (duo)
13
Trio à cordes: 3 violins
13
Harpe, Violon (duo)
12
Violoncelle , Guitare (duo)
12
Flûte, Contrebasse (duo)
10
Violon (partie séparée)
9
Violoncelle, Contrebasse (duo)
8
Trio à Cordes: 3 violoncelles
7
Harpe, Violoncelle (duo)
5
2 Violons, Piano
5
Ensemble de Violons
5
Ensemble d'Altos
5
Violon, Clarinette, Piano (trio)
5
Alto, Guitare (duo)
4
Quatuor à cordes: 4 violons
4
Alto et Harpe
4
Harpe, Voix
4
Trio à Cordes: 2 violons, alto
4
Trio à cordes
4
Trio à cordes: 3 altos
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Violoncelle (partie séparée)
3
Violoncelle, Orgue
3
Harpe, Trombone (duo)
3
Quatuor à cordes : 4 altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Contrebasse (partie séparée)
3
2 Altos, Piano
2
Ensemble de Violoncelles
2
Violon, Basson (duo)
2
Alto, Orgue
2
Violon, Orgue
1
Harpe et Piano
1
Violon, Violoncelle, Clarinette
1
3 Harpes
1
2 Violoncelles, Piano
1
Harpe, Violon, Violoncelle
1
Alto et Basson
1
+ 58 instrumentations
Retracter
Orchestre & Percussions
Batterie
1 315
Orchestre
674
Orchestre d'harmonie
361
Orchestre à Cordes
221
Ensemble Jazz
196
Cloches
147
Ensemble de cuivres
100
Jazz combo
50
Fanfare
40
Orchestre de chambre
36
Percussion
33
Ensemble de Percussions
25
Marimba
17
Xylophone, Piano
13
Xylophone
12
Percussion (partie séparée)
9
Timbales (partie séparée)
3
Vibraphone
2
Quintette de Cuivres: autres combinaisons
2
Batterie (partie séparée)
1
2 Xylophones
1
Instrumentation Flexible
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
2
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
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Hymnes Africains
Mariage
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Partitions Numériques
3 673
ACCUEIL
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NOUVEAUTÉS
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PIANO
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Partitions Piano
Piano seul
Piano, Voix, Guitare
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Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale
4 447
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
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PERCUSSION
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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Horn & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552857 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romanti...
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552857 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511309. Published by jmsgu3 (A0.552857). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore!Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Flute & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549580 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roman...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549580 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 18 pages. Jmsgu3 #3509491. Published by jmsgu3 (A0.549580). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Oboe d'Amore & Piano
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Classique
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Edvard Grieg
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James M
#
Grieg: Hall of the Mountain Ki
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549583 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Rom...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549583 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 18 pages. Jmsgu3 #3511247. Published by jmsgu3 (A0.549583). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Flute & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549560 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roman...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549560 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 16 pages. Jmsgu3 #3507999. Published by jmsgu3 (A0.549560). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Horn & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552856 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romanti...
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552856 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508137. Published by jmsgu3 (A0.552856). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Baritone Horn & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC,Instrumental Duet,Piano - Level 3 - SKU: A0.549545 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Con...
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Instrumental Duet Baritone Horn TC,Instrumental Duet,Piano - Level 3 - SKU: A0.549545 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 11 pages. Jmsgu3 #3506335. Published by jmsgu3 (A0.549545). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Ase's Death from Peer Gynt Suite for Oboe d'Amore & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549539 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Roma...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549539 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and individual part. 11 pages. Jmsgu3 #3505889. Published by jmsgu3 (A0.549539). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Oboe d'Amore & Piano
#
Classique
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Pee
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549565 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Rom...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549565 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 16 pages. Jmsgu3 #3508063. Published by jmsgu3 (A0.549565). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Baritone Horn & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552855 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period...
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552855 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504695. Published by jmsgu3 (A0.552855). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation.  Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Grieg: Morning Mood from Peer Gynt Suite for Oboe d'Amore & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549521 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549521 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 17 pages. Jmsgu3 #3504479. Published by jmsgu3 (A0.549521). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Very effective on the Oboe d'Amore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Con...
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
Regal Playford: King James's March
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English Traditional
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Dorothy van Joolen Barth
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Regal Playford: King James's M
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Dorothy van Joolen Barth
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785023 Composed by English Traditional. Arranged by Dorothy van Joolen Barth. Classical,Instruct...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785023 Composed by English Traditional. Arranged by Dorothy van Joolen Barth. Classical,Instructional,Renaissance,Standards,Wedding. Score and parts. 3 pages. Dorothy van Joolen Barth #49773. Published by Dorothy van Joolen Barth (A0.785023). King James's March is a Playford English Country Dance tune that appears in my anthology of duos titled Of Castles, Kings, and Courts. The anthology includes 13 Playford tunes and is available in its entirety as a separate download. For the Regal Playford series, these duos available as individual downloads for those who prefer to explore one tune at a time. What's more, for this series I offer the tune from the anthology along with another version: The alternate version adds divisions, a common performance practice for Renaissance and English Country Dance music. These duos are delightful for study as well as performance. We are recording all of our duo anthologies in 2015, and that challenging but satisfying journey has inspired us to explore more deeply the practice of adding variations and divisions to Playford's music. The art of divisions makes the performance unique and also extends it. I've decided to make the results available as sheet music as the Regal Playford series.
$3.50
Regal Playford: Rockingham Castle
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English Traditional
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Dorothy van Joolen Barth
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Regal Playford: Rockingham Cas
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Dorothy van Joolen Barth
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785024 Composed by English Traditional. Arranged by Dorothy van Joolen Barth. Classical,Instruct...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785024 Composed by English Traditional. Arranged by Dorothy van Joolen Barth. Classical,Instructional,Renaissance,Standards,Wedding. Score and parts. 5 pages. Dorothy van Joolen Barth #49799. Published by Dorothy van Joolen Barth (A0.785024). Rockingham Castle is a Playford English Country Dance tune that appears in my anthology of duos titled Of Castles, Kings, and Courts. The anthology includes 13 Playford tunes and is available in its entirety as a separate download. For the Regal Playford series, these duos available as individual downloads for those who prefer to explore one tune at a time. What's more, for this series I offer the tune from the anthology along with another version: The alternate version adds divisions, a common performance practice for Renaissance and English Country Dance music. These duos are delightful for study as well as performance. We are recording all of our duo anthologies in 2015, and that challenging but satisfying journey has inspired us to explore more deeply the practice of adding variations and divisions to Playford's music. The art of divisions makes the performance unique and also extends it. I've decided to make the results available as sheet music as the Regal Playford series.
$4.50
Gnome`s Dream For Harp And Strings
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Luis Anjos Teixeira
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Gnome`s Dream For Harp And Str
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - SKU: A0.889415 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and...
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Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - SKU: A0.889415 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 18 pages. Luis Anjos Teixeira #3479405. Published by Luis Anjos Teixeira (A0.889415). Dear music Lovers and Friends. Gnome`s Dream revealed in the2018 Chamber Music Contest Entry. Gnome`s Dream was designed to be performed by a group of five artists, or even seven, nine, one thousand or more! Any kind of diatonic Harp can be used to perform this piece. When playing the harp with the rest of the ensemble it might be better to perform it mostly as it was written. In the absence of a Double bass, than should the cello take its part. In the case of an ensemble with more artists where we have already formed a bowed stringed orquestra, The double bass while playing the introduction of the piece remains a soloist and it will than be reenforced with a cello while the other bowed instruments are also playing. It would be good to tune the E string of the double bass down to a D but if this is not possible than simply play the lower „D notes one octave higher. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is here presented as a Harp Quintet. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira
$16.44
Celtiberian Fantasy For Harp and Strings
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Luis Anjos Teixeira
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Celtiberian Fantasy For Harp a
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - SKU: A0.889414 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and...
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Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - SKU: A0.889414 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 40 pages. Luis Anjos Teixeira #3478441. Published by Luis Anjos Teixeira (A0.889414). Celtiberian Fantasy For Harp And Strings written for the - 2018 Chamber Music Contest Entry. Dear music Lovers and Friends. Celtiberian Fantasy was designed to be performed by a group of five artists, or even seven, nine, one thousand or more! Any kind of diatonic Harp can be used to perform this piece. The harp part can also be performed as a solo piece. When performing the piece solo and according to the size of the harp or the needs of the artist of course, it is possible to transpose the left hand part an octave lower and to open many of its chords or adding a bass without damaging the caracter of the music. When playing the harp with the rest of the ensemble it might be better to perform it mostly as it is written. The double bass is a soloist but it can be reenforced with a cello. Otherwise the cello joins the ensemble only in the „Tutti. However in the absence of a Double bass, than should the cello take its part. A Cello should always be present in the case that a little stringed orquestra performs the piece. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform by experienced artists. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is a Harp Quintet with a Double Bass instead of a Cello. Another audio version with the full orquestra will be found in sound cloud at „Anjos Teixeira Music. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira
$28.99
Solos for Contrabassoon
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Robert Rainford
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Solos for Contrabassoon
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Forton Music - Digital
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SheetMusicPlus
Contrabassoon and Piano - Intermediate-Advanced - SKU: F2.FM203 Arranged by Robert Rainford. Score and part. 42 pages. Forton Music - Digital #FM203. Pu...
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Contrabassoon and Piano - Intermediate-Advanced - SKU: F2.FM203 Arranged by Robert Rainford. Score and part. 42 pages. Forton Music - Digital #FM203. Published by Forton Music - Digital (F2.FM203). ISBN 9790570481026.Contrabassoon and Piano. A selection of pieces from all periods and genres showcasing the gentle giant of the woodwind department. Contents include: 'Arise ye Subterranean Winds' - Purcell. 'O Isis and Osiris' and 'In these Sacred Halls' from Mozart's Magic Flute 'In the Hall of the Mountain King' from Peer Gynt Suite by Grieg 'Der Alte Brummbar' - Fucik. 'The Elephant' - Saint-Saens 'Beauty and the Beast' THE standard orchestral solo by Ravel, and 'The Policeman's Song' by Sullivan. Suitable for players of intermediate and above standard, an unrivalled chance for this mighty instrument to show off!
$12.95
Intermediate Music for Three Christmas - Part 2 Clarinet #53123
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Noël
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Various
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Daniel Kelley
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Intermediate Music for Three C
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Last Resort Music Publishing
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SheetMusicPlus
Clarinet - Level 3 - SKU: A0.1341848 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Hanukkah,Holiday. 44 pages. Last Resort...
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Clarinet - Level 3 - SKU: A0.1341848 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Hanukkah,Holiday. 44 pages. Last Resort Music Publishing #927358. Published by Last Resort Music Publishing (A0.1341848). Part 2 Clarinet in BbThis is a wonderful collection of accessible arrangements of intermediate trios including holiday favorites such as The Twelve Days of Christmas, Wexford Carol, A Hanukkah Medley, Jingle Bells, Good King Wenceslas, Corelli's Christmas Concerto and more! This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of ContentsA La Nanita NanaAngels from the Realm of GloryBoar’s Head Carol Break Forth, O Beauteous, Heavenly Light Christmas Day in the Morning Christ-Child is Born Christ Was Born On Christmas Day Christmas Concerto by Corelli, 5 Movements Fum, Fum, FumGesu Bambino Good King Wenceslas Hanukkah Medley - Hanukkah, S’Vivon, My Dreidel, Rock of Ages He Shall Fee His Flock Like A Shephard from the Messiah He is Born, the Divine Christ Child I Heard the Bells on Christmas Day It’s Christmas Time Again Jingle Bells Joy to the World March of the Toys (by Victor Herbert)The Nutcracker (Scene in the Snowy Pine Forest)O Christmas Tree O Tannenbaum O Come All Ye Faithful, Adeste FidelesO Holy Night Pastoral Symphony “Pifa†from The Messiah Sleigh Ride from German Dance K. 605, #3 Song of the Birds Twelve Days of Christmas Up On the Housetop Wexford Carol While Shepherds Watched Their Flocks by Night Other Parts Available: 53111 Part 1 Flute or Oboe or Violin 53113 Part 1 Clarinet in Bb 53115 Part 1 Alto Sax in Eb53121 Part 2 Flute or Oboe or Violin53122 Part 2 Viola53123 Part 2 Clarinet or Trumpet in Bb 53125 Part 2 Tenor Sax in Bb53131 Part 3 Cello or Bassoon 53133 Part 3 Bass Clarinet in Bb53135 Part 3 Baritone Sax in Eb53140 Keyboard or Guitar53199 Score (Parts 1-3 in C) Learn about Music for Three and Intermediate Music for Three in our YouTube Video!Â
$20.00
de Vitry: O canenda/Rex regum for Brass Quartet
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Philippe De Vitry
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James M
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de Vitry: O canenda/Rex regum
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jmsgu3
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SheetMusicPlus
Brass Quartet Cornet,Horn,Trombone - Level 3 - SKU: A0.1347230 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Contest,Early Music,...
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Brass Quartet Cornet,Horn,Trombone - Level 3 - SKU: A0.1347230 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #932030. Published by jmsgu3 (A0.1347230). The motet O canenda/Rex regum by Philippe de Vitry is significant as it represents the emergence of the classic isorhythmic motet, which simultaneously sets a pair of texts in its two upper voices. Philippe de Vitry, a 14th-century French composer, is considered a leading figure in the changes that occurred in French music around 1325. His motets, including O canenda/Rex regum, are regarded as strikingly individual, exploiting unique structural ideas. They are part of the early development of the ars nova style of composition, which introduced new rhythmic and notational techniques. The structure of Philippe de Vitry's motet O canenda/Rex regum is characterized by the classic isorhythmic motet, which sets a pair of texts simultaneously in its two upper voices. This composition represents the emergence of the ars nova style of late medieval music, introducing new rhythmic and notational techniques. The repeated rhythmic patterns of the tenor do not necessarily accord with melodic ones, and the motet is known for packing symbols and thematic subtleties into each short piece. Philippe de Vitry's motets, including O canenda/Rex regum, are strikingly individual, contributing to the evolution of musical forms and representing innovative trends in 14th-century French music.The text of motets from this period often contained religious, secular, or courtly love themes. The words rex regum et dominus dominancium from the motet evoke the notion of an earthly king who emulates Christ on his heavenly seat as he assumes his throne. The text likely reflects the religious or secular themes commonly found in motet compositions of that era. Philippe de Vitry, a French composer, poet, and music theorist, was born on October 31, 1291, and died on June 9, 1361. Philippe de Vitry's O Canenda/Rex regum was composed around 1320. He was appointed Bishop of Meaux on 3 January 1351 and held this post until his death.
$24.95
'24 Horas en Punta' for string trio
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Contemporain
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Adrian Varela
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Adrian Varela
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'24 Horas en Punta' for string
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Adrian Varela
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.1045186 Composed by Adrian Varela. Arranged by Adrian Varela. Classical,Contemporary,Multicultural,World...
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String Ensemble,String Trio - Level 3 - SKU: A0.1045186 Composed by Adrian Varela. Arranged by Adrian Varela. Classical,Contemporary,Multicultural,World. Score and parts. 37 pages. Adrian Varela #649762. Published by Adrian Varela (A0.1045186). '24 Horas en Punta' is a 3-movement work set in Punta del Este, Uruguay. 1. Noche - La Barra. Nightfall.; we ride a motorbike into the nightclubs of La Barra over the famous double-humped bridge. 2. Dia - Promenade. Daytime promenade through the pine forests, evoking the faraway tango of the cities. 3. Ataredecer - Casapueblo. Sunset at the amphitheatre, setting for live concerts, at the foot of the famous Casapueblo museum/hotel complex overlooking the vast, still bay of Portezuelo. A recording of 'Ataredecer - Casapueblo' is one of the pieces of music accompanying the permanent collection exhibition.
$49.99
We Three Kings Tuba Jam (or Euphonium, Trumpet, Flugelhorn, Clarinet)
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Randy Adams
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Randy Adams
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We Three Kings Tuba Jam
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Randy Adams
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SheetMusicPlus
Baritone Horn TC/Euphonium,Bass Clef Instrument,Cornet,Flugelhorn,Instrumental Solo,Piano - Level 3 - SKU: A0.1455080 By Randy Adams. By Randy Adams. Ar...
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Baritone Horn TC/Euphonium,Bass Clef Instrument,Cornet,Flugelhorn,Instrumental Solo,Piano - Level 3 - SKU: A0.1455080 By Randy Adams. By Randy Adams. Arranged by Randy Adams. Christian,Christmas,Holiday,Jazz,Religious. Score and individual part. 20 pages. Randy Adams #1033819. Published by Randy Adams (A0.1455080). We Three Kings Tuba Jam is a fun arrangement originally written for solo tuba and piano with optional rhythm section. The piece begins in a traditional setting with solo tuba and piano and then adds a few lyrical descant lines in the solo part before breaking into a cool 5/8 Jazz feel with solo tuba riffs. Includes score and parts for Solo Tuba, Euphonium, T.C. Baritone, Piano, and optional Drums, Bass, and Guitar. The T.C. Baritone part also works nicely for Trumpet, Flugelhorn, or Clarinet. Intermediate to advanced difficulty (Jazz rhythms and a few tricky fingerings). 20 page pdf download.
$15.00
Regal Playford: The King's Jig
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English Traditional
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Dorothy van Joolen Barth
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Regal Playford: The King's Jig
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Dorothy van Joolen Barth
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785018 Composed by English Traditional. Arranged by Dorothy van Joolen Barth. Classical,Instruct...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785018 Composed by English Traditional. Arranged by Dorothy van Joolen Barth. Classical,Instructional,Renaissance,Standards,Wedding. Score and parts. 3 pages. Dorothy van Joolen Barth #49393. Published by Dorothy van Joolen Barth (A0.785018). The King's Jig is a Playford English Country Dance tune that appears in my anthology of duos titled Of Castles, Kings, and Courts. The anthology includes 13 Playford tunes and is available in its entirety as a separate download. For the Regal Playford series, these duos available as individual downloads for those who prefer to explore one tune at a time. What's more, for this series I offer the tune from the anthology along with another version: The alternate version adds divisions, a common performance practice for Renaissance and English Country Dance music. These duos are delightful for study as well as performance. As Kammeraderie, we are recording all of our duo anthologies in 2015, and that challenging but satisfying journey has inspired us to explore more deeply the practice of adding variations and divisions to Playford's music. The art of divisions makes the performance unique and also extends it. I've decided to make the results available as sheet music in the Regal Playford series.
$3.50
Regal Playford: Old Simon the King
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English Traditional
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Dorothy van Joolen Barth
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Regal Playford: Old Simon the
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Dorothy van Joolen Barth
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785021 Composed by English Traditional. Arranged by Dorothy van Joolen Barth. Classical,Instruct...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785021 Composed by English Traditional. Arranged by Dorothy van Joolen Barth. Classical,Instructional,Renaissance,Standards,Wedding. Score and parts. 5 pages. Dorothy van Joolen Barth #49525. Published by Dorothy van Joolen Barth (A0.785021). Old Simon the King is a Playford English Country Dance tune that appears in my anthology of duos titled Of Castles, Kings, and Courts. The anthology includes 13 Playford tunes and is available in its entirety as a separate download. For the Regal Playford series, these duos available as individual downloads for those who prefer to explore one tune at a time. What's more, for this series I offer the tune from the anthology along with another version: The alternate version adds divisions, a common performance practice for Renaissance and English Country Dance music. These duos are delightful for study as well as performance. As Kammeraderie, we are recording all of our duo anthologies in 2015, and that challenging but satisfying journey has inspired us to explore more deeply the practice of adding variations and divisions to Playford's music. The art of divisions makes the performance unique and also extends it. I've decided to make the results available as sheet music in the Regal Playford series.
$4.50
Regal Playford: The King's Delight
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English Traditional
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Dorothy van Joolen Barth
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Regal Playford: The King's Del
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Dorothy van Joolen Barth
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785025 Composed by English Traditional. Arranged by Dorothy van Joolen Barth. Classical,Instruct...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.785025 Composed by English Traditional. Arranged by Dorothy van Joolen Barth. Classical,Instructional,Renaissance,Standards,Wedding. Score and parts. 5 pages. Dorothy van Joolen Barth #49795. Published by Dorothy van Joolen Barth (A0.785025). The King's Delight is a Playford English Country Dance tune that appears in my anthology of duos titled Of Castles, Kings, and Courts. The anthology includes 13 Playford tunes and is available in its entirety as a separate download. For the Regal Playford series, these duos available as individual downloads for those who prefer to explore one tune at a time. What's more, for this series I offer the tune from the anthology along with another version: The alternate version adds divisions, a common performance practice for Renaissance and English Country Dance music. These duos are delightful for study as well as performance. We are recording all of our duo anthologies in 2015, and that challenging but satisfying journey has inspired us to explore more deeply the practice of adding variations and divisions to Playford's music. The art of divisions makes the performance unique and also extends it. I've decided to make the results available as sheet music as the Regal Playford series.
$4.50
Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Bass Trombone,Trumpet - Level 3 - SKU: A0.549202 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festiva...
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Bass Trombone,Trumpet - Level 3 - SKU: A0.549202 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Renaissance,Standards. 47 pages. Jmsgu3 #3460779. Published by jmsgu3 (A0.549202). An antiphonal masterwork from the Sacrae Symphoniae, Venice,1597. Minimum instrumentation: 2 Trumpets, 2 French Horns, 2 Tenor Trombones, 2 Bass Trombones. Suggested instrumentation: multiples of the minimum instrumentation, e.g., 4 or 8 on each part. Place the choirs left and right - separated by enough space to accentuate the antiphonal nature of the music entirely. It is best performed in an ample reverberant space. Euphoniums might replace some of the trombones to good effect. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. It seems like Gabrieli may have invented dynamics – or was rather the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a response from the group on the other. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation here. Also, only parts marked Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – which is called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
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