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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
PIANO Early 20th century
Non classifié
32
Piano & claviers
Piano seul
168
Piano, Voix et Guitare
20
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 8 mains
2
Piano Facile
1
Piano, Voix
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
+ 4 instrumentations
Retracter
Guitares
Guitare
1
Voix
Chorale SATB
11
Voix duo
2
Voix Soprano, Piano
2
Voix duo, Piano
1
Voix haute
1
Voix Tenor, Piano
1
Chorale SSAA
1
+ 2 instrumentations
Retracter
Vents
2 Flûtes traversières, Piano
24
Flûte traversière et Piano
9
Clarinette et Piano
6
Saxophone Alto et Piano
5
Hautbois, Piano (duo)
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Quatuor de Saxophones: 4 saxophones
3
Ensemble de Clarinettes
1
Quatuor de Clarinettes: 4 clarinettes
1
Ensemble à vent
1
3 Saxophones (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Ensemble de saxophones
1
Saxophone Baryton, Piano
1
Saxophone Soprano et Piano
1
Saxophone Tenor et Piano
1
Clarinette
1
+ 12 instrumentations
Retracter
Cuivres
Trombone et Piano
6
Euphonium, Piano (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trompette
2
Trompette, Piano
2
Cor et Piano
2
Tuba et Piano
2
2 Trombones (duo)
1
+ 3 instrumentations
Retracter
Cordes
Violon et Piano
7
Trio à Cordes: violon, alto, violoncelle
6
Violoncelle, Piano
4
Alto, Piano
3
Quatuor à cordes: 2 violons, alto, violoncelle
3
Contrebasse, Piano (duo)
1
+ 1 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
4
Orchestre
4
Orchestre à Cordes
3
Orchestre de chambre
2
Jazz combo
1
Ensemble de cuivres
1
+ 1 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
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CHANT - CHO…
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CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
PIANO Early 20th century
avancé
Partitions à imprimer
32 partitions trouvées
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26
100 30-Second Pieces for 2 Pianos
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Evan Ziporyn
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100 30-Second Pieces for 2 Pia
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Airplane Ears Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.1013067 Composed by Evan Ziporyn. 20th Century,Contemporary,Standards. Score and parts. 12...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.1013067 Composed by Evan Ziporyn. 20th Century,Contemporary,Standards. Score and parts. 126 pages. Airplane Ears Music #5808621. Published by Airplane Ears Music (A0.1013067). 100 pieces for two pianos (four hands), each precisely 30 seconds long. The set can be performed in its entirety, mixed-and-match into smaller suites, or performed as individual movements. A companion set by Christine Southworth - of the same title and same length, and written at the same time, in early 2011 - is also available.Composed in 2011 by Evan Ziporyn, .
$10.00
The Art of Melody: Thirteen Song Transcriptions for Trombone or Euphonium and Piano- Piano Accompani
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Classique
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Claude Debussy, Edvard Grieg,
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Cooper Minnis
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The Art of Melody: Thirteen So
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Cooper Minnis
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.962798 Composed by Claude Debussy, Edvard Grieg, Franz Schubert, ...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 4 - SKU: A0.962798 Composed by Claude Debussy, Edvard Grieg, Franz Schubert, Gabriel Faure, Hugo Wolf, Richard Wagner, and Robert Schumann. Arranged by Cooper Minnis. 20th Century,Romantic Period,Standards. Score and parts. 68 pages. Cooper Minnis #6135561. Published by Cooper Minnis (A0.962798). The Art of Melody contains thirteen romantic and early 20th century art songs transcribed for trumpet and piano accompaniment. The songs in this book represent an exercise in lyricism and musical expression using a variety of musical styles and poetic subject matter. For better understanding of the music each piano score includes lyrics to the song in its original language as well as an English translation. These transcriptions are suitable for high school students through professional soloists. Piano accompaniment and parts sold separately.
$15.00
Fauré: Élégie Op. 24 for Bass Flute & Piano
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Classique
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Gabriel Faure
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James M
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Fauré: Élé
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 4 - SKU: A0.549731 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural...
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Bass Flute,Instrumental Solo,Piano - Level 4 - SKU: A0.549731 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and individual part. 22 pages. Jmsgu3 #3531443. Published by jmsgu3 (A0.549731). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend.  Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
The Art of Melody: Thirteen Song Transcriptions for Trombone or Euphonium and Piano- Individual Part
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Classique
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Claude Debussy, Edvard Grieg,
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Cooper Minnis
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The Art of Melody: Thirteen So
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Cooper Minnis
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet,Trombone - Level 4 - SKU: A0.962799 Composed by Claude Debussy, Edvard Grieg, Franz Schubert, Gabriel Faur...
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Instrumental Duet Euphonium,Instrumental Duet,Trombone - Level 4 - SKU: A0.962799 Composed by Claude Debussy, Edvard Grieg, Franz Schubert, Gabriel Faure, Hugo Wolf, Richard Wagner, and Robert Schumann. Arranged by Cooper Minnis. 20th Century,Romantic Period,Standards. Score and parts. 20 pages. Cooper Minnis #6135567. Published by Cooper Minnis (A0.962799). The Art of Melody contains thirteen romantic and early 20th century art songs transcribed for trumpet and piano accompaniment. The songs in this book represent an exercise in lyricism and musical expression using a variety of musical styles and poetic subject matter. For better understanding of the music each piano score includes lyrics to the song in its original language as well as an English translation. These transcriptions are suitable for high school students through professional soloists. Piano accompaniment and parts sold separately.
$10.00
La fille aux cheveux de lin / The girl with the flaxen hair for piano trio
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Classique
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Claude Debussy
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Klas Krantz
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La fille aux cheveux de lin /
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Amadeus Music
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SheetMusicPlus
Piano Trio Cello,Piano,Viola,Violin - Level 4 - SKU: A0.532497 Composed by Claude Debussy. Arranged by Klas Krantz. 19th Century,20th Century,Classical....
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Piano Trio Cello,Piano,Viola,Violin - Level 4 - SKU: A0.532497 Composed by Claude Debussy. Arranged by Klas Krantz. 19th Century,20th Century,Classical. 6 pages. Amadeus Music #6341199. Published by Amadeus Music (A0.532497). Claude Debussy (1862 – 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. This edtition is carefully edited and some errors in the original edition has been corrected in the music.
$7.95
The Piano Preludes (Gershwin) - Brass Band
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George Gershwin
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Rob Bushnell
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The Piano Preludes
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RBMusic
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1156327 Composed by George Gershwin. Arranged by Rob Bushnell. 20th Century,Blues,Classical,Jazz. Brass Band. 137 pages. RBMusic #756642. Published by RBMusic (A0.1156327). First performed by the composer at the Roosevelt Hotel in New York in 1926, the Piano Preludes (or Three Preludes) are a collection of short pieces by George Gershwin, show casing early-20th-century American classical music, as influenced by jazz. Gershwin originally planned to compose 24 preludes, wrote 7, performed only 6 publically and was further reduced to 3 when first published. The work was dedicated to friend and musical advisor Bill Daly. The first prelude begins with a five-note blues motif. It features syncopated rhythms based on the Brazilian baião and minor-seventh chords throughout. The second prelude, which Gershwin said was a sort of blues lullaby consists of two sections: the first a lazy melody upon a steady beat of crotchets; the second the bass takes the melody, continuing with the steady beats. The third prelude was called Spanish by Gershwin, and features a question-and-answer type melody, starting in a minor tonality and ending in major one. This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=soEUH4H7gog.
$44.99
La fille aux cheveux de lin / The girl with the flaxen hair for guitar and piano
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Classique
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Claude Debussy
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Klas Krantz
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La fille aux cheveux de lin /
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Amadeus Music
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo,Piano - Level 4 - SKU: A0.1261526 Composed by Claude Debussy. Arranged by Klas Krantz. 20th Century,Classical. Score a...
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Acoustic Guitar,Instrumental Solo,Piano - Level 4 - SKU: A0.1261526 Composed by Claude Debussy. Arranged by Klas Krantz. 20th Century,Classical. Score and individual part. 5 pages. Amadeus Music #854602. Published by Amadeus Music (A0.1261526). Claude Debussy (1862 –1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
$4.95
La fille aux cheveux de lin / The girl with the flaxen hair for flute (violin), cello and piano (Ab)
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Classique
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Claude Debussy
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Klas Krantz
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La fille aux cheveux de lin /
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Amadeus Music
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SheetMusicPlus
Cello,Flute,Piano,Violin - Level 4 - SKU: A0.532500 Composed by Claude Debussy. Arranged by Klas Krantz. 20th Century,Classical,Romantic Period,Wedding....
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Cello,Flute,Piano,Violin - Level 4 - SKU: A0.532500 Composed by Claude Debussy. Arranged by Klas Krantz. 20th Century,Classical,Romantic Period,Wedding. 6 pages. Amadeus Music #6346921. Published by Amadeus Music (A0.532500). Claude Debussy (1862 – 1918) was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries. This edtition is carefully edited and some errors in the original edition has been corrected in the music.
$8.95
Debussy: Piano Preludes Bk.1 No.8 "La fille aux cheveux de lin" -symphonic wind
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Classique
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Claude Debussy
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Ray Thompson
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Debussy: Piano Preludes Bk.1 N
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553812 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Centur...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553812 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Holiday,Wedding. Score and parts. 15 pages. RayThompsonMusic #4783513. Published by RayThompsonMusic (A0.553812). La fille aux cheveux de lin is a musical composition for solo piano by French composer Claude Debussy. It is the eighth piece in the composer's first book of Préludes, written between late 1909 and early 1910. The title is in French and translates roughly to The Girl with the FlaxenHair. The piece is 39 measures long and takes approximately two and a half minutes to play. It is in the key of G♠major.It is arranged for double wind quintet.(and bass).
$14.95
Debussy: Piano Preludes Bk.1 No.6 "Des pas sur la neige" - symphonic wind
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Classique
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Claude Debussy
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Ray Thompson
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Debussy: Piano Preludes Bk.1 N
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553813 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Centur...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553813 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Christmas,Concert. Score and parts. 15 pages. RayThompsonMusic #4783551. Published by RayThompsonMusic (A0.553813). Des pas sur la neige is a musical composition by French composer Claude Debussy. It is the sixth piece in the composer's first book of Préludes, written between late 1909 and early 1910. The title is in French and translates to Footprints in the Snow The piece is 36 measures long and takes approximately three and a half to four and a half minutes to play. It is in the key of D minor.Arranged double wind quintet and bass.
$9.95
Facilita (Air with Variations) for solo B-flat Cornet (or Trumpet) and chamber orchestra
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John Hartmann
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Steve Reisteter
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Facilita
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Steve Reisteter
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1515115 Composed by John Hartmann. Arranged by Steve Reisteter. 19th Century,Contest,Festival,Romantic Period. 107...
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Chamber Orchestra - Level 4 - SKU: A0.1515115 Composed by John Hartmann. Arranged by Steve Reisteter. 19th Century,Contest,Festival,Romantic Period. 107 pages. Steve Reisteter #1089617. Published by Steve Reisteter (A0.1515115). Facilita is a staple of the solo cornet repertoire. It is written in the late 19th/early 20th century style of technically demanding cornet solos popularized by Herbert L. Clarke. This piece, originally for cornet and piano, was arranged for cornet (or trumpet) and chamber orchestra. This version was done at the request of my friend, the late Frank Kaderabek (Philadelphia Orchestra, Detroit Symphony, Dallas Symphony, Chicago Symphony).
$20.00
Waltz of Life Songbook
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Sydney Stevens
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Waltz of Life (Reprise)
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Waltz of Life Songbook
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Sydney Stevens, Water Music
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SheetMusicPlus
Small Ensemble Cello,Flute,Piano Accompaniment,Violin - Level 4 - SKU: A0.859695 Composed by Sydney Stevens. 20th Century,Concert,New Age,Wedding. Score...
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Small Ensemble Cello,Flute,Piano Accompaniment,Violin - Level 4 - SKU: A0.859695 Composed by Sydney Stevens. 20th Century,Concert,New Age,Wedding. Score and parts. 83 pages. Sydney Stevens, Water Music #5954063. Published by Sydney Stevens, Water Music (A0.859695). Contact: sydneystevenspianostudio@gmail.comWaltz of Life Songbook: Includes all 14 songs from the album Waltz of Life. Waltz of Life (piano/flute/violin/cello) and Your New Wings (piano/violin/cello) are arranged in full score. These two songs can be purchased on this site as singles, which includes part scores. Piano solos include: Dreams, B.J., A Life, Looking Back, Gatherings, Spring Light, No More Tears, Beginnings, Blind Boy, True Heart, Harvest Moon & Waltz of Life (Reprise).[Note: All of the above songs can be sampled on this site as individual scores.]Composed by Sydney Stevens (ASCAP)Sounds like: Jim Brickman, Michele Mclaughlin, Greg Star, Doug Hammer, Steven Cravis, Rachel Currea, Laura Sullivan, David Nevue, Scott Cossu, Peter Kater.From Album: Waltz of Life Mood: Gentle, heartfelt, warm, emotional, comforting, innocent.Musical Traits: New Age Romantic style a la Windham Hill. From intermediate to advanced in level. Appropriate for: Recital, weddings, special music in church.Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links:www.sydneystevenswatermusic.comhttp://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY: Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. Sydney's father is a jazz pianist, so both jazz and classical influences came at an early age. Her strong sense of artistry has evolved from years of composing music that expresses a wide range of emotions. Sydney is a master at creating musical landscapes which evoke strong imagery.
$14.95
Mirage Sextet - Score Only
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Robert A
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Mirage Sextet - Score Only
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Robert A. Howard
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SheetMusicPlus
Level 4 - SKU: A0.1471113 Composed by Robert A. Howard. 20th Century,Chamber,Contemporary,Folk,Instructional. 25 pages. Robert A. Howard #1048757. Publi...
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Level 4 - SKU: A0.1471113 Composed by Robert A. Howard. 20th Century,Chamber,Contemporary,Folk,Instructional. 25 pages. Robert A. Howard #1048757. Published by Robert A. Howard (A0.1471113). Mirage Sextet is a single movement work, and is scored for a mixed chamber ensemble of clarinet (in A), bassoon, piano, violin, viola and cello. The work focuses on an exploration of the octatonic scale on C, in the semitone-tone variant. The piece has a loose ternary feel, as the outer sections present primary material and main themes that recur. Meanwhile, a middle section offers some contrast in a succession of mini cadenza-style solos for most of the instruments. The work develops 20th century folk-influenced idioms, such as those of Bartok, Kodaly, early Lutoslawski and Ligeti, as well as Stravinsky, Shostakovich and perhaps even Messiaen. The main compositional interests are: changing, as well as irregular, time signatures; the aforementioned octatonic scale to create folk-like motifs and melodies, added-note harmonies (with the importance of the augmented fourth interval); and percussive doublings of instruments in their lower (gritty/folky) registers, in octaves, as well as liberal actual doubling by the piano. The work is generally accessible to performers and audience. The attached document is the score only, with audio for reference.Duration: 8 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$8.99
The Wretch - novelty song for voice, harpsichord, optional bassoon
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Tom Swafford
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The Wretch - novelty song for
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Tom Swafford
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SheetMusicPlus
Small Ensemble Bassoon,Harpsichord,Low Voice,Piano Accompaniment - Level 4 - SKU: A0.914146 Composed by Tom Swafford. 20th Century,Broadway,Contemporary...
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Small Ensemble Bassoon,Harpsichord,Low Voice,Piano Accompaniment - Level 4 - SKU: A0.914146 Composed by Tom Swafford. 20th Century,Broadway,Contemporary,Musical/Show. Score and parts. 11 pages. Tom Swafford #3575315. Published by Tom Swafford (A0.914146). Novelty song for voice (any type), piano (or harpsichord), and optional bassoon.  Originally written for bass voice, the part is in treble clef and goes up to a D at the top of the staff and down to an E below the staff. Contact the composer if you would like it in a different key. This is a silly song with some cartoonish violence represented (cracking skulls etc.), reminiscent of Gilbert and Sullivan or early 20th century musical theater.  PDF is designed for double-sided printing, with page 1 of the score on the left side, blank pages are inserted to avoid page turns in the voice and bassoon parts. duration 2.5 minutes. www.tomswafford.com ASCAP.
$5.00
Grieg: Holberg Suite Op.40 - symphonic wind/bass
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Classique
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Edvard Grieg
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Ray Thompson
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Grieg: Holberg Suite Op.40 - s
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1311675 Composed by Edvard Grieg. Arranged by Ray Thompson. 20th Century,Chamber,Romant...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1311675 Composed by Edvard Grieg. Arranged by Ray Thompson. 20th Century,Chamber,Romantic Period. 69 pages. RayThompsonMusic #900670. Published by RayThompsonMusic (A0.1311675). Arranged wind dectet/bass (double wind quintet)The Holberg Suite, Op. 40, more properly From Holberg's Time (Norwegian: Fra Holbergs tid, German: Aus Holbergs Zeit), subtitled Suite in olden style (Norwegian: Suite i gammel stil, German: Suite im alten Stil), is a suite of five movements based on eighteenth century dance forms, written by Edvard Grieg in 1884 to celebrate the 200th anniversary of the birth of Dano-Norwegian humanist playwright Ludvig Holberg.It exemplifies nineteenth century music which makes use of musical styles and forms from the preceding century.The movements of the suite are:Praeludium (Allegro vivace)Sarabande (Andante)Gavotte (Allegretto)Air (Andante religioso)Rigaudon (Allegro con brio)The Holberg Suite was originally composed for the piano, but a year later was adapted by Grieg himself for string orchestra. The suite consists of an introduction and a set of dances. It is an early essay in neoclassicism, an attempt to echo as much as was known in Grieg's time of the music of Holberg's era.Although it is not as famous as Grieg's incidental music from Peer Gynt, which is itself usually performed as arranged in a pair of suites, many critics regard the works as of equal merit. I have reduced the tempi in both the prelude and rigaudon. This makes it more playable as a wind player, but still maintains the musicality of the piece.The prelude is quite a long blow for a wind player, and is quite a challenge.
$19.95
Carolina Fox Trot, - instruments in four parts
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Will Vodery
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Paul Burnell
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Carolina Fox Trot, - instrumen
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.835903 Composed by Will Vodery. Arranged by Paul Burnell. 20th Century,Ragtime. Score and parts. 37 pages. Paul Burne...
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Small Ensemble - Level 4 - SKU: A0.835903 Composed by Will Vodery. Arranged by Paul Burnell. 20th Century,Ragtime. Score and parts. 37 pages. Paul Burnell #6702433. Published by Paul Burnell (A0.835903). Carolina Fox Trot by Will Vodery, arranged by Paul Burnell for instruments in four parts.Download comprises both score and partsDuration 3:00 Score in C The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played or doubled an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.Play cue-sized notes in brackets where main notes are out of range or inconvenient.The final section of Vodery's original piano score includes instructions to 'clap hands' and 'knock on piano with knuckles'. This arrangement includes similar instructions for the same bars, indicated by x noteheads.The final four bars of this arrangement are not in the original composition and may be omitted.'Carolina Fox Trot' was recorded by the Victor Military Band on 13 October 1914 with the Victor recording label ledgers noting: 34 bars per minute, equivalent to 68 bpm. A recording by the Pathé Dance Orchestra in late 1914-early 1915 appears to be at a faster tempo - reflected in this arrangement. Programme note:'Carolina Fox Trot' was written by US composer and arranger Will H. Vodery and published as a piano piece in 1914, with a sub-title 'New One Step', and with a front cover description: New Society Dance - Originated by Billy Kent & Jeanette Warner - America's Classiest Dancers. It is possible that the title of the piece was intended to be just 'Carolina', with 'Fox Trot' being a descriptive subtitle. The Fox Trot emerged as a new popular dance in 1914, and was initially danced to ragtime music.Will Vodery is perhaps best known for the vocal and choral arrangements that he created for the original Broadway stage production of the classic musical 'Show Boat' (1927).
$3.99
I Have a Star
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Contemporain
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Robert Cunningham
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I Have a Star
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Robert E Cunningham
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SheetMusicPlus
Small Ensemble,Strings Piano,Soprano voice - Level 4 - SKU: A0.943198 Composed by Robert Cunningham. 20th Century,Contemporary. Score and parts. 53 page...
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Small Ensemble,Strings Piano,Soprano voice - Level 4 - SKU: A0.943198 Composed by Robert Cunningham. 20th Century,Contemporary. Score and parts. 53 pages. Robert E Cunningham #5214535. Published by Robert E Cunningham (A0.943198). The deeply moving vocal work I Have a Star originated in a poem written by the composer one dark night in the early 1980s during a time of great spiritual crisis. He set it to music only years later, originally for soprano solo, chorus, and piano. In this 2016 version, a string quartet takes the pace of the chorus. The full score and individual parts for the Soprano, Violin I, Violin II, Viola, and Cello are included. Duration: 6:00.
$24.95
Pierné: Album pour mes Petits Amis Op.14 (Complete) - symphonic wind dectet
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Gabriel Pierne
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Ray Thompson
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Pierné: Album pour mes
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553956 Composed by Gabriel Pierne. Arranged by Ray Thompson. 20th Centur...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553956 Composed by Gabriel Pierne. Arranged by Ray Thompson. 20th Century,Romantic Period. Score and parts. 84 pages. RayThompsonMusic #6352591. Published by RayThompsonMusic (A0.553956). Gabriel Pierné was born in Metz. His family moved to Paris, after Metz and part of Lorraine were annexed to Germany in 1871 following the Franco-Prussian War. He studied at the Paris Conservatoire, gaining first prizes for solfège, piano, organ, counterpoint and fugue. He won the French Prix de Rome in 1882, with his cantata Edith. His teachers included Antoine François Marmontel, Albert Lavignac, Émile Durand, César Franck (for the organ) and Jules Massenet (for composition).He succeeded César Franck as organist at Sainte-Clotilde Basilica in Paris from 1890 to 1898. He himself was succeeded by another distinguished Franck pupil, Charles Tournemire. Associated for many years with Édouard Colonne's concert series, the Concerts Colonne, from 1903, Pierné became chief conductor of this series in 1910.His most notable early performance was the world premiere of Igor Stravinsky's ballet The Firebird, at the Ballets Russes, Paris, on 25 June 1910. He remained in the post until 1933 (when Paul Paray took over his duties). This arrangement is taken from his album of 6 short pieces: originally written for piano, and later transcribed by him, for small orchestra (English Translation: Album for my little friends (Children)Movts are:Pastorale FarandoleLa Veillée de l'ange gardien (The vigil of the Guardian Angel)Petite gavotteChanson d'autrefois (Song of olden times)Marche des petits soldats de plomb (March of the Lead Soldiers)Arranged for double wind quintet and bass.
$24.95
Percussion Quartet (2015) for vibraphone, marimba, drum set and multi-percussion (full score)
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Thomas Oboe Lee
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Percussion Quartet
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Drum Set,Marimba,Multi-Percussion,Vibraphone - Level 4 - SKU: A0.869371 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin...
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Small Ensemble Drum Set,Marimba,Multi-Percussion,Vibraphone - Level 4 - SKU: A0.869371 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 27 pages. Thomas Oboe Lee #37741. Published by Thomas Oboe Lee (A0.869371). Program note: I met Brian Calhoon when he performed at a Boston Conservatory of Music recital featuring students of marimba godhead, Nancy Zeltsman. This was a few years ago … A year ago, I noticed that Brian had started a percussion ensemble with some friends called the Boston Percussion Group. I have always been fascinated with John Cage’s early explorations with percussion instruments: First, Second and Third Constructions; Imaginary Landscape Nos 1, 2 & 3; etc. These percussion pieces eventually led to his invention of the prepared piano. Brian and I got together one day for lunch last fall, and I asked him if he would be interested if I wrote a piece for his group. He said, Yes!!! Percussion Quartet is in six movements. 1 Back beat … Moderato. 2 Arioso … Moderato. 3 Funk march … Moderato. 4 Nachtmusik I … Adagio. 5 Fast and furious … Presto. 6 Nachtmusik II … Moderato Enjoy!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/percussion-quartet-2015
$9.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. ...
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Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade I. Prestidigitat
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thomp...
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade III.Acrobates
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - SKU: A0.1296860 Composed by Erik Satie. Arranged by ...
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Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
Satie: Parade - II. Petite Fille Americaine - wind dectet
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - II. Petite Fil
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 p...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!
$14.95
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