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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Table for Two
Non classifié
155
Piano & claviers
Piano seul
37
Orgue
9
Instruments en Do
3
Piano, Voix
3
Piano, Voix et Guitare
2
Accompagnement Piano
1
Piano Trio: piano, violon, violoncelle
1
1 Piano, 4 mains
1
+ 3 instrumentations
Retracter
Guitares
Guitare
3
4 Guitares (Quatuor)
3
Guitare notes et tablatures
3
2 Guitares (duo)
3
Dulcimer
3
Ensemble de guitares
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
9
Voix Soprano, Piano
4
Chorale 3 parties
3
Chorale SSAA
3
Voix duo, Piano
2
Chorale TTBB
2
Voix haute
1
+ 2 instrumentations
Retracter
Vents
2 Saxophones (duo)
36
Ensemble de saxophones
30
2 Flûtes traversières (duo)
22
Quintette de Saxophone: 5 saxophones
20
2 Hautbois (duo)
12
2 Clarinettes (duo)
12
Ensemble de Clarinettes
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Quatuor de Saxophones: 4 saxophones
4
Flûte traversière et Piano
4
2 Flûtes traversières, Piano
3
Saxophone, Clarinette (duo)
3
Quintette de Flûte : 5 flûtes
3
Ensemble de Flûtes
3
Quatuor de Clarinettes: 4 clarinettes
2
Clarinette, Trompette (duo)
2
Clarinette
2
Clarinette, Violon (duo)
2
3 Saxophones (trio)
2
Hautbois, Piano (duo)
2
Flûte, Clarinette (duo)
2
Saxophone Alto et Piano
2
3 Clarinettes (trio)
1
Clarinette et Piano
1
Saxophone Baryton, Piano
1
Flûte traversière
1
Quatuor de Flûtes : 4 flûtes
1
Cor anglais, Piano
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Saxophone Tenor et Piano
1
Hautbois, Flûte
1
Flûte, Violon
1
Clarinette, Basson (duo)
1
Flûte, Alto (duo)
1
Clarinette Basse, Piano
1
Clarinette et Alto
1
Flûte, Trompette (duo)
1
Flûte et Guitare
1
Piccolo, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Hautbois, Clarinette, Basson
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone
1
+ 41 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
2 Trombones (duo)
13
2 Trompettes (duo)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Quatuor de Cuivres
10
Ensemble de Trombones
10
Ensemble de Trompettes
8
Ensemble de Cors
4
Trombone et Piano
3
Trompette, Saxophone (duo)
2
Trompette
2
Euphonium, Piano (duo)
1
Trompette (partie séparée)
1
Bass Clef Instruments
1
Tuba
1
Cor anglais, Piano
1
Cor et Piano
1
Quatuor de cuivres: 4 trombones
1
3 Tubas (trio)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors (duo)
1
+ 18 instrumentations
Retracter
Cordes
2 Violons (duo)
18
Violon et Piano
16
2 Violoncelles (duo)
15
2 Altos (duo)
12
Trio à Cordes: violon, alto, violoncelle
8
Quatuor à cordes: 2 violons, alto, violoncelle
6
Violon, Violoncelle (duo)
6
Violon, Alto (duo)
5
Ensemble de Violons
4
Ensemble d'Altos
4
Trio à Cordes: 2 violons, violoncelle
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Piano
2
Harpe
2
Alto seul
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contrebasse, Piano (duo)
1
Violoncelle
1
Violon
1
Violon (partie séparée)
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre
9
Orchestre d'harmonie
8
Ensemble Jazz
4
Jazz combo
4
Orchestre à Cordes
3
Ensemble de cuivres
1
Orchestre de chambre
1
+ 2 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
A Table for Two
avancé
Partitions à imprimer
155 partitions trouvées
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1
26
51
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151
Music for Two, Volume 3 for Flute or Oboe or Violin & Viola Duet 46103
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Various
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Daniel Kelley
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Music for Two, Volume 3 for Fl
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Last Resort Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 4 - SKU: A0.592062 Composed by Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Multicultural,Music...
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Instrumental Duet Instrumental Duet - Level 4 - SKU: A0.592062 Composed by Various. Arranged by Daniel Kelley. Broadway,Celtic,Irish,Multicultural,Musical/Show,Wedding,World. Score and parts. 48 pages. Last Resort Music Publishing #201334. Published by Last Resort Music Publishing (A0.592062). Volume 3 - Gilbert & Sullivan, Irish Music & Rags This versatile series is designed to be played by two different instruments! Each duet book is published in score form (both parts on the same page) so that the players can play from the same part. All duets are arranged specifically for the listed instrumentation. 46103 Volume 3 Table of Contents H.M.S. Pinafore (Gilbert and Sullivan) I'm Called Little Buttercup (Gilbert and Sullivan) Never Mind The Why and Wherefore (Gilbert and Sullivan) The Mikado (Gilbert and Sullivan) As Some Day It May Happen (Gilbert and Sullivan) Willow, Tit-Willow ( Gilbert and Sullivan) Patience (Gilbert and Sullivan) A Magnet Hung In a Hardware Shop (Gilbert and Sullivan) The Pirates of Penzance (Gilbert and Sullivan) I Am The Very Model of Modern Major-General (Gilbert and Sullivan) Poor Wandering One (Gilbert and Sullivan) Si Bheag, Si Mhor (Irish Air) The Wearing of the Green (Irish Air) Coleraine (Irish Jig) Garry Owen (Irish Jig) The Irish Washerwoman (Irish Jig) Kesh Jig (Irish Jig) Swallowtail Jig (Irish Jig) The Easy Winners (Joplin) The Entertainer (Joplin) Maple Leaf Rag (Joplin) Pine Apple Rag (Joplin) The Strenuous Life (Joplin) The Kerry Dance (James Lyman Molloy).
$22.00
Sullivan: The Lost Chord for Baritone Horn & Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
#
Sullivan: The Lost Chord for B
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jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 4 - SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,...
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Baritone Horn TC,Euphonium,Piano - Level 4 - SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Sullivan: The Lost Chord for Oboe d'Amore & Piano
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Sir Arthur Seymour Sullivan
#
James M
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dynamic control
#
Sullivan: The Lost Chord for O
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 4 - SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructio...
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Instrumental Solo,Oboe d'Amore,Piano - Level 4 - SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497155. Published by jmsgu3 (A0.549449). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
We Wish You a Merry Christmas, Jazz Style, for Trumpet and Tenor Horn Duet
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Musique Sacrée
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Traditional
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David McKeown
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We Wish You a Merry Christmas,
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David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - SKU: A0.594162 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Pra...
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - SKU: A0.594162 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 3 pages. David McKeown #6551475. Published by David McKeown (A0.594162). We Wish You a Merry Christmas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Waltz style for one Trumpet and one Tenor Horn in E Flat. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Little is known about the origins of We Wish You a Merry Christmas. It was known to be sung in the West of England in the 1800s but only reached a wider audience in the early twentieth century. With a performance time around two and a half minutes, this version of We Wish You a Merry Christmas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.We Wish You a Merry Christmas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in a jazz waltz, and there is plenty of articulation detail to help deliver an authentic swing style. The verse and chorus are played four times in various forms, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
We Wish You a Merry Christmas, Jazz Style, for Oboe and Cor Anglais (or English Horn) Duet
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Musique Sacrée
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Traditional
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David McKeown
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We Wish You a Merry Christmas,
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.594151 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Prai...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.594151 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 3 pages. David McKeown #6551451. Published by David McKeown (A0.594151). We Wish You a Merry Christmas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Waltz style for one Oboe and one Cor Anglais (or English Horn). Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Little is known about the origins of We Wish You a Merry Christmas. It was known to be sung in the West of England in the 1800s but only reached a wider audience in the early twentieth century. With a performance time around two and a half minutes, this version of We Wish You a Merry Christmas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.We Wish You a Merry Christmas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in a jazz waltz, and there is plenty of articulation detail to help deliver an authentic swing style. The verse and chorus are played four times in various forms, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
We Wish You a Merry Christmas, Jazz Style, for Oboe and Violin Duet
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Musique Sacrée
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Traditional
#
David McKeown
#
We Wish You a Merry Christmas,
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David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - SKU: A0.594152 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & W...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - SKU: A0.594152 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 3 pages. David McKeown #6551453. Published by David McKeown (A0.594152). We Wish You a Merry Christmas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Waltz style for one Oboe and one Violin. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Little is known about the origins of We Wish You a Merry Christmas. It was known to be sung in the West of England in the 1800s but only reached a wider audience in the early twentieth century. With a performance time around two and a half minutes, this version of We Wish You a Merry Christmas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.We Wish You a Merry Christmas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in a jazz waltz, and there is plenty of articulation detail to help deliver an authentic swing style. The verse and chorus are played four times in various forms, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Heavy Metal for Balinese gamelan and chamber ensemble
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Christine Southworth
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Heavy Metal for Balinese gamel
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Airplane Ears Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane ...
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Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00
'Lachrimae' Book Two (8-14) - guitar quintet
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Classique
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John Dowland
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Clive Lane
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'Lachrimae' Book Two
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Clive Lane
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SheetMusicPlus
Guitar Ensemble - Level 4 - SKU: A0.1470122 Composed by John Dowland (1563-1626). Arranged by Clive Lane. Classical,Renaissance. Score and Parts. 38 pag...
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Guitar Ensemble - Level 4 - SKU: A0.1470122 Composed by John Dowland (1563-1626). Arranged by Clive Lane. Classical,Renaissance. Score and Parts. 38 pages. Clive Lane #1047870. Published by Clive Lane (A0.1470122). ‘Lachrimæ or Seven Tears figured in Seven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts’ is a collection of instrumental music composed by John Dowland and published in 1604. Apart from the sheer quality of the music, it is notable as the first publication of English music scored specifically for strings and for lute, and the first to have used the table layout for consort music.There are seven Lachrimae pavans, which are variations on the theme that Dowland had already made famous as a lute solo and a song (“Flow my tears”).The “divers other” compositions are: two almans (“almands”), nine lively galliards (“galiards”), two sombre pavans, and a “funerall.” There are 21 pieces in all and I have divided them into three books, retaining the original ordering of the pieces. This is Book Two - three pavans and four galliards:1. Pavan: “Semper Dowland, semper Dolens”2. Sir Henry Umpton’s Funeral3. Mr John Langton’s Pavan4. The King of Denmark’s Galliard5. The Earl of Essex Galliard6. Sir John Souch, his Galliard7. Mr Henry Noell, his Galliard(See Book One and Book Three for the remaining 14 pieces)Time values have been halved, and in several cases (Nos. 9,12,15,16,17,20,21), I have transposed the key to a more guitar-friendly key. Clive Lane 2024(Also see my arrangement for guitar quartet).
$6.99
Finale - Presto (Mvt. 4) from Beethoven Trio in C Major, Op. 87, for Oboe, English horn, and Bassoon
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Classique
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Ludwig van Beethoven
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Stephanie Daige
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Finale - Presto
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Level 4 - SKU: A0.796881 Composed by Ludwig van Beethoven. Arranged by Stephanie Daige. Clas...
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Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Level 4 - SKU: A0.796881 Composed by Ludwig van Beethoven. Arranged by Stephanie Daige. Classical,Concert,Romantic Period,Standards. 30 pages. Stephanie Daige #3507683. Published by Stephanie Daige (A0.796881). The Trio in C Major, Op. 87 for Two Oboes and English horn is one of Beethoven’s greatest pieces of chamber music for wind instruments. Experienced oboists are sure to be familiar with this work, and likely have studied it and performed it many times. Beethoven wrote so beautifully and brilliantly for woodwinds. Audiences always love to hear it performed, and I never tire of performing or teaching it. Now, with my transcription for oboe, English horn, and bassoon, you can invite a bassoonist friend to join in the fun!This Finalemovement (the last of four movements) is technically challenging (but not toodifficult), and enjoyable to play and listen to, suitable for advanced studentsor professionals. Students will learn so much aboutphrasing, articulation, dynamics, balance, and expression from studying thispiece; and the level of musicality in this work is suitable for a professionalperformance. It would work well in achamber music recital or student recital. Duration is approximately 5 minutes.In order to facilitate page turns, I have made surethat a rest appears at the end of each page whenever possible.Thank you for considering purchasing my arrangement! I hope you will enjoy playing it as much as I have enjoyed arranging it. Please checkout my other arrangements at Sheet Music Plus.
$14.99
Handel's Messiah - Duet - for Clarinet & Cello or Clarinet & Bassoon - Music for Two
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Classique
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George Frideric Handel
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Daniel Kelley
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Handel's Messiah - Duet - for
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.530218 Composed by George Frideric Handel. Arranged by Daniel Kelley. Baroque,Christmas,Concert,Sacred. 18 pages. ...
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Woodwind Ensemble - Level 4 - SKU: A0.530218 Composed by George Frideric Handel. Arranged by Daniel Kelley. Baroque,Christmas,Concert,Sacred. 18 pages. Last Resort Music Publishing #2897243. Published by Last Resort Music Publishing (A0.530218). Four movements from Handel's Messiah arranged for two instruments - plus a bonus title! Playable by Clarinet & Cello or BassoonTABLE OF CONTENTS THE MESSIAH - by George Frederick Handel Hallelujah Chorus Pastoral Symphony Pifa He Shall Feed His Flock Like a Shepherd For Unto Us a Child is BornJoy to the World (Bonus Title!).
$8.99
'Lachrimae' Book One (1-7) - guitar quintet
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John Dowland
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Clive Lane
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'Lachrimae' Book One
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Clive Lane
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SheetMusicPlus
Guitar Ensemble - Level 4 - SKU: A0.1470119 Composed by John Dowland (1563-1626). Arranged by Clive Lane. Classical,Renaissance. Score and Parts. 38 pag...
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Guitar Ensemble - Level 4 - SKU: A0.1470119 Composed by John Dowland (1563-1626). Arranged by Clive Lane. Classical,Renaissance. Score and Parts. 38 pages. Clive Lane #1047866. Published by Clive Lane (A0.1470119). ‘Lachrimæ or Seven Tears figured in Seven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts’ is a collection of instrumental music composed by John Dowland and published in 1604. Apart from the sheer quality of the music, it is notable as the first publication of English music scored specifically for strings and for lute, and the first to have used the table layout for consort music.There are seven Lachrimae pavans, which are variations on the theme that Dowland had already made famous as a lute solo and a song (“Flow my tears”).The “divers other” compositions are: two almans (“almands”), nine lively galliards (“galiards”), two sombre pavans, and a “funerall.” There are 21 pieces in all and I have divided them into three books, retaining the original ordering of the pieces. This is Book One - the “Lachrimae” pavans:1. Lachrimae antiquae2. Lachrimae antiquae novae3. Lachrimae gementes4. Lachrimae tristes5. Lachrimae coactae6. Lachrimae amantis7. Lachrimae verae(See Book Two & Book Three for the remaining 14 pieces)Time values have been halved, and in several cases (Nos. 9,12,15,16,17,20,21), I have transposed the key to a more guitar-friendly key. Clive Lane 2024(Also see my arrangement for guitar quartet).
$6.99
Eight Sonata for Harp
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Classique
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carefully selecting every sing
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Domenico Scarlatti
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Fabrizio Aiello
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Eight Sonata for Harp
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Preludio s.r.l.
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SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - SKU: A0.808939 Composed by Domenico Scarlatti. Arranged by Fabrizio Aiello. Baroque,Classica...
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Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - SKU: A0.808939 Composed by Domenico Scarlatti. Arranged by Fabrizio Aiello. Baroque,Classical. Score and parts. 32 pages. Preludio s.r.l. #5712611. Published by Preludio s.r.l. (A0.808939). The over 550 harpsichord sonatas by Domenico Scarlatti constitute one of the highest peaks of 18th century instrumental music. Despite being structured in a single movement, based on a theme and divided into two parts with a refrain, his sonatas have been shown to be pieces of remarkable originality. Their style is authentic and very bright, revealing a truly innovative and creative spirit with extremely daring and unconventional dissonances and modulations. The manifold contaminations come from the musical universe of that time: from the concert to the cantata, from the popular elements to the Spanish dance rhythms. Various sounds are recalled through the spontaneous, evocative and natural timbre of the harpsichord: from the orchestral ones to those of two other famous pinch instruments, such as the guitar and the harp.The greatest researcher on Domenico Scarlatti, Ralph Kirkpatrick, claimed: «Despite being a composer for harpsichord, and although almost all his compositions are conceived for the harpsichord language, his musical skills, more important than the sound effect, can be enhanced on any instrument».This aspect is aptly reflected in the harp versions of Scarlatti’s sonatas, which are primarily a way to show how the harp can represent the spirit and the playfulness of these compositions. Apparently, this instrument is one of the most suitable to capture the purity of the musical textures of these sonatas and their perfect balance between musical mathematics and feelings. Moreover, the didactic purposes of these adaptations are notable, since the player is faced with fast scales, double stops, repeated notes, broken octaves, complex arpeggios, embellishments and other unusual passages pervaded by a virtuoso language.By carefully selecting every single sonata and choosing the most suitable fingerings to highlight key phrases, Fabrizio Aiello has carried out a praiseworthy work which plays a crucial role in enriching the harp repertoire.Susanna Bertuccioli
$18.99
Verdi, Giuseppe - Va', Pensiero - for eight cellos (complete bundle)
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Giuseppe Verdi
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Verdi, Giuseppe - Va', Pensier
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
String Ensemble Cello - Level 4 - SKU: A0.841330 Composed by Giuseppe Verdi. Arranged by Michele Galvagno, Marcio Carneiro. Instructional,Opera,Patrioti...
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String Ensemble Cello - Level 4 - SKU: A0.841330 Composed by Giuseppe Verdi. Arranged by Michele Galvagno, Marcio Carneiro. Instructional,Opera,Patriotic,Romantic Period. Score and parts. 51 pages. Artistic Score Engraving di Galvagno Michele #3885523. Published by Artistic Score Engraving di Galvagno Michele (A0.841330). This arrangement for cello octet (four voices very often divided in two) stems from a new collaboration with the brazilian cello master Marcio Carneiro, my personal cello teacher at the time of the HEMU of Sion, Switzerland. Its premiere, performed from manuscript paper, was given in 2012 and the wish to create a proper edition out of that has been a strong one ever since. The full score is proposed as a faithful adaptation of Verdi’s original text, allowing scholars and the performers alike to analyse the voices’ distribution within the eight cellos. The separate parts, instead, are for the first time given in two different versions: one faithful to the original range and more suitable for a group of cello virtuosi and a more simplified one to allow good amateurs to enjoy this marvellous piece as well. Dynamics, left untouched in the full score, have been slightly adapted in the separate parts to better achieve a balanced sonority. The same can be said for slurs and articulations. Fingering and bowing suggestions follow a careful study on Verdi’s phrasing and, for further help, every part is adorned with the text of the chorus where the cello has the same melodic line.
$24.95
Hungarian Dance No. 5 - in A for flexible ensemble
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Classique
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Johannes Brahms
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David Woodcock
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Hungarian Dance No. 5 - in A f
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - SKU: A0.1394034 Composed by Johannes ...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - SKU: A0.1394034 Composed by Johannes Brahms. Arranged by David Woodcock. 19th Century,Classical,Instructional. 66 pages. David Woodcock #977490. Published by David Woodcock (A0.1394034). This is an arrangement of the famous work, scored for flexible ensemble in A. It is also available in C. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$25.00
Vivaldi – Trio Sonata for violin, violoncello and continuo in C minor RV 83
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Classique
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Antonio Vivaldi
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Snakewood Editions
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Vivaldi – Trio Sonata fo
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Sneakwood Editions
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SheetMusicPlus
String Trio Cello,Double Bass,Violin - Level 4 - SKU: A0.1266243 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. 23 page...
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String Trio Cello,Double Bass,Violin - Level 4 - SKU: A0.1266243 Composed by Antonio Vivaldi. Arranged by Snakewood Editions. Baroque,Classical. 23 pages. Sneakwood Editions #858975. Published by Sneakwood Editions (A0.1266243). Preface and notes to the edition (English and Spanish) Score Parts (violin, violoncello, and basso) The sonata can be found in autograph version at the Biblioteca Nazionale Universitaria di Torino (Foá 29, pp.83r-86v).  It is the only known copy of this work, and was composed around 1720. It is copied in full score format.In the known catalog of Vivaldi’s works we find only another piece written for the same instrumentation (violin, violoncello, and basso): the trio sonata RV 820. The differences between the two sonatas are notable: the rv 820 sonata was written in Vivaldi’s younger years (ca. 1705) while the rv 83 sonata shows us a Vivaldi who has already forged his own fully recognizable style.Vivaldi used abbreviations and sometimes omitted certain information; a common practice found in many of his autographs. This edition clarifies all these annotations and, at the same time, gives the performer all the information contained in the manuscript.
$10.00
Hungarian Dance No. 5 - in C for flexible ensemble
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Classique
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Johannes Brahms
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David Woodcock
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Hungarian Dance No. 5 - in C f
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - SKU: A0.1394035 Composed by Johannes ...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - SKU: A0.1394035 Composed by Johannes Brahms. Arranged by David Woodcock. 19th Century,Classical,Instructional. 68 pages. David Woodcock #977491. Published by David Woodcock (A0.1394035). This is an arrangement of the famous work, scored for flexible ensemble in C. It is also available in A. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$25.00
Russian Dance from the Nutcracker - in F for flexible ensemble
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Classique
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Peter Ilyich Tchaikovsky
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David Woodcock
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Russian Dance from the Nutcrac
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - SKU: A0.1394044 Composed by Peter Ily...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - SKU: A0.1394044 Composed by Peter Ilyich Tchaikovsky. Arranged by David Woodcock. 19th Century,Classical,Instructional. 71 pages. David Woodcock #977500. Published by David Woodcock (A0.1394044). This is an arrangement of the famous work from the Nutcracker ballet by Tchaikovsky, scored for flexible ensemble in F. It is also available in B flat. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$25.00
Russian Dance from the Nutcracker - in B flat for flexible ensemble
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Classique
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Peter Ilyich Tchaikovsky
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David Woodcock
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Russian Dance from the Nutcrac
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David Woodcock
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SheetMusicPlus
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - SKU: A0.1394040 Composed by Peter Ily...
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 4 - SKU: A0.1394040 Composed by Peter Ilyich Tchaikovsky. Arranged by David Woodcock. 19th Century,Classical,Instructional. 71 pages. David Woodcock #977496. Published by David Woodcock (A0.1394040). This is an arrangement of the famous work from the Nutcracker ballet by Tchaikovsky, scored for flexible ensemble in B flat. It is also available in F. This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination. Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts. Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director. If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$25.00
Trilogy (for Trombone Ensemble)
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P
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Trilogy
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Pete Strohm Music
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SheetMusicPlus
Large Ensemble Trombone - Level 4 - SKU: A0.928181 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival. Score and parts. 76 pages. Pete...
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Large Ensemble Trombone - Level 4 - SKU: A0.928181 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival. Score and parts. 76 pages. Pete Strohm Music #6717311. Published by Pete Strohm Music (A0.928181). Trilogy (for Trombone Ensemble) is a three-section work from American composer P. F. Strohm, written for the Eastman Trombone Choir. This setting of the work is scored for a 10-part trombone ensemble, comprised of two Alto, six Tenor, Bass and Contrabass trombone parts. The Contrabass trombone part is suitable for a second Bass trombone. There are also substitute Tenor parts for the two Altos. The scoring in much of the work employs antiphonal writing, using two quintet groupings to great effect. The sound of the piece is tonal, ranging from quiet contemplation to thundering assertion. It opens with a chorale-like 3/2 that lasts about four minutes, moving into a powerful three-and-a-half minute incantation, then bursts into a two-and-a-half minute dance in 7/4. Trilogy is Medium-Advanced level of difficulty owing to the Alto parts, and makes an excellent concert or contest work. Total performance time is 10:00. Member, ASCAP.
$14.95
The Last Brigade (Duet for Flute and 3-Octave Marimba)
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Adam Lenhart
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The Last Brigade
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Adam Lenhart
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SheetMusicPlus
Flute,Instrumental Duet,Marimba - Level 4 - SKU: A0.949371 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 12 pages. Adam Lenhart #52147...
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Flute,Instrumental Duet,Marimba - Level 4 - SKU: A0.949371 Composed by Adam Lenhart. Contemporary,Instructional,Standards. 12 pages. Adam Lenhart #5214719. Published by Adam Lenhart (A0.949371). The Last Brigade utilizes the F harmonic minor scale to evoke imagery of an intense battle scene. The contrasting timbres of each instrument must work together over both legato and marcato phrases. Fun and driving, this piece perfectly blends the elements of energizing the audience and showcasing the players' abilities. The marimba part for this piece is suitable for a three-octave instrument (F3-F6) and can be performed with two mallets or four. Medium-hard rubber or yarn mallets are recommended. Includes full score and individual parts.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99
Greensleeves to a Ground for Organ and Keyboard
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Annonymous
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Michael A
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Greensleeves to a Ground for O
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Michael A. Joseph
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SheetMusicPlus
Small Ensemble Harpsichord,Organ,Soprano Recorder - Level 4 - SKU: A0.1001608 Composed by Annonymous. Arranged by Michael A. Joseph. Christmas,Classical...
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Small Ensemble Harpsichord,Organ,Soprano Recorder - Level 4 - SKU: A0.1001608 Composed by Annonymous. Arranged by Michael A. Joseph. Christmas,Classical,Holiday,Renaissance. Score and parts. 8 pages. Michael A. Joseph #6684007. Published by Michael A. Joseph (A0.1001608). This delightful arrangement is written to be played on two keyboard instruments. It is originally an anonymous composition from the Tudor period in England.. I had the organ and the harpsichord in mind when I first conceived it. The theme is based on the familiar tune Greensleeves, in the form of a theme and variations. It is suitable for church service or for recital. It's also very fun to play. I think you will enjoy sharing it with another colleague of the keyboard.
$3.00
Two Pieces for Garret: 2. Octomarch
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Contemporain
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Gary Friedman
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Two Pieces for Garret: 2. Octo
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Gary Friedman
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Drums,Flute,Horn,Oboe,Percussion,Timpani,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.889877 Composed by Gary Friedman. Con...
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Large Ensemble Bassoon,Clarinet,Drums,Flute,Horn,Oboe,Percussion,Timpani,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.889877 Composed by Gary Friedman. Contemporary. Score and parts. 37 pages. Gary Friedman #11347. Published by Gary Friedman (A0.889877). At the request of members of the San Francisco Civic Symphony I orchestrated two of my wind octets to be played by the orchestra in honor of the tenth anniversary of excellent and collegial conducting by Garret Gerritsen. This is the second piece that we played and is suitable for chamber orchestra, with added brass and percussion, including two horns, two trumpets, trombone, tuba, timpani and snare drum. The sound clip is of computer playback and of poor quality with disproportionately loud percussion. I suggest listening to a nice performance of the Octomarch wind octet, sound clip either here or at my music website, www.garyfriedmanmusic.net. I like to think of this piece as humorous so I've checked comedy below. Year 2009. Duration 3 minutes.
$20.00
King Jesus Hath A Garden
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Evelyn R
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Evelyn Larter Music
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King Jesus Hath A Garden
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Evelyn R Larter
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SheetMusicPlus
Piano Trio,String Ensemble - Level 4 - SKU: A0.749841 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert....
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Piano Trio,String Ensemble - Level 4 - SKU: A0.749841 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Score and parts. 10 pages. Evelyn R Larter #3872527. Published by Evelyn R Larter (A0.749841). A lovely, peaceful Dutch carol is here arranged for piano trio, suitable for advanced intermediate performers. It would be a delightful church prelude or offertory, or could be part of a Christmas concert. The setting comes from my two volume clarinet collection, Carols For The King From Around The World, (also available at Sheet Music Press) which I am gradually rearranging for different performers. Contact me if interested in a recorded piano accompaniment. More information about my music may be found at www.evelynlartermusic.com and on my Facebook page for Evelyn Larter Music. Feedback always welcome!
$9.99
Invention No. 4, - duet: instruments in Eb and Bb
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Classique
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Johann Sebastian Bach
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Paul Burnell
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Invention No. 4, - duet: instr
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Paul Burnell
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SheetMusicPlus
Small Ensemble Alto Saxophone,Euphonium,Tenor Saxophone - Level 4 - SKU: A0.835885 Composed by Johann Sebastian Bach. Arranged by Paul Burnell. Baroque....
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Small Ensemble Alto Saxophone,Euphonium,Tenor Saxophone - Level 4 - SKU: A0.835885 Composed by Johann Sebastian Bach. Arranged by Paul Burnell. Baroque. Score and parts. 6 pages. Paul Burnell #6498457. Published by Paul Burnell (A0.835885). Invention No. 4, Johann Sebastian Bach, arranged by Paul Burnell for Duet - instrument in Eb, instrument in BbDuration 1:30Part 1 in Eb (Alto Clarinet, Alto Saxophone, Tenor Horn)Part 2 in Bb (Bass Clarinet, Tenor Saxophone, Euphonium)The arrangement may be suitable for other instruments with the same transpositions.Score shows parts transposed.The original manuscript score does not contain slurs, mordents, dynamics or tempo markings. Performers may prefer to perform all the notes tongued and at any convenient tempo or dynamicThis arrangement has been transposed from the original key of D Minor and certain notes in Part 2 part have been further transposed at the octave.Programme note:The Inventions and Sinfonias, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard pieces by German composer Johann Sebastian Bach (1685–1750). The original manuscript is dated 1723. They were first written as 'Praeambula' and 'Fantasiae' in a collection for his son Wilhelm Friedemann Bach, and later rewritten as musical exercises for his students. The fourth Invention (BWV 775) is in D Minor, but the key has been transposed for this duet arrangement.
$1.99
Silent Durations Fifty (a Zen experience)
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Contemporain
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Drake Mabry
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Silent Durations Fifty
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Drake Mabry
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Ney Flute,Tenor Recorder - Level 4 - SKU: A0.799482 Composed by Drake Mabry. Contemporary. Score and parts. 3 pages....
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Instrumental Duet Instrumental Duet,Ney Flute,Tenor Recorder - Level 4 - SKU: A0.799482 Composed by Drake Mabry. Contemporary. Score and parts. 3 pages. Drake Mabry #3010901. Published by Drake Mabry (A0.799482). Written in 2014, this Silent Durations Fifty (a Zen experience) differs from most of the others due to its mostly non-synchronous organization. Each player plays independently and in their own tempo. Dynamics are flexible. These Silent Duration pieces are notable for their incorporation of silence as an integral part of the compositional fabric. There is a detailed explanation found in the program notes of the score. The work is written for the tenor recorder and Turkish Kiz ney. The duration is between 5 and 10 minutes.Silent Durations Fifty was premiered by TWO – Maria Dorner-Hofmann and Drake Mabry at the Burgkappelle Hof am Regen, Nittenau, Germany on October 2, 2014.
$4.99
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A Table for Two