Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
As It Was
Non classifié
827
Piano & claviers
Piano seul
369
Instruments en Do
131
Piano, Voix et Guitare
127
Piano, Voix
109
Orgue
19
1 Piano, 4 mains
10
2 Pianos, 4 mains
9
Piano Trio: piano, violon, violoncelle
6
Accompagnement Piano
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Facile
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare
40
Guitare notes et tablatures
28
Ligne De Mélodie, (Paroles) et Accords
17
2 Guitares (duo)
5
4 Guitares (Quatuor)
3
Basse electrique
3
Mandoline
1
Piano, Guitare (duo)
1
Guitare, Orchestre
1
Ensemble de guitares
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
140
Chorale TTBB
21
Chorale SSAA
16
Chorale 3 parties
12
Voix Soprano, Piano
7
Voix duo, Piano
6
Voix Baryton, Piano
5
Chorale Unison
3
Voix haute
3
Voix duo
2
Voix Tenor
2
Chorale 2 parties
2
Voix seule
2
Voix Tenor, Piano
2
Voix moyenne, Piano
1
Voix Alto, Piano
1
+ 11 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
89
Ensemble de saxophones
67
Quatuor de Saxophones: 4 saxophones
56
Quintette de Saxophone: 5 saxophones
52
2 Saxophones (duo)
33
Ensemble de Clarinettes
33
Clarinette et Piano
29
Flûte traversière et Piano
29
Quatuor de Clarinettes: 4 clarinettes
27
Saxophone Alto et Piano
25
2 Flûtes traversières, Piano
24
Flûte, Hautbois, Clarinette, Basson
21
Ensemble de Flûtes
19
2 Clarinettes (duo)
19
Saxophone, Clarinette (duo)
17
Hautbois, Piano (duo)
17
Saxophone Tenor et Piano
16
Saxophone Soprano et Piano
15
Quintette de Clarinettes: 5 clarinettes
14
Clarinette, Violon (duo)
13
2 Flûtes traversières (duo)
13
Clarinette, Trompette (duo)
11
Quatuor de Flûtes : 4 flûtes
10
Flûte, Clarinette (duo)
10
Flûte, Violon
7
Flûte traversière
7
Quintette de Flûte : 5 flûtes
7
Flûte, Saxophone (duo)
6
Hautbois (partie séparée)
6
Flûte, Alto (duo)
6
Clarinette et Alto
6
Clarinette
6
2 Hautbois (duo)
6
Hautbois, Basson (duo)
6
Saxophone Alto
5
Hautbois, Flûte
5
Trio de Flûtes: 3 flûtes
5
Flûte, Trompette (duo)
5
Hautbois, Clarinette (duo)
5
Cor anglais, Piano
5
3 Saxophones (trio)
4
Flûte et Guitare
4
Clarinette, Guitare (duo)
4
3 Clarinettes (trio)
4
Clarinette Basse, Piano
4
Flute (partie séparée)
3
Saxophone Baryton, Piano
3
Flûte, Violoncelle, Piano (trio)
2
Saxophone Tenor
2
Clarinette, Basson (duo)
2
Flûte à bec Soprano
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, alto et harpe
1
Ensemble De Flûte à bec
1
Flûte à bec Alto, Piano
1
Piccolo, Piano
1
Flûte, Clarinette et Basson
1
Flûte, Violon et Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Flute, harpe et violon
1
Flûte, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone et Harpe
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Saxophones, Piano
1
Saxophone
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
108
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Ensemble de Trombones
26
Trombone et Piano
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de cuivres: 4 trombones
17
Quatuor de Cuivres
15
Trompette, Saxophone (duo)
12
2 Euphoniums et 2 Tubas
12
Ensemble de Trompettes
12
Trompette
11
Cor et Piano
10
Trompette, Trombone (duo)
9
Tuba et Piano
8
Trompette, Piano
8
2 Trompettes (duo)
7
Quatuor de cuivres: 4 cors
7
Cor
7
Euphonium, Piano (duo)
6
2 Trombones (duo)
6
Ensemble de Cors
5
Trombone
5
Cor anglais, Piano
5
Trompette (partie séparée)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Tuba
3
Euphonium
2
Cor et Orgue
2
Trio de Cuivres
2
Bass Clef Instruments
1
Trombone et orchestre
1
4 Tubas
1
Trombone basse et Piano
1
Cor et Harpe
1
Quatuor de cuivres: 4 trompettes
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
145
Violon et Piano
56
Violon, Violoncelle (duo)
46
Violoncelle, Piano
36
Trio à Cordes: violon, alto, violoncelle
34
Alto, Piano
26
Trio à Cordes: 2 violons, violoncelle
24
Harpe
21
Violon
16
Violoncelle
14
2 Violons (duo)
11
2 Harpes (duo)
11
2 Violoncelles (duo)
11
Violon, Alto (duo)
10
Ensemble d'Altos
7
Contrebasse, Piano (duo)
7
2 Altos (duo)
7
Ensemble de Violons
7
Alto (partie séparée)
6
Contre Basse
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
4 Contrebasses
3
Alto seul
3
Harpe, Flûte (duo)
2
Quatuor à cordes: 4 violons
2
Violoncelle , Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Alto, Guitare (duo)
2
Ensemble de Violoncelles
2
4 Violoncelles
2
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orgue
1
Harpe, Violon (duo)
1
Violon, Guitare (duo)
1
Harpe, Trombone (duo)
1
Harpe, Voix
1
Violon, Tuba (duo)
1
Violoncelle, Orchestre
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
132
Orchestre
122
Orchestre à Cordes
62
Ensemble de cuivres
48
Ensemble Jazz
43
Orchestre de chambre
39
Jazz combo
14
Ensemble de Percussions
8
Fanfare
6
Cloches
4
Vibraphone
3
Batterie
3
Marimba
2
Orchestre, Violon
1
+ 9 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
827
Librairie Musicale
1 051
Matériel de Musique
2 173
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
As It Was
avancé
Partitions à imprimer
827 partitions trouvées
<
1
26
51
....
826
’Twas The Night Before Christmas - Piano/Vocal score
#
Sy Brandon
#
’Twas The Night Before C
#
Sy Brandon
#
SheetMusicPlus
Choral Choir - Level 4 - SKU: A0.754917 Composed by Sy Brandon. 20th Century,Christmas,Contemporary. Octavo. 37 pages. Sy Brandon #3218173. Published by...
(+)
Choral Choir - Level 4 - SKU: A0.754917 Composed by Sy Brandon. 20th Century,Christmas,Contemporary. Octavo. 37 pages. Sy Brandon #3218173. Published by Sy Brandon (A0.754917). This setting is in a style similar to John Rutter. It contains very lyrical sections as well as humorous sections. It can be performed with voices and piano or for choir and orchestra. Full score can be found here S0.269395 and a set of parts here S0.257769
$1.99
Handel: Suite No.2 in D (HWV349)(Complete) "The Water Music" (Wassermusik) - symphonic wind ensemble
#
Classique
#
George Frideric Handel
#
Ray Thompson
#
2
#
Handel: Suite No.2 in D
#
RayThompsonMusic
#
SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Oboe - Level 4 - SKU: A0.553627 Composed by George Frideric Handel. Arranged by Ray Thompson. Baroque,Holiday,Standar...
(+)
Bassoon,Clarinet,Double Bass,Flute,Oboe - Level 4 - SKU: A0.553627 Composed by George Frideric Handel. Arranged by Ray Thompson. Baroque,Holiday,Standards,Wedding. 56 pages. RayThompsonMusic #3258859. Published by RayThompsonMusic (A0.553627). All 5 movements of the Water Music 2nd Suite in D (HWV349) arranged for symphonic wind dectet ( and double bass) Horn parts are for natural horn in D.(and are basically the same as Handel's original)Clarinet parts are for A clarinets ( alt Bb parts provided)Mvts are: Suite in D major (HWV 349) 10  Allegro (Overture) in D 11 Alla Hornpipe in D 12 Minuet (Trumpet Minuet) 13 Lentement 14 Bourrée  They are not always performed in that order and often the trumpet minuet is used as a finale. There is an optional seque Adagio between mvts 1 & 2. All the pieces are available to purchase separately, but it is more cost effective to buy the complete suite. This suite is Also available in Eb on this site.
$19.95
I Was Glad When They Said Unto Me
#
Hubert Parry
#
Mark Rippe
#
I Was Glad When They Said Unto
#
Mark Rippe
#
SheetMusicPlus
Organ,Trombone,Trumpet - Level 4 - SKU: A0.504323 By Hubert Parry. By Hubert Parry. Arranged by Mark Rippe. Classical,Sacred. 23 pages. Mark Rippe #1161...
(+)
Organ,Trombone,Trumpet - Level 4 - SKU: A0.504323 By Hubert Parry. By Hubert Parry. Arranged by Mark Rippe. Classical,Sacred. 23 pages. Mark Rippe #116142. Published by Mark Rippe (A0.504323). AM00111. This arrangement is for organ and brass quartet only. This is NOT a choral arrangement. The brass parts are based on the choral parts as rescored in my SATB reduction of the work. Â The organ part was rescored in October 2023 to simply it further and fix notation errors. Â If you purchased this prior to October 2023, please request a new download from the publisher. Â It should be no charge since you've already purchased it.
$12.99
Largo Al Factotum - as played in modern times
#
Gioachino Rossini
#
Augustin Lehfuss
#
Largo Al Factotum - as played
#
Gustfuss Records
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Piano - Level 4 - SKU: A0.876892 Composed by Gioachino Rossini. Arranged by Augustin Lehfuss. Contemporary,Jazz,Romantic...
(+)
Small Ensemble Bassoon,Clarinet,Piano - Level 4 - SKU: A0.876892 Composed by Gioachino Rossini. Arranged by Augustin Lehfuss. Contemporary,Jazz,Romantic Period,World. Score and parts. 28 pages. Gustfuss Records #5721029. Published by Gustfuss Records (A0.876892). Gioachino Rossini was was one of the most productive opera composer of the 19th century and man of his arias are still played in many concerts.One of his best known arias is the Largo Al Factotum out of the opera the barber from Sevilla The idea of this arrangement is to find out, how this melodies would have been arranged today in an modern chamber music ensemble (Piano, Clarinet, Bassoon). After quoting the original melody the arrangement continues in jazzy und semi-classical ideas, using modern rhythms and jazzy chord progression, but always using the original melodies from this aria. The arrangement ist designe to be a fun piece, so there are some clownesque parts in it tooDuration: 3,5 minutesIt requires more experienced players Visit also the arrangers homepage www.lehfuss.com
$14.90
As It Was
#
Harry Styles
#
Erica Ransbottom Holloway
#
As It Was
#
Erica Ransbottom
#
SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.1516527 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Erica Ransbottom Holloway. Po...
(+)
Cello Duet Cello - Level 4 - SKU: A0.1516527 By Harry Styles. By Harry Styles, Thomas Hull, and Tyler Johnson. Arranged by Erica Ransbottom Holloway. Pop. Score. 7 pages. Erica Ransbottom #1090695. Published by Erica Ransbottom (A0.1516527). Arranged for 2 cellos.
$4.99
I Wonder As I Wander
#
Folklorique/Traditionel
#
John Jacob Niles
#
Bob Mathews
#
I Wonder As I Wander
#
Bob Mathews
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.929188 Composed by John Jacob Niles. Arranged by Bob Mathews. Folk. Score and parts. ...
(+)
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.929188 Composed by John Jacob Niles. Arranged by Bob Mathews. Folk. Score and parts. 11 pages. Bob Mathews #3375437. Published by Bob Mathews (A0.929188). This is a very pretty song that was written from a fragment of a tune collected in 1933 by John Jacob Niles. Niles heard a girl named Annie Morgan sing a haunting melody. He paid her a quarter per performance 7 times to sing it for him. He then extended the melody and added verses. A beautiful addition to any holiday program.The first violin part goes very high but is also written down an octave for younger players.
$16.00
The Complete Instrumentalist Book Two
#
DaCapo Primary Music
#
The Complete Instrumentalist B
#
DaCapo Primary Music
#
SheetMusicPlus
Level 4 - SKU: A0.1315421 By DaCapo Primary Music. By Carl Herring. Classical,Contemporary,Instructional,Multicultural,Traditional,World. Educational Me...
(+)
Level 4 - SKU: A0.1315421 By DaCapo Primary Music. By Carl Herring. Classical,Contemporary,Instructional,Multicultural,Traditional,World. Educational Method. 106 pages. DaCapo Primary Music #904157. Published by DaCapo Primary Music (A0.1315421). This book contains 66 songs for the instrumentalistThe Complete Instrumentalist Two is the second book in a series for instrumental players, designed to help develop excellent musicianship.It is written in stick notation* with an additional five line stave so that pupils or teachers can write out the music in whichever clef or key they choose to use. The songs are grouped by the number of notes in the piece and are mostly diatonic with a few pentatonic and modal pieces.As with all of the DaCapo books it is left to the teachers to decide which section of the book to start with. Tempos and dynamic markings are also left to the teachers and pupils. We have suggested activities that can be applied to the entire repertoire and there are some extra ideas for specific pieces included on some pages, along with extra information for the pupil.In many instances the songs have been reworded as it was felt that the subject matter or use of language was a barrier for some pupils. There are a few pieces where this may still be true but we have decided against rewording because of the cultural or historical aspect of the song and the opportunity to educate children beyond the music (e.g. spirituals).Whilst every attempt has been made to source music in the public domain we would like to know if errors have been made. We hope that you enjoy the next step to becoming a Complete Instrumentalist.Jane Cutler Carl Herring 2012*stick notationThe purpose of stick notation is to build excellent inner hearing. You can't guess the intervals – they have to be known or learned via the solfa in order to hear the music from the page. Pupils can then translate and transfer this to their instrument and then onto a five-line stave.• We show the rhythm only - with solfa syllables under the relevant note• No note head used unless for a minim, dotted minim or semibreve• The home note or tonic of each piece is indicated by an emboldened solfa syllable e.g. d r m f s shows do as the tonic • Where notes fall under or above the home note or tonic, they are indicated thus: s, d’• A tick’( I ) has been used instead of bar lines.You can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
Three Painters (score)
#
Contemporain
#
Drake Mabry
#
Three Painters
#
Drake Mabry
#
SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages....
(+)
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #1989261. Published by Drake Mabry (A0.799462). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full-blown big band style played by the ensemble. The duration is 12 minutes.Three Painters was premiered by an ensemble conducted by Philippe Cambreling at the Auditorium, CRR de Chalon sur Saône, France on March 22, 2009.
$9.99
Three Painters (parts)
#
Contemporain
#
Drake Mabry
#
Three Painters
#
Drake Mabry
#
SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages....
(+)
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages. Drake Mabry #1989265. Published by Drake Mabry (A0.799463). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full blown big band style played by the ensemble. The duration is 12 minutes.
$9.99
Imagine
#
Rock
#
John Lennon And The Plastic On
#
Jeremy Corcoran
#
Imagine
#
LPC Publishers
#
SheetMusicPlus
Brass Ensemble Horn - Level 4 - SKU: A0.714626 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Jeremy Corcoran. Rock. Score and par...
(+)
Brass Ensemble Horn - Level 4 - SKU: A0.714626 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Jeremy Corcoran. Rock. Score and parts. 7 pages. LPC Publishers #3468778. Published by LPC Publishers (A0.714626). The meaning of this song is as important and perfect today as it was when it was written by John Lennon. It is arranged for French Horn Trio with each instrument getting to take on part of the melody.
$14.00
Imagine
#
Rock
#
John Lennon And The Plastic On
#
Jeremy Corcoran
#
Imagine
#
LPC Publishers
#
SheetMusicPlus
Brass Ensemble Trumpet - Level 4 - SKU: A0.714627 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Jeremy Corcoran. Rock. Score and ...
(+)
Brass Ensemble Trumpet - Level 4 - SKU: A0.714627 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Jeremy Corcoran. Rock. Score and parts. 7 pages. LPC Publishers #3468780. Published by LPC Publishers (A0.714627). The meaning of this song is as important and perfect today as it was when it was written by John Lennon. It is arranged for Trumpet Trio with each instrument getting to take on part of the melody.
$14.00
La Victoire Est à Nous! - Score Only
#
Andre-Ernest-Modeste Gretry
#
Aaron Conway
#
La Victoire Est à Nous!
#
Aaron Double A Conway
#
SheetMusicPlus
Level 4 - SKU: A0.1184997 Composed by Andre-Ernest-Modeste Gretry. Arranged by Aaron Conway. 19th Century,Historic,March,Multicultural,Patriotic,World. ...
(+)
Level 4 - SKU: A0.1184997 Composed by Andre-Ernest-Modeste Gretry. Arranged by Aaron Conway. 19th Century,Historic,March,Multicultural,Patriotic,World. 19 pages. Aaron Double A Conway #784671. Published by Aaron Double A Conway (A0.1184997). La Victoire Est à Nous, which translates to Victory is ours in English, was the victory march for the French Grande Armée that was commanded by Napoleon Bonaparte from 1804 to 1814. The song itself was written by famed French composer André Grétry as it was taken from his opera titled La Caravane du Caire. La Victoire, being a victory march, would typically be played after a battle had been won to uplift solider morale and to humiliate the opposition. Despite only being active for roughly ten years, La Victoire was played a lot considering that Napoleon is statistically the greatest military commander to ever exist. Lastly, this song bleeds with the nationalistic pride that would define the nineteenth century which is why it is one of the songs that defined the Napoleonic Era.> Parts: 3 Bb Trumpets, French Horn, 2 Low Brass Parts, Snare Drum, Bass Drum, and Crash Cymbals.> Purchase includes full score and individual parts.
$1.99
And The Waltz Goes On
#
Contemporain
#
Anthony Hopkins
#
James Pybus
#
And The Waltz Goes On
#
James Pybus
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.764739 Composed by Anthony Hopkins. Arranged by James Pybus. Contem...
(+)
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.764739 Composed by Anthony Hopkins. Arranged by James Pybus. Contemporary. 30 pages. James Pybus #6384403. Published by James Pybus (A0.764739). Welsh actor, director, film producer and composer Anthony Hopkins has won many awards in his long career, including two Academy Awards, four BAFTAs, two Emmys and the Cecil B. Demille Award. In 1993 he was knighted by Queen Elizabeth II for his services to the arts. In a 2012 interview, Hopkins stated, I've been composing music all my life and if I'd been clever enough at school, I would like to have gone to music college. As it was, I had to settle for being an actor. His compositions cover a wide range of genres. And The Waltz Goes On dates from 1964 but was not performed until 2011 when André Rieu and his orchestra premiered the piece in Vienna. This arrangement for SSAB or SSSB Clarinet Quartet is suitable for a variety of programs and concert settings. It is both challenging and rewarding to play and should appeal to a wide audience. Duration is 5:20. Contact me at james.pybus56@gmail.com.
$19.99
I ... You
#
Abla Alaoui and Peter Lewys Pr
#
Peter Lewys Preston
#
I ... You
#
Peter Lewys Preston
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1510274 By Abla Alaoui and Peter Lewys Preston. By Peter Lewys Preston. Arranged by Peter Lewys Preston. Broadway,...
(+)
Piano,Vocal,Voice - Level 4 - SKU: A0.1510274 By Abla Alaoui and Peter Lewys Preston. By Peter Lewys Preston. Arranged by Peter Lewys Preston. Broadway,Contemporary,Musical/Show,Pop,Singer/Songwriter. Score. 10 pages. Peter Lewys Preston #1085474. Published by Peter Lewys Preston (A0.1510274). Piano/Vocal Singer Pro Notated vocal melody with lyrics 10 pages A piano/vocal score perfect for a duet performance of I ... You.Peter transcribed and arranged the piano part as it was played on the album Reaching for Heaven.Transpositions available for additional cost: please get in touch with Peter and his team via his website:www.peterlewyspreston.com.
$9.99
Evocation
#
Contemporain
#
Daniel Burwasser
#
Evocation
#
Head and Stem
#
SheetMusicPlus
B-Flat Clarinet,Bassoon,C Trumpet,Cymbals,Gong,Horn,Snare Drum,Tom Tom,Triangle - Level 4 - SKU: A0.1021135 Composed by Daniel Burwasser. Contemporary. ...
(+)
B-Flat Clarinet,Bassoon,C Trumpet,Cymbals,Gong,Horn,Snare Drum,Tom Tom,Triangle - Level 4 - SKU: A0.1021135 Composed by Daniel Burwasser. Contemporary. 40 pages. Head and Stem #6013231. Published by Head and Stem (A0.1021135). An Evocation is essentially the act of calling upon or summoning a spirit or other supernatural being, however, the composer had no specific special forces in mind when writing the piece and would prefer listeners to interpret the work on their own. This simply means that the piece could evoke anything in the mind such as past experiences. Evocation was composed in 1985. It was later revised in 2020 for this publication. Much effort has been made to retain the original intentions of the work.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60
$14.99
Wolf Skin
#
Elizabeth Skola Davis
#
Wolf Skin
#
Elizabeth Ann Davis
#
SheetMusicPlus
Double Bass,Piano Accompaniment,Tenor Voice - Level 4 - SKU: A0.826963 Composed by Elizabeth Skola Davis. Children,Contemporary. 19 pages. Elizabeth Ann...
(+)
Double Bass,Piano Accompaniment,Tenor Voice - Level 4 - SKU: A0.826963 Composed by Elizabeth Skola Davis. Children,Contemporary. 19 pages. Elizabeth Ann Davis #2849785. Published by Elizabeth Ann Davis (A0.826963). Wolf Skin, an original song for male voice, upright bass, and piano, was written to accompany a prose poem of the same name by Mary McMyne, which originally appeared in the Los Angeles Review and was subsequently reprinted as the title poem in McMyne's Elgin-Award-nominated collection (Wolf Skin, Dancing Girl Press, 2014). The lyrics and music retell the Little Red Riding Hood folktale from the huntsman's perspective, putting the listener into the position of the hero in the Brothers Grimm variant as he enters the grandmother's house. Inside, the baritone sings, the shadows shape a riddle, a story. The half-burnt candle in the kitchen, the unwashed dishes. The cloth-covered basket by the door. With these lines, we travel into the grandmother's house with the huntsman, the bass conjuring the strange buzzing sound of the wolf's snores, the piano manifesting the huntsman's realization of what happened before he arrived. The discord between the three voices in the trio, like the poem, questions the classic tale, interrogating the familiar trope of huntsman as hero at the same time as it pays homage to Franz Schubert's Erlkönig with its driving rhythm and dark tone.Bass part may be played by cello.Baritone version also available.
$3.99
Wolf Skin
#
Elizabeth Skola Davis
#
Wolf Skin
#
Elizabeth Ann Davis
#
SheetMusicPlus
Double Bass,Medium Voice,Piano Accompaniment - Level 4 - SKU: A0.826962 Composed by Elizabeth Skola Davis. Children,Contemporary. 18 pages. Elizabeth An...
(+)
Double Bass,Medium Voice,Piano Accompaniment - Level 4 - SKU: A0.826962 Composed by Elizabeth Skola Davis. Children,Contemporary. 18 pages. Elizabeth Ann Davis #2849783. Published by Elizabeth Ann Davis (A0.826962). Wolf Skin, an original song for male voice, upright bass, and piano, was written to accompany a prose poem of the same name by Mary McMyne, which originally appeared in the Los Angeles Review and was subsequently reprinted as the title poem in McMyne's Elgin-Award-nominated collection (Wolf Skin, Dancing Girl Press, 2014). The lyrics and music retell the Little Red Riding Hood folktale from the huntsman's perspective, putting the listener into the position of the hero in the Brothers Grimm variant as he enters the grandmother's house. Inside, the baritone sings, the shadows shape a riddle, a story. The half-burnt candle in the kitchen, the unwashed dishes. The cloth-covered basket by the door. With these lines, we travel into the grandmother's house with the huntsman, the bass conjuring the strange buzzing sound of the wolf's snores, the piano manifesting the huntsman's realization of what happened before he arrived. The discord between the three voices in the trio, like the poem, questions the classic tale, interrogating the familiar trope of huntsman as hero at the same time as it pays homage to Franz Schubert's Erlkönig with its driving rhythm and dark tone.Bass part may be played by cello.Tenor version also available.
$3.99
Sullivan: The Lost Chord for Baritone Horn & Piano
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for B
#
jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 4 - SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,...
(+)
Baritone Horn TC,Euphonium,Piano - Level 4 - SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Sullivan: The Lost Chord for Oboe d'Amore & Piano
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for O
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 4 - SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructio...
(+)
Instrumental Solo,Oboe d'Amore,Piano - Level 4 - SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497155. Published by jmsgu3 (A0.549449). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Lithuanian Nonet for winds & strings
#
Contemporain
#
Juozas ŽileviÄius
#
Kazys DaugÄ—la
#
Lithuanian Nonet for winds &am
#
Kazys Daugela
#
SheetMusicPlus
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys Dau...
(+)
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys DaugÄ—la. 20th Century,Classical. 162 pages. Kazys Daugela #942837. Published by Kazys Daugela (A0.1358397). Juozas ŽileviÄius (1891–1985) was an organist, composer, educator, and researcher in the history of music. In 1919, when graduating from the Petrograd Conservatory, he composed Symphony in F minor, the first Lithuanian composition in this genre. Upon his return to Lithuania in 1920, ŽileviÄius worked in various musical life spheres of the young republic: he took part in the activities of the Society of Lithuanian Art Creators, contributed to the establishment of Kaunas Opera House, worked for several years as the head of the Art Department at the Ministry of Education, prepared the first music curricula for secondary schools and progymnasiums, conducted courses for music teachers, taught at music schools in Kaunas and KlaipÄ—da, published a musical periodical, and initiated the first Lithuanian Song Festival. Musicologist DanutÄ— PetrauskaitÄ— managed to bring copies of three-movement Nonet for strings and wind instruments from Chicago to Lithuania. ŽileviÄius started writing it in December 1924. The composition was apparently inspired by the Czech Nonet members, working at KlaipÄ—da School of Music, who had been invited by its director Stasys Å imkus from Prague. This was a lively and youthful group that gave concerts all over Lithuania. It amazed audiences with its high artistic level and set an example for students, encouraging them to form various ensembles. The repertoire of the Czech Nonet consisted mainly of works from the Classical and Romantic eras. There were few contemporary compositions, and therefore the Czech Nonet performers turned to composers with a request to write new works for them. They might have discussed the matter with ŽileviÄius with whom they maintained a close relationship, as they did later with Lithuanian composer Jeronimas KaÄinskas.ŽileviÄius finished writing Nonet on 15 November 1926. All three movements were based on the intonations of Lithuanian folk melodies. The first movement (Andante. Allegro moderato) imitatively developed the motifs of the song “Autumn will Comeâ€, while the second one (Andante cantabile) featured fragments of the song I Rode through the Woodâ€, and the third one (Allegro) of the song “Oh, you Bird Cherryâ€. The composition was written professionally, it should have been attractive and interesting for the performers, but, unfortunately, it was never performed. The reasons for this could have been various: disagreements between the director of  KlaipÄ—da Music School, Å imkus, and his deputy, ŽileviÄius, as well a the Czech teachers’ falling into disgrace and starting to resign from their teaching positions in the autumn of 1926. A few years later, ŽileviÄius also resigned from the school: in January 1929 he left for the USA and settled in Elizabeth, New Jersey, where he worked as a church organist. He also brought his Nonet from KlaipÄ—da, hoping that this work would be heard in America. To this end, he found transcribers who made instrumental parts from the score. As it turned out, there were few Lithuanian instrumentalists in the USA, and ŽileviÄius did not have close relations with Americans. Thus Nonet, which the composer regarded as one of his most successful compositions after his Symphony in F minor, sank into oblivion. Thanks to Kazys DaugÄ—la, an opportunity appeared to edit and digitise it after the sheet music of Nonet had arrived in Lithuania. This work reveals the origins of the Lithuanian musical culture, enriches the repertoire of chamber-instrumental ensembles, broadens music education curricula, inks the name of ŽileviÄius, the author of both the first Lithuanian symphony and of the first nonet, in the history of music, and contributes to the preservation and fostering of the Lithuanian musical heritage.by Prof. Dr. DanutÄ— PetrauskaitÄ—.
$59.99
Jesus Christ is Risen Today for Brass Quartet with Descant
#
Bohemian Hymn
#
Keith Terrett
#
Jesus Christ is Risen Today fo
#
Keith Terrett
#
SheetMusicPlus
Horn,Piccolo Trumpet,Trombone,Tuba - Level 4 - SKU: A0.746869 Composed by Bohemian Hymn. Arranged by Keith Terrett. Baroque,Easter,World. 7 pages. Keith...
(+)
Horn,Piccolo Trumpet,Trombone,Tuba - Level 4 - SKU: A0.746869 Composed by Bohemian Hymn. Arranged by Keith Terrett. Baroque,Easter,World. 7 pages. Keith Terrett #4786801. Published by Keith Terrett (A0.746869). Arranged for Brass Quartet, Jesus Christ Is Risen Today was first written in Latin titled Surrexit Christus hodie, as a Bohemian hymn in the 14th century by an unknown author on manuscripts written in Munich and Breslau. In Latin, it had eleven verses. It was first translated into English in 1708 by John Baptist Walsh to be included in his Lyra Davidica (Collection of Divine Songs and Hymns). The verses of the hymn were revised in 1749 by John Arnold. Initially the hymn only had three verses translated with just the first verse being a direct translation; in 1740 Charles Wesley (one of the founders of Methodism) added a fourth verse to the hymn as an alternative, which was later adopted into the hymn as part of it. The hymn is also noted for having Alleluia as a refrain after every line.The hymn is set to a piece of music entitled Easter Hymn which was composed in the Lyra Davidica for Jesus Christ Is Risen Today. There was a later version of Easter Hymn composed by William Henry Monk which is also used for Jesus Christ Is Risen Today. Some denominations of Christianity often just use one while some use both. The hymn is sometimes confused with Christ the Lord Is Risen Today, which was written by Wesley. This is because the wording is similar and Christ the Lord Is Risen Today is usually likewise sung to Easter Hymn with Llanfair generally being the most common alternative.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$7.99
Stabat Mater - string ensemble parts
#
Contemporain
#
Annemieke Lustenhouwer
#
Stabat Mater - string ensemble
#
Annemieke Lustenhouwer
#
SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. ...
(+)
Small Ensemble - Level 4 - SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
Symphony No. 4 ... War and Peace (2001) for soprano and orchestra
#
Thomas Oboe Lee
#
Symphony No. 4 ... War and Pea
#
Thomas Oboe Lee
#
SheetMusicPlus
Large Ensemble Voice - Level 4 - SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part...
(+)
Large Ensemble Voice - Level 4 - SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 95 pages. Thomas Oboe Lee #15877. Published by Thomas Oboe Lee (A0.869357). Instrumentation: 2222-4231-timp-2perc-hp-pf-strings. Program note: First of all, a huge embrace for Max Hobart who has been so very supportive by promoting and premiering new works for the orchestra. Since 1991, I have written three works for Max and the Civic Symphony Orchestra of Boston. Symphony No. 4 ... War and Peace is my fourth contribution and this work is dedicated to Max. A year ago, John Finney and the University Chorale of Boston College premiered my Mass for the Holy Year 2000. It was a millennial commission by the Jesuit Institution for the community of Boston College. For that occasion I had originally planned to write a Mass whose texts would include both the Latin from the Ordinary of the Mass - Kyrie, Gloria, Credo, Sanctus & Agnus Dei - and poems concerning the atrocities and senseless killing in warfare during the last century.However, as it turned out, the poems I chose ended up reflecting the Latin text, which is all about faith and redemption. But I still wanted to write an anti-war symphony. When I approached Max with this idea, he was very excited. Initially he was a little concerned that I might want to use the Tolstoy novel as my inspiration. I assured him that it would not be a four-hour symphony. In order to convey a political message through a symphonic work, texts set as songs are the most direct way. For this symphony, I have narrowed my focus to poems written by veterans of the First World War - some euphemistically call it the Great War. The first poem by Rupert Brooke, The Soldier, has an uneasy, patriotic cheerfulness to its message. The second poem by Wilfred Owen, Dulce et decorum est, is a more realistic view of warfare. Dying for one's own country is not so cool when the dead and the dying are staring at your face!!! The third and last poem by Ivor Gurney, To his love, reflects on the aftermath of war: peace, but at what cost!!! Rupert Brooke (1887 - 1915) died on a naval expedition near the Greek island of Gallipoli. He died of blood poisoning. Wilfred Owen (1893 - 1918) was wounded three times in France in the spring of 1917 and was sent back to England to recuperate. He returned to the Front, and was killed on November 4, 1918, just a few days before the Armistice was signed. Ivor Gurney (1890 - 1937), a composer as well, was acutely sensitive to the horrors of the war and, after being wounded and gassed in 1917, he was sent back home to a mental hospital. He died twenty years later without ever recovering from the traumas of war.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-4-war-and-peace-2001
$9.99
Satie: Parade - II. Petite Fille Americaine - wind dectet
#
Classique
#
Contemporain
#
Erik Satie
#
Ray Thompson
#
Satie: Parade - II. Petite Fil
#
RayThompsonMusic
#
SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 p...
(+)
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!
$14.95
<
1
26
51
....
826
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
As It Was
