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As You Go Away!
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Vous avez sélectionné:
As You Go Away!
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Partitions à imprimer
5 partitions trouvées
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1
Farewell My Lovely
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David Shire
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Farewell My Lovely
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Uwe Roessler
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - SKU: A0.1090895 Composed by David Shire. Arranged by Uwe Roessler Rössler Rassl...
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - SKU: A0.1090895 Composed by David Shire. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Film/TV,Jazz,Standards. Score and parts. 12 pages. Uwe Roessler #695035. Published by Uwe Roessler (A0.1090895). The opening title of the soundtrack from the movie â€Farewell, My Lovely†(1975), with the great Robert Mitchum. Aka “Marlowe´s Themeâ€. As Leif “Smoke Rings†Anderson said about this piece: “It tells a sadly story about a lonely man walking away in the night, going nowhere.†The relaxed tempo makes it an ideal piece for after-hours. And the jazzy chords are just marvellous! Piano voice is written out - with additional chord symbols for your own voicings. As for the title, the name of the piece: I am not entirely sure, whether “Marlowe´s Theme†is correct. The music of the opening scene has no name, as far as I´ve been able to determine, and on Davis Shire´s own piano solo version there´s a combination of this piece with “Marlowe´s Themeâ€. But, there you go … . It´s fantastic music, anyway. This very effective arrangement follows the form of the original soundtrack (hence the youtube link). Original key (Bb minor). The form is: Piano intro (with the original piano pattern), theme in violin, cello plays half the theme, joined by tutti, piano plays half the theme as outro. Duration: approx 02.10 min. For Piano Trio / Quartet / Quintet. Minimal instrumentation: violin1, cello, piano. Optional voices for violin2, and bass included. Professional sheet material. Comes with full score, and complete individual parts. Level: intermediate/advanced. I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
$20.00
Parting, a love song for vocal duet
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Kevin G
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It flows to my yearning sea
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Parting, a love song for vocal
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Kevin G. Pace
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SheetMusicPlus
Voice Duet Soprano voice,Tenor Voice - Level 4 - SKU: A0.1518584 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Celtic,Contemporary,Irish,New ...
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Voice Duet Soprano voice,Tenor Voice - Level 4 - SKU: A0.1518584 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Celtic,Contemporary,Irish,New Age,Pop,Romantic Period. 13 pages. Kevin G. Pace #1092685. Published by Kevin G. Pace (A0.1518584). A lovely, heart-felt vocal duet for soprano and tenor. Music by Kevin G. Pace. Text by Mark R. Fotheringham.Text:BOTHGoodbye love, we sigh at parting.Goodbye love, we hold back the tears.Though our love may tide all weather, ohIt cannot hide our fears.HEI will not be gone forever.No, I’ll not be gone so long.Hold my heart with yours forever, Love,Then our love will ne'er go wrong. SHEYou will not be gone forever.No, you’ll not be gone so long.Hold my heart with yours forever, Love,Then our love will ne'er go wrong.BOTHGoodbye love, we sigh at parting.Goodbye love, we hold back the tears.Though our love may tide all weather, ohIt may not dispel our fears.HEThough my love is far away, her love is a constant.I see her face in ev'ry flower I see.I hear her voice, in ev'ry stream; It flows to my yearning sea.I carry on because she waits for me.SHEWhat would I do without his loveThe shadows would be too deepHis love is like the starry nightThat bids me sle-ep.HEThen in my dreams, when ev'rything seemsSo bright at her ev'ry touch, oh ma-y INe-ver awake to see the morn. In- dreams never can I miss her.SHEThough my love is gone away,His love is ever in my heart.So, I wait for him to come homeWith arms wide open for me.Kisses to assure me of his love.BOTHGoodbye love, we sighed at parting.Goodbye love, we held back the tears.Now our love has weathered ev'ry storm,And conquered all our fears.SHEOh, you were not gone forever.No, you were not gone so long.Hold my heart with yours forever, Love,Then our love will ne'er go wrong. SHEYes, I was not gone forever.No, I was not gone so long.Hold my heart with yours forever, Love,Then our love will ne'er go wrong.BOTHGoodbye love, we sighed at parting.Goodbye love, we held back the tears.Now as love has weathered ev'ry storm,Love will last through all our years.
$5.99
Song of the Childless
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Contemporain
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David Warin Solomons
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Song of the Childless
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.576279 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 4 pages. David Warin Solomons #15653. Published by David Warin Solomons (A0.576279). This song was inspired by my initial reactions to the realization that I am infertile. In my case this was due to Kallmann's syndrome I am now perfectly happy with my infertility, after all, there is much else to do in the world and Dawkins' selfish gene can simply go spin its plot elsewhere: my children are my compositions, and they populate the world in their own way with joy, humour and thoughtfulness... wherever they will... ... However, I know there are many who are not happy with childlessness, so I dedicate this song to them ....and to my past self. The sound sample is my own performance. Here are the words: Learn this my child, who never hears my word Your luck is out, you are but but a poem deaf to change You are a romantic ramble on absurd round which the childless brain desires to range Hear this my daughter, blind to loveliness Your love is mine, untouchable, unknown to all Save to a song befitting her distress Whom Sappho loved but answered not her call See this my eunuch, watching others` joy Your luck was in, your luck was in You threw it far away, too far away for its return Save to another and another boy while I look on, unmoved as from a star Taste this my tears grown cold Resigned and pure Your love is his I know not whose nor do I care Yet love I would, and yet cannot be sure that another`s love could now be mine to share Warm this my heart These strings beget my child Their luck is in Their love is mine So close, my son! My daughter`s breath sings Through my fingers styled Sings to herself All other children shun © David W Solomons Video:https://www.youtube.com/watch?v=NOB34ds34Tk
$11.00
The Butterfly
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Contemporain
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Daniel Burwasser
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The Butterfly
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Head and Stem
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SheetMusicPlus
Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Ste...
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Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Stem (A0.1089176). Pavel Friedmann wrote the poem “The Butterfly†in 1942 in the Terezin Ghetto when he was 21. He was murdered in the Auschwitz extermination camp in 1944. Pavel was born in 1921 in Prague, Czechoslovakia (now the Czech Republic) to a Jewish father and a Christian mother. The Butterfly is a living symbol of the beauty of freedom. Such a free spirit could never have survived the confines of the Warsaw ghetto. But while the butterfly did fly away, the spirit and love of freedom it represented never left the souls of the Jews of the ghetto. They always prayed that one day the barbed wire would come down and the butterfly would reappear. The butterfly flutters there today, but many of the Jews who prayed for its return did not live to welcome it back. The first performance of The Butterfly was given on May 8, 1988 at JASA in New York City. The performers were: Andrew Bolotowsky, flute Glenn Rhian, vibraphone Mimi Stern-Wolfe, reciter There are at least two versions of the poem The Butterfly due to different translations.This work uses VERSION 2 as translated here: The last, the very last, So richly, brightly, dazzlingly yellow. Perhaps if the sun's tears would sing against a white stone... Such, such a yellow carried lightly way up high. It went away I'm sure because it wished to kiss the world goodbye. For seven weeks I've lived in here, penned up inside this ghetto, but I have found my people here. The dandelions call to me and the white chestnut candles in the court. Only I never saw another butterfly. That butterfly was the last one. Butterflies don't live in here, In the ghetto.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$12.00
Kommos (Lamentation) / "When the World Moved On" - Timpani
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 4 - SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 4 - SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078699. Published by Benjamin Sajo (A0.1018954). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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