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--INSTRUMENTS--
ACCORDEON
ALTO
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BANJO
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69 partitions trouvées
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51
Alto Altissimo: 41 Essential Fingerings for Alto Saxophone
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Aldo Salvent
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Alto Altissimo: 41 Essential F
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SALVENT MUSIC LLC
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - SKU: A0.969251 Composed by Aldo Salvent. Instructional,Jazz,Pop. Octavo. 46 pages. SALVENT MUSIC LLC #5953129. Publish...
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Choral Choir (4-Part) - Level 4 - SKU: A0.969251 Composed by Aldo Salvent. Instructional,Jazz,Pop. Octavo. 46 pages. SALVENT MUSIC LLC #5953129. Published by SALVENT MUSIC LLC (A0.969251). Aldo Salvent's book Alto Altissimo: 41 Essential Fingerings for Alto Saxophone is a clear, well-organized, and comprehensive guide to the most essential altissimo fingerings that all modern saxophone players need to know in order to extend their range on their instrument. These days, professional saxophonists are expected not only to be able to access and control altissimo notes, but also to have the facility to play complex melodic lines in the altissimo register while reading compositions and improvising. Without any guidance, it can be a daunting and time-consuming task to track down reliable fingerings that work well and consistently for different musical contexts and on different saxophone models. This book offers a convenient remedy for this problem, as it provides an incredibly useful repository of fingering options that will allow saxophonists to develop more dexterity and control in the altissimo register. I highly recommend that all saxophonists buy this book, as it is an invaluable teaching and learning resource that can be referenced again and again. -Josiah Boornazian, D.M.A.
$9.99
Sweet Dreams (Are Made Of This)
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Pop musique
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The Eurythmics
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Joshua L
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Sweet Dreams
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Joshua Harris
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SheetMusicPlus
Small Ensemble Electronic Keyboard - Level 4 - SKU: A0.1029104 By The Eurythmics. By Annie Lennox and David Stewart. Arranged by Joshua L. Harris. Pop. ...
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Small Ensemble Electronic Keyboard - Level 4 - SKU: A0.1029104 By The Eurythmics. By Annie Lennox and David Stewart. Arranged by Joshua L. Harris. Pop. Score and parts. 24 pages. Joshua Harris #4756269. Published by Joshua Harris (A0.1029104). This arrangement truly embraces the versatile nature of the modern electric keyboard/piano. It is written for 5 electric keyboards played through MIDI patches to sound like different instruments. Although the parts are named for the instrument patch that they begin on, some parts may be required to switch to other patches during the performance.The drum part can be played live with a drum set or drum pad, or it can be pre-programmed through a drum machine or MIDI file that the keyboard parts play along with.There is a wide variety of keyboards that could work for producing the sounds for these parts, from digital pianos with built-in sounds, to MIDI controller keyboards connected to MIDI sound modules, to the iconic 1980’s keytar. Find the combination of keyboards that works for you and have fun!
$15.00
Take On Me
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Contemporain
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a-ha
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Joshua L
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Take On Me
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Joshua Harris
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SheetMusicPlus
Small Ensemble Electronic Keyboard - Level 4 - SKU: A0.1029103 By a-ha. By Magne Furuholmne and Pal Waaktaar. Arranged by Joshua L. Harris. Contemporary...
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Small Ensemble Electronic Keyboard - Level 4 - SKU: A0.1029103 By a-ha. By Magne Furuholmne and Pal Waaktaar. Arranged by Joshua L. Harris. Contemporary. Score and parts. 32 pages. Joshua Harris #4756217. Published by Joshua Harris (A0.1029103). This arrangement truly embraces the versatile nature of the modern electric keyboard/piano. It is written for 5 electric keyboards played through MIDI patches to sound like different instruments. Although the parts are named for the instrument patch that they begin on, some parts may be required to switch to other patches during the performance. Parts that replicate sounds that are not exclusive to keyboard (i.e. guitar, bass guitar, etc.) could be substituted with the actual instrument. Just remember that the parts are notated in the octave/transposition for keyboard.There is a wide variety of keyboards that could work for producing the sounds for these parts, from digital pianos with built-in sounds, to MIDI controller keyboards connected to MIDI sound modules, to the iconic 1980’s keytar. Find the combination of keyboards that works for you and have fun!
$15.00
Don't Stop Believin'
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Rock
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Journey
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Joshua L
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Don't Stop Believin'
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Joshua Harris
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SheetMusicPlus
Small Ensemble Electronic Keyboard - Level 4 - SKU: A0.1029105 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Joshua L. Harris. ...
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Small Ensemble Electronic Keyboard - Level 4 - SKU: A0.1029105 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Joshua L. Harris. Rock. Score and parts. 32 pages. Joshua Harris #4757817. Published by Joshua Harris (A0.1029105). This arrangement truly embraces the versatile nature of the modern electric keyboard/piano. It is written for 5 electric keyboards played through MIDI patches to sound like different instruments. Although the parts are named for the instrument patch that they begin on, some parts may be required to switch to other patches during the performance. Parts that replicate sounds that are not exclusive to keyboard (i.e. guitar, bass guitar, etc.) could be substituted with the actual instrument. Just remember that the parts are notated in the octave/transposition for keyboard.The drum part can be played live with a drum set or drum pad, or it can be pre-programmed through a drum machine or MIDI file that the keyboard parts play along with.There is a wide variety of keyboards that could work for producing the sounds for these parts, from digital pianos with built-in sounds, to MIDI controller keyboards connected to MIDI sound modules, to the iconic 1980’s keytar. Find the combination of keyboards that works for you and have fun!
$15.00
Push & Pull by The Khromatiks, for Electric Violin & Loop Station
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The Khromatiks
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Push & Pull by The Khromat
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ViolinVagabond Music
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SheetMusicPlus
Electric Violin,Instrumental Solo - Level 4 - SKU: A0.845977 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemp...
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Electric Violin,Instrumental Solo - Level 4 - SKU: A0.845977 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,Latin. Individual part. 10 pages. ViolinVagabond Music #5375599. Published by ViolinVagabond Music (A0.845977). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2013. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boss RC-30 loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Boomerang III, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: the head melody is a basic lydian dominant motif that gets displaced forwards or backwards by a sixteenth note on each iteration. In Nashville Number System, we call this sort of syncopation a push, which inspired the title. This idea transitions into a B solo section with a latin songo groove. This is a great tune for practicing tight rhythmic syncopation, or for developing solo ideas on modal scales!With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass (plays the bottom line of loop 2 only) or guitar/keyboards (read the chord symbols as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99
Haiku by The Khromatiks, for Electric Violin & Loop Station
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Kayleigh Moyer, Kyle Pudenz, a
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improvised
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Haiku by The Khromatiks, for E
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ViolinVagabond Music
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SheetMusicPlus
Electric Violin,Instrumental Solo - Level 4 - SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz...
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Electric Violin,Instrumental Solo - Level 4 - SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,New Age. Individual part. 8 pages. ViolinVagabond Music #6017039. Published by ViolinVagabond Music (A0.845981). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 3 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: a Haiku is characterized by a pattern of 5-7-5 syllables, and in this piece that refers to the meters used in each of the overarching sections. The ambient intro in 5/8 involves a quartal ostinato with long sweeping volume swells, which then develops into a pizzicato groove in 7/8. This groove forms the basis for the majority of the tune, as melodies & improvised solos drift in and out over an A and B section loop. On the final B section, the loop drops out and the violinist builds up into a more distorted strum bowing groove (which accompanies a drum solo on the original recording). As the intensity builds, the 7/8 groove is shortened back into 5/8, thus completing the Haiku. The piece ends with a restatement of the original ostinato as it fades into silence using an automated volume fade on the looper pedal.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass or guitar/keyboards (players can read the chord symbols on the chart as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99
A time of change for clarinet and classical guitar (mp3)
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András Csáki
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A time of change for clarinet
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar - Level 4 - SKU: A0.1506749 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary...
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Clarinet,Guitar - Level 4 - SKU: A0.1506749 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 221. David Warin Solomons #1082120. Published by David Warin Solomons (A0.1506749). This is the first movement of the suite Times of ChangeIt is based on my setting for voice and guitar of the poem A time of change by Mark Haviland:Survivors of some strange social shipwreck we swim seperately to shore There to sit with heads in hands not speaking to each other any more We were a group a single body united in our purpose Now isolated helpless communication contact lost the fragments of some past mosaic whole now each a single coloured splinter without guidance or control The kaleidoscope is shaken the pattern disappears the fragments rearranging A new design appears we take on new identities abandonning the past Memories of our former ties are all that's left at last.
$5.00
Arabesque No. 1
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Classique
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Claude Debussy
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Chris North
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Arabesque No. 1
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1474070 Composed by Claude Debussy. Arranged by Chris North. 19th Century,Romantic Period. Brass Band. 67 pages. Danetre Music #1051704. Published by Danetre Music (A0.1474070). Debussy’s piano classic, transcribed for Brass Band. The atmosphere of the music has been captured well and would provide a gentle interlude for any concert - British Bandsman - July 2003. Scored for traditional British Brass Band instrumentation with additional parts for glockenspiel and vibraphone. Quite a demanding piece in terms of flexibility and control, so the arrangement is aimed at Championship / First Section bands.
$39.99
Dancing To The Party Next Door
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Neil Diamond
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Jeffrey Bowen
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Dancing To The Party Next Door
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir,Choral,SAA Chorus - Level 4 - SKU: A0.1441787 Composed by Neil Diamond. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 12 pages. Music Ar...
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Choral Choir,Choral,SAA Chorus - Level 4 - SKU: A0.1441787 Composed by Neil Diamond. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 12 pages. Music Arrangement Services Inc. #1021772. Published by Music Arrangement Services Inc. (A0.1441787). Performed by Neil Diamond. This song is about being alone yet having a good time dancing to the party next door. The song refers to sitting at home, reading a magazine, sound of rock and roll, losing control, grooving with the kids, having a good time, being reserved and proper, flying high, seeing the writing on the wall, flying while being afraid to fall. This arrangement includes a vocal feature and dance break. This arrangement is designed for high school or college show choir, concert choir or community choir. Concert Band Score accompaniment also available. Performance time is approximately 2:55.
$3.99
Crossroads
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Cameron Duncan
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Crossroads
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Cameron Duncan
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SheetMusicPlus
Instrumental Solo,Quad Toms - Level 4 - SKU: A0.1341893 Composed by Cameron Duncan. Contest,Festival. Individual part. 2 pages. Cameron Duncan #927403. ...
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Instrumental Solo,Quad Toms - Level 4 - SKU: A0.1341893 Composed by Cameron Duncan. Contest,Festival. Individual part. 2 pages. Cameron Duncan #927403. Published by Cameron Duncan (A0.1341893). Crossroads is a marching tenor solo focused on, you guessed it, cross-overs. This intermediate-advanced solo has a joyant main theme and a dextrous display of control around the tenors. Composed for six-drum tenors.
$1.99
Sixteen Duets from selected Vocalises (No. 17-32) for Euphonium & Tuba volume 2
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Giuseppe Concone
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Ran Whitley
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Sixteen Duets from selected Vo
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Gordon Cherry
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - SKU: A0.811119 Composed by Giuseppe Concone. Arranged by Ran Whitley. Classical,Opera,Rom...
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Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - SKU: A0.811119 Composed by Giuseppe Concone. Arranged by Ran Whitley. Classical,Opera,Romantic Period. Score and parts. 39 pages. Gordon Cherry #5212747. Published by Gordon Cherry (A0.811119). The Vocalises by Giuseppe Concone were originally composed in the 19th Century as exercises for vocalists learning their art. More lately in the 20th Century, musicians have discovered this body of literature and have transcribed these exercises for every possible instrument for their inherent benefit in teaching musical expression, phrasing, lyricism and breath control. Volume 2 (No. 17-32) of these duets or counterparts for Euphonium and Tuba are perfect for teacher and student to help perfect the techniques mentioned above and are of intermediate + difficulty.
$22.50
Sixteen Duets from selected Vocalises for Trombone or Euphonium, Volume 2
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Concone, Guiseppe
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Whitley, Ran
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Sixteen Duets from selected Vo
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Gordon Cherry
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet,Trombone - Level 4 - SKU: A0.792195 Composed by Concone, Guiseppe. Arranged by Whitley, Ran. 20th Century,...
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Instrumental Duet Euphonium,Instrumental Duet,Trombone - Level 4 - SKU: A0.792195 Composed by Concone, Guiseppe. Arranged by Whitley, Ran. 20th Century,Classical,Instructional,Opera,Romantic Period. Score and parts. 38 pages. Gordon Cherry #4607649. Published by Gordon Cherry (A0.792195). The Vocalises by Giuseppe Concone were originally composed in the 19th Century as exercises for vocalists learning their art. More lately in the 20th Century, musicians have discovered this body of literature and have transcribed these exercises for every possible instrument for their inherent benefit in teaching musical expression, phrasing, lyricism and breath control. Volume 2 of these duets or counterparts (numbers 17-32) are perfect for teacher and student to help perfect the techniques mentioned above and are of intermediate difficulty. Ran Whitley has done a great job adapting these beautiful melodies as duets.
$22.50
Christmas Lights
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Rock
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Coldplay
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Gary D
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Christmas Lights
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DR GARY D BELSHAW
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SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 4 - SKU: A0.796701 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged...
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Contrabassoon,Instrumental Solo,Piano - Level 4 - SKU: A0.796701 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCAP). Rock. Score and individual part. 16 pages. DR GARY D BELSHAW #3663557. Published by DR GARY D BELSHAW (A0.796701). 2018 Holiday Contest Entry.It's amazing just how much the Contrabassoon loves this tune - and how the music loves the horn!And what could be more in the holiday spirit than this Coldplay song about someone who can't believe she's gone? Get yourself into the true holiday spirit and celebrate those Christmas lights. Bring this music to any holiday social or civic event, recital, or concert. Explore the whole range of the instrument, and of the season. Good breath control and solid articulation will help folks stay with you. Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us. We are also ready at any time to create something just for you.
$6.99
Sullivan: The Lost Chord for Baritone Horn & Piano
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 4 - SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,...
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Baritone Horn TC,Euphonium,Piano - Level 4 - SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
The Swan (Carnival of the Animals No.13) - tenor horn and piano with FREE BACKING TRACK
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Classique
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Camille Saint-Saens
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Austin Ralphson
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The Swan
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Austin Ralphson
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SheetMusicPlus
Instrumental Solo,Piano,Tenor Horn - Level 4 - SKU: A0.564176 Composed by Camille Saint-Saens. Arranged by Austin Ralphson. Romantic Period,Wedding. Sco...
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Instrumental Solo,Piano,Tenor Horn - Level 4 - SKU: A0.564176 Composed by Camille Saint-Saens. Arranged by Austin Ralphson. Romantic Period,Wedding. Score and individual part. 7 pages. Austin Ralphson #6273129. Published by Austin Ralphson (A0.564176). The most famous movement from Carnival of the Animals, this slowly moving melody (which evokes the swan elegantly gliding over the water) is played over rippling sixteenths in the piano. The melody requires good control of the instrument to ensure the phrases are musical and the tone even throughout.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/FOP66dRUh9E (copy and paste into a new window) and also in the video screen above.This piece features in a collection of 5 beautiful solos which is available to purchase here for $9.99: https://armusiconline.com/b/QiF2g
$3.99
Christmas This Year
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Noël
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Tobymac Feat
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Gary D
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Christmas This Year
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DR GARY D BELSHAW
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 4 - SKU: A0.796656 By Tobymac Feat. Leigh Nash. By Cary Barlowe, Jesse Frasure, and Toby McKeehan. Arranged by G...
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Woodwind Ensemble,Woodwind Trio - Level 4 - SKU: A0.796656 By Tobymac Feat. Leigh Nash. By Cary Barlowe, Jesse Frasure, and Toby McKeehan. Arranged by Gary D. Belshaw (ASCAP). Contemporary. 34 pages. DR GARY D BELSHAW #3259465. Published by DR GARY D BELSHAW (A0.796656). 2017 Holiday Contest Entry. Duration 3:30. 33 pages after deleting Sample Part Page.How much fun is this Advanced Intermediate tobyMac Christmas song to play? Like Toby says: It's like I'm ten tears old again! This is an Alto Sax trio, but it just has to have rhythm under it. Perfect for that holiday studio recital, a school, civic, or social function. Great fun at church; even adults will move to the rhythm. Use this to build your breath control, long tones, precision, and facility. All three parts are well-balanced and share the load equally.There are two copies of the score for your pianist, formatted in two different ways. Some tablet users may prefer the version at the end of the file. Blank pages are inserted (after you delete the Sample Part Page) so you can print the whole file all at once. Be sure to set your copier/printer for two-sided printing!Follow and comment on Gary D. Belshaw Music on Facebook and Twitter.
$12.99
Nimrod from The Enigma Variations
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Classique
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Edward Elgar
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Erik Cole
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Nimrod from The Enigma Variati
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Erik Cole
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.996085 Composed by Edward Elgar. Arranged by Erik Cole. Romantic Period. 15 pages. Erik Cole #4777657. Published b...
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Woodwind Ensemble - Level 4 - SKU: A0.996085 Composed by Edward Elgar. Arranged by Erik Cole. Romantic Period. 15 pages. Erik Cole #4777657. Published by Erik Cole (A0.996085). A double reed orchestration of one of the most solemn and beautiful 43 measures ever written. This adagio variation from the Enigma Variations is often performed on its own - it’s a wonderful contrast to most other music written for the double reeds, and requires much breath control and dynamic range. All oboe and bassoon parts are divisi.
$7.00
Carmen Suite 3. Intermezzo
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Classique
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Georges Bizet
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Erik Cole
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Carmen Suite 3. Intermezzo
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Erik Cole
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.996091 Composed by Georges Bizet. Arranged by Erik Cole. Romantic Period. 17 pages. Erik Cole #4792221. Published ...
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Woodwind Ensemble - Level 4 - SKU: A0.996091 Composed by Georges Bizet. Arranged by Erik Cole. Romantic Period. 17 pages. Erik Cole #4792221. Published by Erik Cole (A0.996091). A double reed transcription of the Intermezzo from Carmen Suit No. 1. This was one of the most difficult pieces I’ve ever tried to transcribe, but I didn’t want to leave it out of the suite. Trying to mimic the harp with a double reed ensemble was difficult, but I decided to split it among many parts so notes could ring a little instead of giving the part to just one player. Also, I was very tempted to change the key because of the horrible range, but no matter which way I went, it only created more problems than it solved. As such, a very simple and beautiful piece has become quite difficult to play. Still, with a lot of breath control and skill, it works rather nicely.
$7.50
The Great Gate of Kiev from Pictures at an Exhibition - Brass Quartet
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Classique
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Modest Petrovich Mussorgsky
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John Groves
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The Great Gate of Kiev from Pi
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John Groves
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.783524 Composed by Modest Petrovich Mussorgsky. Arranged by John Groves. 19th Century,Romantic ...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.783524 Composed by Modest Petrovich Mussorgsky. Arranged by John Groves. 19th Century,Romantic Period,Wedding. 19 pages. John Groves #6324867. Published by John Groves (A0.783524). Highlights of The Great Gate of Kiev from Pictures at an Exhibition with brief introduction Promenade.Arranged for Brass Quartet or double up parts to create a sonorous brass ensemble.Bb TrumpetHorn in FTrombone or opt. Baritone / Euphonium B.C.Tuba or opt. Bass TromboneNice chop builder for phrasing, breath control, intonation, dynamics, sectional playing, etc, etc not to mention just plain fun to play and audience loved. Works great for programming for high school and up musicians, concerts, recitals, reading sessions.Score and individual parts included.
$14.99
The Great Gate Kiev from Pictures at an Exhibition - 2 Trumpet, Horn, Trombone (Brass Quartet)
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Classique
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Modest Petrovich Mussorgsky
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John Groves
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The Great Gate Kiev from Pictu
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John Groves
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet - Level 4 - SKU: A0.783650 Composed by Modest Petrovich Mussorgsky. Arranged by John Groves. 19th Century,Romantic Perio...
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Euphonium,Horn,Trombone,Trumpet - Level 4 - SKU: A0.783650 Composed by Modest Petrovich Mussorgsky. Arranged by John Groves. 19th Century,Romantic Period. 17 pages. John Groves #6531387. Published by John Groves (A0.783650). Highlights of The Great Gate of Kiev from Pictures at an Exhibition with brief introduction Promenade.Arranged for Brass QuartetBb Trumpet 1Bb Trumpet 2Horn in FTrombone or opt. Baritone / Euphonium B.C.Nice chop builder for phrasing, breath control, intonation, dynamics, sectional playing, etc, etc not to mention just plain fun to play and audience loved. Works great for programming for high school and up musicians, concerts, recitals, reading sessions.Score and individual parts included.
$14.99
Of Fire and Dance
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Contemporain
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John Ricks
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Of Fire and Dance
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John Ricks
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1026401 Composed by John Ricks. 20th Century,Contemporary. 34 pages. John Ricks #6897369. Published by John Ricks ...
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Woodwind Ensemble - Level 4 - SKU: A0.1026401 Composed by John Ricks. 20th Century,Contemporary. 34 pages. John Ricks #6897369. Published by John Ricks (A0.1026401). This is a piece of two alternating ideas, one of control and balance, and another of burning energy ripping away at your very self. .
$6.55
Recordare (from "Requiem") (F) (Bassoon Sextet - 5 Bassoons, 1 Contrabassoon)
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Contrabassoon - Level 4 - SKU: A0.1110862 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical...
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Woodwind Ensemble Contrabassoon - Level 4 - SKU: A0.1110862 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713157. Published by Regis Bookshar (A0.1110862). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Bassoon Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Bassoon Sextet, consisting of 5 Bassoons and 1 Contrabassoon, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Bassoon Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
Recordare (from "Requiem") (F) (Brass Sextet - 5 Euph (Treble Clef), 1 Tuba)
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Euphonium,Tuba - Level 4 - SKU: A0.1110879 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Re...
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Euphonium,Tuba - Level 4 - SKU: A0.1110879 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713173. Published by Regis Bookshar (A0.1110879). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Sextet, consisting of 5 Euphoniums and 1 Tuba, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages) written for the Euphoniums in Treble Clef. There is also a version written in Bass Clef, if you would prefer. The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
Recordare (from "Requiem") (F) (Brass Sextet - 5 Trb, 1 Tuba)
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Trombone,Tuba - Level 4 - SKU: A0.1110882 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Rel...
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Trombone,Tuba - Level 4 - SKU: A0.1110882 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713177. Published by Regis Bookshar (A0.1110882). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Sextet, consisting of 5 Trombones and 1 Tuba, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
Recordare (from "Requiem") (F) (Brass Sextet - 5 Euph (Bass Clef), 1 Tuba)
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Classique
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Euphonium,Tuba - Level 4 - SKU: A0.1110877 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Re...
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Euphonium,Tuba - Level 4 - SKU: A0.1110877 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713171. Published by Regis Bookshar (A0.1110877). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Sextet - Advanced/Intermediate - . Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Sextet, consisting of 5 Euphoniums and 1 Tuba, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages) written in Bass Clef. There is also a version written in Treble Clef, if you would prefer. The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
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