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Vous avez sélectionné:
Court Mast
avancé
Partitions à imprimer
11 partitions trouvées
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Jib Jive - Jazz Trumpet Quartet
Trumpet, Jazz Ensemble, Brass Quartet
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Court Mast
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Jib Jive - Jazz Trumpet Quarte
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Court Mast
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SheetMusicPlus
By Court Mast. For Trumpet, Jazz Ensemble, Brass Quartet. Blues, Jazz. Advanced Intermediate. Set of Parts, Score. Court Mast #10132. Published by Court Mast ...
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By Court Mast. For Trumpet, Jazz Ensemble, Brass Quartet. Blues, Jazz. Advanced Intermediate. Set of Parts, Score. Court Mast #10132. Published by Court Mast
$29.95
Samba Sausalito - Lead Sheet
Piano, Flute, Saxophone, Trumpet, Trombone, Jazz Ensemble
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Jazz
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Latin/Musique du monde
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Court Mast
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Samba Sausalito - Lead Sheet
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Court Mast
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SheetMusicPlus
Composed by Court Mast. For Piano, Flute, Saxophone, Trumpet, Trombone, Jazz Ensemble. Jazz, Latin. Advanced Intermediate. Lead Sheet, Set of Parts, Score. Cour...
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Composed by Court Mast. For Piano, Flute, Saxophone, Trumpet, Trombone, Jazz Ensemble. Jazz, Latin. Advanced Intermediate. Lead Sheet, Set of Parts, Score. Court Mast #10086. Published by Court Mast
$19.95
Lonely Sea - Lead Sheet
Piano, Saxophone, Trumpet, Trombone, Jazz Ensemble
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Court Mast
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Lonely Sea - Lead Sheet
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Court Mast
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SheetMusicPlus
By Court Mast. For Piano, Saxophone, Trumpet, Trombone, Jazz Ensemble. Blues, Jazz. Advanced Intermediate. Lead Sheet, Set of Parts, Score. Court Mast #10070. P...
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By Court Mast. For Piano, Saxophone, Trumpet, Trombone, Jazz Ensemble. Blues, Jazz. Advanced Intermediate. Lead Sheet, Set of Parts, Score. Court Mast #10070. Published by Court Mast
$19.95
Bridgeway - Lead Sheet
Piano, Saxophone, Trumpet, Trombone, Jazz Ensemble
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Jazz
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Latin/Musique du monde
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Court Mast
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Bridgeway - Lead Sheet
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Court Mast
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SheetMusicPlus
By Court Mast. For Piano, Saxophone, Trumpet, Trombone, Jazz Ensemble. Jazz, Latin. Advanced Intermediate. Lead Sheet, Set of Parts, Score. Court Mast #10030. P...
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By Court Mast. For Piano, Saxophone, Trumpet, Trombone, Jazz Ensemble. Jazz, Latin. Advanced Intermediate. Lead Sheet, Set of Parts, Score. Court Mast #10030. Published by Court Mast
$19.95
Bonita - Lead Sheet
Piano, Saxophone, Trumpet, Trombone, Jazz Ensemble
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Jazz
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Latin/Musique du monde
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Court Mast
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Bonita - Lead Sheet
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Court Mast
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SheetMusicPlus
By Court Mast. For Piano, Saxophone, Trumpet, Trombone, Jazz Ensemble. Jazz, Latin. Advanced Intermediate. Lead Sheet, Set of Parts, Score. Court Mast #10025. P...
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By Court Mast. For Piano, Saxophone, Trumpet, Trombone, Jazz Ensemble. Jazz, Latin. Advanced Intermediate. Lead Sheet, Set of Parts, Score. Court Mast #10025. Published by Court Mast
$19.95
Carlo Farina – Capriccio Stravagante (Score and parts, PDF)
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Classique
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Carlo Farina
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Sneakwood Editions
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Carlo Farina – Capriccio
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Sneakwood Editions
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Harpsichord,Viola,Violin - Level 4 - SKU: A0.890764 Composed by Carlo Farina. Arranged by Sneakwood Editions. Baroque,C...
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Small Ensemble Cello,Double Bass,Harpsichord,Viola,Violin - Level 4 - SKU: A0.890764 Composed by Carlo Farina. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 48 pages. Sneakwood Editions #4781029. Published by Sneakwood Editions (A0.890764). Farina was born at Mantua. He presumably received his first lessons from his father, who was sonatore di viola at the court of the Gonzaga in that city. Later he got further education probably by Salomone Rossi and Giovanni Battista Buonamente. From 1626 to 1629, he worked as concertmaster in Dresden. In Dresden he worked with Heinrich Schütz, who interested him in composing. From 1629 to 1631, he was a prominent member of the electoral court orchestra in Bonn, until he returned to Italy, where he worked in Parma and later in Lucca until 1635. In 1635 he held position at the court of Carlo I Cybo-Malaspina, Prince of Massa, and between 1636 and 1637 in Gdańsk. From 1638 he lived in Vienna, where he died of the plague probably a year later.He is considered to be one of the earliest violin virtuosos and he made many contributions to violin technique. For example, in his work Capriccio Stravagante (1627) he used the violin to imitate animal sounds like dogs barking or cats fighting. [wikipedia]For further information about the piece you can read
$20.00
Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
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Classique
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Johann Sebastian Bach
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James M
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Bach: Brandenburg Concerto No.
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standar...
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Woodwind Ensemble - Level 4 - SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 70 pages. Jmsgu3 #984834. Published by jmsgu3 (A0.1401651). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$49.95
BACH: Preludio from Partita No. 3 BWV 1006.1 for Solo Violin & String Trio
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Classique
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Johann Sebastian Bach
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James M
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BACH: Preludio from Partita No
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jmsgu3
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SheetMusicPlus
String Trio - Level 4 - SKU: A0.552697 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. 37 pages. Jms...
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String Trio - Level 4 - SKU: A0.552697 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. 37 pages. Jmsgu3 #6514527. Published by jmsgu3 (A0.552697). Bach's chosen genres for the Partitas allow for a musical variety of staggering scope, encompassing everything from densely worked counterpoint to elegant courtly dances composed in a style marked by rhythmic and melodic invention underpinned by complex harmonic shifts. The semiquavers in Bach's Partita No. 3 Preludio are a defining feature of the piece. The Preludio consists almost entirely of semiquavers, which creates a sense of constant motion and energy throughout the work. The semiquavers also allow Bach to showcase his technical violin mastery, as the piece requires precise and rapid fingerwork. Using semiquavers is a common feature of Baroque music, often featuring fast, intricate melodies and complex counterpoint. Overall, the semiquavers in the Preludio contribute to the piece's lively and exuberant character and demonstrate Bach's skill as a composer and performer.
$42.95
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