English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Give It All
Non classifié
207
Piano & claviers
Piano seul
98
Piano, Voix
21
Piano, Voix et Guitare
11
Instruments en Do
6
Orgue
6
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
14
Guitare notes et tablatures
6
4 Guitares (Quatuor)
2
Ligne De Mélodie, (Paroles) et Accords
2
2 Guitares (duo)
1
Basse electrique
1
Ukulele
1
2 Dulcimers (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
48
Chorale SSAA
8
Voix Soprano, Piano
6
Chorale TTBB
6
Chorale 3 parties
2
Voix Alto, Piano
2
Voix duo, Piano
2
Voix moyenne, Piano
1
Voix seule
1
Chorale SSATTB
1
Chorale 2 parties
1
Chorale Unison
1
Voix Tenor, Piano
1
+ 8 instrumentations
Retracter
Vents
Ensemble de saxophones
36
Quintette de Saxophone: 5 saxophones
20
Quatuor de Saxophones: 4 saxophones
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Ensemble de Clarinettes
11
Ensemble de Flûtes
7
Flûte traversière et Piano
7
Quatuor de Clarinettes: 4 clarinettes
6
Flûte, Hautbois, Clarinette, Basson
6
Hautbois, Piano (duo)
6
Saxophone Alto et Piano
5
Clarinette et Piano
5
2 Flûtes traversières (duo)
3
Quintette de Flûte : 5 flûtes
3
Saxophone Tenor et Piano
2
3 Saxophones (trio)
2
Flûte, Clarinette (duo)
2
Saxophone Baryton, Piano
2
2 Clarinettes (duo)
2
2 Saxophones (duo)
2
Clarinette Basse, Piano
2
Saxophone, Clarinette (duo)
2
3 Clarinettes (trio)
1
Quintette de Clarinettes: 5 clarinettes
1
Trio de Flûtes: 3 flûtes
1
Flûte à bec Tenor
1
Quatuor de Flûtes : 4 flûtes
1
Flûte à bec Soprano
1
Clarinette
1
Flûte, Violon et Violoncelle
1
5 Flûtes à bec
1
Saxophone Tenor
1
Saxophone
1
+ 28 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Quatuor de Cuivres
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Ensemble de Trombones
6
Ensemble de Trompettes
6
Ensemble de Cors
4
Trompette
3
Tuba
2
Trombone et Piano
2
Cor et Piano
2
Cor et Orgue
1
Trombone
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
Tuba et Piano
1
2 Trompettes (duo)
1
Trompette, Piano
1
+ 13 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
45
Trio à Cordes: violon, alto, violoncelle
13
Violon et Piano
7
Violon, Violoncelle (duo)
6
Harpe
6
Alto, Piano
5
Violon, Alto (duo)
4
2 Violons (duo)
3
Violoncelle, Piano
3
Ensemble d'Altos
2
Violon
2
Harpe, Voix
2
Ensemble de Violons
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quatuor à cordes: 4 violons
1
2 Violoncelles (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
4 Contrebasses
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
4 Violoncelles
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre
27
Orchestre d'harmonie
21
Orchestre à Cordes
15
Ensemble de cuivres
13
Orchestre de chambre
6
Cloches
5
Ensemble Jazz
5
Jazz combo
4
Marimba
2
Vibraphone
2
Fanfare
2
Ensemble de Percussions
1
+ 7 instrumentations
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ACCORDEON
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AUTRES INST…
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BASSE
BASSON
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BUGLE
CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
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SAXOPHONE
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TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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RAGTIME
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SOUL - R&B - HIP HOP…
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The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by Ja…
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
18.36 €
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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SheetMusicPlus
Give It To Me Baby
Small Ensemble Bass Guitar,Cello,Double Bass,Viola,Violin - Level 4 - Digital Download …
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Small Ensemble Bass Guitar,Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.784464 By Rick James. By Rick James. Arranged by Joe Deninzon. Contemporary,Funk,Hip-Hop,Pop,R & B. Score and parts. 26 pages. Fiddlefunk Music #5353983. Published by Fiddlefunk Music (A0.784464). Includes score, Violin I, Violin II, viola, cello, double bass/electric bass. Can be played with string orchestra or string quintet.
$14.99
13.8 €
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Rick James
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Joe Deninzon
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Give It To Me Baby
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Fiddlefunk Music
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SheetMusicPlus
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.I Allegro -symphonic wind dectet/bass
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1130508 Composed by Antonin Dvorak. Arranged by Ray Thompson. Folk,Romantic Period. Score and parts. 38 pages. RayThompsonMusic #730825. Published by RayThompsonMusic (A0.1130508). Arranged double wind quintet/bass The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This is my arrangement of the 1st movement: Allegro Check out my SMP page : https://www.sheetmusicplus.com/publishers/raythompsonmusic-sheet-music/3002229.
$14.95
13.76 €
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.I Allegro -symphonic wind dectet/bass
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RayThompsonMusic
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SheetMusicPlus
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - …
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Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
18.36 €
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Erik Satie
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Ray Thompson
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Satie: Parade III.Acrobates
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RayThompsonMusic
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SheetMusicPlus
Commodores Challenge - Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1002953 Composed by Vic Knowles. Arranged by Andrew Will. 20th Century,Patriotic. Brass Band. 76 pages. Willscore Publishing #6871699. Published by Willscore Publishing (A0.1002953). Commodores Challenge was written for Commodore D. J. Martin, Royal Australian Navy Commanding Officer and HMAS Melbourne (Aircraft Carrier), flagship of the Royal Australian Navy. It was written in 1981 by Lieutenant Vic Knowles, Band Officer RAN. It is a march that was used by the RAN Band (Military Band) for Ceremonials and public performance. The Audio example is for Concert Band but will give the listener an idea of the title for Brass Band. Enjoy!
$39.99
36.8 €
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Vic Knowles
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Andrew Will
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Commodores Challenge - Brass Band
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Willscore Publishing
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SheetMusicPlus
Let It Go
Rhythm Section Voice - Level 4 - Digital Download SKU: A0.1419237 By Idina Menzel. …
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Rhythm Section Voice - Level 4 - Digital Download SKU: A0.1419237 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Stephan Langenberg. Broadway,Children,Contest,Festival,Film/TV,Musical/Show,Pop. 45 pages. Stephan Langenberg #1000672. Published by Stephan Langenberg (A0.1419237). The Hit Song „Let it Go“ from Disney's masterpiece Frozen, we all know and love. Arranged for a large Ensemble commonly used in the Musical-theatre-genre. Pretty Detailed, has high precision in color and is arranged in the full length of both, the Film and Musical-Theater-Version to give you the choice. A must-have for your audience and next concert. You can play it with and without the Horn-Section; this Arrangement adds optional Horn-Players to your Band (Trpt, ASax, Tbn) Note: This arrangement is transposed one half-step lower than the original.For further information, you are invited to visit my website: www.langenbergmedia.comDon't miss any more publications and check out my other arrangements for this lineup!
$24.99
23 €
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Idina Menzel
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Stephan Langenberg
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Let It Go
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Stephan Langenberg
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SheetMusicPlus
I Heard It Through The Grapevine
Small Ensemble Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.78…
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Small Ensemble Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.782077 By Michael McDonald. By Barrett Strong and Norman Whitfield. Arranged by Aaron Hettinga. Contemporary,Hip-Hop,Pop,R & B,Standards. Score and parts. 8 pages. Aaron Hettinga #6516793. Published by Aaron Hettinga (A0.782077). This arrangement of Marvin Gaye’s definitive version of I Heard It Through The Grapevine gives a horn section a chance to fill up a live performance when no full string section is available. This horn chart follows the key and form of the original track to bring some extra punch to the rhythm section. Really lifts up a live performance!
$12.99
11.95 €
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Michael McDonald
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Aaron Hettinga
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I Heard It Through The Grapevine
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Aaron Hettinga
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SheetMusicPlus
Let It Go
Alto Saxophone,B-Flat Trumpet,Baritone Saxophone,Bass Guitar,C Trumpet,Cello,Clarinet,Doub…
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Alto Saxophone,B-Flat Trumpet,Baritone Saxophone,Bass Guitar,C Trumpet,Cello,Clarinet,Double Bass,Drum Set,Electric Guitar,Flute,Horn,Percussion,Piano Accompaniment,Piccolo,Steel Guitar,Tenor Saxophone,Tenor Trombone,Viola,Violin,Voice - Level 4 - Digital Download SKU: A0.1136829 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Stephan Langenberg. Broadway,Children,Contest,Festival,Film/TV,Musical/Show. 106 pages. Stephan Langenberg #736755. Published by Stephan Langenberg (A0.1136829). The Hit Song „Let it Go“ from Disney's masterpiece Frozen, we all know and love. Arranged for a large Ensemble commonly used in the Musical-theatre-genre. Pretty Detailed, has high precision in color and is arranged in the full length of both, the Film and Musical-Theater-Version to give you the choice. A must-have for your audience and next concert.
$79.99
73.61 €
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Idina Menzel
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Stephan Langenberg
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Let It Go
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Stephan Langenberg
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SheetMusicPlus
It is good to give thanks to the Lord
Schlagzeug: Vibraphon, Glockenspiel, 3 Holzblock-Trommel, kleine Trommel, 3 Tomtom, Triang…
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Schlagzeug: Vibraphon, Glockenspiel, 3 Holzblock-Trommel, kleine Trommel, 3 Tomtom, Triangel tenor, mixed choir (SATB), harp and percussion (1 player) - intermediate to advanced - Digital Download SKU: S9.Q588264 Composed by Vic Nees. Downloadable, Score. Duration 8 minutes, 30 seconds. Möseler Verlag - Digital #Q588264. Published by Möseler Verlag - Digital (S9.Q588264). Latin.Mitreissende und pulsierende Chormetrik, auf den Lobgesangs-Charakter des Psalms zugeschnitten, durchsetzt von ruhigeren, quasi archaischen Abschnitten, dazu eine vom Normalmass abweichende und klanglich aparte Besetzung: eine grosse Motette auf der Höhe ihrer Zeit, geschaffen von einem Chorleiter und Komponisten von europäischem Rang. Über allgemein festliche Anlässe hinaus ist der Text (Es ist ein köstlich Ding) in den lutherischen Agenden und Perikopen den Tagen Johannes des Täufers, Johannes des Evangelisten und dem 15. Sonntag nach Trinitatis zugeordnet.
$13.99
12.88 €
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Vic Nees
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It is good to give thanks to the Lord
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Möseler Verlag - Digital
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SheetMusicPlus
It Ain't Over 'til It's Over
Small Ensemble Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.78…
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Small Ensemble Tenor Saxophone,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.781938 By Lenny Kravitz. By Lenny Kravitz. Arranged by Aaron Hettinga. 20th Century,Contemporary,Hip-Hop,Pop,R & B,Rock. Score and parts. 7 pages. Aaron Hettinga #5887975. Published by Aaron Hettinga (A0.781938). Horn section parts - Key of Db - matches key and form of the Lenny Kravitz recording. These parts sit right on top of the rhythm section and include cued notes for the string section to give extra punch to the band!
$14.99
13.8 €
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Lenny Kravitz
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Aaron Hettinga
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It Ain't Over 'til It's Over
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Aaron Hettinga
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SheetMusicPlus
Satie: Parade - II. Petite Fille Americaine - wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SK…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!
$14.95
13.76 €
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Erik Satie
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Ray Thompson
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Satie: Parade - II. Petite Fille Americaine - wind dectet
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RayThompsonMusic
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SheetMusicPlus
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 -…
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - Digital Download SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
18.36 €
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Erik Satie
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Ray Thompson
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Satie: Parade I. Prestidigitateur chinois - wind dectet/bass
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RayThompsonMusic
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SheetMusicPlus
It's Beginning To Look Like Christmas
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.547020 Composed by Meredith Willson. Arranged by Mark Harrison. Christmas,Pop. Brass Band. 33 pages. Mark Harrison #156958. Published by Mark Harrison (A0.547020). With some difficult, intricate band parts as well as a tricky solo part, this arrangement will keep everyone in the band busy! From Bell Tones, to weaving lines, to chromatic runs, and swinging Christmas antics, this piece will have everyone swaying in their seats, and gives the Bass player a chance to really shine! Enjoy! - British Style Brass Band - Bass Clef parts available on request.
$49.99
46.01 €
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Meredith Willson
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Mark Harrison
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It's Beginning To Look Like Christmas
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Mark Harrison
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SheetMusicPlus
"It Came Upon a Midnight Clear"
Small Ensemble - Level 4 - Digital Download SKU: A0.882205 Composed by Willis & Di …
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Small Ensemble - Level 4 - Digital Download SKU: A0.882205 Composed by Willis & Di Salvio. Arranged by Ron Di Salvio. Christian,Christmas,Contemporary,Sacred. Score and parts. 3 pages. Meadow Run Music ASCAP #2873867. Published by Meadow Run Music ASCAP (A0.882205). Di Salvio gives us something beautifully new with this well beloved carol by R.S. Willis.
$4.00
3.68 €
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Willis & Di Salvio
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Ron Di Salvio
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"It Came Upon a Midnight Clear"
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Meadow Run Music ASCAP
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SheetMusicPlus
Never Enough
Small Ensemble - Level 4 - Digital Download SKU: A0.1170798 By Loren Allred. By Ben…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1170798 By Loren Allred. By Benj Pasek and Justin Paul. Arranged by Michael J. Glasgow (ASCAP). Broadway,Contemporary,Contest,Festival,Film/TV,Musical/Show. Score and parts. 18 pages. New Domain Music #771135. Published by New Domain Music (A0.1170798). The incredibly intensity of this slow-burn powerballad from The Greatest Showman is finally available for handbells!  Its difficulty level is due to rhythms; groups that already know the melody will find that this arrangement comes together pretty easily (and it's a blast to play!).  This transciption is in the same key as the original soundtrack recording, and faithful to Loren Allred's riveting performance.Accomplished composer/arranger/conductor Michael J. Glasgow (and his publishing division, New Domain Music) joins the arrangeme.com family with this piece, but his collaborative arrangement of The Greatest Show with friend and colleague Nick Hanson has already been eagerly received by the handbell community.This product is NDM-0001I, which is the companion instrument pack for Glasgow's handbell arrangement (NDM-0001B). It includes a full conductor's score, as well as parts for synth strings, bass, and drums/percussion...using any or all of them elevates the already exciting handbell part to next-level greatness.Instrumentation Details:Bass: straightforward, moderately advanced, for electric or upright bass.Synth: moderately advanced, a blast to play, and quite faithful to the original orchestrations. Drums/Percussion: ideally covered by two players (1: concert bass drum or kick drum and floor tom; 2: suspended cymbal, hi-hit and snare drum), but with some simple modifications (given in the score), it may be covered by one fairly advanced player.Search for Glasgow and the title of the piece to purchase the handbell folio!
$24.95
22.96 €
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Loren Allred
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Michael J
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Never Enough
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New Domain Music
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.2 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
What Will We Say?
Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed …
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Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99
18.4 €
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Aaron Gage
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What Will We Say?
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Aaron Gage
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SheetMusicPlus
Sonatina for Flute and Piano
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James …
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
27.61 €
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Pat-a-Pan
Small Ensemble - Level 4 - Digital Download SKU: A0.800965 Composed by Bernard de l…
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Small Ensemble - Level 4 - Digital Download SKU: A0.800965 Composed by Bernard de la Monnoye. Arranged by Linda Scholes. Christmas,Sacred. Score and parts. 4 pages. Linda Scholes Music #6078629. Published by Linda Scholes Music (A0.800965). This challenging setting of the Burgundian Christmas carol, Pat-a-Pan, is arranged for 8 handbells, with no bell changes, making it an excellent choice for socially-distanced ringing from music stands. A key change is added in to give it some extra pizazz! Let your quartet shine with this sparkly arrangement in your Christmas program this year! This is a reproducible arrangement. The purchaser is given permission to make 4 copies for one bell choir only and may use the piece in livestream recordings.
$8.00
7.36 €
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Bernard de la Monnoye
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Linda Scholes
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Pat-a-Pan
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Linda Scholes Music
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SheetMusicPlus
Recordare (from "Requiem") (F) (Bassoon Sextet - 5 Bassoons, 1 Contrabassoon)
Woodwind Ensemble Contrabassoon - Level 4 - Digital Download SKU: A0.1110862 Compos…
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Woodwind Ensemble Contrabassoon - Level 4 - Digital Download SKU: A0.1110862 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713157. Published by Regis Bookshar (A0.1110862). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Bassoon Sextet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Bassoon Sextet, consisting of 5 Bassoons and 1 Contrabassoon, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Bassoon Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
29.45 €
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Recordare (from "Requiem") (F) (Brass Sextet - 5 Trb, 1 Tuba)
Trombone,Tuba - Level 4 - Digital Download SKU: A0.1110882 Composed by Wolfgang Ama…
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Trombone,Tuba - Level 4 - Digital Download SKU: A0.1110882 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713177. Published by Regis Bookshar (A0.1110882). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Sextet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Sextet, consisting of 5 Trombones and 1 Tuba, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
29.45 €
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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SheetMusicPlus
Recordare (from "Requiem") (F) (Brass Sextet - 5 Hrn, 1 Tuba)
Horn,Tuba - Level 4 - Digital Download SKU: A0.1110881 Composed by Wolfgang Amadeus…
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Horn,Tuba - Level 4 - Digital Download SKU: A0.1110881 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 28 pages. Regis Bookshar #713175. Published by Regis Bookshar (A0.1110881). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Brass Sextet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Brass Sextet, consisting of 5 French Horns and 1 Tuba, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (28 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Brass Sextet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$32.00
29.45 €
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Wolfgang Amadeus Mozart
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Regis Bookshar
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Recordare
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Regis Bookshar
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