Partitions Numériques de I Asked

I Asked

Christmas Haikus for Baritone and Piano (mp3)

Baritone Horn TC,Piano - Level 4 - Digital Download SKU: A0.1422859 By Mark Rowlins…(+)

Baritone Horn TC,Piano - Level 4 - Digital Download SKU: A0.1422859 By Mark Rowlinson (Baritone) and Peter Lawson (piano). By David Warin Solomons. Christmas,Contemporary. Full Performance. Duration 160. David Warin Solomons #1004214. Published by David Warin Solomons (A0.1422859). Haikus by Canon Albert Radcliffe (who was canon at Manchester Cathedral) and asked me to set them. The music is unusual for vocal works in that it uses the octatonic mode, but this seemed particularly appropriate for the unusual angle which Canon Albert takes on the Christmas story. I said to the snow, Show me what you know of God. Brightness blinded me. To the stars I said, Speak then from a gentler light. Their word was silence. I called to the wind, Whis-per the glory of God. Its breath took my breath. I asked the holly What do you know of his love? Her thorns drew my blood. ©Canon Albert E Radcliffe (Manchester Cathedral, UK).
$5.00 4.57 € #Mark Rowlinson #Christmas Haikus for Baritone and Piano #David Warin Solomons #SheetMusicPlus

Small Ensemble,Strings Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1027864 Composed by Antonio Gervasoni. Broadway,Classical,Contemporary,Musical/Show. Score. 51 pages. Antonio Gervasoni #3042345. Published by Antonio Gervasoni (A0.1027864). Four songs for male voice and piano. In 2011, deeply impressed by the work of Bryan Borland, I asked him if he would agree to write a few poems that I could set to music. In his website, he had published several poems, most of them centered around gay life and his personal experiences as a gay man. I was highly interested in writing a work about this topic and Bryan accepted right away. I wrote the first movement, Emancipation, between December 2011 and January 2012 but it was not until 2015 that I found the time and inspiration to complete the whole set. From the beginning, I decided I wanted a very intimate sound and thought that the technique of popular singing was the best way to properly convey my concept of the piece. This decision influenced the style of the music, which lies somewhere in between classical and popular, and even jazz. The first version of Kindred Hearts called for piano and string quintet (with double bass) but aware of the difficulty in securing such instrumentation in the context of art song recitals, I decided to change the instrumentation to solo piano. Copyright Notice: Antonio Gervasoni has been fully authorized by Bryan Borland to publish these songs, which is hereby done without detriment to Mr. Borland's lawful rights over the lyrics.

Percussion Quartet (2015) for vibraphone, marimba, drum set and multi-percussion (full score)

Small Ensemble Drum Set,Marimba,Multi-Percussion,Vibraphone - Level 4 - Digital Download (+)

Small Ensemble Drum Set,Marimba,Multi-Percussion,Vibraphone - Level 4 - Digital Download SKU: A0.869371 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 27 pages. Thomas Oboe Lee #37741. Published by Thomas Oboe Lee (A0.869371). Program note: I met Brian Calhoon when he performed at a Boston Conservatory of Music recital featuring students of marimba godhead, Nancy Zeltsman. This was a few years ago â€¦ A year ago, I noticed that Brian had started a percussion ensemble with some friends called the Boston Percussion Group. I have always been fascinated with John Cageâ€™s early explorations with percussion instruments: First, Second and Third Constructions; Imaginary Landscape Nos 1, 2 & 3; etc. These percussion pieces eventually led to his invention of the prepared piano. Brian and I got together one day for lunch last fall, and I asked him if he would be interested if I wrote a piece for his group. He said, Yes!!! Percussion Quartet is in six movements. 1 Back beat â€¦ Moderato. 2 Arioso â€¦ Moderato. 3 Funk march â€¦ Moderato. 4 Nachtmusik I â€¦ Adagio. 5 Fast and furious â€¦ Presto. 6 Nachtmusik II â€¦ Moderato Enjoy!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/percussion-quartet-2015
$9.99 9.14 € #Thomas Oboe Lee #Percussion Quartet #Thomas Oboe Lee #SheetMusicPlus

Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 â€¦ â€œVariations on a Shaker Tuneâ€ was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts. Â When he approached me about writing a â€œtheme and variationsâ€ work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village. Â As it turns out Deborah Leah Rentz, a mezzo-soprano who is Markâ€™s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village. Â (Deborahâ€™s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) Â Â So I asked her to put on a DAT tape (those were the days before CDs or digital distributionâ€¦ ) a number of these hymns for me. Â I immediately fell in love with the very first one on the tape, â€œGrateful Remembrance.â€ Â It had a soulful, melancholic core; an almost â€œbluesyâ€ feeling to it. Â In this performance, Deborah will sing the hymn a cappella at the beginning. Â Â Then, the seven variations will follow.I. Grateful Remembrance â€¦ An instrumental version of the hymn.II. Grateful Chanting â€¦ Featuring the B-flat clarinet in a pentatonic â€œchantâ€ setting.III. Grateful Funk â€¦ The â€œbluesinessâ€ of the hymn is transformed into a funk riff.IV. Tango Remembered â€¦ A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida â€¦ The yearning â€œflat 6thâ€ in the hymn is transformed into a samba Carmen Miranda wouldâ€™ve have liked.VI. Canonized Remembrance â€¦ The hymn is treated to a canonic transfiguration.VII. Grateful Groove â€¦ The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!

Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!

Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel

Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digi…(+)

Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99 9.14 € #Thomas Oboe Lee #Septet, opus 77 ... Variations on a Shaker Tune #Thomas Oboe Lee #SheetMusicPlus

Les heures bleues

Small Ensemble Flute,Piano,Voice - Level 4 - Digital Download SKU: A0.1009919 Compo…(+)

Small Ensemble Flute,Piano,Voice - Level 4 - Digital Download SKU: A0.1009919 Composed by Martin Lachance. Contemporary. Score and parts. 7 pages. Martin Lachance #22647. Published by Martin Lachance (A0.1009919). This composition was commissioned by the Ensemble de Bilitis, a Montreal based music ensemble consisting of a mezzo-soprano, a flute, and a piano. I asked my cousin, the visual artist and poet Patrick Michael Lachance, if he would write a poem for the occasion. His words inspire me, and I had already composed a work on one of his texts (see Sang dâ€™encre). When he wrote the text, Patrick MichaÃ«l decided to step into the shoes of one who has lost his great love. The term Les heures bleues (or blue hours) refers to the wee hours of the morning when the sun begins to appear on the horizon. After many sleepless nights waiting for this lost love, despair quietly settles in. The piece is in four sections, each section corresponding to a stanza of the text. Each section begins with two ascending fifths in the piano, symbolizing the dawning of the morning.
$9.99 9.14 € #Martin Lachance #Les heures bleues #Martin Lachance #SheetMusicPlus