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I've Got the Munchies (2001) for violin, viola, bass clarinet in B-flat and vibraphone.
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Thomas Oboe Lee
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I've Got the Munchies
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - SKU: A0.869184 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Conte...
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Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - SKU: A0.869184 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With II. 45 pages. Thomas Oboe Lee #30961. Published by Thomas Oboe Lee (A0.869184). Program note. When Stefan Hakenberg and Jocelyn Clark asked me to write a piece for their 2001 Cross Sound concert season in Alaska, I immediately wanted to write a piece with the title, I've Got the Munchies. Music inspired by the visual art is not something new. Mussorgsky composed his infamous Pictures at an Exhibition after viewing a memorial exhibition of paintings and drawings by Victor Alexandrovich Hartmann. Gunther Schuller, my teacher and mentor, composed one of his most memorable orchestral pieces entitled, Six Studies on Themes by Paul Klee. In 1997 I wrote a chamber work inspired by the paintings of Pablo Picasso. The work, Yo Picasso, was scored for Bb clarinet, viola, cello and piano. For the Munchies I used as source material prints and paintings by the Norwegian artist Edvard Munch. The work, scored for violin, viola, bass clarinet and vibraphone, is in six movements: I. For The Scream (1893), I used multiphonics in the bass clarinet to convey the anguish and desperation so clearly depicted in that infamous work. The multiphonics were provided to me by the bass clarinetist, Henri Bok. II. Edvard Munch was very obsessed by his work, Madonna. He made many versions of it between 1893 and 1902. I made three variations of the Madonna movement. III. Tingel-Tangel (1895) is one of his rare prints in which gloom or misery is not the theme. It depicts a stage full of dancing girls. So, I wrote some dance hall music. IV. I wrote a lullaby for The Sick Child (1896). V. The Dance of Life (1899-1900) is a strange picture. The scene is of a party, but no one seems to be happy. I wrote a demented waltz for the scene. VI. The Sun (1909-1916) is one of Munch's last paintings. It shows the rising sun over a peaceful horizon. NB: This is a transposed score. Numbers in the score next to multiphonics refer to those found in Henri Bok's book, New Techniques for the Bass Clarinet. Numbers without asterisks refer to multiphonic fingerings in Table 6; those with asterisks refer to multiphonic tremolos in Table 7.
$9.99
I Know That God Lives - an original hymn for SATB voices
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Musique Sacrée
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Kevin G
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I Know That God Lives - an ori
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Kevin G. Pace
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.701520 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 3 pages. Kevin G. Pace #321...
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Vocal Solo,Voice - Level 4 - SKU: A0.701520 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 3 pages. Kevin G. Pace #3218387. Published by Kevin G. Pace (A0.701520). An original hymn with text by Krista Mason Pace below.YouTube Video: https://youtu.be/KE-8yPHYkRkI know that God lives as sure as the sun sends light from above. Rivers that flow and starlight aglow, testify true of His love. I know that God lives. His ev’ry creation delights whence it came. Mountains in splendor and beauty herald His glorious name. I know that God lives; I know that He sent His Son to the Earth. His life he gave, then rose from the grave, off’ring a gift of great worth. I know that God lives. His work and His glory eternally sing. Cov’nants that bind me to Heaven; Near Him, He longs to bring. I know that God lives. This great work engages all men to know. Gained step by step, from parents who’ve kept promises made long ago. I know that God lives, And sweet is the feeling of answering prayer Led by His Spirit, each errand; Others know that He’s there. I know that God lives. I honor His name and church in these days. His work is true, and always I knew I’d give my love, strength, and praise. I know that God lives, the depth of my soul yearns to sing it aloud. Praying for blessings for all ‘til Glory comes in a cloud.
$1.99
La Folia in D Minor
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Jose Bravo
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La Folia in D Minor
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Jose Bravo
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SheetMusicPlus
Cello,Cembalo,Violin - Level 4 - SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published...
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Cello,Cembalo,Violin - Level 4 - SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published by Jose Bravo (A0.1224544). From the Composer:I committed last year (2022) to review my musical works that have been in digital storage, complete them as necessary, and release them for the world to hear. I finally finished my first work on this list, one that's been on my hard drive in one version or another since 1999 (that's 24 whole years!).Las Follias de España (which despite its name, originally came from Portugal) is a chord progression usually in either D minor or G minor in the form of i-V-i-VII-III-VII-i-V. Composers for the last 500 years have used this chord progression to come up with some fantastic theme and variations, ranging from unaccompanied works, trio sonatas, to even full orchestral implementations. You can spend a looooong time listening to all the beautiful compositions that composers have made over the centuries highlighting this very captivating set of chords.I humbly submit my own version of La Folia in D minor for String Trio and Cembalo (harpsichord). I wrote my first version of this in my senior year of High School as a challenge to myself to write music in a genre I loved. I made updates here and there over the years, but its sat on a hard drive the entire time. It's taken me months to essentially rework it to my satisfaction and has been submitted for copyright. I have uploaded it to YouTube to share with others.BIG SHOUT OUTS to the three composers that inspired me in this work:Corelli: - His version of La Folia is probably the most popular for violinists, especially those that play out of the Suzuki books. I included a modified version of his Folia (Variation 9) in my work (with all other parts being vastly different from his interpretation) as an homage to his work.J.S. Bach - He showed me that music can be as intelligent as it is beautiful. I have two variations inspired by his work. Variation 8 is one that I wrote this year (2023) which I wanted to write for a long time is a variation that showcases the Harpsichord. Bach's keyboard works and unaccompanied violin works inspired me here. Second, Variation 14 I feel has Bach's inspiration all over it. The violin parts are each playing separate distinct melodies in double counterpoint which trade parts on the repeat. The bass line follows a pattern that Bach has employed for the bass on a number of Violin concertos and lastly, the Harpsichord treble part is a mensuration canon based on one of the violin parts, with the keyboard part playing the melody 4x as fast with variations. Lastly on a play of numbers, number 14 was a very special number for Bach, and as a tribute, I've made this the 14th variation in my work. This was also a new variation I added this year (2023) as well.Vivaldi - My first musical love. I feel that I captured a little bit of his musical DNA in all my works and this piece showcases this. Vivaldi's works is what made me fall in love with Baroque music and I am indebted to him for the profound impact his works have had on my life.So here you go. 413 measures. My longest individual work to date. And because I love playing with numbers, I decided to release this to the world on my 41st Year, 3rd month. Enjoy!- Jose Bravo.
$5.00
Silent Night (Modern Version)
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Johann Nefdt
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Mikhail Rimsky-Korsakov
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Piano
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Silent Night
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MRK Studio
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1508400 By Johann Nefdt. By Franz Xaver Gruber. Arranged by Mikhail Rimsky-Korsakov. Christian,Christmas,Jazz,Prai...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1508400 By Johann Nefdt. By Franz Xaver Gruber. Arranged by Mikhail Rimsky-Korsakov. Christian,Christmas,Jazz,Praise & Worship,Sacred. Score. 12 pages. MRK Studio #1083678. Published by MRK Studio (A0.1508400). Silent Night is a song composed by the Franz Xavier Gruber and English words by Joseph Mohr in 1818. This version boasts Afrikaans words of which the translator's name is unknown. The song is about the Messiah that was born in Bethlehem. This song was commissioned by a South African Baritone Soloist to be performed by a Soprano, Baritone, Flute & Piano.All parts are included in the sale. This version was arranged in a modern semi-jazz style.This music was arranged by a professional composer/arranger as well as professional part layout, produced by Dorico Notation Software & NotePerformer 4.5.My arrangements are custom made for any ensemble required and voiced specifically for their instrumentation. So, feel free to contact me should you require any music arranged for your ensemble. I voice it with the tonal colors of your instrumentation (keeping in mind the strong and weaker musicians) to bring the most out of your performance! The best part is, you get it right here from this music publisher for ease of mind! Enquire at: mikhailrimskykorsakov@gmail.com for Arrangements / Composition or Publishing requests.
$7.00
Blue Boar Blue for string quintet
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David Warin Solomons
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Blue Boar Blue for string quin
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Quintet - Level 4 - SKU: A0.575846 Composed by David Warin Solomons. 20th Century,Blues. Score and parts. 33 pages. David Warin S...
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String Ensemble,String Quintet - Level 4 - SKU: A0.575846 Composed by David Warin Solomons. 20th Century,Blues. Score and parts. 33 pages. David Warin Solomons #2028777. Published by David Warin Solomons (A0.575846). This is one of sequence of string quintets (score and parts). The movements are: 1 - Marie for shame, a sprightly number encouraging Marie to get out of bed and enjoy the day. It is inspired by the poem Marie vous estes paresseuse by Ronsard. 2 - Nocturne represents Marie going back to sleep! Possibly my most indulgent piece. 3 - Camp David is klezmer in style and somewhat camp, it is based on a Yiddish folk song - ikh bin a meidel in de joren. 4 - Blue Boar Blue is based on a poem by a friend who lived in Blue Boar quad (Christ Church Oxford) and laments the fact he has to stay in and study while he is actually looking forward to taking his girlfriend out punting on the river In each case, the ideal positioning of the instruments is: cello 1, violin 1, viola, violin 2, cello 2 The sound sample is an electronic preview The pdf file contains the score and parts. I thought it might be useful also to provide all scores together, so that is also available under the title Sweet Suite for string quintet I have also made videos for each movement, which can be seen on youtube: Marie for shame http://www.youtube.com/watch?v=H5yvuM4G_Bo Nocturne http://www.youtube.com/watch?v=mo0Iznzqr1Q Camp David http://www.youtube.com/watch?v=6Nxl3W7opYA Blue Boar Blue http://www.youtube.com/watch?v=h_Lry6DZgk8.
$10.00
Nocturne for string quintet
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Contemporain
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David Warin Solomons
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Nocturne for string quintet
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Quintet - Level 4 - SKU: A0.575844 Composed by David Warin Solomons. 20th Century. Score and parts. 17 pages. David Warin Solomon...
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String Ensemble,String Quintet - Level 4 - SKU: A0.575844 Composed by David Warin Solomons. 20th Century. Score and parts. 17 pages. David Warin Solomons #2028779. Published by David Warin Solomons (A0.575844). This is one of sequence of string quintets (score and parts). The movements are: 1 - Marie for shame, a sprightly number encouraging Marie to get out of bed and enjoy the day. It is inspired by the poem Marie vous estes paresseuse by Ronsard. 2 - Nocturne represents Marie going back to sleep! Possibly my most indulgent piece. 3 - Camp David is klezmer in style and somewhat camp, it is based on a Yiddish folk song - ikh bin a meidel in de joren. 4 - Blue Boar Blue is based on a poem by a friend who lived in Blue Boar quad (Christ Church Oxford) and laments the fact he has to stay in and study while he is actually looking forward to taking his girlfriend out punting on the river In each case, the ideal positioning of the instruments is: cello 1, violin 1, viola, violin 2, cello 2 The sound sample is an electronic preview The pdf file contains the score and parts. I thought it might be useful also to provide all scores together, so that is also available under the title Sweet Suite for string quintet I have also made videos for each movement, which can be seen on youtube: Marie for shame http://www.youtube.com/watch?v=H5yvuM4G_Bo Nocturne http://www.youtube.com/watch?v=mo0Iznzqr1Q Camp David http://www.youtube.com/watch?v=6Nxl3W7opYA Blue Boar Blue http://www.youtube.com/watch?v=h_Lry6DZgk8.
$9.00
Marie for shame - for string quintet
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Contemporain
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David Warin Solomons
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Marie for shame - for string q
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Quintet - Level 4 - SKU: A0.575843 Composed by David Warin Solomons. 20th Century. Score and parts. 29 pages. David Warin Solomon...
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String Ensemble,String Quintet - Level 4 - SKU: A0.575843 Composed by David Warin Solomons. 20th Century. Score and parts. 29 pages. David Warin Solomons #2028773. Published by David Warin Solomons (A0.575843). This is one of sequence of string quintets (score and parts). The movements are: 1 - Marie for shame, a sprightly number encouraging Marie to get out of bed and enjoy the day. It is inspired by the poem Marie vous estes paresseuse by Ronsard. 2 - Nocturne represents Marie going back to sleep! Possibly my most indulgent piece. 3 - Camp David is klezmer in style and somewhat camp, it is based on a Yiddish folk song - ikh bin a meidel in de joren. 4 - Blue Boar Blue is based on a poem by a friend who lived in Blue Boar quad (Christ Church Oxford) and laments the fact he has to stay in and study while he is actually looking forward to taking his girlfriend out punting on the river In each case, the ideal positioning of the instruments is: cello 1, violin 1, viola, violin 2, cello 2 The pdf file contains the score and parts. I thought it might be useful also to provide all scores together, so that is also available under the title Sweet Suite for string quintet The sound sample is an electronic preview I have also made videos for each movement, which can be seen on youtube: Marie for shame http://www.youtube.com/watch?v=H5yvuM4G_Bo Nocturne http://www.youtube.com/watch?v=mo0Iznzqr1Q Camp David http://www.youtube.com/watch?v=6Nxl3W7opYA Blue Boar Blue http://www.youtube.com/watch?v=h_Lry6DZgk8.
$9.00
Sweet Suite for string quintet (scores only)
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Contemporain
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David Warin Solomons
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Sweet Suite for string quintet
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Quintet - Level 4 - SKU: A0.575842 Composed by David Warin Solomons. 20th Century. Score and parts. 41 pages. David Warin Solomon...
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String Ensemble,String Quintet - Level 4 - SKU: A0.575842 Composed by David Warin Solomons. 20th Century. Score and parts. 41 pages. David Warin Solomons #2028771. Published by David Warin Solomons (A0.575842). This is sequence of string quintets (scores only). The movements are: 1 - Marie for shame, a sprightly number encouraging Marie to get out of bed and enjoy the day. It is inspired by the poem Marie vous estes paresseuse by Ronsard. 2 - Nocturne represents Marie going back to sleep! Possibly my most indulgent piece. 3 - Camp David is klezmer in style and somewhat camp, it is based on a Yiddish folk song - ikh bin a meidel in de joren. 4 - Blue Boar Blue is based on a poem by a friend who lived in Blue Boar quad (Christ Church Oxford) and laments the fact he has to stay in and study while he is actually looking forward to taking his girlfriend out punting on the river In each case, the ideal positioning of the instruments is: cello 1, violin 1, viola, violin 2, cello 2 The sound sample is an electronic preview of the first movement I thought it might be useful also to provide scores and parts for the separate movements since they can actually be played as separate pieces I have also made videos for each movement, which can be seen on youtube: Marie for shame http://www.youtube.com/watch?v=H5yvuM4G_Bo Nocturne http://www.youtube.com/watch?v=mo0Iznzqr1Q Camp David http://www.youtube.com/watch?v=6Nxl3W7opYA Blue Boar Blue http://www.youtube.com/watch?v=h_Lry6DZgk8.
$14.00
Gloria Patri
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MRK Publisher & Studio
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Mikhail Rimsky-Korsakov
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NotePerformer 4
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Gloria Patri
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MRK Studio
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1509576 By MRK Publisher & Studio. By Pieter Snyman. Arranged by Mikhail Rimsky-Korsakov. Christian,Praise & Worsh...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1509576 By MRK Publisher & Studio. By Pieter Snyman. Arranged by Mikhail Rimsky-Korsakov. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 48 pages. MRK Studio #1084818. Published by MRK Studio (A0.1509576). Gloria Patri is an amazing song by a South African composer, Pieter Snyman. He also used Latin lyrics for this song. This was was performed on many stages on three continents...a wonderful Christian Concert piece.This song was commissioned by a South African Baritone Soloist to be performed by a Baritone Soloists, Violin, Piano and an optional Harpsichord part. All parts are included in the sale. This arrangement was produced using Dorico 5..1 & NotePerformer 4.5My arrangements are custom made for any ensemble required and voiced specifically for their instrumentation. So, feel free to contact me should you require any music arranged for your ensemble. I voice it with the tonal colors of your instrumentation (keeping in mind the strong and weaker musicians) to bring the most out of your performance! The best part is, you get it right here from this music publisher for ease of mind! Enquire at: mikhailrimskykorsakov@gmail.com for Arrangements / Composition or Publishing requests.
$15.00
Choros
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Thomas Cooman
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Choros
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Thomas Cooman
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SheetMusicPlus
Small Ensemble Guitar - Level 4 - SKU: A0.1032700 Composed by Thomas Cooman. Contemporary,Latin,World. Score and parts. 4 pages. Thomas Cooman #5221545....
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Small Ensemble Guitar - Level 4 - SKU: A0.1032700 Composed by Thomas Cooman. Contemporary,Latin,World. Score and parts. 4 pages. Thomas Cooman #5221545. Published by Thomas Cooman (A0.1032700). It has always been an ambition of mine to write a composition for my guitar quartet. One night, just before I went to sleep, I suddenly had a melody in my head that seemed useful to me. It was sad and rather melancholic and I thought that the whole piece would be like that. After I wrote it down, I went to bed. The following morning it developped in a completely different direction in my head. I heard a lively melody with syncopated rhythms in my mind and it made me think about the Brazilian choroes by the likes of Villa-Lobos for instance. I was actually quite glad that it turned out like that, because now I could use the melancholic part as an introduction to the more lively part. I consider this composition as one of my better works for guitar. I hope that many people will enjoy listening to it.
$16.50
Gesù Bambino
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MRK Studio & Publisher
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Mikhail Rimsky-Korsakov
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Piano
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Gesù Bambino
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MRK Studio
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1509089 By MRK Studio & Publisher. By Pietro A. Yon. Arranged by Mikhail Rimsky-Korsakov. Christian,Christmas,Prai...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1509089 By MRK Studio & Publisher. By Pietro A. Yon. Arranged by Mikhail Rimsky-Korsakov. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 28 pages. MRK Studio #1084340. Published by MRK Studio (A0.1509089). Gesù Bambino is an Italian Christmas carol composed by Pietro Yon in 1917. The melody was used by Frederick H. Martens in his English language carol When Please Blossoms Flowered 'mid the Snows. The melody and lyrics of the chorus are derived from the chorus of Adeste Fideles (O Come All Ye Faithful). Read more: https://en.wikipedia.org/wiki/Ges%C3%B9_bambinoThis song was commissioned by a South African Baritone Soloist to be performed by a Tenor, Baritone Soloists, Glockenspiel, Violin & Piano. All parts are included in the sale.My arrangements are custom made for any ensemble required and voiced specifically for their instrumentation. So, feel free to contact me should you require any music arranged for your ensemble. I voice it with the tonal colors of your instrumentation (keeping in mind the strong and weaker musicians) to bring the most out of your performance! The best part is, you get it right here from this music publisher for ease of mind! Enquire at: mikhailrimskykorsakov@gmail.com for Arrangements / Composition or Publishing requests.
$7.00
Beyond The Sea
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Contemporain
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Bobby Darin
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Petey C
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Beyond The Sea
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Petey C.
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.873898 By Bobby Darin. By Albert Lasry and Charles Trenet. Arranged by Petey C. Contemporary. Score and part...
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Brass Ensemble Trombone - Level 4 - SKU: A0.873898 By Bobby Darin. By Albert Lasry and Charles Trenet. Arranged by Petey C. Contemporary. Score and parts. 14 pages. Petey C. #6342295. Published by Petey C. (A0.873898). This is an edit for trombone of an arrangement I made for horn quartet, with a couple tiny changes. Geared toward university students and professionals. May be a bit difficult for beginners and even intermediate players. The key has been altered to make it in a slightly more comfortable range for trombone, although it maybe sits a bit high in the melodic parts and a bit low in the bassline at times. Melody and bassline get switched around a lot between parts. Makes it more fun and interesting, but requires some skill in all ranges by all players. Doesn't go below a low E, so you should be able to play without a trigger, but I've been told it can get squirrelly down there without one for some players, so... yeah.I had some consultation with a couple trombone player friends about how to best adapt my horn quartets to trombone, but I'm not a trombone player, I'm a horn player, so if you purchase this and notice any errors (notational, range, clef, etc.) that could be pretty easily fixed, let me know! I'll do my best to update this arrangement and correct any issues. I'm easily reachable by email, and my email address is on my website, peteyc.com. .
$12.99
"Deep River" from Crossing Jordan, - B flat instrument, piano and cello
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Spiritual
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Maria Thompson Corley
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"Deep River" from Cr
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 8 pages. Maria Thompson Corley #875683. Published by Maria Thompson Corley (A0.1284510). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello.
$15.00
"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
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Spiritual
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Maria Thompson Corley
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"Wade in the Water"
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).
$15.00
Another Day Of Sun
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Comédie Musicale
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Film/TV
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Benj Pasek, Justin Hurwitz, an
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Mark Harrison
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Another Day Of Sun
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Mark Harrison
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.547027 Composed by Benj Pasek, Justin Hurwitz, and Justin Paul. Arranged by Mark Harrison. Broadway,Film/TV,Musical/Show,Pop. Brass Band. 60 pages. Mark Harrison #156965. Published by Mark Harrison (A0.547027). This is the opening number from the 2016 musical film, La La Land. It portrays drivers in a Los Angeles traffic jam on a highway ramp, singing and dancing about their aspirations to succeed in Hollywood. It's an upbeat number, with elements of Jazz and Swing for the drummer to get stuck into and have fun with. The original key change went up from F to F# Major, but I've made it slightly simpler by making it go from F to G Major instead. Hopefully everyone gets the chance to shine and have fun with this fast-paced arrangement! - British Style Brass Band - Bass Clef parts available on request.
$49.99
Mozart: Divertimento No.3 Mvt.V Rondo from "Five Divertimenti for 3 basset horns" K439b - horn trio
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Divertimento No.3 Mvt.
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RayThompsonMusic
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SheetMusicPlus
Brass Ensemble,Horn Trio Horn - Level 4 - SKU: A0.553540 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Holiday. Score and par...
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Brass Ensemble,Horn Trio Horn - Level 4 - SKU: A0.553540 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Holiday. Score and parts. 10 pages. RayThompsonMusic #3041883. Published by RayThompsonMusic (A0.553540). These divertimento, originally written for 3 basset horns have been arranged for many combinations of instruments.This is the 5th mvt, the Rondo from No.3I have transposed the piece from concert F into concert C to fit all the parts into a comfortable range.I have taken some some liberties with the 3rd part, and have in some places transposed it up an octave.I feel it works well as a horn trio.you can watch it here..https://youtu.be/Hn24Zayu5XI
$7.95
Christmas Celebration a Christmas Carol Sing-along (for SATB Choir, Audience & Orchestra)
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Classique
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Various
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Kenneth Abeling
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Christmas Celebration a Christ
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - SKU: A0.515231 Composed by Various. Arranged by Kenneth Abeling. Baroque,Christmas,Classical,Romantic Period. Octavo. ...
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Choral Choir (4-Part) - Level 4 - SKU: A0.515231 Composed by Various. Arranged by Kenneth Abeling. Baroque,Christmas,Classical,Romantic Period. Octavo. 248 pages. LINCOLN MUSIC PUBLICATIONS #5995079. Published by LINCOLN MUSIC PUBLICATIONS (A0.515231). Christmas Celebration, a Christmas Carol Sing-along medley for SATB Choir, Audience & Orchestra) arranged and orchestrated by Kenneth Abeling. The titles to this medley of popular carols include: 1. Sing We Now of Christmas, 2. Ding Dong Merrily on High, 3. Deck the Halls, 4. Angels We Have Heard on High, 5. God Rest Ye Merry Gentlemen, 6. O Little Town of Bethlehem, 7. Oh Come All Ye Faithful, 8. Away in the Manger, 9. Silent Night, 10. The First Noel, 11. Hark! The Herald Angels Sing, 12. Joy to the World, 13. We Wish You a Merry Christmas. The download consists of both tabloid and letter size scores both with covers, all instrumental parts and the choir book with cover. The purchaser is entitled to unlimited prints of the choir book. For the vocalists, this is intermediate level in difficulty and advanced intermediate to easier advanced for the orchestra.Unfortunately, the audio reference, for the time being, is without actual voices but with synthesized voices. Current concerns over the COVID-19 virus made it impossible to get a vocal ensemble together to record in a safe manner. I hope to replace the audio in the near future. Playing time 11:50.
$65.00
Lithuanian Nonet for winds & strings
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Contemporain
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Juozas ŽileviÄius
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Kazys DaugÄ—la
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Lithuanian Nonet for winds &am
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Kazys Daugela
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SheetMusicPlus
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys Dau...
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A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys DaugÄ—la. 20th Century,Classical. 162 pages. Kazys Daugela #942837. Published by Kazys Daugela (A0.1358397). Juozas ŽileviÄius (1891–1985) was an organist, composer, educator, and researcher in the history of music. In 1919, when graduating from the Petrograd Conservatory, he composed Symphony in F minor, the first Lithuanian composition in this genre. Upon his return to Lithuania in 1920, ŽileviÄius worked in various musical life spheres of the young republic: he took part in the activities of the Society of Lithuanian Art Creators, contributed to the establishment of Kaunas Opera House, worked for several years as the head of the Art Department at the Ministry of Education, prepared the first music curricula for secondary schools and progymnasiums, conducted courses for music teachers, taught at music schools in Kaunas and KlaipÄ—da, published a musical periodical, and initiated the first Lithuanian Song Festival. Musicologist DanutÄ— PetrauskaitÄ— managed to bring copies of three-movement Nonet for strings and wind instruments from Chicago to Lithuania. ŽileviÄius started writing it in December 1924. The composition was apparently inspired by the Czech Nonet members, working at KlaipÄ—da School of Music, who had been invited by its director Stasys Å imkus from Prague. This was a lively and youthful group that gave concerts all over Lithuania. It amazed audiences with its high artistic level and set an example for students, encouraging them to form various ensembles. The repertoire of the Czech Nonet consisted mainly of works from the Classical and Romantic eras. There were few contemporary compositions, and therefore the Czech Nonet performers turned to composers with a request to write new works for them. They might have discussed the matter with ŽileviÄius with whom they maintained a close relationship, as they did later with Lithuanian composer Jeronimas KaÄinskas.ŽileviÄius finished writing Nonet on 15 November 1926. All three movements were based on the intonations of Lithuanian folk melodies. The first movement (Andante. Allegro moderato) imitatively developed the motifs of the song “Autumn will Comeâ€, while the second one (Andante cantabile) featured fragments of the song I Rode through the Woodâ€, and the third one (Allegro) of the song “Oh, you Bird Cherryâ€. The composition was written professionally, it should have been attractive and interesting for the performers, but, unfortunately, it was never performed. The reasons for this could have been various: disagreements between the director of  KlaipÄ—da Music School, Å imkus, and his deputy, ŽileviÄius, as well a the Czech teachers’ falling into disgrace and starting to resign from their teaching positions in the autumn of 1926. A few years later, ŽileviÄius also resigned from the school: in January 1929 he left for the USA and settled in Elizabeth, New Jersey, where he worked as a church organist. He also brought his Nonet from KlaipÄ—da, hoping that this work would be heard in America. To this end, he found transcribers who made instrumental parts from the score. As it turned out, there were few Lithuanian instrumentalists in the USA, and ŽileviÄius did not have close relations with Americans. Thus Nonet, which the composer regarded as one of his most successful compositions after his Symphony in F minor, sank into oblivion. Thanks to Kazys DaugÄ—la, an opportunity appeared to edit and digitise it after the sheet music of Nonet had arrived in Lithuania. This work reveals the origins of the Lithuanian musical culture, enriches the repertoire of chamber-instrumental ensembles, broadens music education curricula, inks the name of ŽileviÄius, the author of both the first Lithuanian symphony and of the first nonet, in the history of music, and contributes to the preservation and fostering of the Lithuanian musical heritage.by Prof. Dr. DanutÄ— PetrauskaitÄ—.
$59.99
Nessun Dorma - vocal solo unison tenor or soprano with piano with FREE BACKING TRACKS to sing along
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Giacomo Puccini
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Austin Ralphson
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Nessun Dorma - vocal solo unis
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Austin Ralphson
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SheetMusicPlus
Medium-High Voice,Vocal Solo - Level 4 - SKU: A0.1478321 Composed by Giacomo Puccini. Arranged by Austin Ralphson. 20th Century,Opera. 17 pages. Austin ...
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Medium-High Voice,Vocal Solo - Level 4 - SKU: A0.1478321 Composed by Giacomo Puccini. Arranged by Austin Ralphson. 20th Century,Opera. 17 pages. Austin Ralphson #1055701. Published by Austin Ralphson (A0.1478321). This aria from Puccini's opera 'Turandot' was made famous beyond the world of opera by Luciano Pavarotti when he recorded it for the 1990 World Cup. It is a firm favourite to play at any performance, from weddings to recitals to parties and beyond!This solo arrangement creates a moving, uplifting experience during performance and will be a strong addition to your repertoire. I have included the following options to provide flexibility:* Italian-language version in the original key of G, and also a tone lower in F* English-language version in the original key of G, and also a tone lower in F* Backing tracks in the keys of G and F which are available in the downloadable mp3 file, and also on YouTube at https://youtu.be/0vYLZ8yBur4You can print as many copies as are required to facilitate a performance, but you are not permitted to share outside of your needs.
$3.99
Nessun Dorma - 2 part choir or vocal duet TT with piano with FREE BACKING TRACKS to sing along to.
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Giacomo Puccini
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Austin Ralphson
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Nessun Dorma - 2 part choir or
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Austin Ralphson
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SheetMusicPlus
Piano,Voice Duet Piano,Tenor Voice - Level 4 - SKU: A0.1478315 Composed by Giacomo Puccini. Arranged by Austin Ralphson. 20th Century,Opera. 21 pages. A...
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Piano,Voice Duet Piano,Tenor Voice - Level 4 - SKU: A0.1478315 Composed by Giacomo Puccini. Arranged by Austin Ralphson. 20th Century,Opera. 21 pages. Austin Ralphson #1055694. Published by Austin Ralphson (A0.1478315). This aria from Puccini's opera 'Turandot' was made famous beyond the world of opera by Luciano Pavarotti when he recorded it for the 1990 World Cup. It is a firm favourite to play at any performance, from weddings to recitals to parties and beyond!This duet arrangement uses the voices to produce a moving, uplifting experience during performance and will be a strong addition to your repertoire. I have included the following options to provide flexibility:* Italian-language version in the original key of G, and also a tone lower in F* English-language version in the original key of G, and also a tone lower in F* Backing tracks in the keys of G and F which are available in the downloadable mp3 file, and also on YouTube at https://youtu.be/0vYLZ8yBur4You can print as many copies as are required to facilitate a performance, but you are not permitted to share outside of your choir.
$4.99
Déjeuner du matin sung in French and English with various samples (mp3)
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David Warin Solomons
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Déjeuner du matin sung
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Sampler - Level 4 - SKU: A0.1350393 By David Warin Solomons. By David Warin Solomons. Contemporary,Multicultural,Singer/Songwriter,World. Ful...
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Alto Voice,Sampler - Level 4 - SKU: A0.1350393 By David Warin Solomons. By David Warin Solomons. Contemporary,Multicultural,Singer/Songwriter,World. Full Performance. Duration 249. David Warin Solomons #935190. Published by David Warin Solomons (A0.1350393). Déjeuner du matin - poem by Jacques PrévertEnglish translation by Lawrence FerlinghettiMusical improvisation on 8-track Fostex with Archimedes sequencer sung by David W Solomons with various samples (1989)using my Isaiah sequence (circular A minor arpeggio feature with bass note going down by semitones returning via a dominant 7th chord)This is best heard on headphones to get the English and French versions separately.Recently described by Howie Richey as follows:sounds like Stairway to Heaven sung by Sgt. Pepper!Yup I can see that LOLFrench and English versions:Déjeuner Du MatinIl a mis le caféDans la tasseIl a mis le laitDans la tasse de caféIl a mis le sucreDans le café au laitAvec la petite cuillèreIl a tournéIl a bu le café au laitEt il a reposé la tasseSans me parlerIl a alluméUne cigaretteIl a fait des rondsAvec la fuméeIl a mis les cendresDans le cendrierSans me parlerSans me regarderIl s'est levéIl a misSon chapeau sur la têteIl a misSon manteau de pluieParce qu'il pleuvaitEt il est partiSous la pluieSans une paroleSans me regarderEt moi, j'ai prisMa tête dans ma mainEt j'ai pleuréBreakfastHe put the coffee in the cupHe put the milk inthe cup of coffeeHe put the sugarin the café au laitWith a coffee spoon he stirred he drank the café au lait and set down the cupwithout a word to mewithout a word to mehe lit a cigarettehe made smoke ringswith the smokehe put the ashesin the ash traywithout a word to mewithout a look at mehe got uphe put his hat upon his headhe put his raincoat on because it was rainingand he left in the rainwith out a wordwithout a look at meand I ....I took my head in my hand and I cried.
$5.50
Pictures at an Exhibition 4. Bydlo
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Classique
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Modest Petrovich Mussorgsky
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Erik Cole
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Pictures at an Exhibition 4. B
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Erik Cole
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.996124 Composed by Modest Petrovich Mussorgsky. Arranged by Erik Cole. Romantic Period. 15 pages. Erik Cole #47930...
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Woodwind Ensemble - Level 4 - SKU: A0.996124 Composed by Modest Petrovich Mussorgsky. Arranged by Erik Cole. Romantic Period. 15 pages. Erik Cole #4793071. Published by Erik Cole (A0.996124). This is a transcription of the complete Pictures at an Exhibition for double reed choir. It is all in the original keys and based on the well-known Ravel orchestration, which is quite difficult. As a result, this arrangement is even more challenging. It is designed with at least 2 players per part in mind, and all of the oboe and bassoon parts are divisi throughout. The attached MP3 recordings are multi-track recordings of me playing all the parts. This was, by far, the most daunting recording I have put together for any of my arrangements, and I apologize for any minor imperfections in timing or pitch. In many places, this really stretched the limits of what I am capable of on bassoon. This movement is the only one with enough low notes to really need two contrabassoons. Many groups won’t have that, and the harmonies actually work better leaving out the lowest note in those spots. The prominent contra parts in this movement make it pretty obvious that the MP3’s were made without access to one at all.
$7.00
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
Affani del pensier ( Extract from Aria antiche Vol. 1 )
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Classique
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Alessandro Parisotti
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Terry Carpenter
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Affani del pensier
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Terry Carpenter
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SheetMusicPlus
Acoustic Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.1347945 By Alessandro Parisotti. By Giorgio Federico Händel. Arranged by Terry Carpenter....
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Acoustic Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.1347945 By Alessandro Parisotti. By Giorgio Federico Händel. Arranged by Terry Carpenter. Baroque. 10 pages. Terry Carpenter #932759. Published by Terry Carpenter (A0.1347945). For Voice and classical guitarTranscription for classical guitar of a lyrical aria extract from volume one of the famous Aria Antiche by Alessandro Parisotti. I have added a tablature of the guitar part and the chords. Thus, no need for a piano: you can sing and accompany yourself on the beach or near the campfire! If the guitar part seems sometimes difficult, play the chords - it works! I suggest you to play it at a lower tempo than Parisotti's tempo. Notice that Parisotti's version is in C minor and the orchestral version is in B minor, sounds great for strings. The guitar part is quite tricky : Handel's chiselled writing made the transcription for guitar a delicate affair, and I couldn't help stepping out of the first positions of the instrument to follow the contours of the original.Listen to Sonia Theodoridou version on the YouTube link below.On the pdf, you will find the score, the voice part, the guitar part and a guitar and tablature part.Contact: carpentermusic@yahoo.com.
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