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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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FANFARE - BAND…
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FLUTE TRAVERSI…
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MARIMBA
OCARINA
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UKULELE
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XYLOPHONE
Let It Be Me
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24
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39
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12
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7
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3
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1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 8 mains
1
1 Piano, 4 mains
1
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1
+ 4 instrumentations
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Voix
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16
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2
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2
Chorale 2 parties
1
Vents
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5
Quatuor de Saxophones: 4 saxophones
3
Clarinette
3
Clarinette et Piano
2
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2
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1
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1
Flûte à bec Tenor
1
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1
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1
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1
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1
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1
Saxophone Tenor
1
+ 11 instrumentations
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Cuivres
Quatuor de cuivres: 4 trombones
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette (partie séparée)
2
Cor
2
Trompette
2
Trombone
1
Quatuor de Cuivres
1
+ 2 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
Violon, Violoncelle (duo)
5
Harpe
3
Trio à Cordes: violon, alto, violoncelle
3
Harpe, Voix
3
Violoncelle
3
Violon et Piano
3
Violon
3
Trio à Cordes: 2 violons, violoncelle
2
Alto (partie séparée)
1
Violoncelle , Guitare (duo)
1
Harpe, Flûte (duo)
1
2 Violoncelles (duo)
1
Violoncelle, Piano
1
Contre Basse
1
+ 10 instrumentations
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Orchestre & Percussions
Orchestre
15
Orchestre d'harmonie
8
Orchestre à Cordes
5
Orchestre de chambre
4
Jazz combo
3
Ensemble Jazz
2
Ensemble de cuivres
2
Fanfare
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
TUBA
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Let It Be Me
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Partitions à imprimer
24 partitions trouvées
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1
This Is Me
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.746169 Composed by Benj Pasek and Justin Paul. Arranged by Michael Pilley. Contemporary. Brass Band. 57 pages. Michael Pilley Music #3540989. Published by Michael Pilley Music (A0.746169). From the smash hit movie musical The Greatest Showman comes a stirring song that encompasses the moral lesson of self-acceptance and triumph under adversity. Scored for standard brass band at an advanced-intermediate difficulty, this arrangement utilises extended percussion techniques to mirror the amazing orchestration in the original soundtrack and will be a sure fire hit in any program.Featuring two solos by the flugelhorn, a cornet and trombone duet, extended percussion such as field drum and techniques for capturing the woosh sound in the original recording, this arrangement is a direct transcription of the track on the original soundtrack.You can hear the entire piece here: https://youtu.be/7pYOaatfUsY and for a simplified 10 piece Brass Ensemble arrangement, click here: https://goo.gl/oKr6fbWith music by the award winning Pasek and Paul, The Greatest Showman is a movie musical based on the life of P.T. Barnum. It is a story of overcoming adversity, rising above social classes and the establishment of an entertainment visionary. Brilliantly played by Keala Settle, the bearded lady gives us an emotional rendition of This Is Me, with lyrics such as I won’t let them break me down to dust and I am who I’m meant to be, speaking of the struggle to be accepted in society.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
46.02 €
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Benj Pasek and Justin Paul
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Michael Pilley
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This Is Me
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Michael Pilley Music
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SheetMusicPlus
This Is Me
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.746174 Composed by Benj Pasek and Justin Paul. Arranged by Michael Pilley. Broadway,Film/TV,Musical/Show,Pop. Brass Band. 77 pages. Michael Pilley Music #3867599. Published by Michael Pilley Music (A0.746174). From the smash hit movie musical The Greatest Showman comes a stirring song that encompasses the moral lesson of self-acceptance and triumph under adversity. Scored for choir, brass band and rhythm at an advanced-intermediate difficulty, this arrangement utilises extended percussion techniques to mirror the amazing orchestration in the original soundtrack and will be a sure fire hit in any program.Featuring extended percussion such as field drum and techniques for capturing the woosh sound in the original recording, this arrangement is a direct transcription of the track on the original soundtrack.With music by the award winning Pasek and Paul, The Greatest Showman is a movie musical based on the life of P.T. Barnum. It is a story of overcoming adversity, rising above social classes and the establishment of an entertainment visionary. Brilliantly played by Keala Settle, the bearded lady gives us an emotional rendition of This Is Me, with lyrics such as I won’t let them break me down to dust and I am who I’m meant to be, speaking of the struggle to be accepted in society.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$80.00
73.62 €
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Benj Pasek and Justin Paul
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Michael Pilley
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This Is Me
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Michael Pilley Music
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Timpani
Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Be…
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Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078699. Published by Benjamin Sajo (A0.1018954). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.22 €
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Springtime jaunt for clarinet and classical guitar (mp3)
Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506746 By András Csáki (gui…
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Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506746 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 181. David Warin Solomons #1082117. Published by David Warin Solomons (A0.1506746). This jaunty number in swing time was originally a satirical song for alto and piano or alto and guitar (Looking just looking at the personal ads) - which is also available on this site. I decided that the music on its own without words (but with a few variations) would also work well... so here is Springtime jaunt.The words of the original song are:Young man, twenty four,lookin' for a soul mate:slim dark handsome versatile.Who will answer?Will it be the man of my dreams?Will he be the one,will he write to me,will he like my style,will we get on?Looking, just lookingat the personal ads,can we find true love?Are they the peoplewaiting only for us?Waiting for a letter,waiting for a letter,looking, looking.Kindly lady, thirty eight,cuddly butch and lively,likes a laugh and country walks.Who will answer?Will it be the girl of my dreams?Will she be the one,will she write to me,will she like my style,will we get on?[Chorus]Leather wearing, fifty four,into whips and bondage:genuine answers only, please!Who will answer,will it be the whip of my dreams?Will he be the one,will he write to me,will he like my style,will we get on?[Chorus]Grey panther ninety two,into older women,cuddle to my Zimmerframe,Who will answer,will it be the crutch of my dreams?Will she be the one,will she write to me,will she like my style,will we get on?[Chorus].
$5.00
4.6 €
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András Csáki
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Springtime jaunt for clarinet and classical guitar
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David Warin Solomons
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SheetMusicPlus
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solom…
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Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$5.50
5.06 €
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David Warin Solomons
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Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
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David Warin Solomons
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SheetMusicPlus
Vocalise-Étude ( en forme d'Habanera ) by Ravel for Flute Solo and flute ensemble / choir
Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Voice - Level 4 - Digital Downl…
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Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Voice - Level 4 - Digital Download SKU: A0.874260 Composed by Maurice Ravel. Arranged by a do Ray me flute studio production, Ray-Michael Kauffman. 20th Century,Concert,Contemporary,Instructional,Standards. Score and parts. 25 pages. As do Ray meflute studio production #5203415. Published by as do Ray meflute studio production (A0.874260). Vocalise-Étude ( en forme d'Habanera ) by Ravel for Flute Solo and flute ensemble / choirThe famous Vocalise Etude by M Ravel, arranged scored smartly for Flute Solo and flute ensemble/ choir. This piece will give you advanced adult student, college /high student, professional a real solo with flute choir to let them shine . This piece is beautiful in texture , color, and expression. Playing this solo flute part would be any flutists dream to show case their talents.Looking for a great piece, a challenging technique in the solo part, but easier and adaptable for the ensemble?? This is it!!This will surely be a great part of your flute choir /ensemble collection, or even a treasured classic of you own private collection.This piece is scored where as can be played with a small (one per part backign) or even larger ensemble.You be just as excited about this arrangement as I am and all my flutist friends are.And I did want to dedicate this arrangement to my really good friend, who's like fmaily to me, and an incredible music and flutist ; Dorothea Dot Lippart.-- also, check my website out @ doRaymeflute.comhttps://youtu.be/Y-r8Hsfep6E
$15.99
14.72 €
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Maurice Ravel
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Dorothea Dot Lippart
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Vocalise-Étude
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as do Ray meflute studio production
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SheetMusicPlus
Beyond The Sea
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.873898 By Bobby Darin.…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.873898 By Bobby Darin. By Albert Lasry and Charles Trenet. Arranged by Petey C. Contemporary. Score and parts. 14 pages. Petey C. #6342295. Published by Petey C. (A0.873898). This is an edit for trombone of an arrangement I made for horn quartet, with a couple tiny changes. Geared toward university students and professionals. May be a bit difficult for beginners and even intermediate players. The key has been altered to make it in a slightly more comfortable range for trombone, although it maybe sits a bit high in the melodic parts and a bit low in the bassline at times. Melody and bassline get switched around a lot between parts. Makes it more fun and interesting, but requires some skill in all ranges by all players. Doesn't go below a low E, so you should be able to play without a trigger, but I've been told it can get squirrelly down there without one for some players, so... yeah.I had some consultation with a couple trombone player friends about how to best adapt my horn quartets to trombone, but I'm not a trombone player, I'm a horn player, so if you purchase this and notice any errors (notational, range, clef, etc.) that could be pretty easily fixed, let me know! I'll do my best to update this arrangement and correct any issues. I'm easily reachable by email, and my email address is on my website, peteyc.com. .
$12.99
11.95 €
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Bobby Darin
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Petey C
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Beyond The Sea
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Petey C.
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SheetMusicPlus
Stabat Mater - string ensemble parts
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke L…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
17.49 €
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble parts
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Annemieke Lustenhouwer
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SheetMusicPlus
Theme & Variations for Bass Clarinet
Bass Clarinet Solo - Level 4 - Digital Download SKU: A0.1294033 Composed by Janna W…
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Bass Clarinet Solo - Level 4 - Digital Download SKU: A0.1294033 Composed by Janna Willard. 20th Century. Individual part. 8 pages. Janna Hoskin #884515. Published by Janna Hoskin (A0.1294033). “Theme & Variations for Bass Clarinet†is an experiment in using a matrix to create the inversions, retrogrades, and retrograde inversions used for each statement within the theme. I also used a separate matrix for note values and yet another for dynamics.Your mission, should you choose to accept it, is to find the musical (and perhaps the emotional) centre of the piece, and then convey it to your audience. To this end, please consider the stated tempo as a suggestion and not a hard and fast rule to follow. If a particular section feels like it should be slower, make that adjustment; if another feels like it should be faster, make that adjustment also.Please let me know if you perform this piece. I am interested in learning how different performers interpret the music on the page!
$2.99
2.75 €
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Janna Willard
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Theme & Variations for Bass Clarinet
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Janna Hoskin
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SheetMusicPlus
Jesus Christ is Risen Today for Brass Quartet with Descant
Horn,Piccolo Trumpet,Trombone,Tuba - Level 4 - Digital Download SKU: A0.746869 Comp…
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Horn,Piccolo Trumpet,Trombone,Tuba - Level 4 - Digital Download SKU: A0.746869 Composed by Bohemian Hymn. Arranged by Keith Terrett. Baroque,Easter,World. 7 pages. Keith Terrett #4786801. Published by Keith Terrett (A0.746869). Arranged for Brass Quartet, Jesus Christ Is Risen Today was first written in Latin titled Surrexit Christus hodie, as a Bohemian hymn in the 14th century by an unknown author on manuscripts written in Munich and Breslau. In Latin, it had eleven verses. It was first translated into English in 1708 by John Baptist Walsh to be included in his Lyra Davidica (Collection of Divine Songs and Hymns). The verses of the hymn were revised in 1749 by John Arnold. Initially the hymn only had three verses translated with just the first verse being a direct translation; in 1740 Charles Wesley (one of the founders of Methodism) added a fourth verse to the hymn as an alternative, which was later adopted into the hymn as part of it. The hymn is also noted for having Alleluia as a refrain after every line.The hymn is set to a piece of music entitled Easter Hymn which was composed in the Lyra Davidica for Jesus Christ Is Risen Today. There was a later version of Easter Hymn composed by William Henry Monk which is also used for Jesus Christ Is Risen Today. Some denominations of Christianity often just use one while some use both. The hymn is sometimes confused with Christ the Lord Is Risen Today, which was written by Wesley. This is because the wording is similar and Christ the Lord Is Risen Today is usually likewise sung to Easter Hymn with Llanfair generally being the most common alternative.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$7.99
7.35 €
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Bohemian Hymn
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Keith Terrett
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Jesus Christ is Risen Today for Brass Quartet with Descant
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Keith Terrett
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SheetMusicPlus
David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - Digital Download SKU: A0.53391…
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - Digital Download SKU: A0.533911 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3066951. Published by Musik Fabrik Music Publishing (A0.533911). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard,comprise a complete vocal cycle of five poems set to music as a posthumoustribute by the composer to the Athenian poet Melissanthi (1910-1991),in the manner of the old tombeaux of the Baroque era, atradition also used by many composers of the first half of the 20th century.This composer confirms, with reference to his own experience of Melissanthi'spoetry these five from among her many poems have made a such a great impacton my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name wasEve Chougia-Skandalaki, and the mysterious atmospheres invokedby David Solomons' music introduce the listener to an ethereal andmetaphysical dimension, allowing us a glimpse into the unknown and the intangible.A recurring theme, which unites the five lyrics by an invisible thread, isan incessant fluctuation between the real and the unreal, between the knownand the unknown and between reality and unreality.The inevitable abandonment of the mind to the seductive charms of thesurreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems thereforerequire particular emotional involvement, in an overall picture where everysingle note is a tiny but essential constituent of a larger and more complexmusical architecture. The harmonic structure of the five compositions presentsa substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords.This creates an indissoluble unity, such that it would spoil the completenessof the whole cycle of compositions if it were broken.Alessandro BalsiminiTranslation by David W. Solomons
$19.95
18.36 €
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David Warin Solomons
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David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
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Musik Fabrik Music Publishing
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SheetMusicPlus
Mary Had A Baby
Level 4 - Digital Download SKU: A0.1488973 By Kathleen Battle. By William Dawson. A…
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Level 4 - Digital Download SKU: A0.1488973 By Kathleen Battle. By William Dawson. Arranged by Brad Ritchie. Christmas,Holiday,Traditional. 26 pages. Main Office Productions & Publishing #1065827. Published by Main Office Productions & Publishing (A0.1488973). This arrangement is based on the famous Kathleen Battle version of William Dawson's carol. The arrangement was commissioned by the Detroit Symphony for a concert during the COVID pandemic and as a result features a smaller ensemble. This arrangement is adapted for a unique ensemble of brass and percussion plus Soprano Soloist. It can be played by a standalone brass/wind band or feature the orchestral brass section in the middle of a concert. Orchestration: 2 Horns, 4 Flugelhorns, 3 Trombones, 1 Tuba, Timpani+2 Perc., and Soprano SoloistDuration: ca. 2:30A score video of Sibelius playback is below to give a sense of the arrangement. Thank you so much for considering this chart. If there are any questions or further information needed please feel free to contact me at brad@bradritchie.com. Also let me know if you end up purchasing. I'd love to know of any upcoming performances!
$100.00
92.03 €
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Kathleen Battle
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Brad Ritchie
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Mary Had A Baby
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Main Office Productions & Publishing
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SheetMusicPlus
"The Sea of Sunset" - for Soprano, Trombone, Double Bass and Piano [Performance Score]
Small Ensemble Double Bass,High Voice,Piano,Trombone - Level 4 - Digital Download SKU: …
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Small Ensemble Double Bass,High Voice,Piano,Trombone - Level 4 - Digital Download SKU: A0.976037 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 18 pages. Lior Navok Music #4719307. Published by Lior Navok Music (A0.976037). THE SEA OF SUNSETfor Soprano, Trombone, Double Bass and Piano (1997) DURATION: 8 Minutes POEM BY: Emily Dickinson PROGRAM NOTES: The composer writes about his work: The poems of Emily Dickinson are very unique work of art. Most of her poems are full with detailed descriptions, transferring the poems to a medium of picture, carefully painted and calculated. Yet, it is quiet amazing that these poems came from the hand of a woman who lived secluded life, in her hometown Amherst, Massachusetts. A clue may be finds in one of Dickinson's saying: To shut our eyes is to travel. As I approached Dickinson's poems (which are close to 2000), I found that most of them, even the short ones, are built into a large space. Each poem needs its development time and cannot be rushed or squeezed to a regular song form. In The Sea of Sunset, I have let the words, the nature description, and the lazy mood of the poem take me to the picture medium. Adding the murmur of the sea, and the whisper of the wind, I tried to get as close as possible to the picture I saw through the poem. INFO: Item: Full Score Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 18 Ink: Black & White Paper Size: Folio (Europe) / Legal (USA) Remarks: All performers read from score.
$18.00
16.57 €
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Lior Navok
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"The Sea of Sunset" - for Soprano, Trombone, Double Bass and Piano [Performance Score]
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Lior Navok Music
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SheetMusicPlus
Sherry
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.873897 By The Four Sea…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.873897 By The Four Seasons. By Bob Gaudio. Arranged by Petey C. Pop,Rock. Score and parts. 8 pages. Petey C. #6342303. Published by Petey C. (A0.873897). Same as the arrangement I wrote for Horn quartet, but for Trombones! Different key, different clefs. This arrangement is geared towards university level students and professionals. ALERT: The 4th part (Trb 4/bass trombone) goes down to a low D. If played on a tenor trombone, it will require a trigger. Familiarity with tenor clef is required for parts 1 & 3.I received some consultation with a couple trombone player friends about how to best adapt my horn quartets to trombone, but I'm not a trombone player, I'm a horn player, so if you purchase this and notice any errors (notational, range, clef, etc.) that could be pretty easily fixed, let me know! I'll do my best to update this arrangement and correct any issues. I'm easily reachable by email, and my email address is on my website, peteyc.com. Hope you enjoy it!
$12.99
11.95 €
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The Four Seasons
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Petey C
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3
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Sherry
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Petey C.
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SheetMusicPlus
What Will We Say?
Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed …
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Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99
18.4 €
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Aaron Gage
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What Will We Say?
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Aaron Gage
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SheetMusicPlus
Haiku by The Khromatiks, for Electric Violin & Loop Station
Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845981 Compo…
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Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845981 Composed by Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,New Age. Individual part. 8 pages. ViolinVagabond Music #6017039. Published by ViolinVagabond Music (A0.845981). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2014. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boomerang III loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 3 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: a Haiku is characterized by a pattern of 5-7-5 syllables, and in this piece that refers to the meters used in each of the overarching sections. The ambient intro in 5/8 involves a quartal ostinato with long sweeping volume swells, which then develops into a pizzicato groove in 7/8. This groove forms the basis for the majority of the tune, as melodies & improvised solos drift in and out over an A and B section loop. On the final B section, the loop drops out and the violinist builds up into a more distorted strum bowing groove (which accompanies a drum solo on the original recording). As the intensity builds, the 7/8 groove is shortened back into 5/8, thus completing the Haiku. The piece ends with a restatement of the original ostinato as it fades into silence using an automated volume fade on the looper pedal.With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass or guitar/keyboards (players can read the chord symbols on the chart as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99
7.35 €
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Kayleigh Moyer, Kyle Pudenz, and The Khromatiks
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improvised
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Haiku by The Khromatiks, for Electric Violin & Loop Station
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ViolinVagabond Music
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SheetMusicPlus
La Folia in D Minor
Cello,Cembalo,Violin - Level 4 - Digital Download SKU: A0.1224544 Composed by Jose …
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Cello,Cembalo,Violin - Level 4 - Digital Download SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published by Jose Bravo (A0.1224544). From the Composer:I committed last year (2022) to review my musical works that have been in digital storage, complete them as necessary, and release them for the world to hear. I finally finished my first work on this list, one that's been on my hard drive in one version or another since 1999 (that's 24 whole years!).Las Follias de España (which despite its name, originally came from Portugal) is a chord progression usually in either D minor or G minor in the form of i-V-i-VII-III-VII-i-V. Composers for the last 500 years have used this chord progression to come up with some fantastic theme and variations, ranging from unaccompanied works, trio sonatas, to even full orchestral implementations. You can spend a looooong time listening to all the beautiful compositions that composers have made over the centuries highlighting this very captivating set of chords.I humbly submit my own version of La Folia in D minor for String Trio and Cembalo (harpsichord). I wrote my first version of this in my senior year of High School as a challenge to myself to write music in a genre I loved. I made updates here and there over the years, but its sat on a hard drive the entire time. It's taken me months to essentially rework it to my satisfaction and has been submitted for copyright. I have uploaded it to YouTube to share with others.BIG SHOUT OUTS to the three composers that inspired me in this work:Corelli: - His version of La Folia is probably the most popular for violinists, especially those that play out of the Suzuki books. I included a modified version of his Folia (Variation 9) in my work (with all other parts being vastly different from his interpretation) as an homage to his work.J.S. Bach - He showed me that music can be as intelligent as it is beautiful. I have two variations inspired by his work. Variation 8 is one that I wrote this year (2023) which I wanted to write for a long time is a variation that showcases the Harpsichord. Bach's keyboard works and unaccompanied violin works inspired me here. Second, Variation 14 I feel has Bach's inspiration all over it. The violin parts are each playing separate distinct melodies in double counterpoint which trade parts on the repeat. The bass line follows a pattern that Bach has employed for the bass on a number of Violin concertos and lastly, the Harpsichord treble part is a mensuration canon based on one of the violin parts, with the keyboard part playing the melody 4x as fast with variations. Lastly on a play of numbers, number 14 was a very special number for Bach, and as a tribute, I've made this the 14th variation in my work. This was also a new variation I added this year (2023) as well.Vivaldi - My first musical love. I feel that I captured a little bit of his musical DNA in all my works and this piece showcases this. Vivaldi's works is what made me fall in love with Baroque music and I am indebted to him for the profound impact his works have had on my life.So here you go. 413 measures. My longest individual work to date. And because I love playing with numbers, I decided to release this to the world on my 41st Year, 3rd month. Enjoy!- Jose Bravo.
$5.00
4.6 €
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Jose Bravo
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La Folia in D Minor
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Jose Bravo
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SheetMusicPlus
Push & Pull by The Khromatiks, for Electric Violin & Loop Station
Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845977 By Th…
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Electric Violin,Instrumental Solo - Level 4 - Digital Download SKU: A0.845977 By The Khromatiks. By Kayleigh Moyer, Kyle Pudenz, and The Khromatiks. 20th Century,Contemporary,Jazz,Latin. Individual part. 10 pages. ViolinVagabond Music #5375599. Published by ViolinVagabond Music (A0.845977). This is a loop station composition for electric violin that I composed for my live-looping duo, The Khromatiks, in 2013. Doing my part to increase the available repertoire for extended range violins out here on the internet!I originally recorded this tune on a 7-string electric violin with a Boss RC-30 loop station. That being said, there are plenty of other gear configurations that will work. Any phrase looper/sampler that is capable of playing 2 separate tracks or sections with overdubs will be able to handle this structure, such as the Singular Sound Aeros, Boomerang III, Ableton Live with a MIDI controller, etc. If you don't play 7-string, a 5-string can also play this chart as written if you use an octave pedal to record the low bass lines. A standard 4-string can also work, although some phrases will have to be transposed 8va.A little about this tune: the head melody is a basic lydian dominant motif that gets displaced forwards or backwards by a sixteenth note on each iteration. In Nashville Number System, we call this sort of syncopation a push, which inspired the title. This idea transitions into a B solo section with a latin songo groove. This is a great tune for practicing tight rhythmic syncopation, or for developing solo ideas on modal scales!With The Khromatiks this piece was performed as a duo with violin & drums/percussion, but also works as a violin solo. If you have a looper capable of syncing to a click track, you could also try adding bass (plays the bottom line of loop 2 only) or guitar/keyboards (read the chord symbols as a lead-sheet). The sky is the limit, feel free to get creative with it!Please, if you have questions or suggestions, feel free to contact me via my website, www.kylepudenz.com/, or on Instagram @theviolinvagabond
$7.99
7.35 €
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The Khromatiks
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Push & Pull by The Khromatiks, for Electric Violin & Loop Station
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ViolinVagabond Music
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SheetMusicPlus
Poems for Orchestra parts (2)
Small Ensemble - Level 4 - Digital Download SKU: A0.872622 Composed by Philip Orem.…
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Small Ensemble - Level 4 - Digital Download SKU: A0.872622 Composed by Philip Orem. Contemporary. Score and parts. 182 pages. Philip Orem #3543783. Published by Philip Orem (A0.872622). The remaining parts for Poems for Orchestra. Due to the size it was necessary to split this into two files.SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$100.00
92.03 €
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Philip Orem
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Poems for Orchestra parts
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Philip Orem
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SheetMusicPlus
The Valley of Unrest - score and parts
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.872669 Composed by Philip…
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Large Ensemble Voice - Level 4 - Digital Download SKU: A0.872669 Composed by Philip Orem. Contemporary. Score and parts. 103 pages. Philip Orem #3684641. Published by Philip Orem (A0.872669). A concert aria for soprano and orchestra using Edgar Allan Poe's poem, The Valley of Unrest. As the title suggests, this anti-war poem is uneasy in mood and has a gothic flavor to it with colorful orchestrations that emphasizes the text.SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website
$80.00
73.62 €
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Philip Orem
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The Valley of Unrest - score and parts
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Philip Orem
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SheetMusicPlus
Pictures at an Exhibition 8. Catacombs and Con Mortuis
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.996129 Composed by Modest Pe…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.996129 Composed by Modest Petrovich Mussorgsky. Arranged by Erik Cole. Romantic Period. 16 pages. Erik Cole #4793083. Published by Erik Cole (A0.996129). This is a transcription of the complete Pictures at an Exhibition for double reed choir. It is all in the original keys and based on the well-known Ravel orchestration, which is quite difficult. As a result, this arrangement is even more challenging. It is designed with at least 2 players per part in mind, and all of the oboe and bassoon parts are divisi throughout. The attached MP3 recordings are multi-track recordings of me playing all the parts. This was, by far, the most daunting recording I have put together for any of my arrangements, and I apologize for any minor imperfections in timing or pitch. In many places, this really stretched the limits of what I am capable of on bassoon. Both of these movements are fairly short and unlikely to be performed unless the entire piece is being performed, so I bundled them together. Con Mortuis functions as the final Promenade for the whole piece, and features high tremolos and the harp, which made for some transcription challenges. The first oboe part is quite difficult, and the high octave can be omitted if necessary.
$7.50
6.9 €
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Modest Petrovich Mussorgsky
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Erik Cole
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Pictures at an Exhibition 8. Catacombs and Con Mortuis
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Erik Cole
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SheetMusicPlus
Sugar Magnolia
Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - Digital Downl…
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Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1181489 By The Grateful Dead. By Bob Weir and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Folk. 48 pages. Lee Johnson Music #781279. Published by Lee Johnson Music (A0.1181489). Sugar Magnolia will be an instant audience favorite and a fulfilling and satisfying musical experience for your wind ensemble. It is scored for symphonic woodwinds and skillfully features the members of the ensemble by moving the melodic and rhythmic materials around for all to have a good time. Sugar Magnolia is one of the many fan favorites from the renowned Dead Symphony no. 6 by arranger and composer Lee Johnson that celebrates the music of the Grateful Dead. You may have heard it on Sirius/XM or on the Grateful Dead Hour. Don't forget the tie-died T-shirts for the performance!Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit:Â www.leejohnsonmusic.comKings Bishop Productions YouTube ChannelÂ
$49.99
46.01 €
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The Grateful Dead
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Lee Johnson
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Sugar Magnolia
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Lee Johnson Music
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SheetMusicPlus
"Deep River" from Crossing Jordan, - B flat instrument, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 8 pages. Maria Thompson Corley #875683. Published by Maria Thompson Corley (A0.1284510). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello.
$15.00
13.8 €
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Spiritual
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Maria Thompson Corley
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"Deep River" from Crossing Jordan, - B flat instrument, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).
$15.00
13.8 €
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Spiritual
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Maria Thompson Corley
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"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
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