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Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Centur…
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Level 4 - Digital Download SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)   So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.   Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99
9 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
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SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Down…
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - Digital Download SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
9 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
#
SheetMusicPlus
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digi…
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
9 €
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Thomas Oboe Lee
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Septet, opus 77 ... Variations on a Shaker Tune
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Thomas Oboe Lee
#
SheetMusicPlus
Thriving Three
Instrumental Duet,Strings Instrumental Duet,Multi-Percussion - Level 4 - Digital Download …
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Instrumental Duet,Strings Instrumental Duet,Multi-Percussion - Level 4 - Digital Download SKU: A0.881251 Composed by Gary Powell Nash. African,Contemporary,Jazz. Score and parts. 82 pages. Gary Powell Nash #3546283. Published by Gary Powell Nash (A0.881251). Nash completed Thriving Three around the time of his daughter’s 3rd birthday and the title is derived from his daughter having finished the Terrible Two phase of her life. Other contributing items to the title Thriving Three are that it has three movements and the collaborating percussion part uses three instruments, including drum set, vibraphone and Djembe drum. Movement 1, marked Assertively, q = 100 is a moderately fast movement with highly syncopated rhythms of eighth and 16th notes in quadruple meter and supported mostly by the drum set. Movement 2, which is approached by metric modulation with no pause from movement 1 is marked Slowly and Sweetly, q = 66. It features mostly vibraphone. Movement 3 is marked Spirited, dotted quarter note = 100. Written in 6/8 time, it is a fast and dance-like movement with highly syncopated dance-like rhythms and primarily supported by Djembe drum and drum set.
$25.00
22.52 €
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Gary Powell Nash
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Thriving Three
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Gary Powell Nash
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SheetMusicPlus
Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sull…
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Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages. Musik Fabrik Music Publishing #3627069. Published by Musik Fabrik Music Publishing (A0.534549). Text by William Shakespeare (A Midsummer Night's Dream Act V, Scene I)The ultimate overblown death scene for an actor of limited abilitiesIn the play, Nick Bottom thinks that he is the greatest actor alive. However, he is appallingly dreadful - he shamelessly overplays every line, mugs incessantly and makes word errors. He thinks that he is fabulous when, in fact, he is ridiculous. His suicide scene is one of the great moments for comic actors and it can take as long as the actor wishes - even up to 5 minutes. This aria is set in the same manner and many buffo singers immediately come to mind as models for such satire. This selection cannot be overplayed. It can be sung by any male voiceTEXT: Sweet Moon, I thank thee for thy sunny beams.I thank thee, Moon, for shining now so bright.For by thy gracious, golden, glittering gleams,I trust to take of truest Thisbe sight.—But stay, O spite!But mark, poor knight,What dreadful dole is here!Eyes, do you see?How can it be?O dainty duck! O dear!Thy mantle good,What, stained with blood?Approach, ye Furies fell!O Fates, come, come,Cut thread and thrum.Quail, crush, conclude, and quell!O wherefore, Nature, didst thou lions frame?Since lion vile hath here deflowered my dear,Which is—no, no—which was the fairest dameThat lived, that loved, that liked, that looked with cheer.Come, tears, confound!Out, sword, and wound!The pap of Pyramus— Ay, that left papWhere heart doth hop. (stabs himself)Thus die I, thus, thus, thus.Now am I dead.Now am I fled.My soul is in the sky.Tongue, lose thy light.Moon, take thy flight.Now die, die, die, die, die.(dies)
$11.95
10.76 €
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Una Pena Quita Pena
Small Ensemble Guitar,Voice - Level 4 - Digital Download SKU: A0.928252 Composed by…
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Small Ensemble Guitar,Voice - Level 4 - Digital Download SKU: A0.928252 Composed by Lynieve Austin, Simon James. Contemporary,Latin,Multicultural,World. Score and parts. 7 pages. DML #5355765. Published by DML (A0.928252). This is a complex song using the rhythm of a Flamenco rumba but with a mixture of finger style and strumming, it will need time and patience to do it well. It uses well known coplas from traditional Spanish sources and is naturally about love but with some fairly pointed remarks like the copla that ends ‘a shoe once worn, discarded, I never wear again’. One of the best things about the Flamenco approach to lyrics - you are never tied down to just one version so you can change the song according to the mood you’re in. This was first performed at the opening of the 2007 Croydon Jazz Festival.
$2.99
2.69 €
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Lynieve Austin, Simon James
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Una Pena Quita Pena
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DML
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SheetMusicPlus
"The Sea of Sunset" - for Soprano, Trombone, Double Bass and Piano [Performance Score]
Small Ensemble Double Bass,High Voice,Piano,Trombone - Level 4 - Digital Download SKU: …
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Small Ensemble Double Bass,High Voice,Piano,Trombone - Level 4 - Digital Download SKU: A0.976037 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 18 pages. Lior Navok Music #4719307. Published by Lior Navok Music (A0.976037). THE SEA OF SUNSETfor Soprano, Trombone, Double Bass and Piano (1997) DURATION: 8 Minutes POEM BY: Emily Dickinson PROGRAM NOTES: The composer writes about his work: The poems of Emily Dickinson are very unique work of art. Most of her poems are full with detailed descriptions, transferring the poems to a medium of picture, carefully painted and calculated. Yet, it is quiet amazing that these poems came from the hand of a woman who lived secluded life, in her hometown Amherst, Massachusetts. A clue may be finds in one of Dickinson's saying: To shut our eyes is to travel. As I approached Dickinson's poems (which are close to 2000), I found that most of them, even the short ones, are built into a large space. Each poem needs its development time and cannot be rushed or squeezed to a regular song form. In The Sea of Sunset, I have let the words, the nature description, and the lazy mood of the poem take me to the picture medium. Adding the murmur of the sea, and the whisper of the wind, I tried to get as close as possible to the picture I saw through the poem. INFO: Item: Full Score Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 18 Ink: Black & White Paper Size: Folio (Europe) / Legal (USA) Remarks: All performers read from score.
$18.00
16.21 €
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Lior Navok
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"The Sea of Sunset" - for Soprano, Trombone, Double Bass and Piano [Performance Score]
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Lior Navok Music
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SheetMusicPlus
Torito
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.928251 Composed by Lynieve Austin, Simon James. Contemporary,Latin,World. Score and parts. 8 pages. DML #5334941. Published by DML (A0.928251). The lyric was created using well known coplas from traditional Spanish sources, as was Una Pena Quita Pena. One of the best things about the Flamenco approach to lyrics - you are never tied down to just one version, you can endlessly re-invent the words, and may be applauded for a particularly good one. The style of this song has a suitably Spanish feel, similar to a rumba, but is based on the famous finger pick technique known as a claw hammer. It changes slightly throughout the song so read the score carefully. One point to note is that the chord changes in bars 43 to 47 and 114 to the end are anticipated by a quaver. I have indicated this using phrasing marks. The original recording, which you can access through YouTube, has solos starting at bar 84 over the A minor section with the voice returning to a strummed rhythm at bar 96, I have faded this section out on the recording until the voice returns. The score maintains finger style with lyrics throughout but you can adapt it wherever you wish.
$2.99
2.69 €
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Lynieve Austin, Simon James
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Torito
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DML
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SheetMusicPlus
Praeludium - Reger- Bb Clarinet duet
Instrumental Duet B-Flat Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A…
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Instrumental Duet B-Flat Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.1076592 Composed by Max Reger. Arranged by Phil Beaman. 20th Century,Standards. Score and parts. 11 pages. Phil Beaman #680727. Published by Phil Beaman (A0.1076592). The Praeludium from Suite No 3 in A minor is originally for unaccompanied Cello solo by Max Reger (1873-1916, written 1914). For this unaccompanied duet arrangement the melody was creatively deconstructed into two parts that continuously interact as if each instrument is finishing the other's thoughts. The harmonies are inspired by the original double stops. The arrangement remains stylistically faithful to Reger's use of constantly shifting dynamics and ever-present expression marks. This 4 1/2 minute work is a worthy challenge for a serious concert or recital. A new approach to this Masterwork of the repertoire. A live performance will be considerably freer and more expressive than the temporary MIDI recording attached. Range - same note range for both parts which is a wide 2 1/2 octaves. 5 page score, 3 pages each part.
$6.99
6.3 €
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Max Reger
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Phil Beaman
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Praeludium - Reger- Bb Clarinet duet
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Phil Beaman
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SheetMusicPlus
Praeludium - Reger- Bass Flute duet
Instrumental Duet Bass Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.107…
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Instrumental Duet Bass Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.1076731 Composed by Max Reger. Arranged by Phil Beaman. 20th Century,Standards. Score and parts. 11 pages. Phil Beaman #680823. Published by Phil Beaman (A0.1076731). The Praeludium from Suite No 3 in A minor is originally for unaccompanied Cello solo by Max Reger (1873-1916, written 1914). For this unaccompanied duet arrangement the melody was creatively deconstructed into two parts that continuously interact as if each instrument is finishing the other's thoughts. The harmonies are inspired by the original double stops. The arrangement remains stylistically faithful to Reger's use of constantly shifting dynamics and ever-present expression marks. This 4 1/2 minute work is a worthy challenge for a serious concert or recital. A new approach to this Masterwork of the repertoire. A live performance will be considerably freer and more expressive than the temporary MIDI recording attached. Range - same note range for both parts which is a wide 2 1/2 octaves. 5 page score, 3 pages each part.
$6.99
6.3 €
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Max Reger
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Phil Beaman
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Praeludium - Reger- Bass Flute duet
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Phil Beaman
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SheetMusicPlus
Praeludium - Reger- Alto Clarinet duet
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A…
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.1076594 Composed by Max Reger. Arranged by Phil Beaman. 20th Century,Standards. Score and parts. 11 pages. Phil Beaman #680729. Published by Phil Beaman (A0.1076594). The Praeludium from Suite No 3 in A minor is originally for unaccompanied Cello solo by Max Reger (1873-1916, written 1914). For this unaccompanied duet arrangement the melody was creatively deconstructed into two parts that continuously interact as if each instrument is finishing the other's thoughts. The harmonies are inspired by the original double stops. The arrangement remains stylistically faithful to Reger's use of constantly shifting dynamics and ever-present expression marks. This 4 1/2 minute work is a worthy challenge for a serious concert or recital. A new approach to this Masterwork of the repertoire. A live performance will be considerably freer and more expressive than the temporary MIDI recording attached. Range - same note range for both parts which is a wide 2 1/2 octaves. 5 page score, 3 pages each part.
$6.99
6.3 €
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Max Reger
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Phil Beaman
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Praeludium - Reger- Alto Clarinet duet
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Phil Beaman
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SheetMusicPlus
Praeludium - Reger- Alto Flute duet
Instrumental Duet Alto Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.107…
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Instrumental Duet Alto Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.1076729 Composed by Max Reger. Arranged by Phil Beaman. 20th Century,Standards. Score and parts. 11 pages. Phil Beaman #680820. Published by Phil Beaman (A0.1076729). The Praeludium from Suite No 3 in A minor is originally for unaccompanied Cello solo by Max Reger (1873-1916, written 1914). For this unaccompanied duet arrangement the melody was creatively deconstructed into two parts that continuously interact as if each instrument is finishing the other's thoughts. The harmonies are inspired by the original double stops. The arrangement remains stylistically faithful to Reger's use of constantly shifting dynamics and ever-present expression marks. This 4 1/2 minute work is a worthy challenge for a serious concert or recital. A new approach to this Masterwork of the repertoire. A live performance will be considerably freer and more expressive than the temporary MIDI recording attached. Range - same note range for both parts which is a wide 2 1/2 octaves. 5 page score, 3 pages each part.
$6.99
6.3 €
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Max Reger
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Phil Beaman
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Praeludium - Reger- Alto Flute duet
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Phil Beaman
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SheetMusicPlus
BEAD for Three Trombones
Trombone - Level 4 - Digital Download SKU: A0.1348117 Composed by Henry Wolking. 21…
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Trombone - Level 4 - Digital Download SKU: A0.1348117 Composed by Henry Wolking. 21st Century. 26 pages. Gordon Cherry #932934. Published by Gordon Cherry (A0.1348117). BEAD for Three Trombones by Henry Wolking is a new work in four movements, each movement in a different key: B - E - A - D (B-flat, E-flat, A-flat and D-flat)Here is the composer's description for BEAD:The title says it all, four movements in four flat keys for three trombones. This work marks almost fifty years since my first trombone trio Three Movements was published in the mid 70's. It celebrates the unique sound of trombones in my favorite keys, and concludes my trombone trio writing. Enjoy!This approachable work is about 8 minutes in length and suitable for advanced intermediate performers. All parts are in bass clef and the bottom part may be played on a straight tenor, tenor with f-attachment or bass trombone.
$27.50
24.77 €
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Henry Wolking
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BEAD for Three Trombones
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Gordon Cherry
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SheetMusicPlus
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