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Pretty how town for chamber orchestra
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Viola,Violin - Level 4 - Digi…
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.575857 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028845. Published by David Warin Solomons (A0.575857). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$16.00
14.64 €
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David Warin Solomons
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Colin Bayliss
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Pretty how town for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Double Oboe d’amore Concerto in A Major, Op. 9 No. 12 and String Orchestra
Small Ensemble Cello,Double Bass,Oboe d'Amore,Viola - Level 4 - Digital Download SKU: A…
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Small Ensemble Cello,Double Bass,Oboe d'Amore,Viola - Level 4 - Digital Download SKU: A0.955182 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Renaissance. Score and parts. 61 pages. Chamber Ensemble of Minnesota, Inc. #6415585. Published by Chamber Ensemble of Minnesota, Inc. (A0.955182). Complete score and parts of T. Albinoni’s Concerto for Two Oboes in D Major, Op. 9, No. 12 and String Orchestra, arranged for Oboe d’amore and String Orchestra in A Major by D Werdick. Includes separate Oboe d’amore I & II score and solo parts. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 9 minutes, 0 seconds Full Score + Parts: Oboe d’amore I & II Parts, Oboe d’amore Score, Violin I, Violin II, Viola, Cello, Double Bass. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music. 2021 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.75
16.24 €
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Tomaso Albinoni
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Don Werdick (1946 - )
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II score and solo parts
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Double Oboe d’amore Concerto in A Major, Op. 9 No. 12 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Double English horn Concerto in D Major, Op. 9 No. 12 and String Orchestra
Small Ensemble Cello,Double Bass,English Horn,Viola - Level 4 - Digital Download SKU: A…
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Small Ensemble Cello,Double Bass,English Horn,Viola - Level 4 - Digital Download SKU: A0.955180 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 61 pages. Chamber Ensemble of Minnesota, Inc. #6410719. Published by Chamber Ensemble of Minnesota, Inc. (A0.955180). Complete score and parts of the Concerto for Two Oboes in D Major, Op. 9, No. 12 and String Orchestra, composed/first edition in 1722 by T. Albinoni, arranged for English horn by D Werdick. Includes separate English horn I & II score and figured bass notation for Double Bass part. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 9 minutes, 0 seconds Full Score + Parts: English horn I & II Parts, English horn Score, Violin I, Violin II, Viola, Cello, Double Bass. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music. 2021 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.75
16.24 €
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Tomaso Albinoni
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Don Werdick (1946 - )
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Double English horn Concerto in D Major, Op. 9 No. 12 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Oboe in Bb Major, Op. 9 No. 11 and String Orchestra
Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - Digital Download SKU: A0.955166…
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Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - Digital Download SKU: A0.955166 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 83 pages. Chamber Ensemble of Minnesota, Inc. #6026099. Published by Chamber Ensemble of Minnesota, Inc. (A0.955166). Complete score and parts of the Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra , composed in 1722 by T. Albinoni, arranged by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 50 seconds Full Score + Parts: Oboe Solo, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. The Oboe solo arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.00
15.55 €
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for Oboe in Bb Major, Op. 9 No. 11 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Concerto for Oboe in G Minor, Op. 9 No. 8 and String Orchestra
Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - Digital Download SKU: A0.955160…
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Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - Digital Download SKU: A0.955160 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 70 pages. Chamber Ensemble of Minnesota, Inc. #5869737. Published by Chamber Ensemble of Minnesota, Inc. (A0.955160). Complete score and parts of the Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra , composed in 1722 by T. Albinoni, arranged by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 12 seconds Full Score + Parts: Oboe, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
$17.00
15.55 €
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for Oboe in G Minor, Op. 9 No. 8 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Double Oboe Concerto in D Major, Op. 9 No. 12 and String Orchestra
Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - Digital Download SKU: A0.955178…
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Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - Digital Download SKU: A0.955178 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 61 pages. Chamber Ensemble of Minnesota, Inc. #6402777. Published by Chamber Ensemble of Minnesota, Inc. (A0.955178). Complete score and parts of the Concerto for Two Oboes in D Major, Op. 9, No. 12 and String Orchestra , composed/first edition in 1722 by T. Albinoni, arranged by D Werdick. Includes Oboe I & II score, Oboe I & II separate parts and Double Bass part with figured bass notation. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 9 minutes, 0 seconds Full Score + Parts: Oboe I & II Parts, Oboe Score, Violin I, Violin II, Viola, Cello, Double Bass with figured bass notation. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music. 2021 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.75
16.24 €
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Tomaso Albinoni
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Don Werdick (1946 - )
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II score, Oboe I &
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Double Oboe Concerto in D Major, Op. 9 No. 12 and String Orchestra
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Sinfonia no. 5 "Festival" for Orchestra and Organ, MVT.II
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1389576 Composed by G.F. Ski…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1389576 Composed by G.F. Skipworth. 20th Century,21st Century,Classical. 2 pages. George Skipworth #973171. Published by George Skipworth (A0.1389576). Based on fragment of Anglican chant-moderate difficulty - can be performed separately or as 3-movement work.
$35.00
32.02 €
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G
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Sinfonia no. 5 "Festival" for Orchestra and Organ, MVT.II
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George Skipworth
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SheetMusicPlus
Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1401651 Composed by Johann S…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 70 pages. Jmsgu3 #984834. Published by jmsgu3 (A0.1401651). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$49.95
45.7 €
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Johann Sebastian Bach
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James M
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Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
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jmsgu3
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe …
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Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.14 €
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Two Studies for Snare
Percussion Solo - Level 4 - Digital Download SKU: A0.998891 Composed by Robert A. H…
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Percussion Solo - Level 4 - Digital Download SKU: A0.998891 Composed by Robert A. Howard. Contemporary,Instructional,Standards. Individual part. 3 pages. Robert A. Howard #6572653. Published by Robert A. Howard (A0.998891). The starting point for the first of these two studies is a variant of the opening snare drum rhythm of the second movement of Bartok's Concerto for Orchestra (1943). This work was originally a short piece from 1995 (marking 50 years after Bartok's death). It was later extended and elaborated upon to make this virtuosic two-minute study. The companion piece, Study for Snare No. 2, takes an initial rhythmic idea and repeats it in crescendo, adding increasing ornamentation and rhythmic complexity on each cycle. These pieces are highly accessible and appropriate for most standards of percussionist, including students and more advanced players. Each study is also available separately, from Sheet Music Plus.
$3.49
3.19 €
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Robert A
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Two Studies for Snare
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Robert A. Howard
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SheetMusicPlus
Little Suite for Orchestra
Large Ensemble Tuba - Level 4 - Digital Download SKU: A0.889873 Composed by Gary Fr…
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Large Ensemble Tuba - Level 4 - Digital Download SKU: A0.889873 Composed by Gary Friedman. Baroque,Contemporary,Romantic Period. Score and parts. 101 pages. Gary Friedman #10627. Published by Gary Friedman (A0.889873). There are 3 movements. Sarabande, March, and Fugue, ranging from 3 to 5 minutes in duration. The Sarabande is serious and melodic, the March is cute, and the Fugue is an orchestrated version of my Fugue for Four Winds. You can get some idea of the sound of Sarabande and March by listening to the sound clips of the versions of them in my Seven Easy Melodies for Oboe with Piano Accompaniment, either in SheetMusicPlus or on my website, www.garyfriedmanmusic.net. The original Fugue for Four Winds may also be heard in these two places. Suitable for chamber orchestra. The Sarabande instruments are 2 each of flute, oboe, clarinet in A, bassoon, and horn, plus strings. In the March a trumpet (which has a nice short solo) and snare drum and triangle are added. In the Fugue, oboe 2 becomes English horn and a second trumpet is added. There are also optional parts in the Fugue for trombone, tuba, which can be covered by the bassoons, and for bells. Year: 2000.
$40.00
36.6 €
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Gary Friedman
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Little Suite for Orchestra
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Gary Friedman
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SheetMusicPlus
O Mar como quem vê - Song Cycle for Mezzo & Piano - version
Instrumental Duet - Level 4 - Digital Download SKU: A0.499197 By Alexandre Guerra. …
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Instrumental Duet - Level 4 - Digital Download SKU: A0.499197 By Alexandre Guerra. By Alexandre Guerra. Arranged by Alexandre Guerra. Contemporary. 27 pages. Alexandre Guerra #112671. Published by Alexandre Guerra (A0.499197). Song Cycle for Mezzo-soprano and Orchestra in six movements reduced for piano and voice. Five songs on poems by Fernando Pessoa (Portuguese poet) and Vicente de Carvalho (Brazilian Poet) that have the sea as the theme, and one Instrumental Interlude for Orchestra Storm on the Sea, here also reduced for piano.
$40.00
36.6 €
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Alexandre Guerra
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Alexandre Guerra
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O Mar como quem vê - Song Cycle for Mezzo & Piano - version
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Alexandre Guerra
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SheetMusicPlus
Calgary Little Suite (For String Orchestra)
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.129…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1297120 Composed by Han-Ki Kim. Chamber,Classical,Instructional,Romantic Period,Standards. 50 pages. Han-Ki Kim #887222. Published by Han-Ki Kim (A0.1297120). Living in Calgary from summer to fall of 2023, I thought I should write a music describing the scenery of this place. From the lively city of Calgary, the historic Bow River flowing leisurely, the light rail (LRT) running through the city, the birch forest in Wentworth, where I am staying, and finally, Calgary's most famous event, the Stampede Festival. These are all five scenes that I am familiar with that I have encountered around me. 1st movement : Cheerful City Calgary. 2nd movement : Bow River. 3rd movement : Light Rail Train.  4th movement : Birch forest of Wentworth. 5th movement : Stampede Festival.
$14.99
13.71 €
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Han-Ki Kim
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Calgary Little Suite
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Han-Ki Kim
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SheetMusicPlus
Canticle of Freedom (A Song for Peace) cantata for choir and orchestra
Choral,Mixed Chorus Choir,Choral - Level 4 - Digital Download SKU: A0.1452243 Compo…
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Choral,Mixed Chorus Choir,Choral - Level 4 - Digital Download SKU: A0.1452243 Composed by Alan Bullard. 21st Century,Classical. 90 pages. Colne Edition / BullardMusic #1031565. Published by Colne Edition / BullardMusic (A0.1452243). Alan Bullard's Canticle of Freedom (A Song for Peace), written in 1999 and first performed in 2000, is a prayer for a new millennium of freedom and peace, and each of the four movements takes as its starting point one of the verses from the nineteenth-century Christmas hymn 'It came upon the midnight clear'. It is scored for mixed choir, children's or youth choir, soprano and baritone soloists and a moderate size orchestra. The first movement tells of a solemn, still, and peaceful earth, and the second of a jubilant heaven. The third movement speaks of 'two thousand years of wrong' - the wars and persecution that have disfigured the last two millennia - and the last movement leads us from death to life, with a positive and joyful hope for the future: in the words of the hymn: 'When peace shall over all the earth its ancient splendours fling'. The text has been selected from a variety of poets and sources, ranging from mediaeval times to the present day. The score available here is the vocal score, with a piano reduction of the orchestral parts: for avaialablity of full score and parts please contact alanbullardmusic@gmail.com or colneedition@gmail.comThe link is to a YouTube scrolling scorewww.alanbullard.co.uk.
$8.99
8.23 €
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Alan Bullard
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Canticle of Freedom
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Colne Edition / BullardMusic
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SheetMusicPlus
One Second to the Future - Guitar Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
68.62 €
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Brent C Robitaille
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One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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SheetMusicPlus
Beethoven's Sonata Pathetique, opus 13, 1st movement, Orchestral Accompaniment
Level 4 - Digital Download SKU: A0.1200084 By Aere Greenway. By Ludwig van Beethove…
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Level 4 - Digital Download SKU: A0.1200084 By Aere Greenway. By Ludwig van Beethoven, and Aere Greenway. Arranged by Aere Greenway. Classical,Romantic Period. Accompaniment. Duration 761. Aere R Greenway #798888. Published by Aere R Greenway (A0.1200084). Transform your piano solo, into a piano concerto! Simply put the orchestra-parts audio file on your phone, and connect your phone to the performance venue's sound system.  When ready to perform, press play on the audio file on your phone, listen for the introductory timpani note, and start playing the piano part along with the pre-recorded orchestra parts.
$9.97
9.12 €
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Aere Greenway
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Aere Greenway
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Beethoven's Sonata Pathetique, opus 13, 1st movement, Orchestral Accompaniment
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Aere R Greenway
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SheetMusicPlus
Seven Steps To Heaven (2002) for string septet or string orchestra
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Score and parts. 40 pages. Thomas Oboe Lee #5982647. Published by Thomas Oboe Lee (A0.869690). Seven Steps To Heaven was composed for the Terezin Chamber Music Foundation/Project STEP Summer Education Collaborative in the Berkshires. The work, scored for seven string instruments †2 violins, 2 violas, 2 cellos & contrabass, is in seven sections: four movements with three interludes in between.Moderato, Humble Vale Interlude IFunk ScherzoInterlude IIBossa nova Interlude III Perpetuo motoWhen Mark Ludwig, Director of the Terezin Chamber Music Foundation, told me that Seven Steps would be premiered at the Hancock Shaker Village, I thought it would be most appropriate to use a Shaker tune as a source for this work.The work begins with Humble Vale. Humble Vale is part of the Hancock Hymnal: 1850 compiled by Deborah Rentz Moore.The most obvious element in this beautiful melody is the predominance of the pentatonic mode. The Funk Scherzo movement is a dissertation on pentatonic subsets: major seconds, minor thirds and perfect fourths. The Bossa nova movement, although not pentatonic melodically, is full of chords derived pentatonically: chords stacked in fourths, for example. The last movement, Perpetuo moto, is most definitely pentatonic in its theme: an incessant repeating figure with explosive pentatonic flurries of major seconds, minor thirds and perfect fourths.In between the four movements I have inserted three interludes. Interlude I is an interlocking pair of waltzing pentatonic melodies for two violins. Interlude II is a solemn march on an Fâ€sharp pedal. Interlude III is a quasiâ€canonic descending scale that resolves into a big Gâ€flat major chord. It is my intention that these interludes provide a smooth and slithery connection from one movement into the next. Enjoy!!!The work is dedicated to Miles Davis. His 1963 LP/CD Seven Steps To Heaven is a seminal recording for all music lovers. It made a huge impression on me when I was a teenager in São Paulo, Brazil. I must have listened to it a thousand times. I know every solo by heart. Heaven is Miles’ domain.
$9.99
9.14 €
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Thomas Oboe Lee
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Seven Steps To Heaven
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Thomas Oboe Lee
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SheetMusicPlus
Concertos for Five Beethoven Piano Concerto in G maj. First mvnt Arr. for String Quartet, String par
Piano Quintet,String Ensemble Piano - Level 4 - Digital Download SKU: A0.862630 Com…
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Piano Quintet,String Ensemble Piano - Level 4 - Digital Download SKU: A0.862630 Composed by Beethoven, L van. Arranged by Michael Bomier. Concert,Romantic Period,Standards. Score and parts. 22 pages. Michael Butkus-Bomier #3000649. Published by Michael Butkus-Bomier (A0.862630). Concertos for Five, is a new series from GateWay Editions. This listing is for the string parts to the first movement only. No Score, no piano. Those items are listed separately. The reason is download printing. These parts should ALL be set to print single-sided, so the end-user can decide where to place the page turns. Scores and piano parts are all double-sided downloads, and are listed separately. One could buy these parts, and utilize any Beethoven piano score, with the composer's original cadenzas, which are integrated into the fabric of all three movements, and study, rehearse and perform them with seamless ease. Look for the scores and parts for the other two movements, and play the entire concerto, with five players, not the entire orchestra. Ideal for chamber musicians, students in college, summer clinics, and any concert setting of limited scope and space. MBB.
$8.00
7.32 €
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Beethoven, L van
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Michael Bomier
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Concertos for Five Beethoven Piano Concerto in G maj. First mvnt Arr. for String Quartet, String par
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Michael Butkus-Bomier
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SheetMusicPlus
Introduction and Energico for Strings
String Ensemble - Level 4 - Digital Download SKU: A0.1451892 Composed by Keir C. Cr…
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String Ensemble - Level 4 - Digital Download SKU: A0.1451892 Composed by Keir C. Crawley. 21st Century,Chamber,Classical,Contemporary. 41 pages. Keir C Crawley #1031204. Published by Keir C Crawley (A0.1451892). Introduction and Energico for Strings is a single movement piece for String Orchestra. It was composed over an intensive four-day period in the summer of 2020 during a momentary lull in the Covid pandemic, as a result I think that there is a sense of isolation about the music. The recording came later in 2021 shortly after 'freedom day' in the UK. Performed here by 9 players - as a result of the lockdowns I didn't have access to a symphonic string orchestra and certainly couldn't afford to pay one either! View the conductor cam footage by following the link: https://www.youtube.com/watch?v=IilDV63rGuk&list=PLuU1eG-lQ97TEpK7GT1p5rox98H32tdhI&index=12.
$35.00
32.02 €
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Keir C
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Introduction and Energico for Strings
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Keir C Crawley
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SheetMusicPlus
Adagio from Concerto for Oboe and Violin in C Minor (Reconstruction after Concerto for 2 Harpsichor
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Violin - Level 4 - Digital Download
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Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Violin - Level 4 - Digital Download SKU: A0.597544 Composed by Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contemporary,Easter. Score and parts. 12 pages. Flavio Regis Cunha #6440903. Published by Flavio Regis Cunha (A0.597544). The concerto for two harpsichords in C minor, BWV 1060, is a concerto for two harpsichords and string orchestra by Johann Sebastian Bach. It is likely to have originated in the second half of the 1730s as an arrangement of an earlier concerto, also in C minor, for oboe and violin. That conjectural original version of the concerto, which may have been composed in Bach's Köthen years (1717–1723), is lost, but has been reconstructed in several versions known as BWV 1060R. While the extant 18th-century manuscripts present the concerto in a form for two harpsichords and strings, the assumption that it originated as concerto for violin and oboe has become widely accepted since the late 19th century. The Adagio middle movement, where the melody lines of both solo instruments imitate one another without distinction in texture and figuration, has been likened to the middle movement of Bach's double violin concerto, BWV 1043. Here we present the reconstruction by Wilfried Fischer for Oboe Concertato, Violin Concertato and Piano.
$12.99
11.88 €
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Johann Sebastian Bach
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Flavio Regis Cunha
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Adagio from Concerto for Oboe and Violin in C Minor
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Flavio Regis Cunha
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SheetMusicPlus
Adagio from Concerto for Oboe and Violin in C Minor - Reconstruction after Concerto for 2 Harpsichor
Large Ensemble Flute,Guitar,Harmonica,Oboe,Piano Accompaniment,Soprano Recorder,Violin - L…
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Large Ensemble Flute,Guitar,Harmonica,Oboe,Piano Accompaniment,Soprano Recorder,Violin - Level 4 - Digital Download SKU: A0.597545 Composed by Johann Sebastian Bach. Arranged by Wilfried Fischer - Edited by Flavio Regis Cunha. Baroque,Contemporary,Easter. Score and parts. 7 pages. Flavio Regis Cunha #6441577. Published by Flavio Regis Cunha (A0.597545). The concerto for two harpsichords in C minor, BWV 1060, is a concerto for two harpsichords and string orchestra by Johann Sebastian Bach. It is likely to have originated in the second half of the 1730s as an arrangement of an earlier concerto, also in C minor, for oboe and violin. That conjectural original version of the concerto, which may have been composed in Bach's Köthen years (1717–1723), is lost, but has been reconstructed in several versions known as BWV 1060R. While the extant 18th-century manuscripts present the concerto in a form for two harpsichords and strings, the assumption that it originated as concerto for violin and oboe has become widely accepted since the late 19th century. The Adagio middle movement, where the melody lines of both solo instruments imitate one another without distinction in texture and figuration, has been likened to the middle movement of Bach's double violin concerto, BWV 1043. Here we present the reconstruction for 2 Instruments in C and Piano.
$12.99
11.88 €
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Johann Sebastian Bach
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Adagio from Concerto for Oboe and Violin in C Minor - Reconstruction after Concerto for 2 Harpsichor
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Flavio Regis Cunha
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SheetMusicPlus
Ange Flégier: Dixtuor for flute, oboe, clarinet, bassoon, horn, two violins, viola, violoncello and
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 -…
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.534536 Composed by Ange Flégier. Romantic Period. Score and parts. 127 pages. Musik Fabrik Music Publishing #3627033. Published by Musik Fabrik Music Publishing (A0.534536). Ange Flégier was a French composer and painter who was born on February 25, 1846 at Marseilles and died on Octobre 8, 1927 in Martigues. Flégier is principally known as havng composed the famous song for bass and orchestra “Le Corâ€, but he also wronte more than 300 works for piano, (including a concerto), many songs, an opéra-comique “Fatima, the oratorio Ossian and many chamber works, including the first “dixtuor†for wind quintet and string quintet. This work is in the form of a four movement classical symphony. This item is the score only.
$16.95
15.51 €
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Ange Flégier
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Ange Flégier: Dixtuor for flute, oboe, clarinet, bassoon, horn, two violins, viola, violoncello and
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Musik Fabrik Music Publishing
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SheetMusicPlus
Guitar and Orchestra Suite 1st movement (Dreaming)
Small Ensemble Guitar - Level 4 - Digital Download SKU: A0.576764 Composed by David…
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Small Ensemble Guitar - Level 4 - Digital Download SKU: A0.576764 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 35 pages. David Warin Solomons #419561. Published by David Warin Solomons (A0.576764). Suite for classical guitar and orchestra, published on this site in these versions: 1st movement - Dreaming 1st movement - Dreaming - with spoken poem written by my father - Complete Suite - SCORE only Complete Suite - SCORE and PARTS The complete suite comprises: Dreaming, Folksy Waltz, Sanctus and Benedictus, with Hosannas, and finally Distant Storm The pdf file contains score and parts. The sound sample is an electronic preview.
$10.00
9.15 €
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David Warin Solomons
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Guitar and Orchestra Suite 1st movement
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David Warin Solomons
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SheetMusicPlus
Suite for Saxophones
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407778 Composed by Igor Stravinsky. Arranged by Robert Stevens. 20th Century,Chamber,Classical. 36 pages. SAXpress.com #990402. Published by SAXpress.com (A0.1407778). Suite for Saxophones Igor Stravinsky (1882 – 1971) Saxophone Quintet SAATB Suite for Saxophones based on piano music of Igor Stravinsky, arranged for saxophone quintet SAATB. Between 1915 and 1917, as an amusement for his two children, Stravinsky wrote a series of eight easy piano duets based on a variety of dance forms. Later, he orchestrated the pieces for small orchestra and arranged them into suites of four movements each. The results are outrageous, witty, and utterly charming. As always, Stravinsky outdoes himself in the inventiveness of his orchestrations, which are filled with unusual instrumental juxtapositions and surprising changes in rhythm and texture. Some of those surprising changes and textures are evident in the arrangement for saxophone quintet.The Suite for Saxophones includes the following movements:March, from Three Easy Pieces, 1915Andante, from Five Easy Pieces, 1917Balalaika, from Five Easy Pieces, 1917Galop, from Five Easy Pieces, 1917.
$22.95
21 €
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Igor Stravinsky
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Robert Stevens
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Suite for Saxophones
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SAXpress.com
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SheetMusicPlus
Guitar and Orchestra Suite Complete (Score and Parts)
Small Ensemble Guitar - Level 4 - Digital Download SKU: A0.576765 Composed by David…
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Small Ensemble Guitar - Level 4 - Digital Download SKU: A0.576765 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 86 pages. David Warin Solomons #419563. Published by David Warin Solomons (A0.576765). Suite for classical guitar and orchestra, published on this site in these versions: 1st movement - Dreaming 1st movement - Dreaming - with spoken poem written by my father - Complete Suite - SCORE only Complete Suite - SCORE and PARTS The complete suite comprises: Dreaming, Folksy Waltz, Sanctus and Benedictus, with Hosannas, and finally Distant Storm The pdf file contains score and parts. The sound sample is an electronic preview.
$28.00
25.62 €
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David Warin Solomons
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Guitar and Orchestra Suite Complete
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David Warin Solomons
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SheetMusicPlus
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