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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
See-Saw
Non classifié
15
Piano & claviers
Piano seul
6
Instruments en Do
4
Piano, Voix et Guitare
3
Piano, Voix
1
Guitares
Guitare notes et tablatures
1
Basse electrique
1
Voix
Chorale SATB
4
Chorale 3 parties
1
Vents
2 Saxophones (duo)
5
2 Clarinettes (duo)
3
Saxophone, Clarinette (duo)
3
2 Flûtes traversières (duo)
2
Saxophone Alto et Piano
1
Clarinette, Violon (duo)
1
Flûte, Alto (duo)
1
Flûte, Violon
1
Clarinette et Alto
1
Flûte, Clarinette (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Clarinette (duo)
1
2 Hautbois (duo)
1
Hautbois, Flûte
1
Hautbois, Basson (duo)
1
Flûte, Saxophone (duo)
1
+ 11 instrumentations
Retracter
Cuivres
Quatuor de cuivres: 4 trombones
4
Trompette, Saxophone (duo)
2
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
2 Trompettes (duo)
1
3 Trombones (trio)
1
+ 1 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5
Violon, Violoncelle (duo)
4
Violon, Alto (duo)
2
Alto, Piano
1
Harpe
1
2 Violoncelles (duo)
1
2 Violons (duo)
1
2 Altos (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Violon et Piano
1
+ 5 instrumentations
Retracter
Orchestre & Percussions
Orchestre
4
Orchestre d'harmonie
4
Autres
Instruments
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ALTO
AUTRES INST…
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CONTREBASSE
COR
COR ANGLAIS
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
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VIOLE DE GA…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Partitions à imprimer
15 partitions trouvées
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1
I Saw Three Ships - Trombone Feature
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John van Gulik
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John van Gulik
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I Saw Three Ships - Trombone F
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John van Gulik
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1308922 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas,Contest,Festival,Holiday. Brass Band. 33 pages. John van Gulik #898179. Published by John van Gulik (A0.1308922). Perfect for a Christmas concert, I Saw Three Ships is arranged here for 4 trombones and brass band. This is a challenging piece for a great trombone section with little solo bits for each trombone and a great swing section.Standard Instrumentation :1st, 2nd, 3rd, and Bass TromboneSoprano Cornet, Solo, 1st and 2nd CornetFlugel Horn,Solo, 1st and 2nd Horn1st and 2nd BaritoneEuphoniumEb and Bb BassPercussion (Drum kit)Comes with full score in letter/landscape format for double sided printing and binding on short edge. Â All parts included in letter/portrait format.See https://jvgmusiconline.com for additional parts and other scores for brass band and other ensembles.
$20.00
The First Time Ever I Saw Your Face
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Various
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Kirstie Smith
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The First Time Ever I Saw Your
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Kirstie Smith
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SheetMusicPlus
Alto Voice,Baritone Horn TC,Bass Voice,Mezzo-Soprano Voice,Piano,Tenor Voice - Level 4 - SKU: A0.1473304 By Various. By Ewan MacColl. Arranged by Kirsti...
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Alto Voice,Baritone Horn TC,Bass Voice,Mezzo-Soprano Voice,Piano,Tenor Voice - Level 4 - SKU: A0.1473304 By Various. By Ewan MacColl. Arranged by Kirstie Smith. 20th Century,Chamber,Classical,Wedding. Full Performance. Duration 310. Kirstie Smith #1051092. Published by Kirstie Smith (A0.1473304). Full audio performance of a unique SATB (divisi) improvised recording of 'The First Time Ever I Saw Your Face' .This recording was made during the 2020 UK lockdown, a difficult time for all, self-employed musicians included, but which allowed time for artistic creativity resulting in an improvised vocal / piano performance in an impressionistic film-score style.Although no referring score has been completed yet, if this MP3 audio is downloaded twice a score will be written and published.According to Wikipedia (08/06/2024) The First Time Ever I Saw Your Face was originally a 1957 folk song written by British political singer-songwriter Ewan MacColl for Peggy Seeger, who later became his wife. During the 1960s, it was recorded by various folk singers and became a major international hit for Roberta Flack in 1972, winning Grammy Awards for Record of the Year and Song of the Year. Billboard ranked it as the number-one Hot 100 single of the year for 1972. FUN FACT: The First Time Ever I Saw Your Face was played as the wake-up music on flight day 9 to the astronauts aboard Apollo 17 on their last day in Lunar orbit (Friday, December 15, 1972) before returning to Earth, thus ending the last human explorations of the Moon. The use of the song was most likely a reference to the face of the Moon below the spacecraft.
$4.99
Three Painters (parts)
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Contemporain
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages....
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages. Drake Mabry #1989265. Published by Drake Mabry (A0.799463). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full blown big band style played by the ensemble. The duration is 12 minutes.
$9.99
Three Painters (score)
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Contemporain
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages....
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #1989261. Published by Drake Mabry (A0.799462). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full-blown big band style played by the ensemble. The duration is 12 minutes.Three Painters was premiered by an ensemble conducted by Philippe Cambreling at the Auditorium, CRR de Chalon sur Saône, France on March 22, 2009.
$9.99
Stabat Mater - string ensemble parts
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Contemporain
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble
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Annemieke Lustenhouwer
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. ...
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Small Ensemble - Level 4 - SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
Fantasia On Christmas Carols
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Kevin Birch
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Kevin Birch
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Fantasia On Christmas Carols
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Birch Music Online
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1493020 By Kevin Birch. By Traditional Carols. Arranged by Kevin Birch. Christmas,Classical,Traditional. Brass Band. 130 pages. Birch Music Online #1069710. Published by Birch Music Online (A0.1493020). This Fantasia would make be a great addition to a Christmas concert. The carols are all well known, I Saw Three Ships, Silent Night, The Holly And The Ivy, Away In A Manger, See Amid The Winter's Snow, Angels From The Realms Of Glory. The extensive coda section returns to I Saw Three Ships combined with O Come All Ye Faithful. It is quite a substantial piece for the Christmas season.
$50.00
Carry On Wayward Son
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Kansas
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Neil Samuel
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Carry On Wayward Son
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Neil Samuel Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1251253 By Kansas. By Kerry Livgren. Arranged by Neil Samuel. Disco,Pop,Rock. Brass Band. 78 pages. Neil Samuel Music #845530. Published by Neil Samuel Music (A0.1251253). Arranged For Brass Band.... This was written by Kansas guitarist Kerry Livgren. According to Livgren, the song was not written to express anything specifically religious, though it certainly expresses spiritual searching and other ideas.Livgren became an evangelical Christian in 1980, and has said that his songwriting to that point was all about searching. Regarding this song, he explained: I felt a profound urge to 'Carry On' and continue the search. I saw myself as the 'Wayward Son,' alienated from the ultimate reality, and yet striving to know it or him. The positive note at the end ('surely heaven waits for you') seemed strange and premature, but I felt impelled to include it in the lyrics. It proved to be prophetic.
$32.00
Parting for Baroque Lute in D-minor
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Contemporain
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Dosia McKay
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Parting for Baroque Lute in D-
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Gavia Music
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SheetMusicPlus
Instrumental Solo,Lute - Level 4 - SKU: A0.876670 Composed by Dosia McKay. Contemporary. Individual part. 4 pages. Gavia Music #3099049. Published by Ga...
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Instrumental Solo,Lute - Level 4 - SKU: A0.876670 Composed by Dosia McKay. Contemporary. Individual part. 4 pages. Gavia Music #3099049. Published by Gavia Music (A0.876670). From the composer: I wrote Parting for Baroque lutenist Will Tocaben in the summer of 2013. At that time it seemed that everywhere I turned, I saw relationships falling apart and close and distant friends going through breakups. I wanted to write a reflective piece expressing the sense of being pulled back and forth, the feeling of loss and uncertainty, with the final release and acceptance. The piece is notated in treble clef for Baroque lute tuned in D-minor. Total duration 5'00''.
$25.00
Frankie the Frank Frankenstein, Halloween Duet for Trumpet and Tenor Horn
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Halloween
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David McKeown
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he likes to speak his mind
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Frankie the Frank Frankenstein
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - SKU: A0.592167 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween...
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - SKU: A0.592167 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6354285. Published by David McKeown (A0.592167). Frankie the Frank Frankenstein is a fun and original duet written by David McKeown for one Trumpet and one Tenor Horn in E Flat. Frankie the Frank Frankenstein is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Tenor Horn.Frankie is a straightforward kinda monster. He tells it as he sees it; he likes to speak his mind. Unfortunately, he is constructed from so many and various spare parts that he isn’t always entirely sure which eyes he saw it through, which mind to believe, or indeed from which mouth to say it. Frankie the Frank Frankenstein is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the changing styles and tempo and some syncopated rhythms. With a playing-time of around three and a half minutes, Frankie the Frank Frankenstein is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Frankie the Frank Frankenstein, Halloween Duet for Oboe and Violin
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Halloween
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David McKeown
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he likes to speak his mind
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Frankie the Frank Frankenstein
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - SKU: A0.592145 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standa...
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - SKU: A0.592145 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6354239. Published by David McKeown (A0.592145). Frankie the Frank Frankenstein is a fun and original duet written by David McKeown for one Oboe and one Violin. Frankie the Frank Frankenstein is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Violin.Frankie is a straightforward kinda monster. He tells it as he sees it; he likes to speak his mind. Unfortunately, he is constructed from so many and various spare parts that he isn’t always entirely sure which eyes he saw it through, which mind to believe, or indeed from which mouth to say it. Frank the Frankie Frankenstein is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the changing styles and tempo and some syncopated rhythms. With a playing-time of around three and a half minutes, Frankie the Frank Frankenstein is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Frankie the Frank Frankenstein, Halloween Duet for Oboe and Cor Anglais (or English Horn)
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Halloween
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David McKeown
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he likes to speak his mind
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Frankie the Frank Frankenstein
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.592144 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.592144 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6354237. Published by David McKeown (A0.592144). Frankie the Frank Frankenstein is a fun and original duet written by David McKeown for one Oboe and one Cor Anglais (or English Horn). Frankie the Frank Frankenstein is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Cor Anglais (or English Horn).Frankie is a straightforward kinda monster. He tells it as he sees it; he likes to speak his mind. Unfortunately, he is constructed from so many and various spare parts that he isn’t always entirely sure which eyes he saw it through, which mind to believe, or indeed from which mouth to say it. Frank the Frankie Frankenstein is suitable for players at an advanced intermediate level and above, with the accessible key and range balanced by the changing styles and tempo and some syncopated rhythms. With a playing-time of around three and a half minutes, Frankie the Frank Frankenstein is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Chromatic Agility Studies (Vol. 1-2)
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Matt Harper
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Chromatic Agility Studies
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Matt Harper
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SheetMusicPlus
Baritone Horn TC/Euphonium,Cornet,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1420111 Composed by Matt Harper. Classical,Contemporary,Instructi...
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Baritone Horn TC/Euphonium,Cornet,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1420111 Composed by Matt Harper. Classical,Contemporary,Instructional. Educational Exercises. 286 pages. Matt Harper #1001542. Published by Matt Harper (A0.1420111). The book is was written with trumpet/cornet players in mind but is suitable for any brass instrument and is suitable for anybody from early high school to seasoned professionals. My goal is to get away from over emphasizing on major chords and scales that is seen in countless other method books. Ultimately, I wanted more of a challenge from the method books I was playing out of in a way that was more conducive to practicing the music I saw in British style brass bands, but can still be useful to many aspects of orchestral, wind band, and chamber music. Some of the exercises in this book includes: Slurring straight up and down all in one rhythm, Unique studies to approach major, minor, and chromatic scales. Using major, minor, augmented, and diminished arpeggios to help aid in speed and flexibility. Gradually expanding intervals from minor seconds to octaves and even major tenths. A detailed method on how to effectively and efficiently learn challenging passages.
$49.99
Chromatic Agility Studies - Vol. 2
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Matt Harper
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Chromatic Agility Studies - Vo
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Matt Harper
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SheetMusicPlus
Baritone Horn TC/Euphonium,Cornet,Flugelhorn,Tenor Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1420114 Composed by Matt Harper. Classical,Contemporar...
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Baritone Horn TC/Euphonium,Cornet,Flugelhorn,Tenor Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1420114 Composed by Matt Harper. Classical,Contemporary,Instructional. Educational Exercises. 132 pages. Matt Harper #1001545. Published by Matt Harper (A0.1420114). The book is was written with trumpet/cornet players in mind but is suitable for any brass instrument and is suitable for anybody from early high school to seasoned professionals. My goal is to get away from over emphasizing on major chords and scales that is seen in countless other method books. Ultimately, I wanted more of a challenge from the method books I was playing out of in a way that was more conducive to practicing the music I saw in British style brass bands, but can still be useful to many aspects of orchestral, wind band, and chamber music. Some of the exercises in this book includes: Gradually expanding intervals from minor seconds to octaves and even major tenths. A detailed method on how to effectively and efficiently learn challenging passages.
$29.99
Chromatic Agility Studies - Vol. 1
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Matt Harper
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Chromatic Agility Studies - Vo
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Matt Harper
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SheetMusicPlus
Baritone Horn TC/Euphonium,Cornet,Flugelhorn,Tenor Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1420113 Composed by Matt Harper. Classical,Contemporar...
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Baritone Horn TC/Euphonium,Cornet,Flugelhorn,Tenor Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1420113 Composed by Matt Harper. Classical,Contemporary,Instructional. Educational Exercises. 157 pages. Matt Harper #1001544. Published by Matt Harper (A0.1420113). The book is was written with trumpet/cornet players in mind but is suitable for any brass instrument and is suitable for anybody from early high school to seasoned professionals. My goal is to get away from over emphasizing on major chords and scales that is seen in countless other method books. Ultimately, I wanted more of a challenge from the method books I was playing out of in a way that was more conducive to practicing the music I saw in British style brass bands, but can still be useful to many aspects of orchestral, wind band, and chamber music. Some of the exercises in this book includes: Slurring straight up and down all in one rhythm, Unique studies to approach major, minor, and chromatic scales.Using major, minor, augmented, and diminished arpeggios to help aid in speed and flexibility.
$29.99
The Man Who Hated Trees
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Contemporain
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Gary Friedman
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The Man Who Hated Trees
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Gary Friedman
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,English Horn,High Voice,Percussion - Level 4 - SKU: A0.889902 Composed by Gary Friedman. Contemporary. Score and parts. ...
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Small Ensemble Bassoon,Clarinet,English Horn,High Voice,Percussion - Level 4 - SKU: A0.889902 Composed by Gary Friedman. Contemporary. Score and parts. 26 pages. Gary Friedman #3097673. Published by Gary Friedman (A0.889902). A musical setting of the poem, The Man Who Hated Trees, by Naomi Shihab Nye. The music attempts to depict a not-very-nice barber, who not only spent years shaving the necks of cafeteria managers but found every excuse he could to justify cutting down trees. The mezzo-soprano is accompanied by English horn or clarinet in A, horn, bassoon, and percussion (wood files rubbed together to simulate neck shaving and tree sawing.) To aid in coordinating with the vocalist and each other, abundant cues are provided in staves parallel to the staves being played in the instrumental parts. The vocalist sings from the score. You may see and hear the performance in the audio clip by Mimi Braverman, mezzo-soprano, Gary Friedman, English horn, Frank Lahorgue, horn, Karen Wright, bassoon, and Ruth Friedman, percussion, on YouTube. The link is https://youtu.be/03xXoCZw8MY Duration: 6 minutes.
$15.00
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